Here then are 10 stories of remaking the future that contain hope — or at least stability.
- The City and the Stars by Arthur C Clarke
- The First Fifteen Lives of Harry August by Claire North
- Revenger by Alastair Reynolds
- Children of Time by Adrian Tchaikovsky
- Do You Dream of Terra-Two? by Temi Oh
- Consider Phlebas by Iain M Banks
- Natural History by Justina Robson
- Ancillary Justice by Ann Leckie
- Way Station by Clifford D Simak
- News from Gardenia by Robert Llewellyn
Thursday, June 25th, 2020
Wednesday, June 17th, 2020
Well, this is timely! Cassie mentioned recently that she was reading—and enjoying—the Earthsea books, which I had never got around to reading. So I’m reading them now. Then Craig mentioned in one of his newsletters that he’s also reading them. Now there’s this article…
To white protestors and accomplices, who say that they want to listen but are fearful of giving up some power so that we can all heal, I suggest you read the Earthsea cycle. You will need to learn to step away from the center to build a new world, and the Black majority in this fantasy series offers a better model than any white history.
Tuesday, May 26th, 2020
It went unnamed by Doris Lessing and Cormac McCarthy. William Gibson called it The Jackpot:
On the one hand, naming the crisis allows one to apprehend it, grasp it, fight back against it. On the other hand, no word can fully encompass it, and any term is necessarily a reduction—the essence of “it” or “change” is not any singular instance but rather their constancy.
Memoirs Of A Survivor, The Peripheral, Parable Of The Sower, New York 2140, The Road, Children Of Men, Station Eleven, Severance, The Rapture, Ridley Walker:
Fiction can portray ecologies, timescales, catastrophes, and forms of violence that may be otherwise invisible, or more to the point, unnameable. We will never grasp the pandemic in its entirety, just like we will never see the microbe responsible for it with the naked eye. But we can try to articulate how it has changed us—is changing us.
Friday, May 8th, 2020
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.
Monday, May 4th, 2020
A decade apart
I’m so proud of that book, and so honoured that I was the first author published by the web’s finest purveyors of brief books. I mean, just look at the calibre of their output since my stumbling start!
They started something magnificent. Ten years on, with Katel at the helm, it’s going from strength to strength.
Saturday, April 25th, 2020
At the beginning of the year, Remy wrote about extracting Goodreads metadata so he could create his end-of-year reading list. More recently, Mark Llobrera wrote about how he created a visualisation of his reading history. In his case, he’s using JSON to store the information.
This kind of JSON storage is exactly what Tom Critchlow proposes in his post, Library JSON - A Proposal for a Decentralized Goodreads:
Thinking through building some kind of “web of books” I realized that we could use something similar to RSS to build a kind of decentralized GoodReads powered by indie sites and an underlying easy to parse format.
His proposal looks kind of similar to what Mark came up with. There’s a title, an author, an image, and some kind of date for when you started and/or finished reading the book.
Matt then points out that RSS gets close to the data format being suggested and asks how about using RSS?:
Rather than inventing a new format, my suggestion is that this is RSS plus an extension to deal with books. This is analogous to how the podcast feeds are specified: they are RSS plus custom tags.
Like Matt, I’m in favour of re-using existing wheels rather than inventing new ones, mostly to avoid a 927 situation.
But all of these proposals—whether JSON or RSS—involve the creation of a separate file, and yet the information is originally published in HTML. Along the lines of Matt’s idea, I could imagine extending the
h-entry collection of class names to allow for books (or films, or other media). It already handles images (with
u-photo). I think the missing fields are the date-related ones: when you start and finish reading. Those fields are present in a different microformat,
h-event in the form of
dt-end. Maybe they could be combined:
<article class="h-entry h-event h-review"> <h1 class="p-name p-item">Book title</h1> <img class="u-photo" src="image.jpg" alt="Book cover."> <p class="p-summary h-card">Book author</p> <time class="dt-start" datetime="YYYY-MM-DD">Start date</time> <time class="dt-end" datetime="YYYY-MM-DD">End date</time> <div class="e-content">Remarks</div> <data class="p-rating" value="5">★★★★★</data> <time class="dt-published" datetime="YYYY-MM-DDThh:mm">Date of this post</time> </article>
That markup is simultaneously a post (
h-entry) and an event (
h-event) and you can even throw in
h-card for the book author (as well as
h-review if you like to rate the books you read). It can be converted to RSS and also converted to
.ics for calendars—those parsers are already out there. It’s ready for aggregation and it’s ready for visualisation.
