Tags: ews

184

sparkline

Sunday, May 15th, 2022

Image previews with the FileReader API

I added a “notes” section to this website eight years ago. I set it up so that notes could be syndicated to Twitter. Ever since then, that’s the only way I post to Twitter.

A few months later I added photos to my notes. Again, this would get syndicated to Twitter.

Something’s bothered me for a long time though. I initially thought that if I posted a photo, then the accompanying text would serve as a decription of the image. It could effectively act as the alt text for the image, I thought. But in practice it didn’t work out that way. The text was often a commentary on the image, which isn’t the same as a description of the contents.

I needed a way to store alt text for images. To make it more complicated, it was possible for one note to have multiple images. So even though a note was one line in my database, I somehow needed a separate string of text with the description of each image in a single note.

I eventually settled on using the file system instead of the database. The images themselves are stored in separate folders, so I figured I could have an accompanying alt.txt file in each folder.

Take this note from yesterday as an example. Different sizes of the image are stored in the folder /images/uploaded/19077. Here’s a small version of the image and here’s the original. In that same folder is the alt text.

This means I’m reading a file every time I need the alt text instead of reading from a database, which probably isn’t the most performant way of doing it, but it seems to be working okay.

Here’s another example:

In order to add the alt text to the image, I needed to update my posting interface. By default it’s a little textarea, followed by a file upload input, followed by a toggle (a checkbox under the hood) to choose whether or not to syndicate the note to Twitter.

The interface now updates automatically as soon as I use that input type="file" to choose any images for the note. Using the FileReader API, I show a preview of the selected images right after the file input.

Here’s the code if you ever need to do something similar. I’ve abstracted it somewhat in that gist—you should be able to drop it into any page that includes input type="file" accept="image/*" and it will automatically generate the previews.

I was pleasantly surprised at how easy this was. The FileReader API worked just as expected without any gotchas. I think I always assumed that this would be quite complex to do because once upon a time, it was quite complex (or impossible) to do. But now it’s wonderfully straightforward. Story of the web.

My own version of the script does a little bit more; it also generates another little textarea right after each image preview, which is where I write the accompanying alt text.

I’ve also updated my server-side script that handles the syndication to Twitter. I’m using the /media/metadata/create method to provide the alt text. But for some reason it’s not working. I can’t figure out why. I’ll keep working on it.

In the meantime, if you’re looking at an image I’ve posted on Twitter and you’re judging me for its lack of alt text, my apologies. But each tweet of mine includes a link back to the original note on this site and you will most definitely find the alt text for the image there.

Sunday, March 6th, 2022

A bug with progressive web apps on iOS

Dave recently wrote some good advice about what to do—and what not to do—when it comes to complaining about web browsers. I wrote something on this topic a little while back:

If there’s something about a web browser that you’re not happy with (or, indeed, if there’s something you’re really happy with), take the time to write it down and publish it

To summarise Dave’s advice, avoid conspiracy theories and snark; stick to specifics instead.

It’s very good advice that I should heed (especially the bit about avoiding snark). In that spirit, I’d like to document what I think is a bug on iOS.

I don’t need to name the specific browser, because there is basically only one browser allowed on iOS. That’s not snark; that’s a statement of fact.

This bug involves navigating from a progressive web app that has been installed on your home screen to an external web view.

To illustrate the bug, I’ll use the example of The Session. If you want to recreate the bug, you’ll need to have an account on The Session. Let me know if you want to set up a temporary account—I can take care of deleting it afterwards.

Here are the steps:

  1. Navigate to thesession.org in Safari on an iOS device.
  2. Add the site to your home screen.
  3. Open the installed site from your home screen—it will launch in standalone mode.
  4. Log in with your username and password.
  5. Using the site menu, navigate to the links section of the site.
  6. Click on any external link.
  7. After the external link opens in a web view, tap on “Done” to close the web view.

Expected behaviour: you are returned to the page you were on with no change of state.

Actual behaviour: you are returned to the page you were on but you are logged out.

So the act of visiting an external link in a web view while in a progressive web app in standalone mode seems to cause a loss of cookie-based authentication.

This isn’t permanent. Clicking on any internal link restores the logged-in state.

