Several talented illustrators have come together to create a unique book about unique animals. Each contributor has a special connection to the book’s original illustrator, Cindy Li. When she was unable to complete the illustrations before passing away in 2018, many of Cindy’s talented friends offered to help finish the project.
I think you should get a copy of this book for the little animal lover in your life this Christmas.
Proceeds from the sale of this book benefit Apollo Li Harris and Orion Li Harris, two out-of-this-world kids who had an amazing mom.
Typography meets astronomy in 16th century books like the Astronomicum Caesareum.
It is arguably the most typographically impressive scientific manual of the sixteenth century. Owen Gingerich claimed it, “the most spectacular contribution of the book-maker’s art to sixteenth-century science.”
Improbable Botany is a brand-new science fiction anthology about alien plant conquests, fantastical ecosystems, benevolent dictatorships and techno-utopias.
I remember when I first saw Paddy’s illustration for this year’s dConstruct site, I thought “Well, that’s a design direction, but there’s no way that Graham will be able to implement all of it.” There was a tight deadline for getting the site out, and let’s face it, there was so much going on in the design that we’d just have to prioritise.
I underestimated Graham’s sheer bloody-mindedness.
I love that. Even with the focus on the gorgeous illustration and futuristic atmosphere of the design, Graham took the time to think about the absolute basics: marking up the content in a logical structured way. Everything after that—the imagery, the fonts, the skewed style—all of it was built on a solid foundation.
It would’ve been easy to go crazy with the fonts and images, but Graham made sure to optimise everything to within an inch of its life. The biggest bottleneck comes from a third party provider—the map tiles and associated JavaScript …so that’s loaded in after the initial content is loaded. It turns out that the site build was a matter of prioritisation after all.
There’s plenty of CSS trickery going on: transforms, transitions, and opacity. But for the icing on the cake, Graham reached for canvas and programmed space elevator traffic with randomly seeded velocity and size.
Oh, and of course it’s all responsive.
So, putting that all together…
The dConstruct 2015 site is gorgeous, semantic, responsive, and performant. Conventional wisdom dictates that you have to choose, but this little site—built on a really tight schedule—shows otherwise.
A superb illustration of why playing the numbers game and dismissing even a small percentage of your potential audience could be disastrous.
It’s not 1% of people who always can’t see your site and 99% of people who always can. It’s 1% of visits. Almost all the people who don’t get your site correctly actually should have been able to. They don’t have JavaScript turned off. They’re not browsing on a WAP phone over a 2g connection from a shanty town. They’re you, in a cellar bar or a hotel room or waiting for the phone network to wake back up.