I publish very minimal reading posts here on adactio.com. What little data is there isn’t very structured—I don’t even separate the book title from the author. But maybe I’ll have a little play around with turning these h-entries into combined h-entry/event posts.
Wednesday, April 1st, 2020
A reading of The Enormous Space by J.G. Ballard
Staying at home triggered a memory for me. I remembered reading a short story many years ago. It was by J.G. Ballard, and it described a man who makes the decision not to leave the house.
Being a J.G. Ballard story, it doesn’t end there. Over the course of the story, the house grows and grows in size, forcing the protaganist into ever-smaller refuges within his own home. It really stuck with me.
I tried tracking it down with some Duck Duck Going. Searching for “j.g. ballard weird short story” doesn’t exactly narrow things down, but eventually I spotted the book that I had read the story in. It was called War Fever. I think I read it back when I was living in Germany, so that would’ve been in the ’90s. I certainly don’t have a copy of the book any more.
But I was able to look up a table of contents and find a title for the story that was stuck in my head. It’s called The Enormous Space.
Alas, I couldn’t find any downloadable versions—War Fever doesn’t seem to be available for the Kindle.
Then I remembered the recent announcement from the Internet Archive that it was opening up the National Emergency Library. The usual limits on “checking out” books online are being waived while physical libraries remain closed.
I found The Complete Stories of J.G. Ballard and borrowed it just long enough to re-read The Enormous Space.
If anything, it’s creepier and weirder than I remembered. But it’s laced with more black comedy than I remembered.
I thought you might like to hear this story, so I made a recording of myself reading The Enormous Space.
Monday, March 30th, 2020
Living Through The Future
You can listen to audio version of Living Through The Future.
Usually when we talk about “living in the future”, it’s something to do with technology: smartphones, satellites, jet packs… But I’ve never felt more like I’m living in the future than during The Situation.
On the one hand, there’s nothing particularly futuristic about living through a pandemic. They’ve occurred throughout history and this one could’ve happened at any time. We just happen to have drawn the short straw in 2020. Really, this should feel like living in the past: an outbreak of a disease that disrupts everyone’s daily life? Nothing new about that.
But there’s something dizzyingly disconcerting about the dominance of technology. This is the internet’s time to shine. Think you’re going crazy now? Imagine what it would’ve been like before we had our network-connected devices to keep us company. We can use our screens to get instant updates about technologies of world-shaping importance …like beds and face masks. At the same time as we’re starting to worry about getting hold of fresh vegetables, we can still make sure that whatever meals we end up making, we can share them instantaneously with the entire planet. I think that, despite William Gibson’s famous invocation, I always figured that the future would feel pretty futuristic all ‘round—not lumpy with old school matters rubbing shoulders with technology so advanced that it’s indistinguishable from magic.
When I talk about feeling like I’m living in the future, I guess what I mean is that I feel like I’m living at a time that will become History with a capital H. I start to wonder what we’ll settle on calling this time period. The Covid Point? The Corona Pause? 2020-P?
At some point we settled on “9/11” for the attacks of September 11th, 2001 (being a fan of ISO-8601, I would’ve preferred 2001-09-11, but I’ll concede that it’s a bit of a mouthful). That was another event that, even at the time, clearly felt like part of History with a capital H. People immediately gravitated to using historical comparisons. In the USA, the comparison was Pearl Harbour. Outside of the USA, the comparison was the Cuban missile crisis.
Another comparison between 2001-09-11 and what we’re currently experiencing now is how our points of reference come from fiction. Multiple eyewitnesses in New York described the September 11th attacks as being “like something out of a movie.” For years afterwards, the climactic showdowns in superhero movies that demolished skyscrapers no longer felt like pure escapism.
