Tuesday, September 13th, 2022
Tuesday, August 16th, 2022
My talk, Building, was about the metaphors we use to talk about the work we do on the web. So I’m interested in this analysis of the metaphors used to talk about markup:
- Data is documents, processing data is clerking
- Data is trees, processing data is forestry
- Data is buildings, processing data is construction
- Data is a place, processing data is a journey
- Data is a fluid, processing data is plumbing
- Data is a textile, processing data is weaving
- Data is music, processing data is performing
Tuesday, May 3rd, 2022
A while back I wrote a blog post called Web Audio API weirdness on iOS. I described a bug in Mobile Safari along with a hacky fix. I finished by saying:
If you ever find yourself getting weird but inconsistent behaviour on iOS using the Web Audio API, this nasty little hack could help.
Thanks so much for your post, this was a truly pernicious problem!
That warms the cockles of my heart. It’s very gratifying to know that documenting the bug (and the fix) helped someone out. Or, as I put it:
Yay for bugblogging!
Forgive the Germanic compound word, but in this case I think it fits.
Bugblogging doesn’t need to involve a solution. Just documenting a bug is a good thing to do. Recently I documented a bug with progressive web apps on iOS. Before that I documented a bug in Facebook Container for Firefox. When I documented some weird behaviour with the Web Share API in Safari on iOS, I wasn’t even sure it was a bug but Tess was pretty sure it was and filed a proper bug report.
I’ve benefited from other people bugblogging. Phil Nash wrote Service workers: beware Safari’s range request. That was exactly what I needed to solve a problem I’d been having. And then that post about Phil solving my problem helped Peter Rukavina solve a similar issue so he wrote Phil Nash and Jeremy Keith Save the Safari Video Playback Day.
Again, this warmed the cockles of my heart. Bugblogging is worth doing just for the reward of that feeling.
There’s a similar kind of blog post where, instead of writing about a bug, you write about a particular technique. In one way, this is the opposite of bugblogging because you’re writing about things working exactly as they should. But these posts have a similar feeling to bugblogging because they also result in a warm glow when someone finds them useful.
Here are some recent examples of these kinds of posts—tipblogging?—that I’ve found useful:
- Eric wrote about flexibly centering an element with side-sligned content using CSS.
- Rich documented how to subset a variable font on a Mac.
- Stephanie wrote about a CSS technique for animating in a newly added element.
Sunday, February 6th, 2022
I remember Lara telling me a great quote from the Clarity conference a few years back: “A design system needs to be correct before it’s complete.” In other words, it’s better to have one realistic component that’s actually in production than to have a pattern library full of beautiful but unimplemented components. I feel like Robin is getting at much the same point here, but he frames it in terms of correctness and usefulness:
If we want to be correct, okay, let’s have components of everything and an enormous Figma library of stuff we need to maintain. But if we want to be useful to designers who want to get an understanding of the system, let’s be brief.
Sunday, December 5th, 2021
The three-part almost nine-hour long documentary Get Back is quite fascinating.
First of all, the fact that all this footage exists is remarkable. It’s as if Disney had announced that they’d found the footage for a film shot between Star Wars and The Empire Strikes Back.
Still, does this treasure trove really warrant the daunting length of this new Beatles documentary? As Terence puts it:
There are two problems with this Peter Jackson documentary. The first is that it is far too long - are casual fans really going to sit through 9 hours of a band bickering? The second problem is that it is far too short! Beatles obsessives (like me) could happily drink in a hundred hours of this stuff.
In some ways, watching Get Back is liking watching one of those Andy Warhol art projects where he just pointed a camera at someone for 24 hours. It’s simultaneously boring and yet oddly mesmerising.
What struck myself and Jessica watching Get Back was how much it was like our experience of playing with Salter Cane. I’m not saying Salter Cane are like The Beatles. I’m saying that The Beatles are like Salter Cane and every other band on the planet when it comes to how the sausage gets made. The same kind of highs. The same kind of lows. And above all, the same kind of tedium. Spending hours and hours in a practice room or a recording studio is simultaneously exciting and dull. This documentary captures that perfectly.
I suppose Peter Jackson could’ve made a three-part fly-on-the-wall documentary series about any band and I would’ve found it equally interesting. But this is The Beatles and that means there’s a whole mythology that comes along for the ride. So, yes, it’s like watching paint dry, but on the other hand, it’s paint painted by The Beatles.
What I liked about Get Back is that it demystified the band. The revelation for me was really understanding that this was just four lads from Liverpool making music together. And I know I shouldn’t be surprised by that—the Beatles themselves spent years insisting they were just four lads from Liverpool making music together, but, y’know …it’s The Beatles!
There’s a scene in the Danny Boyle film Yesterday where the main character plays Let It Be for the first time in a world where The Beatles have never existed. It’s one of the few funny parts of the film. It’s funny because to everyone else it’s just some new song but we, the audience, know that it’s not just some new song…
Christ, this is Let It Be! You’re the first people on Earth to hear this song! This is like watching Da Vinci paint the Mona Lisa right in front of your bloody eyes!
