Tags: ie

2142

sparkline

Saturday, January 25th, 2020

Draw all roads in a city at once

A lovely little bit of urban cartography.

A Tale of Two Clocks

Doomsday vs. the Long Now.

Thursday, January 23rd, 2020

Lightning-Fast Web Performance: an online lecture series from Scott Jehl

You know that this online course from Scott is going to be excellent—get in there!

Monday, January 20th, 2020

Software disenchantment @ tonsky.me

I want to deliver working, stable things. To do that, we need to understand what we are building, in and out, and that’s impossible to do in bloated, over-engineered systems.

This pairs nicely with Craig’s post on fast software.

Everyone is busy building stuff for right now, today, rarely for tomorrow. But it would be nice to also have stuff that lasts a little longer than that.

I just got a new laptop and I decided to go with fresh installs rather than a migration. This really resonates:

It just seems that nobody is interested in building quality, fast, efficient, lasting, foundational stuff anymore. Even when efficient solutions have been known for ages, we still struggle with the same problems: package management, build systems, compilers, language design, IDEs.

Friday, January 17th, 2020

The last tracker was just removed from Basecamp.com - Signal v. Noise

Can you believe we used to willingly tell Google about every single visitor to basecamp.com by way of Google Analytics? Letting them collect every last byte of information possible through the spying eye of their tracking pixel. Ugh.

👏

In this new world, it feels like an obligation to make sure we’re not aiding and abetting those who seek to exploit our data. Those who hoard every little clue in order to piece of together a puzzle that’ll ultimately reveal all our weakest points and moments, then sell that picture to the highest bidder.

Thursday, January 16th, 2020

Indie Web Camp London 2020

Do you have plans for the weekend of March 14th and 15th?

If you live anywhere near London, might I suggest that you sign up for Indie Web Camp.

Cheuk and Ana are putting it together with assistance from Calum. As always, there will be one day of Barcamp-style discussions, followed by a fun hands-on day of making.

If you’re wondering whether this is for you, ask yourself if any of this situations apply:

  • You don’t have your own website yet, but you want one.
  • You have your own website, but you need some help with it.
  • You have some ideas about the independent web.
  • You have your own website but you never seem to find the time to update it.
  • You’d like to help other people with their websites.

If you recognise yourself in any one of those scenarios, then you should definitely come along to Indie Web Camp London 2020!

Wednesday, January 8th, 2020

The Decade in Cheer - Reasons to be Cheerful

Since 2010

  • The developed world used less water, despite population growth
  • The (whole) world became less transphobic than it once was
  • The ozone layer started healing
  • Investment in green energy far, far exceeded investment in fossil fuels
  • The world got greener
  • Homicide rates fell worldwide
  • Weather forecasting became a lot more accurate
  • The number of people without electricity fell below one billion
  • Universal health care went from privileged ideal to global ambition

Tuesday, January 7th, 2020

Life Under The Ice

Here’s the latest wonderful project from Ariel—explore microscopic specimens from Antarctica:

The collected Antarctic microbes were found living within glaciers, under the sea ice, next to frozen lakes, and in subglacial ponds.

Beautiful!

Y2K @ 20 - The New York Times

This is quite remarkable. On the surface, it’s a short article about the Y2K bug, but the hypertextual footnotes go deeper and deeper into memory, loss, grief …I’m very moved by the rawness and honesty nested within.

Monday, January 6th, 2020

Browser defaults

I’ve been thinking about some of the default behaviours that are built into web browsers.

First off, there’s the decision that a browser makes if you enter a web address without a protocol. Let’s say you type in example.com without specifying whether you’re looking for http://example.com or https://example.com.

Browsers default to HTTP rather than HTTPS. Given that HTTP is older than HTTPS that makes sense. But given that there’s been such a push for TLS on the web, and the huge increase in sites served over HTTPS, I wonder if it’s time to reconsider that default?