It is surprising though. My mental model for opening an external link in a web view is that it sits “above” the progressive web app, which remains in stasis “behind” it. But the page must actually be reloading, either when the web view is opened or when the web view is closed. And that reload is behaving like a fetch event without credentials.

Anyway, that’s my bug report. It may already be listed somewhere on the WebKit Bugzilla but I lack the deductive skills to find it. I’m not even sure if that’s the right place for this kind of bug. It might be specific to the operating system rather than the rendering engine.

This isn’t a high priority bug, but it is one of those cumulatively annoying software paper cuts.

Hope this helps!

Thursday, February 3rd, 2022

When Women Make Headlines

This is a great combination of rigorous research and great data visualisation.

Sunday, January 9th, 2022

Friendly Indie micro-publishers

From Patrick Tanguay:

A list of small micro-publishers — most of them run by one person — putting out great content through their websites, newsletters, and podcasts.

Monday, January 3rd, 2022

The Year in Cheer

192 more stories of progress from 2021.

99 Good News Stories You Probably Didn’t Hear About in 2021

Some welcome perspective on healthcare, conservation, human rights, and energy.

Thursday, December 30th, 2021

Books I read in 2021

I read 26 books in 2021, which is a bit more than I read in 2020. That said, some of them were brief books. I don’t think I actually read any more than my usual annual allotment of words.

I’m glad that I’m tracking my reading here on my own site. About halfway through the year I thought that I was doing a pretty good job of reading a mix of books from men and women, but a glance at my reading list showed that wasn’t the case at all and I was able to adjust my intake accordingly. I wasn’t doing as badly as some but by just keeping an ongoing reading list is a handy to spot any worrying trends.

I continued my practice of alternating between fiction and non-fiction. It’s working for me.

Now that the year is at an end, I’m going to my traditional round-up and give a little review of each book. I’m also going to engage in the pointless and annoying practice of assigning a rating out of five stars for each book.

To calibrate:

  • a one-star book would be rubbish,
  • a two-star book would be perfectly fine,
  • a three-star book would be good,
  • a four-star book would be excellent, and
  • a five-star book is unheard of.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

★★★☆☆

I was reading this at the end of 2020 and finished it at the start of 2021. I let it wash over me, which I think is how this impressionistic and rightly short book is meant to be enjoyed. But I might just be telling myself that because I wasn’t following it closely enough.

Humankind: A Hopeful History by Rutger Bregman

★★★★☆

A terrific book about human nature. As I wrote at the time, it makes a great companion piece to—and is influenced by—Rebecca Solnit’s excellent A Paradise Built In Hell.

The only frustrating facet of Bregman’s book is that it’s also influenced by Yuval Noah Harari’s mess Sapiens. That’s probably where it gets its wrong-headed fantasy about the evils of the agricultural revolution and the glories of a pre-civilisational nomadic lifestyle. Fortunately it sounds like this pernicious myth is in for a well-earned skewering in Davids Graeber and Wengrow’s new book The Dawn of Everything

Apart from that though, Humankind is pretty darn wonderful.

The Stinging Fly Issue 43/Volume Two Winter 2020-21 — The Galway 2020 Edition edited by Lisa McInerney and Elaine Feeney

★★★☆☆

Reading this collection of stories, poems and essays was my way of travelling to Galway when a global pandemic prevented me from actually going there. The quality was consistently high and some of the stories really stayed with me.

The Moment of Eclipse by Brian Aldiss

★★☆☆☆

Another pulp paperback of short stories from Brian Aldiss. I wrote about reading this book.

Sustainable Web Design by Tom Greenwood

★★★☆☆

Reading a title from A Book Apart almost feels like a cheat—the books are laser-focused into a perfectly brief length. This one is no exception and the topic is one that every web designer and developer needs to be versed in.

Lagoon by Nnedi Okorafor

★★★☆☆

A thoroughly enjoyable first-contact story set in Nigeria. It’s absolutely dripping in atmosphere and features fully-formed characters that feel grounded even when in the middle of fantastical events.

Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans

★★★★★

Yeah, that’s right: five stars! This books is superb, the perfect mix of subject matter and style as I wrote as soon as I finished it. What a writer!

British Ice by Owen D. Pomery

★★☆☆☆

This is a bit of a cheat on my part. It’s a short graphic novel, and the story is told more through pictures than words. The story is somewhat slight but the imagary, like the landscape being described, is hauntingly sparse.

