Tags: archives

52

sparkline

Wednesday, January 2nd, 2019

365 RFCs — Write.as

April 7th, 2019 is going to be the 50 year anniversary of the first ever Request for Comments, known as an RFC.

Darius Kazemi is going to spend the year writing commentary on the first 365 Request For Comments from the Internt Engineering Task Force:

In honor of this anniversary, I figured I would read one RFC each day of 2019, starting with RFC 1 and ending with RFC 365. I’ll offer brief commentary on each RFC.

Wednesday, December 5th, 2018

Why You Should Never, Ever Use Quora – Waxy.org

Never mind their recent data breach—the reason to avoid Quora is that it’s a data roach motel.

All of Quora’s efforts to lock up its community’s contributions make it incredibly difficult to preserve when that they go away, which they someday will. If you choose to contribute to Quora, they’re actively fighting to limit future access to your own work.

Sunday, November 25th, 2018

Stats: Creating (Phil Gyford’s website)

I quite like Phil’s idea of having charts like this. It might be a fun project for Homebrew Website Club to do something like this for my site.

Friday, November 23rd, 2018

FlickrJubilee (@FlickrJubilee) / Twitter

Flickr is removing anything over 1,000 photos on accounts that are not “pro” (paid for) in 2019. We highlight large and amazing accounts that could use a gift to go pro. We take nominations and track when these accounts are saved.

Home - Memory of Mankind

A time capsule for the long now. Laser-etched ceramic tablets in an Austrian salt mine carry memories of our civilisation in three categories: news editorials, scientific works, and personal stories.

You can contribute a personal story, your favorite poem, or newspaper articles which describe our problems, visions or our daily life.

Tokens that mark the location of the site are also being distributed across the planet.

Archiving web sites [LWN.net]

As it turns out, some sites are much harder to archive than others. This article goes through the process of archiving traditional web sites and shows how it falls short when confronted with the latest fashions in the single-page applications that are bloating the modern web.

Thursday, November 8th, 2018

The Commons: The Past Is 100% Part of Our Future | Flickr Blog

This is very, very good news. Following on from the recent announcement that a huge swathe of Flickr photos would soon be deleted, there’s now an update: any photos that are Creative Commons licensed won’t be deleted after all. Phew!

I wonder if I can get a refund for that pro account I just bought last week to keep my Creative Commons licensed Flickr pictures online.

Sunday, November 4th, 2018

Why we’re changing Flickr free accounts | Flickr Blog

I’ve got a lot of photos on Flickr (even though I don’t use it directly much these days) and I’ve paid up for a pro account to protect those photos, but I’m very worried about this:

Beginning January 8, 2019, Free accounts will be limited to 1,000 photos and videos.

That in itself is fine, but any existing non-pro accounts with more than 1000 photos will have older photos deleted until the total comes down to 1000. This means that anyone linking to those photos (or embedding them in blog posts or articles) will have broken links and images.

Tears in the rain.

Monday, October 8th, 2018

Wednesday, July 11th, 2018

Disturbances #16: Digital Dust

From smart dust and spimes, through to online journaling and social media, to machine learning, big data and digital preservation…

Is the archive where information goes to live forever, or where data goes to die?

Thursday, March 8th, 2018

Google and HTTP

I share many of these concerns.

The web is huge. Even bigger than Google. I love that the web preserves all the work. I don’t think anyone has the right to change the web so they no longer work.

Monday, February 26th, 2018

The Internet Isn’t Forever

A terrific piece by Maria Bustillos on digital preservation and the power of archives, backed up with frightening real-world examples.

Because history is a fight we’re having every day. We’re battling to make the truth first by living it, and then by recording and sharing it, and finally, crucially, by preserving it. Without an archive, there is no history.

Monday, February 19th, 2018

We need to an internet of unmonetisable enthusiasms | WIRED UK

Russell Davies:

That’s the web I want; a place with spare corners where un-monetisable enthusiasms can be preserved, even if they’ve not been updated for seven years.

