It’s all fun and games until you realise that everything in here was inspired by actual interfaces out there on the web.
Thursday, July 4th, 2019
Wednesday, July 3rd, 2019
Tuesday, June 18th, 2019
A song of AIs and fire
The televisual adaption of Game of Thrones wrapped up a few weeks ago, so I hope I can safely share some thoughts with spoilering. That said, if you haven’t seen the final season, and you plan to, please read no further!
There has been much wailing and gnashing of teeth about the style of the final series or two. To many people, it felt weirdly …off. Zeynep’s superb article absolutely nails why the storytelling diverged from its previous style:
For Benioff and Weiss, trying to continue what Game of Thrones had set out to do, tell a compelling sociological story, would be like trying to eat melting ice cream with a fork. Hollywood mostly knows how to tell psychological, individualized stories. They do not have the right tools for sociological stories, nor do they even seem to understand the job.
Let’s leave aside the clumsiness of the execution for now and focus on the outcomes.
The story finishes with Bran as the “winner”, in that he now rules the seve— six kingdoms. I have to admit, I quite like the optics of replacing an iron throne with a wheelchair. Swords into ploughshares, and all that.
By this point, Bran is effectively a non-human character. He’s the Dr. Manhattan of the story. As the three-eyed raven, he has taken on the role of being an emotionless database of historical events. He is Big Data personified. Or, if you squint just right, he’s an Artificial Intelligence.
There’s another AI in the world of Game of Thrones. The commonly accepted reading of the Night King is that he represents climate change: an unstoppable force that’s going to dramatically impact human affairs, but everyone is too busy squabbling in their own politics to pay attention to it. I buy that. But there’s another interpretation. The Night King is rogue AI. He’s a paperclip maximiser.
Clearly, a world ruled by an Artificial Intelligence like that would be a nightmare scenario. But we’re also shown that a world ruled purely by human emotion would be just as bad. That would be the tyrannical reign of the mad queen Daenerys. Both extremes are undesirable.
So why is Bran any better? Well, technically, he isn’t ruling alone. He has a board of (very human) advisors. The emotionless logic of a pure AI is kept in check by a council of people. And the extremes of human nature are kept in check by the impartial AI. To put in another way, humanity is augmented by Artificial Intelligence: Man-computer symbiosis.
Whether it’s the game of chess or the game of thrones, a centaur is your best bet.
Friday, August 3rd, 2018
Look, it’s Friday—were you really going to get any work done today anyway?
Sunday, June 17th, 2018
Dave is liking the word “telepresence”:
On social media we broadcast our presence and thoughts over radio and wire and I likewise consume your projections as they echo back to me. We commune over TCP/IP.
Just wait until he discovers the related neologism coined by Ted Nelson.
Monday, June 4th, 2018
I was just talking about how browser-based games are the perfect use-case for service workers. Andrzej Mazur breaks down how that would work:
- Add to Home screen
- Offline capabilities
- Progressive loading
I noticed something interesting recently about how I browse the web.
It used to be that I would notice if a site were responsive. Or, before responsive web design was a thing, I would notice if a site was built with a fluid layout. It was worthy of remark, because it was exceptional—the default was fixed-width layouts.
But now, that has flipped completely around. Now I notice if a site isn’t responsive. It feels …broken. It’s like coming across an embedded map that isn’t a slippy map. My expectations have reversed.
That’s kind of amazing. If you had told me ten years ago that liquid layouts and media queries would become standard practice on the web, I would’ve found it very hard to believe. I spent the first decade of this century ranting in the wilderness about how the web was a flexible medium, but I felt like the laughable guy on the street corner with an apocalyptic sandwich board. Well, who’s laughing now‽
Anyway, I think it’s worth stepping back every now and then and taking stock of how far we’ve come. Mind you, in terms of web performance, the trend has unfortunately been in the wrong direction—big, bloated websites have become the norm. We need to change that.
Now, maybe it’s because I’ve been somewhat obsessed with service workers lately, but I’ve started to notice my expectations around offline behaviour changing recently too. It’s not that I’m surprised when I can’t revisit an article without an internet connection, but I do feel disappointed—like an opportunity has been missed.
I really notice it when I come across little self-contained browser-based games like
Those games are great! I particularly love Battleship Solitaire—it has a zen-like addictive quality to it. If I load it up in a browser tab, I can then safely go offline because the whole game is delivered in the initial download. But if I try to navigate to the game while I’m offline, I’m out of luck. That’s a shame. This snack-sized casual games feel like the perfect use-case for working offline (or, even if there is an internet connection, they could still be speedily served up from a cache).
I know that my expectations about offline behaviour aren’t shared by most people. The idea of visiting a site even when there’s no internet connection doesn’t feel normal …yet.
But perhaps that expectation will change. It’s happened before.
(And if you want to be ready when those expectations change, I’ve written a Going Offline for you.)
Monday, May 28th, 2018
Thursday, May 17th, 2018
Robin Sloan smushes the video game Fortnite Battle Royale together with Liu Cixin’s Three Body Problem trilogy and produces a perfect example of game theory, cooperation, and the prisoner’s dilemma.