Klara and the Sun by Kazuo Ishiguro

★★★☆☆

This one divided opinion. I thought that, on the whole, the novel worked. There are moments of seeing the world through a robot’s eyes that feel truly alien. It’s not in the same league as Never Let Me Go, but it does share the same feeling of bleak inevitability. So not a feelgood book then.

It pairs nicely with Ian McEwan’s recent Machines Like Us to see how two respected mainstream authors approach a genre topic.

Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez

★★★☆☆

Sharp and scathing, this is a thorough exposé. Sometimes it feels a little too thorough—there are a lot of data points that might have been better placed in footnotes. Then again, the whole point of this book is that the data really, really matters so I totally get why it’s presented this way.

A Memory Called Empire by Arkady Martine

★★★☆☆

Properly good human-level space opera with oodles of political intrigue. I will definitely be reading the next book in the series.

My Rock ‘n’ Roll Friend by Tracey Thorn

★★★☆☆

I really enjoyed this account of the friendship between Tracey Thorn and Lindy Morrison. I’m a huge Go-Betweens fan, but the band’s story is almost always told from the perspective of the boys, Grant and Robert. You could say that those narratives have (puts on sunglasses) …Everything But The Girl.

Anyway, this was a refreshing alternative. Writing about music is notoriously tricky, but this might be the best biography of a musician I’ve read.

Piranesi by Susanna Clarke

★★★★☆

I loved this! If I tried to give a plot synopsis, it would sound ridiculous, like someone describing their dreams. But somehow this works in a way that feels cohesive and perfectly internally consistent. Just read it—you won’t regret it.

On Writing: A Memoir of the Craft by Stephen King

★★★☆☆

I enjoy reading books about the craft of writing and this is one that I had been meaning to read for years. It didn’t disappoint. That said, I think I might have enjoyed it more as an autobiography of an American childhood than as a guide to writing. Some of the writing advice is dispensed as gospel when really, that’s just like your opinion, man.

A Brilliant Void: A Selection of Classic Irish Science Fiction edited by Jack Fennell

★★☆☆☆

A quirky collection of 19th century and early 20th century short stories. Today we’d probably classify them as fantasy more than science fiction. What was really interesting was reading the biographies of the writers. The collection has an impressive amount of stories by fascinating women. Kudos to Jack Fennell for the curation.

Let The Game Do Its Work by J.M. Berger

★★☆☆☆

An enjoyable little study of dystopian film sports (I’ve always wanted to do a movie marathon on that theme). The format of this work is interesting. It’s not a full-length book. Instead it’s like a quick exploration of the topic to see whether it should be a full-length book. Personally, I think this is enough. Frankly, I can think of plenty of full-length non-fiction books that should’ve been more like this length.

The City We Became by N. K. Jemisin

★★★☆☆

Sci-fi? Fantasy? Magical realism? This has a premise that’s tricky to pull off, but it works. That said, I think it could’ve been shorter. I enjoyed this but I’m not sure if I’ll be reading any sequels.

Factfulness: Ten Reasons We’re Wrong About The World - And Why Things Are Better Than You Think by Hans Rosling with Ola Rosling and Anna Rosling Roennlund

★★★★☆

Wonderful! A book about facts and figures with a very human soul. It can be summed up in this quote:

The world cannot be understood without numbers. And it cannot be understood with numbers alone.

Sometimes the self-effacing style of the late Hans Rosling can be a little grating, but overall this is a perfectly balanced book.

The Sunken Land Begins to Rise Again by M. John Harrison

★★★☆☆

Dripping with creepy Brexity atmosphere, this is more of a slow rising damp than a slow burn. But while the writing is terrific at the sentence level, it didn’t quite pull me in as a book. I admired it more than I enjoyed it.

The Relentless Moon by Mary Robinette Kowal

★★★☆☆

More escapist wish fulfilment in the Lady Astronaut series. These books aren’t great literature by any stretch, but I find the premise of an alternative history of the space race very appealing (like For All Mankind). This third book has a change of narrator and a change of scene: the moon.

