Tags: books

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Sunday, February 21st, 2021

Reading resonances

In today’s world of algorithmic recommendation engines, it’s nice to experience some serendipity every now and then. I remember how nice it was when two books I read in sequence had a wonderful echo in their descriptions of fermentation:

There’s a lovely resonance in reading @RobinSloan’s Sourdough back to back with @EdYong209’s I Contain Multitudes. One’s fiction, one’s non-fiction, but they’re both microbepunk.

Robin agreed:

OMG I’m so glad these books presented themselves to you together—I think it’s a great pairing, too. And certainly, some of Ed’s writing about microbes was in my head as I was writing the novel!

I experienced another resonant echo when I finished reading Rebecca Solnit’s A Paradise Built in Hell and then starting reading Rutger Bregman’s Humankind. Both books share a common theme—that human beings are fundamentally decent—but the first chapter of Humankind was mentioning the exact same events that are chronicled in A Paradise Built in Hell; the Blitz, September 11th, Katrina, and more. Then he cites from that book directly. The two books were published a decade apart, and it was just happenstance that I ended up reading them in quick succession.

I recommend both books. Humankind is thoroughly enjoyable, but it has one maddeningly frustrating flaw. A Paradise Built in Hell isn’t the only work that influenced Bregman—he also cites Yuval Noah Harari’s Sapiens. Here’s what I thought of Sapiens:

Yuval Noah Harari has fixated on some ideas that make a mess of the narrative arc of Sapiens. In particular, he believes that the agricultural revolution was, as he describes it, “history’s biggest fraud.” In the absence of any recorded evidence for this, he instead provides idyllic descriptions of the hunter-gatherer lifestyle that have as much foundation in reality as the paleo diet.

Humankind echoes this fabrication. Again, the giveaway is that the footnotes dry up when the author is describing the idyllic pre-historical nomadic lifestyle. Compare it with, for instance, this description of the founding of Jericho—possibly the world’s oldest city—where researchers are at pains to point out that we can’t possibly know what life was like before written records.

I worry that Yuval Noah Harari’s imaginings are being treated as “truthy” by Rutger Bregman. It’s not a trend I like.

Still, apart from that annoying detour, Humankind is a great read. So is A Paradise Built in Hell. Try them together.

Friday, February 19th, 2021

ignore the code: Bookfeed.io

Such an elegant idea!

Bookfeed.io is a simple tool that allows you to specify a list of authors, and generates an RSS feed with each author’s most recently released book.

Small pieces, loosely joined.

Tuesday, February 2nd, 2021

archives.design

All of these graphic design books, magazines, and type specimens are available for perusal on the Internet Archive.

Thursday, January 28th, 2021

Historical Dictionary of Science Fiction

A fascinating crowdsourced project. You can read the backstory in this article in Wired magazine.

Saturday, January 16th, 2021

Thursday, December 31st, 2020

Books I read in 2020

I only read twenty books this year. Considering the ample amount of free time I had, that’s not great. But I’m not going to beat myself up about it. Yes, I may have spent more time watching television than reading, but I’m cutting myself some slack. It was 2020, for crying out loud.

Anyway, here’s my annual round-up with reviews. Anything with three stars is good. Four stars is really good. Five stars is practically unheard of. As usual, I tried to get an equal balance of fiction and non-fiction.

Raven Stratagem by Yoon Ha Lee

★★★☆☆

An enjoyable sequal to Ninefox Gambit. There are some convoluted politics but that all seems positively straightforward after the brain-bending calendrical warfare introduced in the first book.

The Human Use Of Human Beings: Cybernetics And Society by Norbert Wiener

★★★☆☆

The ur-text on systems and feedback. Reading it now is like reading a historical artifact but many of the ideas are timeless. It’s a bit dense in parts and it tries to cover life, the universe and everything, but when you remember that it was written in 1950, it’s clearly visionary.

The Word For World Is Forest by Ursula K. Le Guin

★★★☆☆

Simultaneously a ripping yarn and a spiritual meditation. It’s Vietnam and the environmental movement rolled into one (like what Avatar attempted, but this actually works).

Abolish Silicon Valley by Wendy Liu

★★★★☆

Here’s my full review.

A Short History Of Irish Traditional Music by Gearóid Ó hAllmhuráin

★★☆☆☆

A perfectly fine and accurate history of the music, but it’s a bit like reading Wikipedia. Still, it was quite the ego boost to see The Session listed in the appendix.