Based on my experiments in the laboratory of Fortnite, I think Liu Cixin is wrong. Or at least, he’s not entirely right. Fortnite is more Dark Forest theory than not, and maybe that’s true of the universe, too. But sometimes, we have a lever against the vise of game theory, and in this case, it is a single bit of communication. I mean “bit” in the programmer’s sense: a flag with a designated meaning. Nothing more. My heart emote didn’t make Fortnite cuddly and collaborative, but it did allow me to communicate: “Hold up. Let’s do this a different way.”
Monday, May 7th, 2018
Talking about scaling design can get very confusing very quickly. There are a bunch of terms that get thrown around: design systems, pattern libraries, style guides, and components.
The generally-accepted definition of a design system is that it’s the outer circle—it encompasses pattern libraries, style guides, and any other artefacts. But there’s something more. Just because you have a collection of design patterns doesn’t mean you have a design system. A system is a framework. It’s a rulebook. It’s what tells you how those patterns work together.
This is something that Cennydd mentioned recently:
Here’s my thing with the modularisation trend in design: where’s the gestalt?
In my mind, the design system is the gestalt. But Cennydd is absolutely right to express concern—I think a lot of people are collecting patterns and calling the resulting collection a design system. No. That’s a pattern library. You still need to have a framework for how to use those patterns.
I understand the urge to fixate on patterns. They’re small enough to be manageable, and they’re tangible—here’s a carousel; here’s a date-picker. But a design system is big and intangible.
Games are great examples of design systems. They’re frameworks. A game is a collection of rules and constraints. You can document those rules and constraints, but you can’t point to something and say, “That is football” or “That is chess” or “That is poker.”
Even though they consist entirely of rules and constraints, football, chess, and poker still produce an almost infinite possibility space. That’s quite overwhelming. So it’s easier for us to grasp instances of football, chess, and poker. We can point to a particular occurrence and say, “That is a game of football”, or “That is a chess match.”
But if you tried to figure out the rules of football, chess, or poker just from watching one particular instance of the game, you’d have your work cut for you. It’s not impossible, but it is challenging.
Likewise, it’s not very useful to create a library of patterns without providing any framework for using those patterns.
I would go so far as to say that the actual code for the patterns is the least important part of a design system (or, certainly, it’s the part that should be most malleable and open to change). It’s more important that the patterns have been identified, named, described, and crucially, accompanied by some kind of guidance on usage.
I could easily imagine using a tool like Fractal to create a library of text snippets with no actual code. Those pieces of text—which provide information on where and when to use a pattern—could be more valuable than providing a snippet of code without any context.
One of the very first large-scale pattern libraries I can remember seeing on the web was Yahoo’s Design Pattern Library. Each pattern outlined
- the problem being solved;
- when to use this pattern;
- when not to use this pattern.
Only then, almost incidentally, did they link off to the code for that pattern. But it was entirely possible to use the system of patterns without ever using that code. The code was just one instance of the pattern. The important part was the framework that helped you understand when and where it was appropriate to use that pattern.
I think we lose sight of the real value of a design system when we focus too much on the components. The components are the trees. The design system is the forest. As Paul asked:
What methodologies might we uncover if we were to focus more on the relationships between components, rather than the components themselves?
Thursday, May 3rd, 2018
The latest explainer/game from Nicky Case is an absolutely brilliant interactive piece on small world networks.
Monday, April 23rd, 2018
Pong + Pacman + Space Invaders!
Thursday, April 5th, 2018
Graham is recreating the (beautiful and addictive) Geometry Wars in canvas.
Best played with a twin-stick controller (or WASD + Arrow keys as a fallback)
If you’re on Windows, XBONE or XB360 controllers are the easiest to use. On Mac, a PS4 Dualshock 4 or wired 360 controller (with a downloadable driver) works well.
Tuesday, March 27th, 2018
A fun game with pins and string in canvas.
Sunday, March 4th, 2018
A deceptively simple but thoroughly addictive little in-browser puzzle game.
(It would be neat if this were turned into an offline-first progressive web app; it’s already keeping everything locally.)
Saturday, March 3rd, 2018
Once I got the hang of this game, I found it incredibly addictive. I would describe it as mindless fun, but I think it’s more like mindful fun: it has the same zen contemplative peacefulness as Sudoku. I can certainly see how it makes for a good activity while listening to podcasts.
Note: click once for water; double-click for ships. And don’t blame me if you lose hours of time to this game.
Wednesday, February 28th, 2018
An up-to-date list of Brighton design and dev meet-ups. There’s quite a few!
Monday, January 22nd, 2018
A thoroughly enjoyable adventure game in your browser. You are the AI of a colony starship. Humanity’s future is in your hands.
Friday, December 29th, 2017
Plague; zombie; nuclear …Anna’s got them all covered in her roundup of apocalyptic literature and games.
Tuesday, December 26th, 2017