A thousand likes doesn’t look much bigger than one, and this becomes important when considering the form of negativity on social media.
There is no feature for displeasure on social media, so if a person wants to express that, they must write. Complaints get wrapped in language, and language is always specific.
Saturday, September 28th, 2019
Tuesday, September 3rd, 2019
An interesting comparison between Facebook and tenements. Cram everybody together into one social network and the online equivalents of cholera and typhoid soon emerge.
The airless, lightless confines of these networks has a worrying tendency to amplify the most extreme content that takes root, namely that of racists, xenophobes, and conspiracists (which, ironically, includes anti-vaxxers.)
Sunday, September 1st, 2019
Ignore the clickbaity headline and have a read of Whitney Kimball’s obituaries of Friendster, MySpace, Bebo, OpenSocial, ConnectU, Tribe.net, Path, Yik Yak, Ello, Orkut, Google+, and Vine.
I’m sure your content on Facebook, Twitter, and Instagram is perfectly safe.
As a resident of Brighton—home to the most beautiful of bandstands—this bit of background to their history is fascinating.
Thursday, August 29th, 2019
A way for you to comment (anonymously, if you wish) on any post that accepts webmentions. So you can use this to respond to posts on adactio.com if you want.
Monday, July 15th, 2019
This is a great how-to from Darius Kazemi!
The main reason to run a small social network site is that you can create an online environment tailored to the needs of your community in a way that a big corporation like Facebook or Twitter never could. Yes, you can always start a Facebook Group for your community and moderate that how you like, but only within certain bounds set by Facebook. If you (or your community) run the whole site, then you are ultimately the boss of what goes on. It is harder work than letting Facebook or Twitter or Slack or Basecamp or whoever else take care of everything, but I believe it’s worth it.
There’s a lot of good advice for community management and the whole thing is a lesson in writing excellent documentation.
Sunday, June 30th, 2019
You can’t criticize Twitter on Twitter. It just doesn’t work. The medium is the message.
Nolan’s plea for sanity.
Write blog posts. Use RSS. Use micro.blog. Use Mastodon. Use Pleroma. Use whatever you want, as long as it isn’t manipulating you with algorithms or selling access to your data to advertisers.
Wednesday, June 26th, 2019
1,841 instances of dark patterns on ecommerce sites, in the categories of sneaking, urgency, misdirection, social proof, scarcity, obstruction, and forced action. You can browse this overview, read the paper, or look at the raw data.
We conducted a large-scale study, analyzing ~53K product pages from ~11K shopping websites to characterize and quantify the prevalence of dark patterns.
Tuesday, June 18th, 2019
A song of AIs and fire
The televisual adaption of Game of Thrones wrapped up a few weeks ago, so I hope I can safely share some thoughts with spoilering. That said, if you haven’t seen the final season, and you plan to, please read no further!
There has been much wailing and gnashing of teeth about the style of the final series or two. To many people, it felt weirdly …off. Zeynep’s superb article absolutely nails why the storytelling diverged from its previous style:
For Benioff and Weiss, trying to continue what Game of Thrones had set out to do, tell a compelling sociological story, would be like trying to eat melting ice cream with a fork. Hollywood mostly knows how to tell psychological, individualized stories. They do not have the right tools for sociological stories, nor do they even seem to understand the job.
Let’s leave aside the clumsiness of the execution for now and focus on the outcomes.
The story finishes with Bran as the “winner”, in that he now rules the seve— six kingdoms. I have to admit, I quite like the optics of replacing an iron throne with a wheelchair. Swords into ploughshares, and all that.
By this point, Bran is effectively a non-human character. He’s the Dr. Manhattan of the story. As the three-eyed raven, he has taken on the role of being an emotionless database of historical events. He is Big Data personified. Or, if you squint just right, he’s an Artificial Intelligence.
There’s another AI in the world of Game of Thrones. The commonly accepted reading of the Night King is that he represents climate change: an unstoppable force that’s going to dramatically impact human affairs, but everyone is too busy squabbling in their own politics to pay attention to it. I buy that. But there’s another interpretation. The Night King is rogue AI. He’s a paperclip maximiser.
Clearly, a world ruled by an Artificial Intelligence like that would be a nightmare scenario. But we’re also shown that a world ruled purely by human emotion would be just as bad. That would be the tyrannical reign of the mad queen Daenerys. Both extremes are undesirable.
So why is Bran any better? Well, technically, he isn’t ruling alone. He has a board of (very human) advisors. The emotionless logic of a pure AI is kept in check by a council of people. And the extremes of human nature are kept in check by the impartial AI. To put in another way, humanity is augmented by Artificial Intelligence: Man-computer symbiosis.
