Monday, April 6th, 2020
Tom’s videos are so good! Did you see his excellent in-depth piece on copyright?
This one is all about APIs and the golden age of Web 2.0 when we were free to create mashups.
It pairs nicely with a piece by another Tom from a couple of years back on the joy of Twitterbots.
Two observations of websites on mobile devices today:
- They are beautifully designed, with great typography, clear branding, all optimized for readability.
- I had to install Firefox, Adblock Plus and uBlock Origin, as well as manually select and remove additional elements such as subscription overlays.
Both observations are the result of conscious design decisions.
Human consciousness is the most astonishing thing, and most of it happened in deep time, beyond the reach of any writing and most legends. Human experience, in general, is prehistoric. And prehistoric experience was just as full as yours and mine: just as deeply felt, just as intelligent, just as real. What we know of it is mostly from durable artifacts and graves. I’m thinking of the woman found near the Snake River, buried at the end of the ice age with a perfectly crafted and unused stone knife tucked under her head. I’m thinking of the huge conical hats, beaten from single pieces of gold and inscribed with calendars, found north of the Alps. I’m thinking of Grave 8 at Vedbæk, where a woman held her premature baby on the spread wing of a swan. These are snapshot that experts can assemble into larger ideas, but what they tell all of us is that we’ve been people, not just humans, for a very long time.
Chromium browsers—Chrome, Edge, et al.—are getting a much-needed update to some interface elements like the
progess element, the
meter element, and the
color input types.
I wrote something recently about telling the story of performance. Sue Loh emphasis the importance of understanding what makes people tick:
Performance engineers need to be an interesting mix of data-lovers and people-whisperers.
The cloud gives us collaboration, but old-fashioned apps give us ownership. Can’t we have the best of both worlds?
We would like both the convenient cross-device access and real-time collaboration provided by cloud apps, and also the personal ownership of your own data embodied by “old-fashioned” software.
This is a very in-depth look at the mindset and the challenges involved in building truly local-first software—something that Tantek has also been thinking about.
Saturday, April 4th, 2020
A bit of Blarney
No, my life’s work is connected to Irish traditional music. Not as a musician, I hasten to clarify—while I derive enormous pleasure from playing tunes on my mandolin, that’s more of a release than a vocation.
My real legacy, it turns out, is being the creator and caretaker of The Session, an online community and archive dedicated to Irish traditional music. I might occassionally mention it here, but only when it’s related to performance, accessibility, or some other front-end aspect. I’ve never really talked about the history, meaning, and purpose of The Session.
I’ve been huffduffing episodes of this podcast for quite a while now. It’s really quite excellent. If you’re at all interested in Irish traditional music, the interviews with the likes of Kevin Burke, John Carty, Liz Carroll and Catherine McEvoy are hard to beat.
So imagine my surprise when they contacted me to ask me to chat and play some tunes! It really was an honour.
I was also a bit of guinea pig. Normally they’d record these kinds of intimate interviews face to face, but what with The Situation and all, my chat was the first remotely recorded episode.
I’ve been on my fair share of podcasts—most recently the Design Systems Podcast—but this one was quite different. Instead of talking about my work on the web, this focussed on what I was doing before the web came along. So if you don’t want to hear me talking about my childhood, give this a miss.
But if you’re interested in hearing my reminisce and discuss the origin and evolution of The Session, have a listen. The chat is interspersed with some badly-played tunes from me on the mandolin, but don’t let that put you off.
Friday, April 3rd, 2020
The return of NASA’s iconic “worm” logo (for some missions).
A nice succint explanation of using the
sizes attributes on the
img element—remember, you probably don’t need
source elements if your use case is swapping out different sized versions of the same image.
One caveat thought: you do need to know the dimensions of the images. If you’re dealing with unknown or user-generated photos, that can be an issue.
Thursday, April 2nd, 2020
Visual Design Inspiration from Agency Websites–And Other Tangential Observations | Jim Nielsen’s Weblog
Granted, agencies are usually the ones pushing the boundaries. “Pop” and “pizazz” are what sell for many of them (i.e. “look what we can do!”) Many of these sites pushed the boundaries of what you can do in the browser, and that’s cool. I like seeing that kind of stuff.
But if you asked me what agency websites inspired both parts me, I’d point to something like Clearleft or Paravel. To me, they strike a great balance of visual design with the craft of building for an accessible, universal web.
I enjoyed this documentary on legendary sound designer and editor Walter Murch. Kinda makes me want to rewatch The Conversation and The Godfather.
I enjoyed talking with Chris about design systems (and more). The episode is now available for your huffduffing pleasure.
Mike sees the church of JS-first ignoring the lessons to be learned from the years of experience accumulated by CSS practitioners.
As the responsibilities of front-end developers have become more broad, some might consider the conventions outlined here to be not worth following. I’ve seen teams spend weeks planning the right combination of framework, build tools, workflows and patterns only to give zero consideration to the way they architect UI components. It’s often considered the last step in the process and not worthy of the same level of consideration.
It’s important! I’ve seen well-planned project fail or go well over budget because the UI architecture was poorly planned and became un-maintainable as the project grew.
Ted Chiang’s hot takes are like his short stories—punchy, powerful, and thought-provoking.
I’m not the only one thinking about J.G. Ballard.
A luxury cruiseliner quarantined in San Francisco bay, its well-heeled passengers confined to their cabins for weeks on end. Holidaymakers on lockdown at a quarantined hotel in Tenerife after an Italian doctor comes down with coronavirus. A world of isolated individuals rarely leaving their homes, keeping a wary distance from one another in public, communicating with their friends and loved ones via exclusively technological means. These situations are so Ballardian as to be in the realm of copyright infringement.