Tags: ia

1252

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Wednesday, March 29th, 2023

The search element | scottohara.me

I’ve already add the search element to thesession.org, but while browser support is still rolling out, I’m being extra verbose:

<search role="search">
 ...
</search>

Brought to you by the department of redunancy department.

I’ll remove the ARIA role once browsers are all on board. As Scott says:

Please be aware that this element landing in the HTML spec today does not mean it is available in browsers today. Issues have been filed to implement the search element in the major browsers, including the necessary accessibility mappings. Keep this in mind before you get all super excited and willy nilly add this new element to your pages.

Sunday, March 19th, 2023

Design notes on the 2023 Wikipedia redesign

So then the question becomes: how do you most effectively communicate designs, to facilitate the best discussions about those designs? My answer is: lots of little prototypes built with HTML, CSS, and JavaScript.

Tuesday, March 14th, 2023

Craft vs Industry: Separating Concerns by Thomas Michael Semmler: CSS Developer, Designer & Developer from Vienna, Austria

Call me Cassandra:

The way that industry incorporates design systems is basically a misappropriation, or abuse at worst. It is not just me who is seeing the problem with ongoing industrialization in design. Even Brad Frost, the inventor of atomic design, is expressing similar concerns. In the words of Jeremy Keith:

[…] Design systems take their place in a long history of dehumanising approaches to manufacturing like Taylorism. The priorities of “scientific management” are the same as those of design systems—increasing efficiency and enforcing consistency.

So no. It is not just you. We all feel it. This quote is from 2020, by the way. What was then a prediction has since become a reality.

This grim assessment is well worth a read. It rings very true.

What could have become Design Systemics, in which we applied systems theory, cybernetics, and constructivism to the process and practice of design, is now instead being reduced to component libraries. As a designer, I find this utter nonsense. Everyone who has even just witnessed a design process in action knows that the deliverable is merely a documenting artifact of the process and does not constitute it at all. But for companies, the “output” is all that matters, because it can be measured; it appeals to the industrialized process because it scales. Once a component is designed, it can be reused, configured, and composed to produce “free” iterations without having to consult a designer. The cost was reduced while the output was maximized. Goal achieved!

Thursday, March 9th, 2023

Some simple ways to make content look good - Set Studio

This is a terrific walkthrough from Andy showing how smart fundamentals in your CSS can give you a beautiful readable document without much work.

Tuesday, February 14th, 2023

God Did the World a Favor by Destroying Twitter | WIRED

Our smarter, richer betters (in Babel times, the king’s name was Nimrod) often preach the idea of a town square, a marketplace of ideas, a centralized hub of discourse and entertainment—and we listen. But when I go back and read Genesis, I hear God saying: “My children, I designed your brains to scale to 150 stable relationships. Anything beyond that is overclocking. You should all try Mastodon.”

So many gems in this piece by Paul Ford:

The Fediverse apps are all built on a set of rules called the ActivityPub standard, which is a little like HTML had sex with a calendar invite. It’s a content polycule. The questions it evokes are the same as with any polycule: What are the rules? How big can this get? Who will create the chore chart?

Monday, February 13th, 2023

You can call me AI

I’ve mentioned before that I’m not a fan of initialisms and acronyms. They can be exclusionary.

It bothers me doubly when everyone is talking about AI.

First of all, the term is so vague as to be meaningless. Sometimes—though rarely—AI refers to general artificial intelligence. Sometimes AI refers to machine learning. Sometimes AI refers to large language models. Sometimes AI refers to a series of if/else statements. That’s quite a spectrum of meaning.

Secondly, there’s the assumption that everyone understands the abbreviation. I guess that’s generally a safe assumption, but sometimes AI could refer to something other than artificial intelligence.

In countries with plenty of pastoral agriculture, if someone works in AI, it usually means they’re going from farm to farm either extracting or injecting animal semen. AI stands for artificial insemination.

I think that abbreviation might work better for the kind of things currently described as using AI.

We were discussing this hot topic at work recently. Is AI coming for our jobs? The consensus was maybe, but only the parts of our jobs that we’re more than happy to have automated. Like summarising some some findings. Or perhaps as a kind of lorem ipsum generator. Or for just getting the ball rolling with a design direction. As Terence puts it:

Midjourney is great for a first draft. If, like me, you struggle to give shape to your ideas then it is nothing short of magic. It gets you through the first 90% of the hard work. It’s then up to you to refine things.