Most websites that are served over HTTPS have an automatic redirect from HTTP to HTTPS (enforced with HSTS). There’s an ever so slight performance hit from that, at least for the very first visit. If, when no protocol is specified, browsers were to attempt to reach the HTTPS port first, we’d get a little bit of a speed improvement.

But would that break any existing behaviour? I don’t know. I guess there would be a bit of a performance hit in the other direction. That is, the browser would try HTTPS first, and when that doesn’t exist, go for HTTP. Sites served only over HTTP would suffer that little bit of lag.

Whatever the default behaviour, some sites are going to pay that performance penalty. Right now it’s being paid by sites that are served over HTTPS.

Here’s another browser default that Rob mentioned recently: the viewport meta tag:

I thought I might be able to get away with omitting meta name="viewport". Apparently not! Maybe someday.

This all goes back to the default behaviour of Mobile Safari when the iPhone was first released. Most sites wouldn’t display correctly if one pixel were treated as one pixel. That’s because most sites were built with the assumption that they would be viewed on monitors rather than phones. Only weirdos like me were building sites without that assumption.

So the default behaviour in Mobile Safari is assume a page width of 1024 pixels, and then shrink that down to fit on the screen …unless the developer over-rides that behaviour with a viewport meta tag. That default behaviour was adopted by other mobile browsers. I think it’s a universal default.

But the web has changed since the iPhone was released in 2007. Responsive design has swept the web. What would happen if mobile browsers were to assume width=device-width?

The viewport meta element always felt like a (proprietary) band-aid rather than a long-term solution—for one thing, it’s the kind of presentational information that belongs in CSS rather than HTML. It would be nice if we could bid it farewell.

Frank Chimero · Redesign: Wants and Needs

Websites sit on a design spectrum. On one end are applications, with their conditional logic, states, and flows—they’re software.

On the other end of the design spectrum are documents; sweet, modest documents with their pleasing knowableness and clear edges.

For better or worse, I am a document lover.

This is the context where I fell in love with design and the web. It is a love story, but it is also a ghost story.

20/20 Visions Review - Brighton Source

Here’s a write-up (with great photos) from the truly excellent gig that Salter Cane headlined on Saturday night.

The high praise for all the bands is not hyperbole—I was blown away by how good they all were!

Friday, January 3rd, 2020

A short history of body copy sizes on the Web

A look at the trend towards larger and larger font sizes for body copy on the web, culminating with Resilient Web Design.

There are some good arguments here for the upper limit on the font size there being too high, so I’ve adjusted it slightly. Now on large screens, the body copy on Resilient Web Design is 32px (2 times 1em), down from 40px (2.5 times 1em).

Thursday, January 2nd, 2020

The Rise Of Skywalker

If you haven’t seen The Rise Of Skywalker, avert your gaze for I shall be revealing spoilers here…

I wrote about what I thought of The Force Awakens. I wrote about what I thought of The Last Jedi. It was inevitable that I was also going to write about what I think of The Rise Of Skywalker. If nothing else, I really enjoy going back and reading those older posts and reminding myself of my feelings at the time.

I went to a midnight screening with Jessica after we had both spent the evening playing Irish music at our local session. I was asking a lot of my bladder.

I have to admit that my first reaction was …ambivalent. I didn’t hate it but I didn’t love it either.

Now, if that sounds familiar, it’s because that’s pretty much what I said about Rogue One and The Last Jedi:

Maybe I just find it hard to really get into the flow when I’m seeing a new Star Wars film for the very first time.

This time there were very specific things that I could point to and say “I don’t like it!” For a start, there’s the return of Palpatine.

I think the Emperor has always been one of the dullest characters in Star Wars. Even in Return Of The Jedi, he just comes across as a paper-thin one-dimensional villain who’s evil just because he’s evil. That works great when he’s behind the scenes manipulating events, but it makes for dull on-screen shenanigans, in my opinion. The pantomime nature of Emperor Palpatine seems more Harry Potter than Star Wars to me.

When I heard the Emperor was returning, my expectations sank. To be fair though, I think it was a very good move not to make the return of Palpatine a surprise. I had months—ever since the release of the first teaser trailer—to come to terms with it. Putting it in the opening crawl and the first scene says, “Look, he’s back. Don’t ask how, just live with it.” That’s fair enough.