For The Situation, there’s no shortage of prior art to draw upon for comparison. If anthing, our points of reference should be tales of isolation like Robinson Crusoe. The mundane everyday tedium of The Situation can’t really stand up to comparison with the epic scale of science-fictional scenarios, but that’s our natural inclination. You can go straight to plague novels like Stephen King’s The Stand or Emily St. John Mandel’s Station Eleven. Or you can get really grim and cite Cormac McCarthy’s The Road. But you can go the other direction too and compare The Situation with the cozy catastrophes of John Wyndham like Day Of The Triffids (or just be lazy and compare it to any of the multitude of zombie apocalypses—an entirely separate kind of viral dystopia).
In years to come there will be novels set during The Situation. Technically they will be literary fiction—or even historical fiction—but they’ll feel like science fiction.
I remember the Chernobyl disaster having the same feeling. It was really happening, it was on the news, but it felt like scene-setting for a near-future dystopian apocalypse. Years later, I was struck when reading Wolves Eat Dogs by Martin Cruz-Smith. In 2006, I wrote:
Halfway through reading the book, I figured out what it was: Wolves Eat Dogs is a Cyberpunk novel. It happens to be set in present-day reality but the plot reads like a science-fiction story. For the most part, the book is set in the post-apocolyptic landscape of Prypiat, near Chernobyl. This post-apocolyptic scenario just happens to be real.
The protagonist, Arkady Renko, is sent to this frightening hellish place following a somewhat far-fetched murder in Moscow. Killing someone with a minute dose of a highly radioactive material just didn’t seem like a very realistic assassination to me.
Then I saw the news about Alexander Litvinenko, the former Russian spy who died this week, quite probably murdered with a dose of polonium-210.
I’ve got the same tingling feeling about The Situation. Fact and fiction are blurring together. Past, present, and future aren’t so easy to differentiate.
I really felt it last week standing in the back garden, looking up at the International Space Station passing overhead on a beautifully clear and crisp evening. I try to go out and see the ISS whenever its flight path intersects with southern England. Usually I’d look up and try to imagine what life must be like for the astronauts and cosmonauts on board, confined to that habitat with nowhere to go. Now I look up and feel a certain kinship. We’re all experiencing a little dose of what that kind of isolation must feel like. Though, as the always-excellent Marina Koren points out:
The more experts I spoke with for this story, the clearer it became that, actually, we have it worse than the astronauts. Spending months cooped up on the ISS is a childhood dream come true. Self-isolating for an indefinite period of time because of a fast-spreading disease is a nightmare.
Whenever I look up at the ISS passing overhead I feel a great sense of perspective. “Look what we can do!”, I think to myself. “There are people living in space!”
Last week that feeling was still there but it was tempered with humility. Yes, we can put people in space, but here we are with our entire way of life put on pause by something so small and simple that it’s technically not even a form of life. It’s like we’re the martians in H.G. Wells’s War Of The Worlds; all-conquering and formidable, but brought low by a dose of dramatic irony, a Virus Ex Machina.
Friday, March 27th, 2020
An interview with Joanne McNeil about her new book, Lurking:
Someone who was creating, say, a small decentralized community for a specific group of people would not have luck finding investors, as opposed to Facebook, which sought to build a platform for all.
‘Sfunny, when I was on Quarantine Book Club the other day, this is exactly what I talked about one point—how Facebook (and venture capital) moved the goalposts on what constitutes success and failure on the web.
Tuesday, March 24th, 2020
Join your favorite authors on Zoom where you can have spirited discussions from the privacy of our own quarantined space!
Thursday, March 19th, 2020
COVID-19 has really made me realize that we need to be grateful for the people and activities we take for granted. Things like going out for food, seeing friends, going to the gym, etc., are fun, but are not essential for (physical) survival.
