The work features three main components — the threats, represented by black obelisk style objects, the system which detects and deals with these threats, represented by an organic mesh like structure, and finally the creativity that is allowed to flow because the threats have been neutralised.
Jean-François also told us that the WorldWideWeb browser/editor was kind of like an advanced prototype. The idea was to get something up and running as quickly as possible. Well, the NeXT operating system had a very robust Text Object, so the path of least resistance for Tim Berners-Lee was to take the existing word-processing software and build a hypertext component on top of it. Likewise, instead of creating a brand new format, he used the existing SGML format and added one new piece: linking with A tags.
So the WorldWideWeb application was kind of like a word processor and document viewer mashed up with hypertext. Ted Nelson complains to this day that the original sin of the web was that it borrowed this page-based metaphor. But Nelson’s Project Xanadu, originally proposed in 1974 wouldn’t become a working reality until 2014—a gap of forty years. Whereas Tim Berners-Lee proposed his system in March 1989 and had working code within a year. There’s something to be said for being pragmatic and working with what you’ve got.
The web was also a mashup of ideas. Hypertext existed long before the web—Ted Nelson coined the term in 1963. There were conferences and academic discussions devoted to hypertext and hypermedia. But almost all the existing hypertext systems—including Tim Berners-Lee’s own ENQUIRE system from the early 80s—were confined to a local machine. Meanwhile networked computers were changing everything. First there was the ARPANET, then the internet. Tim Berners-Lee’s ambitious plan was to mash up hypertext with networks.
The World Wide Web officially celebrates its 30th birthday in March of this year. It’s kind of an arbitrary date: it’s the anniversary of the publication of Information Management: A Proposal. Perhaps a more accurate date would be the day the first website—and first web server—went online. But still. Let’s roll with this date of March 12, 1989. I thought it would be interesting not only to look at what’s happened between 1989 and 2019, but also to look at what happened between 1959 and 1989.
So now I’ve got two time cones that converge in the middle: 1959 – 1989 and 1989 – 2019. For the first time period, I made categories of influences: formats, hypertext, networks, and computing. For the second time period, I catalogued notable results: browsers, servers, and the evolution of HTML.
I did a little bit of sketching and quickly realised that these converging timelines could be represented somewhat like particle collisions. Once I had that idea in my head, I knew how I would be spending my time during the hack week.
Rather than jumping straight into the collider visualisation, I took some time to make a solid foundation to build on. I wanted to be sure that the timeline itself would be understable even if it were, say, viewed in the first ever web browser.
I marked up each timeline as an ordered list of h-events:
With the markup in place, I could concentrate on making it look halfway decent. For small screens, the layout is very basic—just a series of lists. When the screen gets wide enough, I lay those lists out horzontally one on top of the other. In this view, you can more easily see when events coincide. For example, ENQUIRE, Usenet, and Smalltalk all happen in 1980. But the real beauty comes when the screen is wide enough to display everthing at once. You can see how an explosion of activity in the early 90s. In 1994 alone, we get the release of Netscape Navigator, the creation of HTTPS, and the launch of Amazon.com.
The whole thing is powered by CSS transforms and positioning. Each year on a timeline has its own class that gets moved to the correct chronological point using calc(). I wanted to use translateX() but I couldn’t get the maths to work for that, so I had use plain ol’ left and right:
1971: Unix man pages, one of the first instances of writing documents with a markup language that is interpreted live by a parser before being presented to the user.
1980: Usenet News, because it was THE everyday discussion medium by the time we created the web technology, and the Web first embraced
news as a built-in information resource, then various platforms built on the web rendered it obsolete.
1982: Literary Machines, Ted Nelson’s book which was on our desk at all times
I really, really enjoyed building this “collider” timeline. It was a chance for me to smash together my excitement for web history with my enjoyment of using the raw materials of the web; HTML and CSS in this case.
The timeline pales in comparison to the achievement of the rest of the team in recreating the WorldWideWeb application but I was just glad to be able to contribute a little something to the project.
Oh, and Firefox is shipping support for some CSS properties that really help with print style sheets, so I’m disproportionately pleased about that.
In Safari’s changes, I’m pleased to see that the datalist element is finally getting implemented. I’ve been a fan of that element for many years now. (Am I a dork for having favourite HTML elements? Or am I a dork for even having to ask that question?)
And, of course, it wouldn’t be a Safari release without a new made up meta tag. From the people who brought you such hits as viewport and apple-mobile-web-app-capable, comes …supported-color-schemes (Apple likes to make up meta tags almost as much as Google likes to make up rel values).
There’ll be a whole bunch of improvements in how progressive web apps will behave once they’ve been added to the home screen. We’ll finally get some state persistence if you navigate away from the window!
Updated the behavior of websites saved to the home screen on iOS to pause in the background instead of relaunching each time.
Chrome 72 for Android shipped the long-awaited Trusted Web Activity feature, which means we can now distribute PWAs in the Google Play Store!
Very interesting indeed! I’m not sure if I’m ready to face the Kafkaesque process of trying to add something to the Google Play Store just yet, but it’s great to know that I can. Combined with the improvements coming in iOS 12.2, these are exciting times for progressive web apps!
Never mind their recent data breach—the reason to avoid Quora is that it’s a data roach motel.
All of Quora’s efforts to lock up its community’s contributions make it incredibly difficult to preserve when that they go away, which they someday will. If you choose to contribute to Quora, they’re actively fighting to limit future access to your own work.
Damn, that’s a fine opening! And the rest of this post by Alex is pretty darn great too. He’s absolutely right in calling out the fetishisation of developer experience at the expense of user needs:
The swap is executed by implying that by making things better for developers, users will eventually benefit equivalently. The unstated agreement is that developers share all of the same goals with the same intensity as end users and even managers. This is not true.
I have a feeling that this will be a very bitter pill for many developers to swallow:
If one views the web as a way to address a fixed market of existing, wealthy web users, then it’s reasonable to bias towards richness and lower production costs. If, on the other hand, our primary challenge is in growing the web along with the growth of computing overall, the ability to reasonably access content bumps up in priority. If you believe the web’s future to be at risk due to the unusability of most web experiences for most users, then discussion of developer comfort that isn’t tied to demonstrable gains for marginalized users is at best misguided.
Oh,captain, my captain!
Tools that cost the poorest users to pay wealthy developers are bunk.
Typography meets astronomy in 16th century books like the Astronomicum Caesareum.
It is arguably the most typographically impressive scientific manual of the sixteenth century. Owen Gingerich claimed it, “the most spectacular contribution of the book-maker’s art to sixteenth-century science.”