Tags: aria



Thursday, September 13th, 2018

The Importance Of Manual Accessibility Testing — Smashing Magazine

This is very timely. I’ve been doing some consulting at a company where they are perhaps a little over-reliant on automated accessibility tests.

Automated accessibility tests are a great resource to have, but they can’t automatically make your site accessible. Use them as one step of a larger testing process.

Tuesday, August 21st, 2018

A Tale of Two Buttons

In defence of the cascade (especially now that we’ve got CSS custom properties).

I think embracing CSS’s cascade can be a great way to encourage consistency and simplicity in UIs. Rather than every new component being a free for all, it trains both designers and developers to think in terms of aligning with and re-using what they already have.

Remember, every time you set a property in CSS you are in fact overriding something (even if it’s just the default user agent styles). In other words, CSS code is mostly expressing exceptions to a default design.

Thursday, August 2nd, 2018

Nutrition Cards for Accessible Components A11Y Expectations

A handy bunch of checklists from Dave for creating accessible components. Each component gets a card that lists the expectations for interaction.

Accessibility: Start with the foundations | susan jean robertson

I encourage you to think about and make sure you are using the right elements at the right time. Sometimes I overthink this, but that’s because it’s that important to me - I want to make sure that the markup I use helps people understand the content, and doesn’t hinder them.

Tuesday, July 31st, 2018

The Accessibility of Styled Form Controls & Friends | a11y_styled_form_controls

A great collection of styled and accessible form elements:

Form controls are necessary in many interfaces, but are often considered annoying, if not downright difficult, to style. Many of the markup patterns presented here can serve as a baseline for building more attractive form controls without having to exclude users who may rely on assistive technology to get things done.

Friday, July 20th, 2018

Short note on progressive ARIA by The Paciello Group

Léonie makes a really good point here: if you’re adding aria attributes to indicate interactions you’re making available through JavaScript, then make sure you also use JavaScript to add those aria attributes.

Transform your type online with variable fonts | Creative Bloq

This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.

I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.

Tuesday, July 17th, 2018

Font Playground — Play with variable fonts!

A fun way to play around with the options in variable fonts.

Monday, July 2nd, 2018

Ampersand 2018 | Rob Weychert

Rob attended the excellent Ampersand event last Friday and he’s made notes for each and every talk.

Saturday, June 23rd, 2018

New tools for art direction on the web

I’m in Boston right now, getting ready to speak at An Event Apart. This will be my second (and last) Event Apart of the year—the other time was in Seattle back in April. After that event, I wrote about how inspired I was:

It was interesting to see repeating, overlapping themes. From a purely technical perspective, three technologies that were front and centre were:

  • CSS grid,
  • variable fonts, and
  • service workers.

From listening to other attendees, the overwhelming message received was “These technologies are here—they’ve arrived.”

I was itching to combine those technologies on a project. Coincidentally, it was around that time that I started planning to publish The Gęsiówka Story. I figured I could use that as an opportunity to tinker with those front-end technologies that I was so excited about.

But I was cautious. I didn’t want to use the latest exciting technology just for the sake of it. I was very aware of the gravity of the material I was dealing with. Documenting the story of Gęsiówka was what mattered. Any front-end technologies I used had to be in support of that.

First of all, there was the typesetting. I don’t know about you, but I find choosing the right typefaces to be overwhelming. Despite all the great tips and techniques out there for choosing and pairing typefaces, I still find myself agonising over the choice—what if there’s a better choice that I’m missing?

In this case, because I wanted to use a variable font, I had a constraint that helped reduce the possibility space. I started to comb through v-fonts.com to find a suitable typeface—I was fairly sure I wanted a serious serif.

I had one other constraint. The font file had to include English, Polish, and German glyphs. That pretty much sealed the deal for Source Serif. That only has one variable axis—weight—but I decided that this could also be an interesting constraint: how much could I wrangle out of a single typeface just using various weights?

I ended up using font weights of 75, 250, 315, 325, 340, 350, 400, and 525. Most of them were for headings or one-off uses, with a font-weight of 315 for the body copy.

(And can I just say once again how impressed I am that the founding fathers of CSS were far-sighted enough to keep those font weight ranges free for future use?)

Getting the typography right posed an interesting challenge. This was a fairly long piece of writing, so it really needed to be readable without getting tiring. But at the same time, I didn’t want it to be exactly pleasant to read—that wouldn’t do the subject matter justice. I wanted the reader to feel the seriousness of the story they were reading, without being fatigued by its weight.

Colour and type went a long way to communicating that feeling. The grid sealed the deal.

The Gęsiówka Story is mostly one single column of text, so on the face of it, there isn’t much opportunity to go crazy with CSS Grid. But I realised I could use a grid to create a winding effect for the text. I had to be careful though: I didn’t want it to become uncomfortable to read. I wanted to create a slightly unsettling effect.