It reminds of Brian Eno’s definition of art: art is anything we don’t have to do. It’s the same with social activities. We don’t have to go to concerts—we can listen to music at home. We don’t have to go the cinema—we can watch films at home. We don’t have to go to conferences—we can read books and blog posts at home. We don’t have to go out to restaurants—all our nutritional needs can be met at home.
But it’s not the same though, is it?
I think about the book Station Eleven a lot. The obvious reason why I’d be thinking about it is that it describes a deadly global pandemic. But that’s not it. Even before The Situation, Station Eleven was on my mind for helping provide clarity on the big questions of life; y’know, the “what’s it all about?” questions like “what’s the meaning of life?”
Part of the reason I think about Station Eleven is its refreshingly humanist take on a post-apocalyptic society. As I discussed on this podcast episode a few years back:
It’s interesting to see a push-back against the idea that if society is removed we are going to revert to life being nasty, brutish and short. Things aren’t good after this pandemic wipes out civilisation, but people are trying to put things back together and get along and rebuild.
Related to that, Station Eleven describes a group of people in a post-pandemic world travelling around performing Shakespeare plays. At first I thought this was a ridiculous conceit. Then I realised that this was the whole point. We don’t have to watch Shakespeare to survive. But there’s a difference between surviving and living.
I’m quite certain that one positive outcome of The Situation will be a new-found appreciation for activities we don’t have to do. I’m looking forward to sitting in a pub with a friend or two, or going to see a band, or a play or a film, and just thinking “this is nice.”
Tuesday, March 3rd, 2020
Abolish Silicon Valley by Wendy Liu
I got an email a little while back from Michael at Repeater Books asking me if I wanted an advance copy of Abolish Silicon Valley: How to Liberate Technology From Capitalism by Wendy Liu. Never one to look a gift horse in the mouth, I said “Sure!”
I’m happy to say that the book is most excellent …or at least mostly excellent.
Contrary to what the book title—or its blurb—might tell you, this is a memoir first and foremost. It’s a terrific memoir. It’s utterly absorbing.
Just as the most personal songs can have the most universal appeal, this story feels deeply personal while being entirely accessible. You don’t have to be a computer nerd to sympathise with the struggles of a twenty-something in a start-up trying to make sense of the world. This well-crafted narrative will resonate with any human. It calls to mind Ellen Ullman’s excellent memoir, Close to the Machine—not a comparison I make lightly.
But as you might have gathered from the book’s title, Abolish Silicon Valley isn’t being marketed as a memoir:
Abolish Silicon Valley is both a heartfelt personal story about the wasteful inequality of Silicon Valley, and a rallying call to engage in the radical politics needed to upend the status quo.
It’s true that the book finishes with a political manifesto but that’s only in the final chapter or two. The majority of the book is the personal story, and just as well. Those last few chapters really don’t work in this setting. They feel tonally out of place.
Don’t get me wrong, the contents of those final chapters are right up my alley—they’re preaching to the converted here. But I think they would be better placed in their own publication. The heavily-researched academic style jars with the preceeding personal narrative.
Abolish Silicon Valley is 80% memoir and 20% manifesto. I worry that the marketing isn’t making that clear. It would be a shame if this great book didn’t find its audience.
The book will be released on April 14th. It’s available to pre-order now. I highly recommend doing just that. I think you’ll really enjoy it. But if you get mired down in the final few chapters, know that you can safely skip them.
Monday, February 24th, 2020
Guidebooks to countries that no longer exist.
The first book will be on the Republic of Venice. There’ll be maps, infographics, and I suspect there’ll be an appearance by Aldus Manutius.
Our first guidebook tells the story of the Republic of Venice, la Serenissima, a 1000-year old state that disappeared in 1797.
Monday, February 3rd, 2020
In Lurking, Joanne McNeil digs deep and identifies the primary (if sometimes contradictory) concerns of people online: searching, safety, privacy, identity, community, anonymity, and visibility. She charts what it is that brought people online and what keeps us here even as the social equations of digital life—what we’re made to trade, knowingly or otherwise, for the benefits of the internet—have shifted radically beneath us. It is a story we are accustomed to hearing as tales of entrepreneurs and visionaries and dynamic and powerful corporations, but there is a more profound, intimate story that hasn’t yet been told.