Machines Like Me by Ian McEwan

★★★☆☆

McEwan’s first foray into science fiction is a good tale but a little clumsily told. It’s like he really wants to show how much research he put into his alternative history. There are moments when characters practically turn to the camera to say, “Imagine how the world would’ve turned out if…” It’s far from McEwan’s best but even when he’s not on top form, his writing is damn good.

The Fabric Of Reality by David Deutsch

★★★☆☆

I’ve attempted to read this before. I may have even read it all before and had everything just leak out of my head. The problem is with me, not David Deutsch who does a fine job of making complex ideas approachable. This is like a unified theory of everything.

Helliconia Winter by Brian Aldiss

★★★☆☆

The third and final part of Aldiss’s epic is just as enjoyable as the previous two. The characters aren’t the main attraction here. It’s all about the planetary ballet.

Uncanny Valley by Anna Wiener

★★★★☆

A terrific memoir. It’s open and honest, and just snarky enough when it needs to be.

A Wizard Of Earthsea, The Tombs Of Atuan, and The Farthest Shore by Ursula K. Le Guin

★★★★☆

There’s a real pleasure in finally reading books that you should’ve read years ago. I can only imagine how wonderful it would’ve been to read these as a teenager. It’s an immersive world but there’s something melancholy about the writing that makes the experience of reading less escapist and more haunting.

Superior: The Return of Race Science by Angela Saini

★★★★★

Absolutely superb! I liked Angela Saini’s previous book, Inferior, but I loved this. It’s a harrowing read at times, but written with incredible clarity and empathy. I can’t recommend this highly enough.

Purple People by Kate Bulpitt

★★★★☆

Full disclosure: Kate is a friend of mine, so I probably can’t evaluate her book in a disinterested way. That said, I enjoyed the heck out of this and I think you will too. It’s very hard to classify and I think that’s what makes it so enjoyable. Technically, it’s sci-fi I suppose—an alternative history tale, probably—but it doesn’t feel like it. It’s all about the characters, and they’re all vividly realised. Honestly, I’m not sure how best to describe it—other then it being like the inside of Kate’s head—but the description of it being “a jolly dystopia” comes close. Take a chance and give it a go.

How to Argue With a Racist: History, Science, Race and Reality by Adam Rutherford

★★★☆☆

Good stuff from Adam Rutherford, though not his best. If I hadn’t already read Angela Saini’s Superior I might’ve rated this higher, but it pales somewhat by comparison. Still, it was interesting to see the same subject matter tackled in two different ways.

Agency by William Gibson

★★☆☆☆

There’s nothing particularly wrong with Agency, but there’s nothing particularly great about it either. It’s just there. Maybe I’m being overly harsh because the first book, The Peripheral, was absolutely brilliant. This reminded me of reading Gibson’s Spook Country, which left me equally unimpressed. That book was sandwiched between the brilliant Pattern Recognition and the equally brilliant Zero History. That bodes well for the forthcoming third book in this series. This second book just feels like filler.

Last Night’s Fun: In And Out Of Time With Irish Music by Ciaran Carson

★★★☆☆

It’s hard to describe this book. Memoir? Meditation? Blog? I kind of like that about it, but I can see how it divides opinion. Some people love it. Some people hate it. I thought it was enjoyable enough. But it doesn’t matter what I think. This book is doing its own thing.

Revenant Gun by Yoon Ha Lee

★★★☆☆

The third book in the Machineries of Empire series has much less befuddlement. It’s even downright humourous in places. If you liked Ninefox Gambit and Raven Strategem, you’ll enjoy this too.

A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster by Rebecca Solnit

★★★☆☆

The central thesis of this book is refuting the Hobbesian view of humanity as being one crisis away from breakdown. I feel like that argument was made more strongly in Critical Mass: How One Thing Leads to Another by Philip Ball. But where this book shines is in its vivid description of past catastrophes and their aftermaths: the San Francisco fire; the Halifax explosion; the Mexico City earthquake; and the culmination with Katrina hitting New Orleans. I was less keen on the more blog-like personal musings but overall, this is well worth reading.

Blindsight by Peter Watts

★★☆☆☆

I like a good tale of first contact, and I had heard that this one had a good twist on the Fermi paradox. But it felt a bit like a short story stretched to the length of a novel. It would make for a good Twilight Zone episode but it didn’t sustain my interest.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

I’m still reading this Hugo-winning novella and enjoying it so far.