That’s pretty much the conclusion we came to in our discussion at Clearleft. There’s no way that we’d use this technology to generate outputs for clients, but we certainly might use it to generate inputs. It’s like how we’d do a quick round of sketching to get a bunch of different ideas out into the open. Terence is spot on when he says:

Midjourney lets me quickly be wrong in an interesting direction.

To put it another way, using a large language model could be a way of artificially injecting some seeds of ideas. Artificial insemination.

So now when I hear people talk about using AI to create images or articles, I don’t get frustrated. Instead I think, “Using artificial insemination to create images or articles? Yes, that sounds about right.”

Thursday, February 2nd, 2023

Learn Images

Mat has written this free course for you all about images on the web. Covering image formats, responsive images, and workflows, this is one to keep on speed dial.

Tuesday, January 24th, 2023

Inside the Globus INK: a mechanical navigation computer for Soviet spaceflight

The positively steampunk piece of hardware used for tracking Alexei Leonov’s Apollo-Soyuz mission.

Monday, January 23rd, 2023

One morning in the future

I had a video call this morning with someone who was in India. The call went great, except for a few moments when the video stalled.

“Sorry about that”, said the person I was talking to. “It’s the monkeys. They like messing with the cable.”

There’s something charming about an intercontinental internet-enabled meeting being slightly disrupted by some fellow primates being unruly.

It also made me stop and think about how amazing it was that we were having the call in the first place. I remembered Arthur C. Clarke’s predictions from 1964:

I’m thinking of the incredible breakthrough which has been possible by developments in communications, particularly the transistor and, above all, the communications satellite.

These things will make possible a world in which we can be in instant contact with each other wherever we may be, where we can contact our friends anywhere on Earth even if we don’t know their actual physical location.

It will be possible in that age—perhaps only 50 years from now—for a man to conduct his business from Tahiti or Bali just as well as he could from London.

The casual sexism of assuming that it would be a “man” conducting business hasn’t aged well. And it’s not the communications satellite that enabled my video call, but old-fashioned undersea cables, many in the same locations as their telegraphic antecedents. But still; not bad, Arthur.

After my call, I caught up on some email. There was a new newsletter from Ariel who’s currently in Antarctica.

Just thinking about the fact that I know someone who’s in Antarctica—who sent me a postcard from Antarctica—gave me another rush of feeling like I was living in the future. As I started to read the contents of the latest newsletter, that feeling became even more specific. Doesn’t this sound exactly like something straight out of a late ’80s/early ’90s cyberpunk novel?

Four of my teammates head off hiking towards the mountains to dig holes in the soil in hopes of finding microscopic animals contained within them. I hang back near the survival bags with the remaining teammate and begin unfolding my drone to get a closer look at the glaciers. After filming the textures of the land and ice from multiple angles for 90 minutes, my batteries are spent, my hands are cold and my stomach is growling. I land the drone, fold it up into my bright yellow Pelican case, and pull out an expired granola bar to keep my hunger pangs at bay.

Friday, January 6th, 2023

Two fiddlers, Frances and Maryanne, eyes closed in concentration as they play together in a cosy living room.

Had a lovely afternoon playing jigs and reels.

Tuesday, December 20th, 2022

Network effect

Mastodon is not a platform. Mastodon is just a tiny part of a concept many have been dreaming about and working on for years. Social media started on the wrong foot. The idea for the read/write web has always been different. Our digital identities weren’t supposed to end up in something like Twitter or Facebook or Instagram.

Decentralisation, Federation, The Indie Web: There were many groups silently working on solving the broken architecture of our digital social networks and communication channels – long, long before the “web 3” dudes tried to reframe it as their genius new idea.

I’ve been a part of this for many years until I gave up hope. How would you compete against the VC money, the technical and economical benefits of centralised platforms? It was a fight between David and Gloiath. But now Mastodon could be the stone.

Pluralistic: Better failure for social media (19 Dec 2022) – Pluralistic: Daily links from Cory Doctorow

Mastodon has gotten two things right that no other social media giant has even seriously attempted:

  1. If you follow someone on Mastodon, you’ll see everything they post; and
  2. If you leave a Mastodon server, you can take both your followers and the people you follow with you.

The most common criticism of Mastodon is that you must rely on individual moderators who may be underresourced, incompetent on malicious. This is indeed a serious problem, but it isn’t the same serious problem that Twitter has. When Twitter is incompetent, malicious, or underresourced, your departure comes at a dear price.

On Mastodon, your choice is: tolerate bad moderation, or click two links and move somewhere else.

On Twitter, your choice is: tolerate moderation, or lose contact with all the people you care about and all the people who care about you.