So in the end, the thing that I thought would bug me—the return of Palpatine—didn’t trouble me much. But what really bugged me was the unravelling of one of my favourite innovations in The Last Jedi regarding Rey’s provenance. I wrote at the time:

I had resigned myself to the inevitable reveal that would tie her heritage into an existing lineage. What an absolute joy, then, that The Force is finally returned into everyone’s hands!

What bothered me wasn’t so much that The Rise Of Skywalker undoes this, but that the undoing is so uneccessary. The plot would have worked just as well without the revelation that Rey is a Palpatine. If that revelation were crucial to the story, I would go with it, but it just felt like making A Big Reveal for the sake of making A Big Reveal. It felt …cheap.

I have to say, that’s how I responded to a lot of the kitchen sink elements in this film when I first saw it. It was trying really, really hard to please, and yet many of the decisions felt somewhat lazy to me. There were times when it felt like a checklist.

In a way, there was a checklist, or at least a brief. JJ Abrams has spoken about how this film needed to not just wrap up one trilogy, but all nine films. But did it though? I think I would’ve been happier if it had kept its scope within the bounds of these new sequels.

That’s been a recurring theme for me with all three of these films. I think they work best when they’re about the new characters. I’m totally invested in them. Leaning on nostalgia and the cultural memory of the previous films and their characters just isn’t needed. I would’ve been fine if Luke, Han, and Leia never showed up on screen in this trilogy—that’s how much I’m sold on Rey, Finn, and Poe.

But I get it. The brief here is to tie everything together. And as JJ Abrams has said, there was no way he was going to please everyone. But it’s strange that he would attempt to please the most toxic people clamouring for change. I’m talking about the racists and misogynists that were upset by The Last Jedi. The sidelining of Rose Tico in The Rise Of Skywalker sure reads a lot like a victory for them. Frankly, that’s the one aspect of this film that I’m always going to find disappointing.

Because it turns out that a lot of the other things that I was initially disappointed by evaporated upon second viewing.

Now, I totally get that a film needs to work for a first viewing. But if any category of film needs to stand up to repeat viewing, it’s a Star Wars film. In the case of The Rise Of Skywalker, I think that repeat viewing might have been prioritised. And I’m okay with that.

Take the ridiculously frenetic pace of the multiple maguffin-led plotlines. On first viewing, it felt rushed and messy. I got the feeling that the double-time pacing was there to brush over any inconsistencies that would reveal themselves if the film were to pause even for a minute to catch its breath.

But that wasn’t the case. On second viewing, things clicked together much more tightly. It felt much more like a well-oiled—if somewhat frenetic—machine rather than a cobbled-together Heath Robinson contraption that might collapse at any moment.

My personal experience of viewing the film for the second time was a lot of fun. I was with my friend Sammy, who is not yet a teenager. His enjoyment was infectious.

At the end, after we see Rey choose her new family name, Sammy said “I knew she was going to say Skywalker!”

“I guess that explains the title”, I said. “The Rise Of Skywalker.”

“Or”, said Sammy, “it could be talking about Ben Solo.”

I hadn’t thought of that.

When I first saw The Rise Of Skywalker, I was disappointed by all the ways it was walking back the audacious decisions made in The Last Jedi, particularly Rey’s parentage and the genetic component to The Force. But on second viewing, I noticed the ways that this film built on the previous one. Finn’s blossoming sensitivity keeps the democratisation of The Force on the table. And the mind-melding connection between Rey and Kylo Ren that started in The Last Jedi is crucial for the plot of The Rise Of Skywalker.

Once I was able to get over the decisions I didn’t agree with, I was able to judge the film on its own merits. And you know what? It’s really good!

On the technical level, it was always bound to be good, but I mean on an emotional level too. If I go with it, then I’m rewarded with a rollercoaster ride of emotions. There were moments when I welled up (they mostly involved Chewbacca: Chewie’s reaction to Leia’s death; Chewie getting the medal …the only moment that might have topped those was Han Solo’s “I know”).