Enemy of All Mankind: A True Story of Piracy, Power, and History’s First Global Manhunt by Steven Johnson will be published on May 12th:
Henry Every was the seventeenth century’s most notorious pirate. The press published wildly popular—and wildly inaccurate—reports of his nefarious adventures. The British government offered enormous bounties for his capture, alive or (preferably) dead. But Steven Johnson argues that Every’s most lasting legacy was his inadvertent triggering of a major shift in the global economy. Enemy of All Mankind focuses on one key event—the attack on an Indian treasure ship by Every and his crew—and its surprising repercussions across time and space. It’s the gripping tale one of the most lucrative crimes in history, the first international manhunt, and the trial of the seventeenth century.
How To Future: Leading and Sense-Making in an Age of Hyperchange by Scott Smith with Madeline Ashby will be published on July 3rd:
Successfully designing for a future requires a picture of that future—a useful map of the horizons ahead that can be used for wayfinding, identifying emerging opportunities or risks. Accurately developing this map means investing in better awareness of signals about the future, understanding trends in context, developing rich insights about what those signals indicate—relative to companies, people, citizens or stakeholders. It also means cultivating ways to share these future insights through tangible yet provocative scenarios or stories, turn these into prototypes, or connect them to strategies.
Thursday, January 23rd, 2020
Books are machines for generating empathy.
Read fiction. I don’t mean “read sf to have ideas about the future.” I mean “read any form of fiction, genre or no”. Fiction allows us to have other ideas, live other lives, see other perspectives. It allows us to escape and re-consider the world from outside ourselves. It allows us to think at lengths and timescales that we may not from day-to-day. It is a shortcut to containing multitudes; to other minds.
Tuesday, December 31st, 2019
Books I read in 2019
Once again, I tried to maintain a balance between fiction and non-fiction. It kinda worked.
Here, in order of reading, are the books I read in 2019. For calibration, anything with three stars or more means I enjoyed (and recommend) the book. I can be pretty stingy with my stars. That said…
Kindred by Octavia Butler
Kindred is a truly remarkable work. Technically it’s science fiction—time travel, specifically—but that’s really just the surface detail. This is a study of what makes us human, and an investigation into the uncomfortable reach of circumstance and culture. Superbly written and deeply empathic.
The Soul Of A New Machine by Tracy Kidder
This is a well-regarded book amongst people whose opinion I value. It’s also a Pulitzer prize winner. Strange, then, that I found it so unengaging. The prose is certainly written with gusto, but it all seems so very superficial to me. No matter how you dress it up, it’s a chronicle of a bunch of guys—and oh, boy, are they guys—making a commercial computer. Testosterone and solder—not my cup of tea.
Binti by Nnedi Okorafor
A thoroughly entertaining space adventure, although my favourite parts are the descriptions of the inner magic of mathematics. This is a short read too, so go ahead and give it a whirl. Recommended.
The Order Of Time by Carlo Rovelli
The writing is entertaining, sometimes arresting, though it definitely spills over into purple prose at times. As a meditation on the nature of time, it’s a thought-provoking read, but I think I prefer the gentler musings of James Gleick’s Time Travel: A History.
Lincoln in the Bardo by George Saunders
Another highly-regarded book that I just couldn’t get into. That’s probably more down to me than the book. I can see how the writing is imaginative and immersive, but the end result—for me, at least—was no more than perfectly fine.
Reading this kind of reminded me of reading David Mitchell’s Cloud Atlas. They’re both perfectly fine books that were lavished with heaps of praise for their levels of imagination …which makes me think that people need to read more sci-fi and fantasy.
A Mind At Play: How Claude Shannon Invented The Information Age by Jimmy Soni and Rob Goodman
A terrific biography! Admittedly you’ll probably want to be interested in information theory in the first place, but how could you not?
This book could probably have been a little shorter without losing too much, but I thoroughly enjoyed reading it. It’s a great companion to James Gleick’s The Information.
Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan
This is like the love child of Craig Mod and Umberto Eco …and I mean that in the nicest possible way. A thoroughly entertaining genre-crossing jaunt that isn’t going to stress you out. Fun!
Inferior: The True Power Of Women and the Science that Shows It by Angela Saini
Superbly researched and deftly crafted. This is an eye-opening journey into the cultural influences on experimental science.
Resilient Management by Lara Hogan
I’m getting kind of cross with Lara now. First she writes the definitive book on web performance. Then she writes the definitive book on public speaking (I’ve loaned it out so many times, I’ve lost track of it). Now she’s gone and written the definitive book on being a manager. It hardly seems fair!
Seriously, this book is remarkably practical, right from the get-go. And the one complaint I have about most management books—that they’re longer than they need to be—definitely doesn’t apply here. If your job involves managing humans in any way, read this book!
The Future Home Of The Living God by Louise Erdrich
There’s nothing wrong with this book, per se. But I think it’s situated too much in the shadow of Margaret Atwood’s The Handmaid’s Tale to stand on its own merits.
Binti Home by Nnedi Okorafor
The second novella in the Binti series. Just as much fun as the first. I’m looking forward to reading the third and final book in the series.
Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith
I really enjoyed this evolutionary tale. It’s equal parts biology and philosophy. I will never look at cephalopods quite the same way again.
Sourdough by Robin Sloan
Just as entertaining as Robin’s first book, this has a fun vibe to it.
By pure coincidence, I followed Sourdough with…
To which Robin responded:
OMG I’m so glad these books presented themselves to you together—I think it’s a great pairing, too. And certainly, some of Ed’s writing about microbes was in my head as I was writing the novel!
I Contain Multitudes is a thoroughly engaging and entertaining work. You might not think you want to read a book all about microbes, but trust me, you do.
I stand by this appraisal:
They’re both such wonderful books—apart from the obvious microbial connection, there’s a refreshingly uncynical joy infusing the writing of each of them!
Rosewater by Tade Thompson
An first-contact novel with a difference. The setting, the characters, the writing—everything is vivid and immersive. I’m looking forward to reading more in this series.
Skyfaring by Mark Vanhoenacker
The sheer joy of the writing is infectious. If you’ve got some long-haul flights ahead of you, this is the perfect reading material.
The Raven Tower by Ann Leckie
This has stayed with me. This is Ann Leckie’s first foray into more of a fantasy realm, and it’s just as great as her superb science fiction.
Internal consistency is key to world-building in works of fantasy, and this book has a deeply satisfying and believable system that is only gradually and partially revealed. Encore!
The Science of Storytelling by Will Storr
This book has an unusual structure. At times, it’s like a masterclass in writing. At other times, it’s deeply personal. I don’t know quite how to classify it, but I like it!
Exhalation by Ted Chiang
Brilliant, as expected. Some of the stories in here have stayed with me long after I finished reading them. If you haven’t already read this or Stories of Your Life and Others, you’re in for a real treat.
Is Exhalation quite as brilliant as Ted Chiang’s debut book of short stories? Maybe not. But that bar is so high as to be astronomical.
Now we just have to wait a few more decades for his third collection.
Motherfoclóir: Dispatches From A Not So Dead Language by Darach O’Séaghdha
I don’t know if this will be of any interest if you don’t already understand some Irish, but I found this to be good fun. There were times when an aside was repeated more than once, which made me wonder if the source material was originally scattered in other publications.
The Calculating Stars by Mary Robinette Kowal
An alternative history novel with a thought-provoking premise. The result is like a cross between Mercury 13 and Seveneves. There’s a dollop of wish fulfillment in here that feels like a guilty pleasure, but that’s no bad thing.
1666: Plague, War, and Hellfire by Rebecca Rideal
This is how you bring history to life! The style of writing feels much more like a historical novel than a dry academic work, but all of the events are relayed from contempary source material. The plague is suitably grim and disgusting; the sea battles are appropriately thrilling and frightening; the fire is unrelentingly devestating. I know that doesn’t sound like there’s much enjoyment to be had, but this is the best history book I’ve read in a while.