Monday, December 19th, 2022

Empty Pointers and Constellations of AI

AI becomes a stand-in term for whatever technologies and techniques are new, shiny, and just beyond the grasp of our understanding. We use it to gesture at a future we cannot fully comprehend or currently realise. As soon as we do, it will no longer be “AI.”

Tuesday, December 13th, 2022

Mona Sans & Hubot Sans

Two new lovely open source variable fonts from Github.

Thursday, December 8th, 2022

Derek Powazek - A community isn’t a garden, it’s a bar.

The first thirty years of the web may have been an orgy of unregulated expansion, but that era is over. The EU has been a leader with the GDPR, but there’s more coming. And I’m glad. The big players have had plenty of time to get their shit together and they haven’t. It’s time to regulate them as much as we regulate a shot of bourbon.

Wednesday, December 7th, 2022

A year of new avenues

All along, from the frothy 1990s to the per­co­lat­ing 2000s to the frozen 2010s to today, the web has been the sure thing. All along, it’s been grow­ing and maturing, sprout­ing new capabilities. From my van­tage point, that growth has seemed to accel­er­ate in the past five years; CSS, in par­tic­u­lar, has become incred­i­bly flex­i­ble and expressive. Maybe even a bit overstuffed — but I’ll take it.

For peo­ple who care about cre­at­ing worlds together, rather than get­ting rich, the web is the past and the web is the future. What luck, that this decentralized, per­mis­sion­less sys­tem claimed a posi­tion at the heart of the inter­net, and stuck there. It’s limited, of course; frustrating; some­times maddening. But that’s every cre­ative medium. That’s life.

Sunday, December 4th, 2022

Tweaking navigation labelling

I’ve always liked the idea that your website can be your API. Like, you’ve already got URLs to identify resources, so why not make that URL structure predictable and those resources parsable?

That’s why the (read-only) API for The Session doesn’t live at a separate subdomain. It uses the same URL structure as the regular site, but you can request the resources in an alternative format: JSON, XML, RSS.

This works out pretty well, mostly because I put a lot of thought into the URL structure of the site. I’m something of a URL fetishist, but I think that taking a URL-first approach to information architecture can be a good exercise.

Most of the resources on The Session involve nouns like tunes, events, discussions, and so on. There’s a consistent and predictable structure to the URLs for those sections:

  • /things
  • /things/new
  • /things/search

And then an idividual item can be found at:

  • things/ID

That’s all nice and predictable and the naming of the URLs matches what you’d expect to find:

Tunes, events, discussions, sessions. Those are all fine. But there’s one section of the site that has this root URL:

/recordings

When I was coming up with the URL structure twenty years ago, it was clear what you’d find there: track listings for albums of music. No one would’ve expected to find actual recordings of music available to listen to on-demand. The bandwidth constraints and technical limitations of the time made that clear.

Two decades on, the situation has changed. Now someone new to the site might well expect to hit a link called “recordings” and expect to hear actual recordings of music.

So I should probably change the label on the link. I don’t think “albums” is quite right—what even is an album any more? The word “discography” is probably the most appropriate label.

Here’s my dilemma: if I update the label, should I also update the URL structure?

Right now, the section of the site with /tunes URLs is labelled “tunes”. The section of the site with /events URLs is labelled “events”. Currently the section of the site with /recordings URLs is labelled “recordings”, but may soon be labelled “discography”.

If you click on “tunes”, you end up at /tunes. But if you click on “discography”, you end up at /recordings.

Is that okay? Am I the only one that would be bothered by that?

I could update the URLs to match the labelling (with redirects for the old URLs, of course), but I’m not so keen on this URL structure:

  • /discography
  • /discography/new
  • /discography/search
  • /discography/ID

It doesn’t seem as tidy as:

  • /recordings
  • /recordings/new
  • /recordings/search
  • /recordings/ID

But if I don’t update the URLs to match the label, then I’m just going to have to live with the mismatch.

I’m just thinking out loud here. I think I should definitely update the label. I just won’t make any decision on changing URLs for a while yet.

Saturday, December 3rd, 2022

Simon Collison | Farewell, Twitter

I’ve been feeling exactly what Colly articulates here:

I’m aware that smart friends still tweet passing thoughts without a care, and I can’t understand why. Some seem happy to repost damning articles about the situation and then carry on tweeting without a care.

Monday, November 28th, 2022

Designing a Utopian layout grid: Working with fluid responsive values in a static design tool. | Utopia

James describes his process for designing fluid grid layouts, which very much involves working with the grain of the web but against the grain of our design tools:

In 2022 our design tools are still based around fixed-size artboards, while we’re trying to design products which scale gracefully to suit any screen.