So just in case there’s any doubt—given all the criticisms I’ve enumerated—let me clear: I like this film. I very much look forward to seeing it again (and again).

But I do think there’s some truth to what Eric says here:

A friend’s review of “The Rise of Skywalker”, which also serves as a perfect summary of JJ Abrams’ career: “A very well-executed lack of creativity.”

I think I might substitute the word “personality” for “creativity”. However you feel about The Last Jedi, there’s no denying that it embodies the vision of one person:

I think the reason why The Last Jedi works so well is that Rian Johnson makes no concessions to my childhood, or anyone else’s. This is his film. Of all the millions of us who were transported by this universe as children, only he gets to put his story onto the screen and into the saga. There are two ways to react to this. You can quite correctly exclaim “That’s not how I would do it!”, or you can go with it …even if that means letting go of some deeply-held feelings about what could’ve, should’ve, would’ve happened if it were our story.

JJ Abrams, on the other hand, has done his utmost to please us. I admire that, but I feel it comes at a price. The storytelling isn’t safe exactly, but it’s far from personal.

The result is that The Rise Of Skywalker is supremely entertaining—especially on repeat viewing—and it has a big heart. I just wish it had more guts.

Making a ‘post-it game’ PWA with mobile accelerometer API’s | Trys Mudford

I made an offhand remark at the Clearleft Christmas party and Trys ran with it…

Tuesday, December 31st, 2019

2019 in numbers

I posted to adactio.com 1,600 times in 2019: sparkline

In amongst those notes were:

If you like, you can watch all that activity plotted on a map.

map

Away from this website in 2019:

Books I read in 2019

I read 26 books in 2019. That’s not as many as I’d like, but it is an increase on 2018.

Once again, I tried to maintain a balance between fiction and non-fiction. It kinda worked.

Here, in order of reading, are the books I read in 2019. For calibration, anything with three stars or more means I enjoyed (and recommend) the book. I can be pretty stingy with my stars. That said…

Kindred by Octavia Butler

★★★★★

Kindred is a truly remarkable work. Technically it’s science fiction—time travel, specifically—but that’s really just the surface detail. This is a study of what makes us human, and an investigation into the uncomfortable reach of circumstance and culture. Superbly written and deeply empathic.

The Soul Of A New Machine by Tracy Kidder

★★☆☆☆

This is a well-regarded book amongst people whose opinion I value. It’s also a Pulitzer prize winner. Strange, then, that I found it so unengaging. The prose is certainly written with gusto, but it all seems so very superficial to me. No matter how you dress it up, it’s a chronicle of a bunch of guys—and oh, boy, are they guys—making a commercial computer. Testosterone and solder—not my cup of tea.

Binti by Nnedi Okorafor

★★★☆☆

A thoroughly entertaining space adventure, although my favourite parts are the descriptions of the inner magic of mathematics. This is a short read too, so go ahead and give it a whirl. Recommended.

The Order Of Time by Carlo Rovelli

★★★☆☆

The writing is entertaining, sometimes arresting, though it definitely spills over into purple prose at times. As a meditation on the nature of time, it’s a thought-provoking read, but I think I prefer the gentler musings of James Gleick’s Time Travel: A History.

Lincoln in the Bardo by George Saunders

★★☆☆☆

Another highly-regarded book that I just couldn’t get into. That’s probably more down to me than the book. I can see how the writing is imaginative and immersive, but the end result—for me, at least—was no more than perfectly fine.

Reading this kind of reminded me of reading David Mitchell’s Cloud Atlas. They’re both perfectly fine books that were lavished with heaps of praise for their levels of imagination …which makes me think that people need to read more sci-fi and fantasy.

A Mind At Play: How Claude Shannon Invented The Information Age by Jimmy Soni and Rob Goodman

★★★★☆

A terrific biography! Admittedly you’ll probably want to be interested in information theory in the first place, but how could you not?

