In 1990, the science fiction writer Douglas Adams produced a “fantasy documentary” for the BBC called Hyperland. It’s a magnificent paleo-futuristic artifact, rich in sideways predictions about the technologies of tomorrow.
I remember coming across a repeating loop of this documentary playing in a dusty corner of a Smithsonian museum in Washington DC. Douglas Adams wasn’t credited but I recognised his voice.
Hyperland aired on the BBC a full year before the World Wide Web. It is a prophecy waylaid in time: the technology it predicts is not the Web. It’s what William Gibson might call a “stub,” evidence of a dead node in the timeline, a three-point turn where history took a pause and backed out before heading elsewhere.
Here, Claire L. Evans uses Adams’s documentary as an opening to dive into the history of hypertext starting with Bush’s Memex, Nelson’s Xanadu and Engelbart’s oNLine System. But then she describes some lesser-known hypertext systems…
In 1985, the students at Brown who encountered Intermedia had never seen anything like it before in their lives. The system laid a world of information at their fingertips, saved them hours at the library, and helped them work through tangles of thought.
It feels a little strange to refer to Going Offline as “my” book. I may have written most of the words in it, but it was only thanks to the work of others that they ended up being the right words in the right order in the right format.
I’ve included acknowledgements in the book, but I thought it would be good to reproduce them here in the form of hypertext…
Everyone should experience the joy of working with Katel LeDû and Lisa Maria Martin. From the first discussions right up until the final last-minute tweaks, they were unflaggingly fun to collaborate with. Thank you, Katel, for turning my idea into reality. Thank you, Lisa Maria, for turning my initial mush of words into a far more coherent mush of words.
Jake Archibald and Amber Wilson were the best of technical editors. Jake literally wrote the spec on service workers so I knew I could rely on him to let me know whenever I made any factual missteps. Meanwhile Amber kept me on the straight and narrow, letting me know whenever the writing was becoming unclear. Thank you both for being so generous with your time.
Thanks to my fellow Clearlefty Danielle Huntrods for giving me feedback as the book developed.
An interesting piece by Jessica Kerr that draws lessons from the histories of art and science and applies them to software development.
This was an interesting point about the cognitive load of getting your head around an existing system compared to creating your own:
And just because I’ve spent most of last year thinking about how to effectively communicate—in book form—relatively complex ideas clearly and simply, this part really stood out for me:
When you do have a decent mental model of a system, sharing that with others is hard. You don’t know how much you know.
Off-site backups of humanity’s knowledge and culture, stored in different media (including pyramidal crystals) placed in near-Earth orbit, the moon, and Mars.
We are developing specialized next-generation devices that we call Archs™ (pronounced “Arks”), which are designed to hold and transmit large amounts of data over long periods of time in extreme environments, including outer space and on the surfaces of other planetary bodies.
Our goal is to collect and curate important data sets and to install them on Archs™ that will be delivered to as many locations as possible for safekeeping.
To increase the chances that Archs™ will be found in the future, we aim for durability and massive redundancy across a broad diversity of locations and materials – a strategy that nature itself has successfully employed.
That library was a Pandorica of fabulous, interwoven randomness, as rich as plum cake. Push a seed of curiosity in between any two books and it would grow, overnight, into a rainforest hot with monkeys and jaguars and blowpipes and clouds. The room was full, and my head was full. What a magical system to place around a penniless girl.
No one believes any longer, if anyone ever did, that “if it’s on the Web it must be true,” but a lot of people do believe that if it’s on the Web it will stay on the Web. Chances are, though, that it actually won’t.
Brewster Kahle is my hero.
Kahle is a digital utopian attempting to stave off a digital dystopia. He views the Web as a giant library, and doesn’t think it ought to belong to a corporation, or that anyone should have to go through a portal owned by a corporation in order to read it. “We are building a library that is us,” he says, “and it is ours.”
One day, a man name Alan Turing found a magic lamp, and rubbed it. Out popped a genie, and Turing wished for infinite wishes. Then we killed him for being gay, but we still have the wishes.