Alright, time to wrap up this look back at the books I read in 2020 and pick my favourites: one fiction and one non-fiction.

My favourite non-fiction book of the year was easily Superior by Angela Saini. Read it. It’s superb.

What about fiction? Hmm …this is tricky.

You know what? I’m going to go for Purple People by Kate Bulpitt. Yes, she’s a friend (“it’s a fix!”) but it genuinely made an impression on me: it was an enjoyable romp while I was reading it, and it stayed with me afterwards too.

Head on over to Bookshop and pick up a copy.

Thursday, November 19th, 2020

Keepers of the Secrets | The Village Voice

A deeply fascinating look into the world of archives and archivists:

The reason an archivist should know something, Lannon said, is to help others to know it. But it’s not really the archivist’s place to impose his knowledge on anyone else. Indeed, if the field could be said to have a creed, it’s that archivists aren’t there to tell you what’s important. Historically momentous documents are to be left in folders next to the trivial and the mundane — because who’s to say what’s actually mundane or not?

Friday, November 13th, 2020

An Ocean of Books

What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.

This is a poetic experiment where we hope you will get lost for a while.

Monday, November 9th, 2020

Bookshop

Back at the start of the (first) lockdown, I wrote about using my website as an outlet:

While you’re stuck inside, your website is not just a place you can go to, it’s a place you can control, a place you can maintain, a place you can tidy up, a place you can expand. Most of all, it’s a place you can lose yourself in, even if it’s just for a little while.

Last week was eventful and stressful. For everyone. I found myself once again taking refuge in my website, tinkering with its inner workings in the way that someone else would potter about in their shed or take to their garage to strip down the engine of some automotive device.

Colly drew my attention to Bookshop.org, newly launched in the UK. It’s an umbrella website for independent bookshops to sell through. It’s also got an affiliate scheme, much like Amazon. I set up a Bookshop page for myself.

I’ve been tracking the books I’m reading for the past three years here on my own website. I set about reproducing that list on Bookshop.

It was exactly the kind of not-exactly-mindless but definitely-not-challenging task that was perfect for the state of my brain last week. Search for a book; find the ISBN number; paste that number into a form. It’s the kind of task that a real programmer would immediately set about automating but one that I embraced as a kind of menial task to keep me occupied.

I wasn’t able to get a one-to-one match between the list on my site and my reading list on Bookshop. Some titles aren’t available in the online catalogue. For example, the book I’m reading right now—A Paradise Built in Hell by Rebecca Solnit—is nowhere to be found, which seems like an odd omission.

But most of the books I’ve read are there on Bookshop.org, complete with pretty book covers. Then I decided to reverse the process of my menial task. I took all of the ISBN numbers from Bookshop and add them as machine tags to my reading notes here on my own website. Book cover images on Bookshop have predictable URLs that use the ISBN number (well, technically the EAN number, or ISBN-13, but let’s not go down a 927 rabbit hole here). So now I’m using that metadata to pull in images from Bookshop.org to illustrate my reading notes here on adactio.com.

I’m linking to the corresponding book on Bookshop.org using this URL structure:

https://uk.bookshop.org/a/{{ affiliate code }}/{{ ISBN number }}

I realised that I could also link to the corresponding entry on Open Library using this URL structure:

https://openlibrary.org/isbn/{{ ISBN number }}

Here, for example, is my note for The Raven Tower by Ann Leckie. That entry has a tag:

book:ean=9780356506999

With that information I can illustrate my note with this image:

https://images-eu.bookshop.org/product-images/images/9780356506999.jpg

I’m linking off to this URL on Bookshop.org:

https://uk.bookshop.org/a/980/9780356506999

And this URL on Open Library:

https://openlibrary.org/isbn/9780356506999

The end result is that my reading list now has more links and pretty pictures.

Oh, I also set up a couple of shorter lists on Bookshop.org:

The books listed in those are drawn from my end of the year round-ups when I try to pick one favourite non-fiction book and one favourite work of fiction (almost always speculative fiction). The books in those two lists are the ones that get two hearty thumbs up from me. If you click through to buy one of them, the price might not be as cheap as on Amazon, but you’ll be supporting an independent bookshop.