Let It Go: My Extraordinary Story - From Refugee to Entrepreneur to Philanthropist by Dame Stephanie Shirley

★★★★☆

Absolutely brilliant! Both the book and the author, I mean. Steve Shirley is a hero of mine so it’s gratifying to find that she’s a great writer along with being a great person. Her story is by turns astonishing and heartbreaking. She conveys it all in an honest, heartfelt, but matter-of-fact manner.

I didn’t expect to find resonances in here about my own work, but it turns out that Clearleft wouldn’t have been able to become an employee-owned company without the groundwork laid down by Steve Shirley.

If you’re ever tempted to read some self-help business autobiography by some dude from Silicon Valley, don’t—read this instead.

Binti: The Night Masquerade by Nnedi Okorafor

★★★☆☆

The third in the Binti series of novellas is just as good as the previous two. This is crying out to be turned into a television show that I would most definitely watch.

Design For Safety by Eva PenzeyMoog

★★★☆☆

Another excellent addition to the canon of A Book Apart. I found myself noting down quotations that really resonated.

Parable of the Sower by Octavia E. Butler

★★★★☆

Excellent writing once again from Octavia Butler. Like Kindred, this can be harrowing at times but there’s a central core of humanity running through even the darkest moments. I’ll definitely be reading Parable of the Talents.

Responsible JavaScript by Jeremy Wagner

★★★☆☆

It will come as a surprise to absolutely no one that this book was right up my alley. I was nodding my head vigorously at many passages. While I might talk about progressive enhancement at the theoretical level, my fellow Jeremy dives deep into the practicalities. If you write JavaScript, you have to read this book.

Record of a Spaceborn Few by Becky Chambers

★★★☆☆

I wasn’t that into the first book in the Wayfarers series. I enjoyed the second one more. When it came to this third installment, I was completely won over. I was in just the right mood for it after the heaviness of Parable of the Sower. There’s not much in the way of threat, but plenty in the way of warmth. I’m also a sucker for stories of generation starships.

The Road from Castlebarnagh: Growing Up in Irish Music, A Memoir by Paddy O’Brien

★★★☆☆

An enjoyable series of vignettes told from the viewpoint of a young boy growing up in rural Ireland. I was hoping for more stories of the music, but if you’re involved in trad music in any way, this is well worth a read.


Now it’s time to choose one book of the year from the fiction stack and one book of the year from non-fiction.

In any other year I think Parable of the Sower would be the fiction winner, but this year I’m going to have to go for Piranesi.

There’s stiff competition in the non-fiction category: Humankind, Factfulness, and Let It Go are all excellent. But it’s got to be Broad Band.

Most of these books are available on Bookshop if you fancy reading any of them.

And for context, here’s:

Tuesday, November 23rd, 2021

On User Tracking and Industry Standards on Privacy | CSS-Tricks

Prompted by my post on tracking, Chris does some soul searching about his own use of tracking.

I’m interested not just in the ethical concerns and my long-time complacency with industry norms, but also as someone who very literally sells advertising.

He brings up the point that advertisers expect to know how many people opened a particular email and how many people clicked on a particular link. I’m sure that’s right, but it’s also beside the point: what matters is how the receiver of the email feels about having that information tracked. If they haven’t given you permission to do it, you can’t just assume they’re okay with it.

Tuesday, November 16th, 2021

Tracking

I’ve been reading the excellent Design For Safety by Eva PenzeyMoog. There was a line that really stood out to me:

The idea that it’s alright to do whatever unethical thing is currently the industry norm is widespread in tech, and dangerous.

It stood out to me because I had been thinking about certain practices that are widespread, accepted, and yet strike me as deeply problematic. These practices involve tracking users.

The first problem is that even the terminology I’m using would be rejected. When you track users on your website, it’s called analytics. Or maybe it’s stats. If you track users on a large enough scale, I guess you get to just call it data.

Those words—“analytics”, “stats”, and “data”—are often used when the more accurate word would be “tracking.”

Or to put it another way; analytics, stats, data, numbers …these are all outputs. But what produced these outputs? Tracking.

Here’s a concrete example: email newsletters.

Do you have numbers on how many people opened a particular newsletter? Do you have numbers on how many people clicked a particular link?

You can call it data, or stats, or analytics, but make no mistake, that’s tracking.

Follow-on question: do you honestly think that everyone who opens a newsletter or clicks on a link in a newsletter has given their informed constent to be tracked by you?