Every section element is turned into a seven-column grid container:

section {
    display: grid;
    grid-column-gap: 2em;
    grid-template-columns: 2em repeat(5, 1fr) 2em;

The first and last columns are the same width as the gutters (2em), effectively creating “outer” gutters for the grid. Each paragraph within the section takes up six of the seven columns. I use nth-of-type to alternate which six columns are used (the first six or the last six). That creates the staggered indendation:

section > p {
    grid-column: 1/7;
section > p:nth-of-type(even) {
    grid-column: 2/8;

Staggered grid.

That might seem like overkill just to indent every second paragraph by 4em, but I then used the same grid dimensions to layout figure elements with images and captions.

section > figure {
    display: grid;
    grid-column-gap: 2em;
    grid-template-columns: 2em repeat(5, 1fr) 2em;

Then I can lay out differently proportioned images across different ranges of the grid:

section > figure.landscape > img {
    grid-column: 1/5;
section > figure.landscape > figcaption {
    grid-column: 5/8;
section > figure.portrait > img {
    grid-column: 1/4;
section > figure.portrait > figcaption {
    grid-column: 4/8;

Because they’re positioned on the same grid as the paragraphs, everything lines up nicely (and yes, if subgrid existed, I wouldn’t have to redeclare the grid dimensions for the figures).

Finally, I wanted to make sure that the whole thing could be read offline. After all, once you’ve visited the URL once, there’s really no reason to make any more requests to the server. Static documents—and books—are the perfect candidates for an “offline first” approach: always look in the cache, and only go to the network as a last resort.

In this case I used a variation of my minimal viable service worker script, and the result is a very short set of instructions. There’s a little bit of pre-caching going on: I grab the variable font and the HTML page itself (which includes the CSS inlined).

So there you have it: variable fonts, CSS grid, and service workers: three exciting front-end technologies, all of which can be applied as progressive enhancements on top of the core content.

Once again, I find that it’s personal projects that offer the most opportunities to try out new or interesting techniques. And The Gęsiówka Story is a very personal project indeed.

Wednesday, June 20th, 2018

Don’t Use The Placeholder Attribute — Smashing Magazine

A lot of the issues here are with abuses of the placeholder attribute—using it as a label, using it for additional information, etc.—whereas using it quite literally as a placeholder can be thought of as an enhancement (I almost always preface mine with “e.g.”).

Still, there’s no getting around that terrible colour contrast issue: if the contrast were greater, it would look too much like an actual pre-filled value, and that’s potentially worse.

Monday, June 11th, 2018

Text Effects - a Collection by Mandy Michael on CodePen

Mandy’s experiments with text effects in CSS are kinda mindblowing—I can’t wait to see her at Ampersand at the end of the month!

Friday, June 8th, 2018

Thursday, May 31st, 2018

Know your ARIA: ‘Hidden’ vs ‘None’ | scottohara.me

When to use aria-hidden="true", and when you might need display: none:

aria-hidden by itself is not enough to completely hide an element from all users, if that is the end goal.

When to use role="presentation" (or role="none"):

Where aria-hidden can be used to completely hide content from assistive technology, modifying an element’s role to “none” or “presentation” removes the semantics of the element, but does not hide the content from assistive technologies.

Tuesday, May 29th, 2018

Dark theme in a day – Marcin Wichary – Medium

On Ev’s blog, Marcin goes into great detail on theming an interface using CSS custom properties, SVG, HSL, and a smattering of CSS filters.

I was kind of amazed that all of this could happen via CSS and CSS alone: the colours, the transitions, the vectors, and even the images.

Saturday, May 19th, 2018

Super-powered layouts with CSS Variables + CSS Grid by Michelle Barker on CodePen

This article is about using custom properties and CSS grid together, but I think my favourite part is this description of how custom properties differ from the kind of variables you get from a preprocessor:

If you’re familiar with Javascript, I like to think of the difference between preprocessor variables and CSS Variables as similar to the difference between const and let - they both serve different purposes.

Thursday, May 3rd, 2018

The Next Big Thing in Type

Over the course of a semester, students at UMPRUM Academy in Prague made variable fonts. I think Krabat might be my favourite.

Tuesday, May 1st, 2018

Wakamai Fondue

A drag-and-drop tool for examining variable fonts (kind of like FontDrop but with more sliders to play with).

I didn’t get the name until I said it out loud.

What’s new in Microsoft Edge in the Windows 10 April 2018 Update - Microsoft Edge Dev BlogMicrosoft Edge Dev Blog

Service workers, push notifications, and variable fonts are now shipping in Edge.

Monday, April 30th, 2018

Upcoming changes to the CSS you need for variable fonts | Clagnut

Rich enumerates some changes in how you set up variable fonts. So if you’re pulling in a font that has weight as an axis, you can now add this to your @font-face rule:

font-weight: 1 999;

I’m already very excited about variable fonts—I’m going to be positively giddy by the time Ampersand rolls around (which, by the way, you should totally go to—it’s going to be sooo good!).