Friday, January 26th, 2018

Arch Mission

Off-site backups of humanity’s knowledge and culture, stored in different media (including pyramidal crystals) placed in near-Earth orbit, the moon, and Mars.

We are developing specialized next-generation devices that we call Archs™ (pronounced “Arks”), which are designed to hold and transmit large amounts of data over long periods of time in extreme environments, including outer space and on the surfaces of other planetary bodies.

Our goal is to collect and curate important data sets and to install them on Archs™ that will be delivered to as many locations as possible for safekeeping.

To increase the chances that Archs™ will be found in the future, we aim for durability and massive redundancy across a broad diversity of locations and materials – a strategy that nature itself has successfully employed.

Tuesday, January 2nd, 2018

Wednesday, December 20th, 2017

Future Historians Probably Won’t Understand Our Internet - The Atlantic

You can’t log into the same Facebook twice.

The world as we experience it seems to be growing more opaque. More of life now takes place on digital platforms that are different for everyone, closed to inspection, and massively technically complex. What we don’t know now about our current experience will resound through time in historians of the future knowing less, too. Maybe this era will be a new dark age, as resistant to analysis then as it has become now.

Friday, June 9th, 2017

Human Document Project 2017

A conference in my old stomping grounds of Freiburg on archives, preservation, and long-term thinking:

It will present the state of art in long-term archiving as well as the present problems in preservation of information and scientific data in archives and libraries. Perhaps the most interesting aspect is that, since all conceivable systems are finite but can be quite large, a choice on the contents has to be made. This requires thinking of the human condition: Who we are, what we are and what do we find worth to preserve.

Sunday, June 4th, 2017

Month maps

One of the topics I enjoy discussing at Indie Web Camps is how we can use design to display activity over time on personal websites. That’s how I ended up with sparklines on my site—it was the a direct result of a discussion at Indie Web Camp Nuremberg a year ago:

During the discussion at Indie Web Camp, we started looking at how silos design their profile pages to see what we could learn from them. Looking at my Twitter profile, my Instagram profile, my Untappd profile, or just about any other profile, it’s a mixture of bio and stream, with the addition of stats showing activity on the site—signs of life.

Perhaps the most interesting visual example of my activity over time is on my Github profile. Halfway down the page there’s a calendar heatmap that uses colour to indicate the amount of activity. What I find interesting is that it’s using two axes of time over a year: days of the month across the X axis and days of the week down the Y axis.

I wanted to try something similar, but showing activity by time of day down the Y axis. A month of activity feels like the right range to display, so I set about adding a calendar heatmap to monthly archives. I already had the data I needed—timestamps of posts. That’s what I was already using to display sparklines. I wrote some code to loop over those timestamps and organise them by day and by hour. Then I spit out a table with days for the columns and clumps of hours for the rows.

Calendar heatmap on Dribbble

I’m using colour (well, different shades of grey) to indicate the relative amounts of activity, but I decided to use size as well. So it’s also a bubble chart.

It doesn’t work very elegantly on small screens: the table is clipped horizontally and can be swiped left and right. Ideally the visualisation itself would change to accommodate smaller screens.

Still, I kind of like the end result. Here’s last month’s activity on my site. Here’s the same time period ten years ago. I’ve also added month heatmaps to the monthly archives for my journal, links, and notes. They’re kind of like an expanded view of the sparklines that are shown with each month.

From one year ago, here’s the daily distribution of

And then here’s the the daily distribution of everything in that month all together.

I realise that the data being displayed is probably only of interest to me, but then, that’s one of the perks of having your own website—you can do whatever you feel like.

Wednesday, May 3rd, 2017

The Lost Picture Show: Hollywood Archivists Can’t Outpace Obsolescence - IEEE Spectrum

There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.

Format:

Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.

Medium:

As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.

Licensing:

Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.

It adds up to a potential cultural disaster:

If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.

Tuesday, May 2nd, 2017

The Last 100 Days, the Next 100 Years

Cancelling the future.

The future lives and dies by the state of the archives. To look hard at this world and honestly, diligently articulate what happened and what it was like in the present is a sort of promise to the future, a new layer to the palimpsest of history that can become someone else’s foundation.