Tags: digital

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Sunday, December 10th, 2017

Visions, Ventures, Escape Velocities: A Collection of Space Futures – Center for Science and the Imagination

A collection of short stories and essays speculating on humanity’s future in the solar system. The digital versions are free to download.

Thursday, November 30th, 2017

Jeremy Keith - Building Blocks of the Indie Web - YouTube

Here’s the talk I gave at Mozilla’s View Source event. I really enjoyed talking about the indie web, both from the big-picture view and the nitty gritty.

In these times of centralised services like Facebook, Twitter, and Medium, having your own website is downright disruptive. If you care about the longevity of your online presence, independent publishing is the way to go. But how can you get all the benefits of those third-party services while still owning your own data? By using the building blocks of the Indie Web, that’s how!

Jeremy Keith - Building Blocks of the Indie Web

Tuesday, September 12th, 2017

V6: The Archive | Rob Weychert

Rob has redesigned his site and it’s looking lovely. Here’s the first part of a three-part series on the rationale behind the relaunch:

I don’t pretend everything I do or say online is worthy of preservation. But while I’m still breathing, I want to be the one who decides what gets preserved and what doesn’t. And I want it all to be available in one place. Owning and operating my own site is the only way.

Hell, yeah!

Friday, September 1st, 2017

Wednesday, July 26th, 2017

Bruce Lawson’s personal site  : Eulogy for Flash

Web developers aren’t going to shed many tears for Flash, but as Bruce rightly points out, it led the way for many standards that followed. Flash was the kick up the arse that the web needed.

He also brings up this very important question:

I’m also nervous; one of the central tenets of HTML is to be backwards-compatible and not to break the web. It would be a huge loss if millions of Flash movies become unplayable. How can we preserve this part of our digital heritage?

This is true of the extinction of any format. Perhaps this is an opportunity for us to tackle this problem head on.

Friday, June 9th, 2017

Human Document Project 2017

A conference in my old stomping grounds of Freiburg on archives, preservation, and long-term thinking:

It will present the state of art in long-term archiving as well as the present problems in preservation of information and scientific data in archives and libraries. Perhaps the most interesting aspect is that, since all conceivable systems are finite but can be quite large, a choice on the contents has to be made. This requires thinking of the human condition: Who we are, what we are and what do we find worth to preserve.

Friday, June 2nd, 2017

Daring Fireball: Fuck Facebook

…a full one-third of my window is covered by a pop-over trying to get me to sign in or sign up for Facebook. I will go out of my way to avoid linking to websites that are hostile to users with pop-overs. (For example, I’ve largely stopped linking to anything from Wired, because they have such an aggressive anti-ad-block detection scheme. Fuck them.)

Same.

Facebook forbids search engines from indexing Facebook posts. Content that isn’t indexable by search engines is not part of the open web.

And then there’s this:

And in the same way they block indexing by search engines, Facebook forbids The Internet Archive from saving copies of posts.

Thursday, June 1st, 2017

Pinboard Acquires Delicious

Oh my goodness! Maciej is channelling Jason Scott:

Delicious has over a billion bookmarks and is a fascinating piece of web history. Even Yahoo, for whom mismanagement is usually effortless, had to work hard to keep Delicious down. I bought it in part so it wouldn’t disappear from the web.

Wednesday, May 3rd, 2017

The Lost Picture Show: Hollywood Archivists Can’t Outpace Obsolescence - IEEE Spectrum

There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.

Format:

Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.

Medium:

As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.

Licensing:

Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.

It adds up to a potential cultural disaster:

If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.

Tuesday, April 25th, 2017

DRM for the Web is a Bad Idea | Internet Archive Blogs

The Encrypted Media Extensions (EME) addition to HTML is effectively DRM with the blessing of the W3C. It’s bad for accessibility, bad for usability, bad for security, and as the Internet Archive rightly points out, it’s bad for digital preservation.

Friday, April 14th, 2017

Closing Communities: FFFFOUND! vs MLKSHK – Waxy.org

Andy compares the impending shutdowns of Ffffound and Mlkshk. They’re quite, quite different when it comes to handling data rescue.

Monday, April 10th, 2017

Transforming Our Libraries from Analog to Digital: A 2020 Vision | EDUCAUSE

Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.

Thursday, March 30th, 2017

The Analog Web | Jim Nielsen’s Blog

This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.

When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.

Wednesday, March 1st, 2017

All You Need is Link | Rhizome

A lovely piece of early web history—Olia Lialina describes the early Net Art scene in 2000.

The address bar is the author’s signature. It’s where action takes place, and it’s the action itself. The real action on the web doesn’t happen on the page with its animated GIFs or funny scripts, it’s concentrated in the address bar.

And how wonderful that this piece is now published on Rhizome, an online institution so committed to its mission that it’s mentioned in this seventeen year old article.

Wednesday, February 22nd, 2017

Long betting

It has been exactly six years to the day since I instantiated this prediction:

The original URL for this prediction (www.longbets.org/601) will no longer be available in eleven years.

It is exactly five years to the day until the prediction condition resolves to a Boolean true or false.

If it resolves to true, The Bletchly Park Trust will receive $1000.

If it resolves to false, The Internet Archive will receive $1000.

Much as I would like Bletchley Park to get the cash, I’m hoping to lose this bet. I don’t want my pessimism about URL longevity to be rewarded.

So, to recap, the bet was placed on

02011-02-22

It is currently

02017-02-22

And the bet times out on

02022-02-22.

Tuesday, February 21st, 2017

[this is aaronland] fault lines — a cultural heritage of misaligned expectations

When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.

It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.

It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.

Thursday, January 19th, 2017

Memory of Mankind: All of Human Knowledge Buried in a Salt Mine - The Atlantic

Like cuneiform crossed with the Long Now Foundation’s Rosetta Project.

He will laser-print a microscopic font onto 1-mm-thick ceramic sheets, encased in wafer-thin layers of glass. One 20 cm piece of this microfilm can store 5 million characters; whole libraries of information—readable with a 10x-magnifying lens—could be slotted next to each other and hardly take up any space.

Monday, January 9th, 2017

The Futures of Typography

A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!

Friday, January 6th, 2017

From Tape Drives to Memory Orbs, the Data Formats of Star Wars Suck (Spoilers) | Motherboard

As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.

Wednesday, December 28th, 2016

The many formats of Resilient Web Design

If you don’t like reading in a web browser, you might like to know that Resilient Web Design is now available in more formats.

Jiminy Panoz created a lovely EPUB version. I tried it out in Apple’s iBooks app and it looks great. I tried to submit it to the iBooks store too, but that process threw up a few too many roadblocks.

Oliver Williams has created a MOBI version. That’s means you can read it on a Kindle. I plugged my old Kindle into my computer, dragged that file onto its disc image, and it worked a treat.

And there’s always the PDF versions; one in portrait and another in landscape format. Those were generated straight from the print styles.

Oh, and there’s the podcast. I’ve only released two chapters so far. The Christmas break and an untimely cold have slowed down the release schedule a little bit.

I’d love to make a physical, print-on-demand version of Resilient Web Design available—maybe through Lulu—but my InDesign skills are non-existent.

If you think the book should be available in any other formats, and you fancy having a crack at it, please feel free to use the source files.