You may well answer that this is a widespread—nay, universal—practice. Well yes, but a) that’s not what I asked, and b) see the above quote from Design For Safety.

You could quite correctly point out that this tracking is out of your hands. Your newsletter provider—probably Mailchimp—does this by default. So if the tracking is happening anyway, why not take a look at those numbers?

But that’s like saying it’s okay to eat battery-farmed chicken as long as you’re not breeding the chickens yourself.

When I try to argue against this kind of tracking from an ethical standpoint, I get a frosty reception. I might have better luck battling numbers with numbers. Increasing numbers of users are taking steps to prevent tracking. I had a plug-in installed in my mail client—Apple Mail—to prevent tracking. Now I don’t even need the plug-in. Apple have built it into the app. That should tell you something. It reminds me of when browsers had to introduce pop-up blocking.

If the outputs generated by tracking turn out to be inaccurate, then shouldn’t they lose their status?

But that line of reasoning shouldn’t even by necessary. We shouldn’t stop tracking users because it’s inaccurate. We should stop stop tracking users because it’s wrong.

Thursday, September 16th, 2021

Writing the Clearleft newsletter

The Clearleft newsletter goes out every two weeks on a Thursday. You can peruse the archive to see past editions.

I think it’s a really good newsletter, but then again, I’m the one who writes it. It just kind of worked out that way. In theory, anyone at Clearleft could write an edition of the newsletter.

To make that prospect less intimidating, I put together a document for my colleagues describing how I go about creating a new edition of the newsletter. Then I thought it might be interesting for other people outside of Clearleft to get a peek at how the sausage is made.

So here’s what I wrote…

Topics

The description of the newsletter is:

A round-up of handpicked hyperlinks from Clearleft, covering design, technology, and culture.

It usually has three links (maybe four, tops) on a single topic.

The topic can be anything that’s interesting, especially if it’s related to design or technology. Every now and then the topic can be something that incorporates an item that’s specifically Clearleft-related (a case study, an event, a job opening). In general it’s not very salesy at all so people will tolerate the occasional plug.

You can use the “iiiinteresting” Slack channel to find potential topics of interest. I’ve gotten in the habit of popping potential newsletter fodder in there, and then adding related links in a thread.

Tone

Imagine you’re telling a friend about something cool you’ve just discovered. You can sound excited. Don’t worry about this looking unprofessional—it’s better to come across as enthusiastic than too robotic. You can put real feelings on display: anger, disappointment, happiness.

That said, you can also just stick to the facts and describe each link in turn, letting the content speak for itself.

If you’re expressing a feeling or an opinion, use the personal pronoun “I”. Don’t use “we” unless you’re specifically referring to Clearleft.

But most of the time, you won’t be using any pronouns at all:

So-and-so has written an article in such-and-such magazine on this-particular-topic.

You might find it useful to have connecting phrases as you move from link to link:

Speaking of some-specific-thing, this-other-person has a different viewpoint.

or

On the subject of this-particular-topic, so-and-so wrote something about this a while back.

Structure

The format of the newsletter is:

  1. An introductory sentence or short paragraph.
  2. A sentence describing the first link, ending with the title of the item in bold.
  3. A link to the item on its own separate line.
  4. An excerpt from the link, usually a sentence or two, styled as a quote.
  5. Repeat steps 2 to 4 another two times.


Take a look through the archive of previous newsletters to get a feel for it.

Subject line

Currently the newsletter is called dConstruct from Clearleft. The subject line of every edition is in the format:

dConstruct from Clearleft — Title of the edition

(Note that’s an em dash with a space on either side of it separating the name of the newsletter and the title of the edition)

I often try to come up with a pun-based title (often a punny portmanteau) but that’s not necessary. It should be nice and short though: just one or two words.

Tuesday, August 3rd, 2021

A Few Notes on A Few Notes on The Culture

When I post a link, I do it for two reasons.

First of all, it’s me pointing at something and saying “Check this out!”

Secondly, it’s a way for me to stash something away that I might want to return to. I tag all my links so when I need to find one again, I just need to think “Now what would past me have tagged it with?” Then I type the appropriate URL: adactio.com/links/tags/whatever

There are some links that I return to again and again.

Back in 2008, I linked to a document called A Few Notes on The Culture. It’s a copy of a post by Iain M Banks to a newsgroup back in 1994.