But truth is even more amusing than fiction. In the first episode of Get Back, we get to see when Paul starts noodling on the piano playing Let It Be for the first time. It’s a momentous occasion and the reaction from everyone around him is …complete indifference. People are chatting, discussing a set design that will never get built, and generally ignoring the nascent song being played. I laughed out loud.
There’s another moment when George brings in the song he wrote the night before, I Me Mine. He plays it while John and Yoko waltz around. It’s in 3/4 time and it’s minor key. I turned to Jessica and said “That’s the most Salter Cane sounding one.” Then, I swear at that moment, after George has stopped playing that song, he plays a brief little riff on the guitar that sounded exactly like a Salter Cane song we’re working on right now. Myself and Jessica turned to each other and said, “What was that‽”
Funnily enough, when we told this to Chris, the singer in Salter Cane, he mentioned how that was the scene that had stood out to him as well, but not for that riff (he hadn’t noticed the similarity). For him, it was about how George had brought just a scrap of a song. Chris realised it was the kind of scrap that he would come up with, but then discard, thinking there’s not enough there. So maybe there’s a lesson here about sharing those scraps.
Watching Get Back, I was trying to figure out if it was so fascinating to me and Jessica (and Chris) because we’re in a band. Would it resonate with other people?
The answer, it turns out, is yes, very much so. Everyone’s been sharing that clip of Paul coming up with the beginnings of the song Get Back. The general reaction is one of breathless wonder. But as Chris said, “How did you think songs happened?” His reaction was more like “yup, accurate.”
Inevitably, there are people mining the documentary for lessons in creativity, design, and leadership. There are already Medium think-pieces and newsletters analysing the processes on display. I guarantee you that there will be multiple conference talks at UX events over the next few years that will include footage from Get Back.
I understand how you could watch this documentary and take away the lesson that these were musical geniuses forging remarkable works of cultural importance. But that’s not what I took from it. I came away from it thinking they’re just a band who wrote and recorded some songs. Weirdly, that made me appreciate The Beatles even more. And it made me appreciate all the other bands and all the other songs out there.
Tuesday, April 6th, 2021
This old article from Chris is evergreen. There’s been some recent discussion of calling these words “downplayers”, which I kind of like. Whatever they are, try not to use them in documentation.
Saturday, April 3rd, 2021
Always refreshing to see some long-term thinking applied to the web.
Wednesday, March 10th, 2021
Saturday, February 27th, 2021
The web is so much bigger than the little boxes we try to put it in. The web is good at many things and not great (yet) at others. The web is a snowball rolling down hill, absorbing other technologies along the way. The web is an interactive window across space and time, a near instant connection to anyone on the planet. The web is something different. I wish we’d see the web more for itself, not defined by its nearest neighbor or navel-gazing over some hypothetical pathway we could have gone down decades ago.
Thursday, February 18th, 2021
I’m excited by this documentary project from John! The first video installment features three historic “pages”:
- As We May Think,
- Information Management: A Proposal, and
- the first web page.
Friday, February 12th, 2021
(you know my opinion of Adam Curtis’s
Thursday, November 12th, 2020
Tuesday, October 13th, 2020
James made a radio programme about “the cloud”:
It’s the central metaphor of the internet - ethereal and benign, a fluffy icon on screens and smartphones, the digital cloud has become so naturalised in our everyday life we look right through it. But clouds can also obscure and conceal – what is it hiding? Author and technologist James Bridle navigates the history and politics of the cloud, explores the power of its metaphor and guides us back down to earth.
Wednesday, September 16th, 2020
I watched The Social Dilemma last night and to say it’s uneven would be like saying the Himalayas are a little bumpy.
I’m shocked at how appealing so many people find the idea that social networks are uniquely responsible for all of society’s ills.
This cartoon super villain view of the world strikes me as a kind of mirror image of the right-wing conspiracy theories which hold that a cabal of elites are manipulating every world event in secret. It is more than a little ironic that a film that warns incessantly about platforms using misinformation to stoke fear and outrage seems to exist only to stoke fear and outrage — while promoting a distorted view of how those platforms work along the way.
Monday, September 14th, 2020
Trys ponders home repair projects and Postel’s Law.
As we build our pages, components, and business logic, establish where tolerance should be granted. Consider how flexible each entity should be, and on what axis. Determine which items need to be fixed and less tolerant. There will be areas where the data or presentation being accurate is more important than being flexible - document these decisions.
Friday, July 31st, 2020
A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.
Friday, June 26th, 2020
A forthcoming documentary about Stewart Brand (with music by Brian Eno).
Sunday, June 14th, 2020
Thursday, April 2nd, 2020
I enjoyed this documentary on legendary sound designer and editor Walter Murch. Kinda makes me want to rewatch The Conversation and The Godfather.
Monday, March 23rd, 2020
While we’re all confined to quarters during The Situation, Gary Hustwit is offering one of his films for free every week. The fantastic Helvetica is just about to finish its run, but every one of Gary’s films is worth watching (and rewatching): Helvetica, Objectified, Urbanized, and Rams.
Filmmaker Gary Hustwit is streaming his documentaries free worldwide during the global COVID crisis. Each week we’ll be posting another film here. We hope you enjoy them, and please stay strong.