This book could probably have been a little shorter without losing too much, but I thoroughly enjoyed reading it. It’s a great companion to James Gleick’s The Information.

Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan

★★★☆☆

This is like the love child of Craig Mod and Umberto Eco …and I mean that in the nicest possible way. A thoroughly entertaining genre-crossing jaunt that isn’t going to stress you out. Fun!

Inferior: The True Power Of Women and the Science that Shows It by Angela Saini

★★★☆☆

Superbly researched and deftly crafted. This is an eye-opening journey into the cultural influences on experimental science.

Resilient Management by Lara Hogan

★★★★☆

I’m getting kind of cross with Lara now. First she writes the definitive book on web performance. Then she writes the definitive book on public speaking (I’ve loaned it out so many times, I’ve lost track of it). Now she’s gone and written the definitive book on being a manager. It hardly seems fair!

Seriously, this book is remarkably practical, right from the get-go. And the one complaint I have about most management books—that they’re longer than they need to be—definitely doesn’t apply here. If your job involves managing humans in any way, read this book!

The Future Home Of The Living God by Louise Erdrich

★★☆☆☆

There’s nothing wrong with this book, per se. But I think it’s situated too much in the shadow of Margaret Atwood’s The Handmaid’s Tale to stand on its own merits.

Binti Home by Nnedi Okorafor

★★★☆☆

The second novella in the Binti series. Just as much fun as the first. I’m looking forward to reading the third and final book in the series.

Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith

★★★☆☆

I really enjoyed this evolutionary tale. It’s equal parts biology and philosophy. I will never look at cephalopods quite the same way again.

Sourdough by Robin Sloan

★★★☆☆

Just as entertaining as Robin’s first book, this has a fun vibe to it.

By pure coincidence, I followed Sourdough with…

I Contain Multitudes: The Microbes Within Us and a Grander View of Life by Ed Yong

★★★★☆

I wrote:

There’s a lovely resonance in reading @RobinSloan’s Sourdough back to back with @EdYong209’s I Contain Multitudes. One’s fiction, one’s non-fiction, but they’re both microbepunk.

To which Robin responded:

OMG I’m so glad these books presented themselves to you together—I think it’s a great pairing, too. And certainly, some of Ed’s writing about microbes was in my head as I was writing the novel!

I Contain Multitudes is a thoroughly engaging and entertaining work. You might not think you want to read a book all about microbes, but trust me, you do.

I stand by this appraisal:

They’re both such wonderful books—apart from the obvious microbial connection, there’s a refreshingly uncynical joy infusing the writing of each of them!

Rosewater by Tade Thompson

★★★☆☆

An first-contact novel with a difference. The setting, the characters, the writing—everything is vivid and immersive. I’m looking forward to reading more in this series.

Skyfaring by Mark Vanhoenacker

★★★☆☆

The sheer joy of the writing is infectious. If you’ve got some long-haul flights ahead of you, this is the perfect reading material.

The Raven Tower by Ann Leckie

★★★★☆

This has stayed with me. This is Ann Leckie’s first foray into more of a fantasy realm, and it’s just as great as her superb science fiction.

Internal consistency is key to world-building in works of fantasy, and this book has a deeply satisfying and believable system that is only gradually and partially revealed. Encore!

The Science of Storytelling by Will Storr

★★★☆☆

This book has an unusual structure. At times, it’s like a masterclass in writing. At other times, it’s deeply personal. I don’t know quite how to classify it, but I like it!

Exhalation by Ted Chiang

★★★★☆

Brilliant, as expected. Some of the stories in here have stayed with me long after I finished reading them. If you haven’t already read this or Stories of Your Life and Others, you’re in for a real treat.

Is Exhalation quite as brilliant as Ted Chiang’s debut book of short stories? Maybe not. But that bar is so high as to be astronomical.

Now we just have to wait a few more decades for his third collection.

Motherfoclóir: Dispatches From A Not So Dead Language by Darach O’Séaghdha

★★★☆☆

I don’t know if this will be of any interest if you don’t already understand some Irish, but I found this to be good fun. There were times when an aside was repeated more than once, which made me wonder if the source material was originally scattered in other publications.