Alas, that link is dead. Linkrot, innit?

But in 2013 I linked to the same document on a different domain. That link still works even though I believe it was first published around twenty(!) years ago (view source for some pre-CSS markup nostalgia).

Anyway, A Few Notes On The Culture is a fascinating look at the world-building of Iain M Banks’s Culture novels. He talks about the in-world engineering, education, biology, and belief system of his imagined utopia. The part that sticks in my mind is when he talks about economics:

Let me state here a personal conviction that appears, right now, to be profoundly unfashionable; which is that a planned economy can be more productive - and more morally desirable - than one left to market forces.

The market is a good example of evolution in action; the try-everything-and-see-what-works approach. This might provide a perfectly morally satisfactory resource-management system so long as there was absolutely no question of any sentient creature ever being treated purely as one of those resources. The market, for all its (profoundly inelegant) complexities, remains a crude and essentially blind system, and is — without the sort of drastic amendments liable to cripple the economic efficacy which is its greatest claimed asset — intrinsically incapable of distinguishing between simple non-use of matter resulting from processal superfluity and the acute, prolonged and wide-spread suffering of conscious beings.

It is, arguably, in the elevation of this profoundly mechanistic (and in that sense perversely innocent) system to a position above all other moral, philosophical and political values and considerations that humankind displays most convincingly both its present intellectual immaturity and — through grossly pursued selfishness rather than the applied hatred of others — a kind of synthetic evil.

Those three paragraphs might be the most succinct critique of unfettered capitalism I’ve come across. The invisible hand as a paperclip maximiser.

Like I said, it’s a fascinating document. In fact I realised that I should probably store a copy of it for myself.

I have a section of my site called “extras” where I dump miscellaneous stuff. Most of it is unlinked. It’s mostly for my own benefit. That’s where I’ve put my copy of A Few Notes On The Culture.

Here’s a funny thing …for all the times that I’ve revisited the link, I never knew anything about the site is was hosted on—vavatch.co.uk—so this most recent time, I did a bit of clicking around. Clearly it’s the personal website of a sci-fi-loving college student from the early 2000s. But what came as a revelation to me was that the site belonged to …Adrian Hon!

I’m impressed that he kept his old website up even after moving over to the domain mssv.net, founding Six To Start, and writing A History Of The Future In 100 Objects. That’s a great snackable book, by the way. Well worth a read.

Tuesday, April 6th, 2021

30 Days of HTML

Receive one email a day for 30 days, each featuring at least one HTML element.

Right up my alley!

Saturday, March 20th, 2021

The Internet Archive on the future of the web - Protocol — The people, power and politics of tech

A profile of Brewster Kahle and the Internet Archive:

Tech’s walled gardens might make it harder to get a perfect picture, but the small team of librarians, digital archivists and software engineers at the Internet Archive plan to keep bringing the world the Wayback Machine, the Open Library, the Software Archive, etc., until the end of time. Literally.

Monday, January 4th, 2021

Robin Rendle › Newsletters

A rant from Robin. I share his frustration and agree with his observations.

I wonder how we can get the best of both worlds here: the ease of publishing newsletters, with all the beauty and archivability of websites.

Thursday, December 31st, 2020

Books I read in 2020

I only read twenty books this year. Considering the ample amount of free time I had, that’s not great. But I’m not going to beat myself up about it. Yes, I may have spent more time watching television than reading, but I’m cutting myself some slack. It was 2020, for crying out loud.

Anyway, here’s my annual round-up with reviews. Anything with three stars is good. Four stars is really good. Five stars is practically unheard of. As usual, I tried to get an equal balance of fiction and non-fiction.

Raven Stratagem by Yoon Ha Lee

★★★☆☆

An enjoyable sequal to Ninefox Gambit. There are some convoluted politics but that all seems positively straightforward after the brain-bending calendrical warfare introduced in the first book.

The Human Use Of Human Beings: Cybernetics And Society by Norbert Wiener

★★★☆☆

The ur-text on systems and feedback. Reading it now is like reading a historical artifact but many of the ideas are timeless. It’s a bit dense in parts and it tries to cover life, the universe and everything, but when you remember that it was written in 1950, it’s clearly visionary.