Sunday, September 27th, 2020

The case for rereading | A Working Library

Reading, especially fiction, is often referred to as an escape, but I’ve never believed that. It’s true that a great story transports you somewhere else, that returning to your life afterwards can feel like an abrupt reentry. But I think that’s less because you escaped the real world, however briefly, and more that you got a clearer look at it. A great book rearranges time: it brings both history and speculative futures into the present, into a now you can occupy and taste and feel.

Wednesday, August 5th, 2020

Kissa. Book. Launch. — Roden Explorers Archive

Own. Your. Nook. There’s power in owning your nook of the ‘net — your domain name, your design, your archives — and it’s easier than ever to do so, and run a crowdfunding campaign at the same time.

Thursday, June 25th, 2020

Top 10 books about remaking the future | Peter F Hamilton | Books | The Guardian

Here then are 10 stories of remaking the future that contain hope — or at least stability.

  1. The City and the Stars by Arthur C Clarke
  2. The First Fifteen Lives of Harry August by Claire North
  3. Revenger by Alastair Reynolds
  4. Children of Time by Adrian Tchaikovsky
  5. Do You Dream of Terra-Two? by Temi Oh
  6. Consider Phlebas by Iain M Banks
  7. Natural History by Justina Robson
  8. Ancillary Justice by Ann Leckie
  9. Way Station by Clifford D Simak
  10. News from Gardenia by Robert Llewellyn

Wednesday, June 17th, 2020

There Has Never Been a Better Time to Read Ursula Le Guin’s “Earthsea” Books - Electric Literature

Well, this is timely! Cassie mentioned recently that she was reading—and enjoying—the Earthsea books, which I had never got around to reading. So I’m reading them now. Then Craig mentioned in one of his newsletters that he’s also reading them. Now there’s this article…

To white protestors and accomplices, who say that they want to listen but are fearful of giving up some power so that we can all heal, I suggest you read the Earthsea cycle. You will need to learn to step away from the center to build a new world, and the Black majority in this fantasy series offers a better model than any white history.

Tuesday, May 26th, 2020

What’s Happening? Or: How to name a disaster - Elvia Wilk - Bookforum Magazine

It went unnamed by Doris Lessing and Cormac McCarthy. William Gibson called it The Jackpot:

On the one hand, naming the crisis allows one to apprehend it, grasp it, fight back against it. On the other hand, no word can fully encompass it, and any term is necessarily a reduction—the essence of “it” or “change” is not any singular instance but rather their constancy.

Memoirs Of A Survivor, The Peripheral, Parable Of The Sower, New York 2140, The Road, Children Of Men, Station Eleven, Severance, The Rapture, Ridley Walker:

Fiction can portray ecologies, timescales, catastrophes, and forms of violence that may be otherwise invisible, or more to the point, unnameable. We will never grasp the pandemic in its entirety, just like we will never see the microbe responsible for it with the naked eye. But we can try to articulate how it has changed us—is changing us.

Friday, May 8th, 2020

The Fonts in Popular Things Identified Vol. 1 · Typewolf

I’d watch this game show:

Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.

Monday, May 4th, 2020

A decade apart

Today marks ten years since the publication of HTML5 For Web Designers, the very first book from A Book Apart.

I’m so proud of that book, and so honoured that I was the first author published by the web’s finest purveyors of brief books. I mean, just look at the calibre of their output since my stumbling start!

Here’s what I wrote ten years ago.

Here’s what Jason wrote ten years ago.

Here’s what Mandy wrote ten years ago.

Here’s what Jeffrey wrote ten years ago.

They started something magnificent. Ten years on, with Katel at the helm, it’s going from strength to strength.

Happy birthday, little book! And happy birthday, A Book Apart! Here’s to another decade!

A Book Apart authors, 1-6

Saturday, April 25th, 2020

Reading

At the beginning of the year, Remy wrote about extracting Goodreads metadata so he could create his end-of-year reading list. More recently, Mark Llobrera wrote about how he created a visualisation of his reading history. In his case, he’s using JSON to store the information.

This kind of JSON storage is exactly what Tom Critchlow proposes in his post, Library JSON - A Proposal for a Decentralized Goodreads:

Thinking through building some kind of “web of books” I realized that we could use something similar to RSS to build a kind of decentralized GoodReads powered by indie sites and an underlying easy to parse format.

His proposal looks kind of similar to what Mark came up with. There’s a title, an author, an image, and some kind of date for when you started and/or finished reading the book.