The Calculating Stars by Mary Robinette Kowal

★★★☆☆

An alternative history novel with a thought-provoking premise. The result is like a cross between Mercury 13 and Seveneves. There’s a dollop of wish fulfillment in here that feels like a guilty pleasure, but that’s no bad thing.

1666: Plague, War, and Hellfire by Rebecca Rideal

★★★☆☆

This is how you bring history to life! The style of writing feels much more like a historical novel than a dry academic work, but all of the events are relayed from contempary source material. The plague is suitably grim and disgusting; the sea battles are appropriately thrilling and frightening; the fire is unrelentingly devestating. I know that doesn’t sound like there’s much enjoyment to be had, but this is the best history book I’ve read in a while.

Helliconia Summer by Brian Aldiss

★★★☆☆

I know I joke about seeing pace layers everywhere but seriously, Brian Aldiss’s Heliconia series is all about pace layers. Each book deals with one point in time, where we’re concerned with the dynastic concerns of years and decades, but the really important story is happening on the scale of centuries and millennia as the seasons slowly change.

This one was just as good as Helliconia Spring and I’m looking forward to rounding out the series with Helliconia Winter.

The Canopy Of Time by Brian Aldiss

★★☆☆☆

I decided to stay on a Brian Aldiss kick, and grabbed this pulpy collection of short stories. It’s not his best work, and there’s an unnecessary attempt to tie all the stories together into one narrative, but even a so-so Brian Aldiss book has got a weird and slightly haunting edge to it.

The Fated Sky by Mary Robinette Kowal

★★★☆☆

The sequel to The Calculating Stars and the last in the Lady Astronaut series. Good space-race entertainment.

Raven Stratagem by Yoon Ha Lee

I’ve just picked up this sequel to Ninefox Gambit. So far it’s not as bewildering as the first book—where the bewilderment was part of its charm. I’m into it. But I won’t rate it till I’ve finished it.


Alright, time to pick my favourite fiction and non-fiction books of the year.

Certainly the best fiction book published this year was Ted Chiang’s Exhalation. But when it comes to the best book I’ve read this year, it’s got to be Octavia Butler’s Kindred. Hard to believe it’s forty years old—it’s shockingly relevant today.

As for the best non-fiction …this is really hard this year. So many great books: A Mind At Play, Inferior, 1666, Other Minds; I loved them all. But I think I’m going to have to give it to Ed Yong’s I Contain Multitudes.

Only 10 of the 26 books I read this year were by women. I need to work on redressing the balance in 2020.

The People’s Web

Every day, millions of people rely on independent websites that are mostly created by regular people, weren’t designed as mobile apps, connect deeply to culture, and aren’t run by the giant tech companies. These are a vision of not just what the web once was, but what it can be again.

This really hits home for me. Anil could be describing The Session here:

They often start as a labor of love from one person, or one small, tightly-knit community. The knowledge or information set that they record is considered obscure or even worthless to outsiders, until it becomes so comprehensive that its collective worth is undeniable.

This is a very important message:

Taken together, these sites are as valuable as any of the giant platforms run by the tech titans.

Monday, December 30th, 2019

Words I wrote in 2019

I wrote just over one hundred blog posts in 2019. That’s even more than I wrote in 2018, which I’m very happy with.

Here are eight posts from during the year that I think are a good representative sample. I like how these turned out.

I hope that I’ll write as many blog posts in 2020.

I’m pretty sure that I will also continue to refer to them as blog posts, not blogs. I may be the last holdout of this nomenclature in 2020. I never planned to die on this hill, but here we are.

Actually, seeing as this is technically my journal rather than my blog, I’ll just call them journal entries.

Here’s to another year of journal entries.

Tuesday, December 24th, 2019

The Accidental Side Project ◆ 24 ways

This gets me right in the feels.

I can’t believe I was lucky enough to contribute to 24 Ways seven times over its fifteen year lifespan!