Helliconia Summer by Brian Aldiss
I know I joke about seeing pace layers everywhere but seriously, Brian Aldiss’s Heliconia series is all about pace layers. Each book deals with one point in time, where we’re concerned with the dynastic concerns of years and decades, but the really important story is happening on the scale of centuries and millennia as the seasons slowly change.
This one was just as good as Helliconia Spring and I’m looking forward to rounding out the series with Helliconia Winter.
The Canopy Of Time by Brian Aldiss
I decided to stay on a Brian Aldiss kick, and grabbed this pulpy collection of short stories. It’s not his best work, and there’s an unnecessary attempt to tie all the stories together into one narrative, but even a so-so Brian Aldiss book has got a weird and slightly haunting edge to it.
The Fated Sky by Mary Robinette Kowal
The sequel to The Calculating Stars and the last in the Lady Astronaut series. Good space-race entertainment.
Raven Stratagem by Yoon Ha Lee
I’ve just picked up this sequel to Ninefox Gambit. So far it’s not as bewildering as the first book—where the bewilderment was part of its charm. I’m into it. But I won’t rate it till I’ve finished it.
Alright, time to pick my favourite fiction and non-fiction books of the year.
Certainly the best fiction book published this year was Ted Chiang’s Exhalation. But when it comes to the best book I’ve read this year, it’s got to be Octavia Butler’s Kindred. Hard to believe it’s forty years old—it’s shockingly relevant today.
As for the best non-fiction …this is really hard this year. So many great books: A Mind At Play, Inferior, 1666, Other Minds; I loved them all. But I think I’m going to have to give it to Ed Yong’s I Contain Multitudes.
Only 10 of the 26 books I read this year were by women. I need to work on redressing the balance in 2020.
Thursday, November 7th, 2019
Craig compares and contrasts books to “attention monsters”:
That is, any app / service / publication whose business is predicated on keeping a consumer engaged and re-engaged for the benefit of the organization (often to the detriment of the mental and physical health of the user), dozens if not hundreds or thousands of times a day.
Friday, September 27th, 2019
Also, can I just say how nice this reading experience is—the typography, the arresting image …I like it.
Saturday, August 3rd, 2019
Books in the public domain, lovingly designed and typeset, available in multiple formats for free. Great works of fiction from Austen, Conrad, Stevenson, Wells, Hardy, Doyle, and Dickens, along with classics of non-fiction like Darwin’s The Origin of Species and Shackleton’s South!
Monday, February 25th, 2019
While the Interaction 19 event was a bit of a mixed bag overall, there were some standout speakers.
Marty Neumeier was unsurprisingly excellent. I’d seen him speak before, at UX London a few years back, so I knew he’d be good. He has a very reassuring, avuncular manner when he’s speaking. You know the way that there are some people you could just listen to all day? He’s one of those.
Marty’s talk at Interaction 19 was particularly interesting because it was about his new book. Now, why would that be of particular interest? Well, this new book—Scramble—is a business book, but it’s written in the style of a thriller. He wanted it to be like one of those airport books that people read as a guilty pleasure.
One rainy night in December, young CEO David Stone is inexplicably called back to the office. The company’s chairman tells him that the board members have reached the end of their patience. If David can’t produce a viable turnaround plan in five weeks, he’s out of a job. His only hope is to try something new. But what?
I love this idea!
I’ve talked before about borrowing narrative structures from literature and film and applying them to blog posts and conference talks—techniques like flashback, in media res, etc.—so I really like the idea of taking an entire genre and applying it to a technical topic.
The closest I’ve seen is the comic that Scott McCloud wrote for the release of Google Chrome back in 2008. But how about a romantic comedy about service workers? Or a detective novel about CSS grid?
I have a feeling I’ll be thinking about Marty Neumeier’s book next time I’m struggling to put a conference talk together.
In the meantime, if you want to learn from the master storyteller himself, Clearleft are running a two-day Brand Master Workshop with Marty on March 14th and 15th at The Barbican in London. Early bird tickets are on sale until this Thursday, so don’t dilly-dally if you were thinking about nabbing your spot.