Matt then points out that RSS gets close to the data format being suggested and asks how about using RSS?:

Rather than inventing a new format, my suggestion is that this is RSS plus an extension to deal with books. This is analogous to how the podcast feeds are specified: they are RSS plus custom tags.

Like Matt, I’m in favour of re-using existing wheels rather than inventing new ones, mostly to avoid a 927 situation.

But all of these proposals—whether JSON or RSS—involve the creation of a separate file, and yet the information is originally published in HTML. Along the lines of Matt’s idea, I could imagine extending the h-entry collection of class names to allow for books (or films, or other media). It already handles images (with u-photo). I think the missing fields are the date-related ones: when you start and finish reading. Those fields are present in a different microformat, h-event in the form of dt-start and dt-end. Maybe they could be combined:


<article class="h-entry h-event h-review">
<h1 class="p-name p-item">Book title</h1>
<img class="u-photo" src="image.jpg" alt="Book cover.">
<p class="p-summary h-card">Book author</p>
<time class="dt-start" datetime="YYYY-MM-DD">Start date</time>
<time class="dt-end" datetime="YYYY-MM-DD">End date</time>
<div class="e-content">Remarks</div>
<data class="p-rating" value="5">★★★★★</data>
<time class="dt-published" datetime="YYYY-MM-DDThh:mm">Date of this post</time>
</article>

That markup is simultaneously a post (h-entry) and an event (h-event) and you can even throw in h-card for the book author (as well as h-review if you like to rate the books you read). It can be converted to RSS and also converted to .ics for calendars—those parsers are already out there. It’s ready for aggregation and it’s ready for visualisation.

I publish very minimal reading posts here on adactio.com. What little data is there isn’t very structured—I don’t even separate the book title from the author. But maybe I’ll have a little play around with turning these h-entries into combined h-entry/event posts.

Wednesday, April 1st, 2020

A reading of The Enormous Space by J.G. Ballard

Staying at home triggered a memory for me. I remembered reading a short story many years ago. It was by J.G. Ballard, and it described a man who makes the decision not to leave the house.

Being a J.G. Ballard story, it doesn’t end there. Over the course of the story, the house grows and grows in size, forcing the protaganist into ever-smaller refuges within his own home. It really stuck with me.

I tried tracking it down with some Duck Duck Going. Searching for “j.g. ballard weird short story” doesn’t exactly narrow things down, but eventually I spotted the book that I had read the story in. It was called War Fever. I think I read it back when I was living in Germany, so that would’ve been in the ’90s. I certainly don’t have a copy of the book any more.

But I was able to look up a table of contents and find a title for the story that was stuck in my head. It’s called The Enormous Space.

Alas, I couldn’t find any downloadable versions—War Fever doesn’t seem to be available for the Kindle.

Then I remembered the recent announcement from the Internet Archive that it was opening up the National Emergency Library. The usual limits on “checking out” books online are being waived while physical libraries remain closed.

I found The Complete Stories of J.G. Ballard and borrowed it just long enough to re-read The Enormous Space.

If anything, it’s creepier and weirder than I remembered. But it’s laced with more black comedy than I remembered.

I thought you might like to hear this story, so I made a recording of myself reading The Enormous Space.

Monday, March 30th, 2020

Living Through The Future

You can listen to audio version of Living Through The Future.

Usually when we talk about “living in the future”, it’s something to do with technology: smartphones, satellites, jet packs… But I’ve never felt more like I’m living in the future than during The Situation.

On the one hand, there’s nothing particularly futuristic about living through a pandemic. They’ve occurred throughout history and this one could’ve happened at any time. We just happen to have drawn the short straw in 2020. Really, this should feel like living in the past: an outbreak of a disease that disrupts everyone’s daily life? Nothing new about that.

But there’s something dizzyingly disconcerting about the dominance of technology. This is the internet’s time to shine. Think you’re going crazy now? Imagine what it would’ve been like before we had our network-connected devices to keep us company. We can use our screens to get instant updates about technologies of world-shaping importance …like beds and face masks. At the same time as we’re starting to worry about getting hold of fresh vegetables, we can still make sure that whatever meals we end up making, we can share them instantaneously with the entire planet. I think that, despite William Gibson’s famous invocation, I always figured that the future would feel pretty futuristic all ‘round—not lumpy with old school matters rubbing shoulders with technology so advanced that it’s indistinguishable from magic.