The Word For World Is Forest by Ursula K. Le Guin

★★★☆☆

Simultaneously a ripping yarn and a spiritual meditation. It’s Vietnam and the environmental movement rolled into one (like what Avatar attempted, but this actually works).

Abolish Silicon Valley by Wendy Liu

★★★★☆

Here’s my full review.

A Short History Of Irish Traditional Music by Gearóid Ó hAllmhuráin

★★☆☆☆

A perfectly fine and accurate history of the music, but it’s a bit like reading Wikipedia. Still, it was quite the ego boost to see The Session listed in the appendix.

Machines Like Me by Ian McEwan

★★★☆☆

McEwan’s first foray into science fiction is a good tale but a little clumsily told. It’s like he really wants to show how much research he put into his alternative history. There are moments when characters practically turn to the camera to say, “Imagine how the world would’ve turned out if…” It’s far from McEwan’s best but even when he’s not on top form, his writing is damn good.

The Fabric Of Reality by David Deutsch

★★★☆☆

I’ve attempted to read this before. I may have even read it all before and had everything just leak out of my head. The problem is with me, not David Deutsch who does a fine job of making complex ideas approachable. This is like a unified theory of everything.

Helliconia Winter by Brian Aldiss

★★★☆☆

The third and final part of Aldiss’s epic is just as enjoyable as the previous two. The characters aren’t the main attraction here. It’s all about the planetary ballet.

Uncanny Valley by Anna Wiener

★★★★☆

A terrific memoir. It’s open and honest, and just snarky enough when it needs to be.

A Wizard Of Earthsea, The Tombs Of Atuan, and The Farthest Shore by Ursula K. Le Guin

★★★★☆

There’s a real pleasure in finally reading books that you should’ve read years ago. I can only imagine how wonderful it would’ve been to read these as a teenager. It’s an immersive world but there’s something melancholy about the writing that makes the experience of reading less escapist and more haunting.

Superior: The Return of Race Science by Angela Saini

★★★★★

Absolutely superb! I liked Angela Saini’s previous book, Inferior, but I loved this. It’s a harrowing read at times, but written with incredible clarity and empathy. I can’t recommend this highly enough.

Purple People by Kate Bulpitt

★★★★☆

Full disclosure: Kate is a friend of mine, so I probably can’t evaluate her book in a disinterested way. That said, I enjoyed the heck out of this and I think you will too. It’s very hard to classify and I think that’s what makes it so enjoyable. Technically, it’s sci-fi I suppose—an alternative history tale, probably—but it doesn’t feel like it. It’s all about the characters, and they’re all vividly realised. Honestly, I’m not sure how best to describe it—other then it being like the inside of Kate’s head—but the description of it being “a jolly dystopia” comes close. Take a chance and give it a go.

How to Argue With a Racist: History, Science, Race and Reality by Adam Rutherford

★★★☆☆

Good stuff from Adam Rutherford, though not his best. If I hadn’t already read Angela Saini’s Superior I might’ve rated this higher, but it pales somewhat by comparison. Still, it was interesting to see the same subject matter tackled in two different ways.

Agency by William Gibson

★★☆☆☆

There’s nothing particularly wrong with Agency, but there’s nothing particularly great about it either. It’s just there. Maybe I’m being overly harsh because the first book, The Peripheral, was absolutely brilliant. This reminded me of reading Gibson’s Spook Country, which left me equally unimpressed. That book was sandwiched between the brilliant Pattern Recognition and the equally brilliant Zero History. That bodes well for the forthcoming third book in this series. This second book just feels like filler.

Last Night’s Fun: In And Out Of Time With Irish Music by Ciaran Carson

★★★☆☆

It’s hard to describe this book. Memoir? Meditation? Blog? I kind of like that about it, but I can see how it divides opinion. Some people love it. Some people hate it. I thought it was enjoyable enough. But it doesn’t matter what I think. This book is doing its own thing.

Revenant Gun by Yoon Ha Lee

★★★☆☆

The third book in the Machineries of Empire series has much less befuddlement. It’s even downright humourous in places. If you liked Ninefox Gambit and Raven Strategem, you’ll enjoy this too.

