Tags: art

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Friday, August 23rd, 2019

Is client side A/B testing always a bad idea in your experience? · Issue #53 · csswizardry/ama

Harry enumerates the reasons why client-side A/B testing is terrible:

  • It typically blocks rendering.
  • Providers are almost always off-site.
  • It happens on every page load.
  • No user-benefitting reuse.
  • They likely skip any governance process.

While your engineers are subject to linting, code-reviews, tests, auditors, and more, your marketing team have free rein of the front-end.

Note that the problem here is not A/B testing per se, it’s client-side A/B testing. For some reason, we seem to have collectively decided that A/B testing—like analytics—is something we should offload to the JavaScript parser in the user’s browser.

Thursday, August 22nd, 2019

AccentDesign/Fractal-Atomic: An awesome starter point for your Fractal UI component library

If you want to use Brad’s Atomic Design naming convention—atoms, molecules, etc.—and you like using Fractal for making your components, this starter kit is just for you:

Keep what you need, delete what you don’t and add whatever you like on top of whats already there.

Sunday, August 4th, 2019

The sublime Romanticism of the moon landing

The lunar landing was not a scientific announcement or a political press conference; it was a performance, a literal space opera, a Wagnerian Gesamtkunstwerk that brought together the efforts of more than 400,000 people, performed before an audience of some 650 million. It was a victory, as Armstrong immediately recognized, not of Western democratic capitalism over Soviet tyranny, or of America over the rest of the world, but for humanity. It belongs to the United States no more than Michelangelo does to Italy or Machu Picchu to Peru.

Sunday, July 21st, 2019

Mapping the Moon

A look at all the factors that went into choosing the Apollo landing sites, including this gem:

Famous amateur astronomer, Sir Patrick Moore, also produced a hand drawn map of the moon from his own observations using his homemade telescope at his home in Selsey, Sussex. These detailed pen and ink maps of the Moon’s surface were used by NASA as part of their preparations for the moon landing.

Monday, July 15th, 2019

Spurious Correlations

Correlation does not imply causation.

Monday, July 1st, 2019

The Decolonial Atlas

The Decolonial Atlas is a growing collection of maps which, in some way, help us to challenge our relationships with the land, people, and state. It’s based on the premise that cartography is not as objective as we’re made to believe.

For example: Names and Locations of the Top 100 People Killing the Planet — a cartogram showing the location of decision makers in the top 100 climate-hostile companies.

This map is a response to the pervasive myth that we can stop climate change if we just modify our personal behavior and buy more green products. Whether or not we separate our recycling, these corporations will go on trashing the planet unless we stop them.

Sunday, June 30th, 2019

Lights at sea

Lighthouses of the world, mapped.

Thursday, June 20th, 2019

A simple starter kit for Eleventy - Hylia Starter Kit

Andy has made this very handy pre-configured starter kit for anyone who wants to get a blog up and running on Netlify with Eleventy.

Tuesday, June 18th, 2019

A song of AIs and fire

The televisual adaption of Game of Thrones wrapped up a few weeks ago, so I hope I can safely share some thoughts with spoilering. That said, if you haven’t seen the final season, and you plan to, please read no further!

There has been much wailing and gnashing of teeth about the style of the final series or two. To many people, it felt weirdly …off. Zeynep’s superb article absolutely nails why the storytelling diverged from its previous style:

For Benioff and Weiss, trying to continue what Game of Thrones had set out to do, tell a compelling sociological story, would be like trying to eat melting ice cream with a fork. Hollywood mostly knows how to tell psychological, individualized stories. They do not have the right tools for sociological stories, nor do they even seem to understand the job.

Let’s leave aside the clumsiness of the execution for now and focus on the outcomes.

The story finishes with Bran as the “winner”, in that he now rules the seve— six kingdoms. I have to admit, I quite like the optics of replacing an iron throne with a wheelchair. Swords into ploughshares, and all that.

By this point, Bran is effectively a non-human character. He’s the Dr. Manhattan of the story. As the three-eyed raven, he has taken on the role of being an emotionless database of historical events. He is Big Data personified. Or, if you squint just right, he’s an Artificial Intelligence.

There’s another AI in the world of Game of Thrones. The commonly accepted reading of the Night King is that he represents climate change: an unstoppable force that’s going to dramatically impact human affairs, but everyone is too busy squabbling in their own politics to pay attention to it. I buy that. But there’s another interpretation. The Night King is rogue AI. He’s a paperclip maximiser.