When I talk about feeling like I’m living in the future, I guess what I mean is that I feel like I’m living at a time that will become History with a capital H. I start to wonder what we’ll settle on calling this time period. The Covid Point? The Corona Pause? 2020-P?

At some point we settled on “9/11” for the attacks of September 11th, 2001 (being a fan of ISO-8601, I would’ve preferred 2001-09-11, but I’ll concede that it’s a bit of a mouthful). That was another event that, even at the time, clearly felt like part of History with a capital H. People immediately gravitated to using historical comparisons. In the USA, the comparison was Pearl Harbour. Outside of the USA, the comparison was the Cuban missile crisis.

Another comparison between 2001-09-11 and what we’re currently experiencing now is how our points of reference come from fiction. Multiple eyewitnesses in New York described the September 11th attacks as being “like something out of a movie.” For years afterwards, the climactic showdowns in superhero movies that demolished skyscrapers no longer felt like pure escapism.

For The Situation, there’s no shortage of prior art to draw upon for comparison. If anthing, our points of reference should be tales of isolation like Robinson Crusoe. The mundane everyday tedium of The Situation can’t really stand up to comparison with the epic scale of science-fictional scenarios, but that’s our natural inclination. You can go straight to plague novels like Stephen King’s The Stand or Emily St. John Mandel’s Station Eleven. Or you can get really grim and cite Cormac McCarthy’s The Road. But you can go the other direction too and compare The Situation with the cozy catastrophes of John Wyndham like Day Of The Triffids (or just be lazy and compare it to any of the multitude of zombie apocalypses—an entirely separate kind of viral dystopia).

In years to come there will be novels set during The Situation. Technically they will be literary fiction—or even historical fiction—but they’ll feel like science fiction.

I remember the Chernobyl disaster having the same feeling. It was really happening, it was on the news, but it felt like scene-setting for a near-future dystopian apocalypse. Years later, I was struck when reading Wolves Eat Dogs by Martin Cruz-Smith. In 2006, I wrote:

Halfway through reading the book, I figured out what it was: Wolves Eat Dogs is a Cyberpunk novel. It happens to be set in present-day reality but the plot reads like a science-fiction story. For the most part, the book is set in the post-apocolyptic landscape of Prypiat, near Chernobyl. This post-apocolyptic scenario just happens to be real.

The protagonist, Arkady Renko, is sent to this frightening hellish place following a somewhat far-fetched murder in Moscow. Killing someone with a minute dose of a highly radioactive material just didn’t seem like a very realistic assassination to me.

Then I saw the news about Alexander Litvinenko, the former Russian spy who died this week, quite probably murdered with a dose of polonium-210.

I’ve got the same tingling feeling about The Situation. Fact and fiction are blurring together. Past, present, and future aren’t so easy to differentiate.

I really felt it last week standing in the back garden, looking up at the International Space Station passing overhead on a beautifully clear and crisp evening. I try to go out and see the ISS whenever its flight path intersects with southern England. Usually I’d look up and try to imagine what life must be like for the astronauts and cosmonauts on board, confined to that habitat with nowhere to go. Now I look up and feel a certain kinship. We’re all experiencing a little dose of what that kind of isolation must feel like. Though, as the always-excellent Marina Koren points out:

The more experts I spoke with for this story, the clearer it became that, actually, we have it worse than the astronauts. Spending months cooped up on the ISS is a childhood dream come true. Self-isolating for an indefinite period of time because of a fast-spreading disease is a nightmare.

Whenever I look up at the ISS passing overhead I feel a great sense of perspective. “Look what we can do!”, I think to myself. “There are people living in space!”

Last week that feeling was still there but it was tempered with humility. Yes, we can put people in space, but here we are with our entire way of life put on pause by something so small and simple that it’s technically not even a form of life. It’s like we’re the martians in H.G. Wells’s War Of The Worlds; all-conquering and formidable, but brought low by a dose of dramatic irony, a Virus Ex Machina.

Friday, March 27th, 2020

So no one told us the internet was gonna be this way | The Outline

An interview with Joanne McNeil about her new book, Lurking:

Someone who was creating, say, a small decentralized community for a specific group of people would not have luck finding investors, as opposed to Facebook, which sought to build a platform for all.

‘Sfunny, when I was on Quarantine Book Club the other day, this is exactly what I talked about one point—how Facebook (and venture capital) moved the goalposts on what constitutes success and failure on the web.