Whether it’s the game of chess or the game of thrones, a centaur is your best bet.
I don’t know how we got to a point where chatting and sharing with friends means having to pick through adverts, and agreeing to being tracked and marketed at, and risk being exposed to, or abused by, terrible people. Our conversations and holiday snaps have become darkly marketed events. You could say this is a fair exchange but it feels wrong to me. The things being exchanged are too different, a kind of category error. It’s a wonky kind of barter in which I feel powerless and used. It’s not why I came here, to the internet.
Tuesday, May 28th, 2019
The New York Times is publishing science-fictional op-eds. The first one is from Ted Chiang on the Gene Equality Project forty years in our future:
White supremacist groups have claimed that its failure shows that certain races are incapable of being improved, given that many — although by no means all — of the beneficiaries of the project were people of color. Conspiracy theorists have accused the participating geneticists of malfeasance, claiming that they pursued a secret agenda to withhold genetic enhancements from the lower classes. But these explanations are unnecessary when one realizes the fundamental mistake underlying the Gene Equality Project: Cognitive enhancements are useful only when you live in a society that rewards ability, and the United States isn’t one.
Tuesday, May 21st, 2019
This is a really great, balanced profile of the Indie Web movement. There’s thoughtful criticism alongside some well-deserved praise:
If we itemize the woes currently afflicting the major platforms, there’s a strong case to be made that the IndieWeb avoids them. When social-media servers aren’t controlled by a small number of massive public companies, the incentive to exploit users diminishes. The homegrown, community-oriented feel of the IndieWeb is superior to the vibe of anxious narcissism that’s degrading existing services.
Tantek’s barnstorming closing talk from Beyond Tellerrand. This is well worth 30 minutes of your time.
Own your domain. Own your content. Own your social connections. Own your reading experience. IndieWeb services, tools, and standards enable you to take back your web.
Sunday, April 28th, 2019
What would Wiener think of the current human use of human beings? He would be amazed by the power of computers and the internet. He would be happy that the early neural nets in which he played a role have spawned powerful deep-learning systems that exhibit the perceptual ability he demanded of them—although he might not be impressed that one of the most prominent examples of such computerized Gestalt is the ability to recognize photos of kittens on the World Wide Web.
Saturday, April 27th, 2019
Thorough (and grim) research from Chris.
Wednesday, April 24th, 2019
A terrific six-part series of short articles looking at the people behind the history of Artificial Intelligence, from Babbage to Turing to JCR Licklider.
- When Charles Babbage Played Chess With the Original Mechanical Turk
- Invisible Women Programmed America’s First Electronic Computer
- Why Alan Turing Wanted AI Agents to Make Mistakes
- The DARPA Dreamer Who Aimed for Cyborg Intelligence
- Algorithmic Bias Was Born in the 1980s
- How Amazon’s Mechanical Turkers Got Squeezed Inside the Machine
The history of AI is often told as the story of machines getting smarter over time. What’s lost is the human element in the narrative, how intelligent machines are designed, trained, and powered by human minds and bodies.
Thursday, March 7th, 2019
I have no doubt that showing just the top outrageous tweets leads to more engagement. If you’re constantly hitting people with outlandish news stories they’ll open the app more often and interact and post about what they think so the cycle continues.
Thursday, September 20th, 2018
This looks like a really interesting two-day event here in Brighton in November. Like Indie Web Camp, it features one day of talks followed by one day of making.
After a day of tech talks from project teams using their skills for social good, you’ll have the chance to take part in workshops and hackathons to use your own talents for a worthy cause.
And you get to go up the i360.
Friday, July 20th, 2018
The web can be used to find common connections with folks you find interesting, and who don’t make you feel like so much of a weirdo. It’d be nice to be able to do this in a safe space that is not being surveilled.
Owning your own content, and publishing to a space you own can break through some of these barriers. Sharing your own weird scraps on your own site makes you easier to find by like-minded folks. If you’ve got no tracking on your site (no Google Analytics etc), you are harder to profile. People can’t come to harass you on your own site if you do not offer them the means to do so
Friday, July 13th, 2018
I tried very hard in that book, when it came to social media, to be platform agnostic, to emphasize that social media sites come and go, and to always invest first and foremost in your own media (website, blog, etc.) and mailing list.
I still stand by that advice, but if I re-wrote the book now, I would encourage artists to use much more caution when it comes to using social media websites like Facebook, Twitter, and Instagram.