Douglas Engelbart | Hidden Heroes
An account of the mother of all demos, written by Steven Johnson.
An account of the mother of all demos, written by Steven Johnson.
Back in December 1997, when Jessica and I were living in Freiburg, Dan came to visit. Together, we boarded a train east to Vienna. There we would ring in the new year to the sounds of the Salonorchester Alhambra, the band that Dan’s brother Andrew was playing in (and the band that would later be my first paying client when I made their website—I’ve still got the files lying around somewhere).
That was a fun New Year’s ball …although I remember my mortification when we went for gulash beforehand and I got a drop on the pristine tux that I had borrowed from Andrew.
My other memory of that trip was going to the Kunsthistorisches Museum to see the amazing Bruegel collection. It’s hard to imagine that ever being topped, but then this year, they put together a “once in a lifetime” collection, gathering even more Bruegel masterpieces together in Vienna.
Jessica got the crazy idea in her head that we could go there. In a day.
Looking at the flights, it turned out to be not such a crazy idea after all. Sure, it meant an early start, but it was doable. We booked our museum tickets, and then we booked plane tickets.
That’s how we ended up going to Vienna for the day this past Monday. It was maybe more time than I’d normally like to spend in airports in a 24 hour period, but it was fun. We landed, went into town for a wiener schnitzel, and then it was off to the museum for an afternoon of medieval masterpieces. Hunters in the Snow, the Tower of Babel, and a newly restored Triumph of Death sent from the Prado were just some of the highlights.
There’s a website to accompany the exhibition called Inside Bruegel. You can zoom on each painting to see the incredible detail. You can even compare the infrared and x-ray views. Dive in and explore the world of Pieter Bruegel the Elder.
We hoped for a bicycle for the mind; we got a Lazy Boy recliner for the mind.
Nicky Case on how Douglas Engelbart’s vision for human-computer augmentation has taken a turn from creation to consumption.
When you create a Human+AI team, the hard part isn’t the “AI”. It isn’t even the “Human”.
It’s the “+”.
The transcript of a terrific talk on the humane use of technology.
Instead of using technology to replace people, we should use it to augment ourselves to do things that were previously impossible, to help us make our lives better. That is the sweet spot of our technology. We have to accept human behaviour the way it is, not the way we would wish it to be.
Every now and then, I like to revisit Vannevar Bush’s classic article from the July 1945 edition of the Atlantic Monthly called As We May Think in which he describes a theoretical machine called the memex.
A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.
It consists of a desk, and while it can presumably be operated from a distance, it is primarily the piece of furniture at which he works. On the top are slanting translucent screens, on which material can be projected for convenient reading. There is a keyboard, and sets of buttons and levers. Otherwise it looks like an ordinary desk.
1945! Apart from its analogue rather than digital nature, it’s a remarkably prescient vision. In particular, there’s the idea of “associative trails”:
Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified. The lawyer has at his touch the associated opinions and decisions of his whole experience, and of the experience of friends and authorities.
Many decades later, Anne Washington ponders what a legal memex might look like:
My legal Memex builds a network of the people and laws available in the public records of politicians and organizations. The infrastructure for this vision relies on open data, free access to law, and instantaneously availability.
As John Sheridan from the UK’s National Archives points out, hypertext is the perfect medium for laws:
Despite the drafter’s best efforts to create a narrative structure that tells a story through the flow of provisions, legislation is intrinsically non-linear content. It positively lends itself to a hypertext based approach. The need for legislation to escape the confines of the printed form predates the all major innovators and innovations in hypertext, from Vannevar Bush’s vision in ” As We May Think“, to Ted Nelson’s coining of the term “hypertext”, through to and Berners-Lee’s breakthrough world wide web. I like to think that Nelson’s concept of transclusion was foreshadowed several decades earlier by the textual amendment (where one Act explicitly alters – inserts, omits or amends – the text of another Act, an approach introduced to UK legislation at the beginning of the 20th century).
That’s from a piece called Deeply Intertwingled Laws. The verb “to intertwingle” was another one of Ted Nelson’s neologisms.