A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster by Rebecca Solnit

★★★☆☆

The central thesis of this book is refuting the Hobbesian view of humanity as being one crisis away from breakdown. I feel like that argument was made more strongly in Critical Mass: How One Thing Leads to Another by Philip Ball. But where this book shines is in its vivid description of past catastrophes and their aftermaths: the San Francisco fire; the Halifax explosion; the Mexico City earthquake; and the culmination with Katrina hitting New Orleans. I was less keen on the more blog-like personal musings but overall, this is well worth reading.

Blindsight by Peter Watts

★★☆☆☆

I like a good tale of first contact, and I had heard that this one had a good twist on the Fermi paradox. But it felt a bit like a short story stretched to the length of a novel. It would make for a good Twilight Zone episode but it didn’t sustain my interest.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

I’m still reading this Hugo-winning novella and enjoying it so far.


Alright, time to wrap up this look back at the books I read in 2020 and pick my favourites: one fiction and one non-fiction.

My favourite non-fiction book of the year was easily Superior by Angela Saini. Read it. It’s superb.

What about fiction? Hmm …this is tricky.

You know what? I’m going to go for Purple People by Kate Bulpitt. Yes, she’s a friend (“it’s a fix!”) but it genuinely made an impression on me: it was an enjoyable romp while I was reading it, and it stayed with me afterwards too.

Head on over to Bookshop and pick up a copy.

Wednesday, September 16th, 2020

When you browse Instagram and find former Australian Prime Minister Tony Abbott’s passport number

This was an absolute delight to read! Usually when you read security-related write-ups, the fun comes from the cleverness of the techniques …but this involved nothing cleverer than dev tools. In this instance, the fun is in the telling of the tale.

Friday, August 14th, 2020

About Feeds | Getting Started guide to web feeds/RSS

Matt made this website to explain RSS to people who are as-ye unfamilar with it.

Wednesday, July 8th, 2020

Design systems on the Clearleft podcast

If you’ve already subscribed to the Clearleft podcast, thank you! The first episode is sliding into your podcast player of choice.

This episode is all about …design systems!

I’m pretty happy with how this one turned out, although as it’s the first one, I’m sure I’ll learn how to do this better. I may end up looking back at this first foray with embarrassment. Still, it’s fairly representative of what you can expect from the rest of the season.

This episode is fairly short. Just under eighteen minutes. That doesn’t mean that other episodes will be the same length. Each episode will be as long (or as short) as it needs to be. Form follows function, or in this case, episode length follows content. Other episodes will be longer. Some might be shorter. It all depends on the narrative.

This flies in the face of accepted wisdom when it comes to podcasting. The watchword that’s repeated again and again for aspiring podcasters is consistency. Release on a consistent schedule and have a consistent length for episodes. I kind of want to go against that advice just out of sheer obstinancy. If I end up releasing episodes on a regular schedule, treat it as coincidence rather than consistency.

There’s not much of me in this episode. And there won’t be much of me in most episodes. I’m just there to thread together the smart soundbites coming from other people. In this episode, the talking heads are my colleagues Jon and James, along with my friends and peers Charlotte, Paul, and Amy (although there’s a Clearleft connection with all of them: Charlotte and Paul used to be Clearlefties, and Amy spoke at Patterns Day and Sofa Conf).

I spoke to each of them for about an hour, but like I said, the entire episode is less than eighteen minutes long. The majority of our conversations ended up on the cutting room floor (possibly to be used in future episodes).

Most of my time was spent on editing. It was painstaking, but rewarding. There’s a real pleasure to be had in juxtaposing two snippets of audio, either because they echo one another or because they completely contradict one another. This episode has a few examples of contradictions, and I think those are my favourite moments.

Needless to say, eighteen minutes was not enough time to cover everything about design systems. Quite the opposite. It’s barely an introduction. This is definitely a topic that I’ll be returning to. Maybe there could even be a whole season on design systems. Let me know what you think.

Oh, and you’ll notice that there’s a transcript for the episode. That’s a no-brainer. I’m a big fan of the spoken word, but it really comes alive when it’s combined with searchable, linkable, accessible text.

Anyway, have a listen and if you’re not already subscribed, pop the RSS feed into your podcast player.

Monday, June 15th, 2020

Notifier — Convert content sources to RSS feeds

A service that—amongst other things—allows you to read newsletters in your RSS reader.

Monday, May 4th, 2020

FEMME TYPE – Celebrating Women in the Type Industry

A treasure trove of case studies and interviews.