Clearly, a world ruled by an Artificial Intelligence like that would be a nightmare scenario. But we’re also shown that a world ruled purely by human emotion would be just as bad. That would be the tyrannical reign of the mad queen Daenerys. Both extremes are undesirable.

So why is Bran any better? Well, technically, he isn’t ruling alone. He has a board of (very human) advisors. The emotionless logic of a pure AI is kept in check by a council of people. And the extremes of human nature are kept in check by the impartial AI. To put in another way, humanity is augmented by Artificial Intelligence: Man-computer symbiosis.

Whether it’s the game of chess or the game of thrones, a centaur is your best bet.

How to Section Your HTML | CSS-Tricks

A deep dive with good advice on using—and labelling—sectioning content in HTML: nav, aside, section, and article.

Monday, June 17th, 2019

First You Make the Maps

How cartography made early modern global trade possible.

Maps and legends. Beautiful!

Monday, June 10th, 2019

Making QR codes with cloud functions • tommorris.org

Tom makes an endpoint for generating QR codes so you don’t have to rely on the Google Charts API.

He also provides a good definition of “serverless”:

Now, serverless is a very silly buzzword dreamed up by someone from the consultant class who love coming up with terrible names, so I promise I won’t use it any further. Your code obviously run on a server. It just means it runs on a server someone else manages.

Amazon call it a ‘Lambda Function’. Google call it a ‘Cloud Function’. Microsoft Azure call it simply a ‘Function’. But none of those are very descriptive, because, well, anyone who writes any kind of programming language generally writes functions pretty much all the time in much the same way as anyone who writes English writes paragraphs, and we don’t call our blogging software “Cloud Paragraphs”. (Someone will now, I’m guessing.)

Monday, June 3rd, 2019

Self-Host Your Static Assets – CSS Wizardry

Trust no one! Harry enumerates the reason why you should be self-hosting your assets (and busts some myths along the way).

There really is very little reason to leave your static assets on anyone else’s infrastructure. The perceived benefits are often a myth, and even if they weren’t, the trade-offs simply aren’t worth it. Loading assets from multiple origins is demonstrably slower.

Resilient Management | A book for new managers in tech

I got a preview copy of this book and, my oh my, it is superb!

If your job involves dealing with humans (or if it might involve dealing with humans in the future), you’ll definitely want to read this.

Tuesday, May 7th, 2019

Test the impact of ads and third party scripts

This is a very useful new feature in Calibre, the performance monitoring tool. Now you can get data about just how much third-party scripts are affecting your site’s performance:

The best way of circumventing fear and anxiety around third party script performance is to capture metrics that clearly articulate their performance impact.

Thursday, May 2nd, 2019

The Elements of Content Strategy — A Book Apart

Erin’s classic book is now available to read online for free!

Sunday, April 28th, 2019

Norbert Wiener’s Human Use of Human Beings is more relevant than ever.

What would Wiener think of the current human use of human beings? He would be amazed by the power of computers and the internet. He would be happy that the early neural nets in which he played a role have spawned powerful deep-learning systems that exhibit the perceptual ability he demanded of them—although he might not be impressed that one of the most prominent examples of such computerized Gestalt is the ability to recognize photos of kittens on the World Wide Web.

Saturday, April 27th, 2019

Wednesday, April 24th, 2019

Untold History of AI - IEEE Spectrum

A terrific six-part series of short articles looking at the people behind the history of Artificial Intelligence, from Babbage to Turing to JCR Licklider.

  1. When Charles Babbage Played Chess With the Original Mechanical Turk
  2. Invisible Women Programmed America’s First Electronic Computer
  3. Why Alan Turing Wanted AI Agents to Make Mistakes
  4. The DARPA Dreamer Who Aimed for Cyborg Intelligence
  5. Algorithmic Bias Was Born in the 1980s
  6. How Amazon’s Mechanical Turkers Got Squeezed Inside the Machine

The history of AI is often told as the story of machines getting smarter over time. What’s lost is the human element in the narrative, how intelligent machines are designed, trained, and powered by human minds and bodies.

Monday, April 15th, 2019

James Bridle / New Ways of Seeing

James has a new four part series on Radio 4. Episodes will be available for huffduffing shortly after broadcast.

New Ways of Seeing considers the impact of digital technologies on the way we see, understand, and interact with the world. Building on John Berger’s seminal Ways of Seeing from 1972, the show explores network infrastructures, digital images, systemic bias, education and the environment, in conversation with a number of contemporary art practitioners.