There’s an associative trail from Vannevar Bush to Ted Nelson that takes some other interesting turns…
Picture a new American naval recruit in 1945, getting ready to ship out to the pacific to fight against the Japanese. Just as the ship as leaving the harbour, word comes through that the war is over. And so instead of fighting across the islands of the pacific, this young man finds himself in a hut on the Philippines, reading whatever is to hand. There’s a copy of The Atlantic Monthly, the one with an article called As We May Think. The sailor was Douglas Engelbart, and a few years later when he was deciding how he wanted to spend the rest of his life, that article led him to pursue the goal of augmenting human intellect. He gave the mother of all demos, featuring NLS, a working hypermedia system.
Later, thanks to Bill Atkinson, we’d get another system called Hypercard. It was advertised with the motto Freedom to Associate, in an advertising campaign that directly referenced Vannevar Bush.
And now I’m using the World Wide Web, a hypermedia system that takes in the whole planet, to create an associative trail. In this post, I’m linking (without asking anyone for permission) to six different sources, and in doing so, I’m creating a unique associative trail. And because this post has a URL (that won’t change), you are free to take it and make it part of your own associative trail on your digital memex.
A new way to enjoy the mother of all demos, organised into sections that you can jump between. This was put together by Douglas Engelbart’s daughter Christina, and Bret Victor.
The styleguide, design principles, and pattern library for British Airways. It’s the “global experience language” for BA …so it’s called BAgel.
After An Event Apart San Francisco, which was—as always—excellent, it was time for me to get to the next event: Indie Web Camp Los Angeles. But I wasn’t going alone. Tantek was going too, and seeing as he has a car—a convertible, even—what better way to travel from San Francisco to LA than on the Pacific Coast Highway?
It was great—travelling through the land of Steinbeck and Guthrie at the speed of Kerouac and Springsteen. We stopped for the night at Pismo Beach and then continued on, rolling into Santa Monica at sunset.
The weekend was spent in the usual Indie Web Camp fashion: a day of BarCamp-style discussions, followed by a day of hacking on our personal websites.
I decided to follow on from what I did at the Brighton Indie Web Camp. There, I made a combined tag view—a way of seeing, for example, everything tagged with “indieweb” instead of just journal entries tagged with “indieweb” or links tagged with “indieweb”. I wanted to do the same thing with my archives. I have separate archives for my journal, my links, and my notes. What I wanted was a combined view.
After some hacking, I got it working. So now you can see combined archives by year, month, and day (I managed to add a sparkline to the month view as well):
I did face a bit of a conundrum. Both my home page stream and my tag pages show posts in reverse chronological order, with the newest posts at the top. I’ve decided to replicate that for the archive view, but I’m not sure if that’s the right decision. Maybe the list of years should begin with 2001 and end with 2016, instead of the other way around. And maybe when you’re looking at a month of posts, you should see the first posts in that month at the top.
Anyway, I’ll live with it in reverse chronological order for a while and see how it feels. I’m just glad I managed to get it down—I’ve been meaning to do it for quite a while. Once again, I’m amazed by how much gets accomplished when you’re in the same physical space as other helpful, motivated people all working on improving their indie web presence, little by little.
Al runs through the process of updating GEL—the BBC’s Global Experience Language design system. I particularly like the thought that’s gone into naming type sizes.
A lovely Yuletide present from Brian and co.—an exploration of the proverbs embodied in Bruegel’s painting.
A beautiful eulogy for Doug Engelbart by Bret Viktor, not celebrating the laundry list of his inventions, but celebrating his intent in making the world a better place.
Engelbart had an intent, a goal, a mission. He stated it clearly and in depth. He intended to augment human intellect. He intended to boost collective intelligence and enable knowledge workers to think in powerful new ways, to collectively solve urgent global problems.
Camille Paglia is apparently a Lucas apologist like me.
Ambient LA.
Paul has created a site for tracking usage of the BBC’s GEL (Global Experience Language) visual design language. Nice’n’responsive it is too.