Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.
Monday, April 10th, 2017
Thursday, March 23rd, 2017
That library was a Pandorica of fabulous, interwoven randomness, as rich as plum cake. Push a seed of curiosity in between any two books and it would grow, overnight, into a rainforest hot with monkeys and jaguars and blowpipes and clouds. The room was full, and my head was full. What a magical system to place around a penniless girl.
Friday, March 17th, 2017
A website dedicated to one of the most, um, interesting solutions to the Yucca Mountain nuclear waste storage problem:
- Engineer cats that change colour in response to radiation.
- Create the culture/legend/history that if your cat changes colour, you should move some place else.
There are T-shirts!
Monday, March 6th, 2017
Absolute gold dust from Mike!
I think that having regular 1:1s is really important, but I’m sure I’m not doing them as effectively as I could—the advice in here is going to be invaluable.
There are three types of employees in the world when it comes to disclosing issues:
- Those who will always tell you about problems.
- Those who will never tell you about problems.
- Those who will tell you about problems when asked in the right way.
I love my ones and am frustrated by my twos, but I feel like at least 9 out of 10 people are actually threes.
Tuesday, February 21st, 2017
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Friday, February 3rd, 2017
I like Mike’s “long zoom” view here where the glass is half full and half empty:
Several years from now, I want to be able to look back on this time the same way people look at other natural disasters. Without that terrible earthquake, we would have never improved our building codes. Without that terrible flood, we would have never built those levees. Without that terrible hurricane, we would have never rebuilt this amazing city. Without that terrible disease, we would have never developed antibodies against it.
It doesn’t require giving any credit to the disaster. The disaster will always be a complete fucking disaster. But it does involve using the disaster as an opportunity to take a hard look at what got us here and rededicate our energy towards things that will get us out.
Tuesday, January 31st, 2017
Matt takes a look at the history of scheduled broadcast media—which all began in Hungary in 1887 via telephone—and compares it to the emerging media context of the 21st century; the stream.
If the organizing principle of the broadcast schedule was synchronization — millions seeing the same thing at the same time — then the organizing principle of the stream is de-contextualization — stories stripped of their original context, and organized into millions of individual, highly personalized streams.
Thursday, January 19th, 2017
Like cuneiform crossed with the Long Now Foundation’s Rosetta Project.
He will laser-print a microscopic font onto 1-mm-thick ceramic sheets, encased in wafer-thin layers of glass. One 20 cm piece of this microfilm can store 5 million characters; whole libraries of information—readable with a 10x-magnifying lens—could be slotted next to each other and hardly take up any space.
Monday, January 16th, 2017
Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.
Monday, December 12th, 2016
A profile of Stanisław Lem and his work, much of which is still untranslated.
Saturday, November 26th, 2016
Whereas before content used to be spread out on numerous domains in numerous ways, content now mostly makes its home on the three domains that are most hostile to thoughtful human discussion: Twitter, Medium, and Facebook.
So what? you may ask..
Think about how many times you’ve tweeted. Or written or commented on a Facebook post. Or started a Medium draft. These are all our words, locked in proprietary platforms that controls not only how our message is displayed, but how we write it, and even more worrying, how we think about it.
Monday, November 21st, 2016
Douglas Coupland on web typography.
When I discuss the internet’s feel and its random rodeo of fonts, I think of the freedom, naivety, laziness, greed, cluelessness and skill I see there — it’s a cyberplace as wondrous as the bubbling cradle of pea-soup goo from which life emerged. The internet has a rawness, a Darwinian evolutionary texture. It’s a place where metrics totally unrelated to print typography dictate the look and feel.
Monday, November 7th, 2016
The challenge of being in tech when you’re over 40 is the challenge of constantly setting aside your expectations of how things should work, repeatedly questioning your assumptions, and constantly re-evaluating your positions. It’s the challenge of being a lifelong learner; cultivating the humility of the beginner, the passion of the practitioner, and the joy of the master. It is the challenge of not being so quick to apply old analysis, rely on outdated experience, or expect what worked before to work again.
Tuesday, November 1st, 2016
The view that more information uncritically produces better decisions is visibly at odds with our contemporary situation.
A superb piece of research and writing by James, skewering the technological determinism that underlies the current faith in “big data.” At best, this misplaced trust is inaccurate; at worst, it is deadly.
To the algorithmic imagination, the practice of journalism and the practice of terrorism appear to be functionally identical.
Saturday, October 22nd, 2016
The fascinating history of India’s space program is the jumping-off point for a comparison of differing cultural attitudes to space exploration in Anab’s transcript of her Webstock talk, published on Ev’s blog.
From astronauts to afronauts, from cosmonauts to vyomanauts, how can deep space exploration inspire us to create more democratic future visions?
Sunday, October 9th, 2016
A fascinating look at an attempt to redefine the taxonomy of online porn.
Porn is part of the ecosystem that tells us what sex and sexuality are. Porn terms are, to use Foucault’s language, part of a network of technologies creating truths about our sexuality.
Reminds of the heady days of 2005, when it was all about tagging and folksonomies.
The project, at its most ambitious, seeks to create a new feedback loop of porn watched and made, unmoored from the vagaries of old, bad, lazy categories.
Saturday, October 8th, 2016
The 1989 CBC Massey Lectures, “The Real World of Technology” - Home | Ideas with Paul Kennedy | CBC Radio
I’m about to start reading Ursula M. Franklin’s The Real World of Technology based on Mandy’s recommendation. The audio files from original series of lectures on which the book is based are still available here, but alas not in any huffduffable form.
Monday, September 12th, 2016
Some typically smart thinking from Mike—what if success were measured in learning rather than shipping?
Organizations that learn the quickest seem the most likely to succeed over the long haul.
This really resonates with me, and it aligns so closely with our values at Clearleft that I think this is something we should be pursuing. Fortunately Mike’s post comes with plenty of examples and ideas.
Wednesday, August 24th, 2016
I giggled at quite of few of these mashups.
Sunday, August 7th, 2016
A wonderful investigation of a culture-shifting mobile device: the kaleidoscope. A classic Gibsonian example of the street finding its own uses for technology, this story comes complete with moral panics about the effects of augmenting reality with handheld devices.
(I’m assuming the title wasn’t written by the author—this piece deals almost exclusively with pre-Victorian England.)