Then we networked computers together:
The network is ultimately not doing a favor for those in power, even if they think they’ve mastered it for now. It increases their power a bit, it increases the power of individuals immeasurably. We just have to learn to live in the age of networks.
We are all nodes in many networks. This is a beautiful description of how one of those networks operates.
Design’s golden calf is simplicity. Speaking as someone who sees, makes, and uses design each and every day, I am tired of simple things. Simple things are weak. They are limited. They are boring. What I truly want is clarity. Give me clear and evident things over simple things. Make me things that presume and honor my intelligence. Shun seamlessness. It is another false token. Make me things that are full of seams, because if you give me a seam and I pull the thread, I get to see how the whole world is stitched together. Give me some credit. Show me you trust me.
There is much hand-wringing in the media about the impending death of journalism, usually blamed on the rise of the web or more specifically bloggers. I’m sympathetic to their plight, but sometimes journalists are their own worst enemy, especially when they publish badly-researched articles that fuel moral panic with little regard for facts (if you’ve ever been in a newspaper article yourself, you’ll know that you’re lucky if they manage to spell your name right).
Exhibit A: an article published in The Guardian called How I became a Foursquare cyberstalker. Actually, the article isn’t nearly as bad as the comments, which take ignorance and narrow-mindedness to a new level.
Fortunately Ben is on hand to set the record straight. He wrote Concerning Foursquare and communicating privacy. Far from being a lesser form of writing, this blog post is more accurate than the article it is referencing, helping to balance the situation with a different perspective …and a nice big dollop of facts and research. Ben is actually quite kind to The Guardian article but, in my opinion, his own piece is more interesting and thoughtful.
Exhibit B: an article by Jeffrey Rosen in The New York Times called The Web Means the End of Forgetting. That’s a bold title. It’s also completely unsupported by the contents of the article. The article contains anecdotes about people getting into trouble about something they put on the web, and—even though the consequences for that action played out in the present—he talks about the permanent memory bank of the Web and writes:
The fact that the Internet never seems to forget is threatening, at an almost existential level, our ability to control our identities.
Bollocks. Or, to use the terminology of Wikipedia, citation needed.
Rosen presents his premise — that information once posted to the Web is permanent and indelible — as a given. But it’s highly debatable. In the near future, we are, I’d argue, far more likely to find ourselves trying to cope with the opposite problem: the Web “forgets” far too easily.
Exactly! I get irate whenever I hear the truism that the web never forgets presented without any supporting data. It’s right up there with eskimos have fifty words for snow and people in the middle ages thought that the world was flat. These falsehoods are irritating at best. At worst, as is the case with the myth of the never-forgetting web, the lie is downright dangerous. As Rosenberg puts it:
I’m a lot less worried about the Web that never forgets than I am about the Web that can’t remember.
That’s a real problem. And yet there’s no moral panic about the very real threat that, once digitised, our culture could be in more danger of being destroyed. I guess that story doesn’t sell papers.
This problem has a number of thorns. At the most basic level, there’s the issue of link rot. I love the fact that the web makes it so easy for people to publish anything they want. I love that anybody else can easily link to what has been published. I hope that the people doing the publishing consider the commitment they are making by putting a linkable resource on the web.
Domain names aren’t bought, they are rented. Nobody owns domain names, except ICANN.
I’m not saying that we should ditch domain names. But there’s something fundamentally flawed about a system that thinks about domain names in time periods as short as a year or two.
Then there’s the fact that so much of our data is entrusted to third-party sites. There’s no guarantee that those third-party sites give a rat’s ass about the long-term future of our data. Quite the opposite. The callous destruction of Geocities by Yahoo is a testament to how little our hopes and dreams mean to a company concerned with the bottom line.
We can host our own data but that isn’t quite as easy as it should be. And even with the best of intentions, it’s possible to have the canonical copies wiped from the web by accident. I’m very happy to see services like Vaultpress come on the scene:
Your WordPress site or blog is your connection to the world. But hosting issues, server errors, and hackers can wipe out in seconds what took years to build. VaultPress is here to protect what’s most important to you.
We need one or more institutions that can manage electronic trusts over very long periods of time.
The institutions need to be long-lived and have the technical know-how to manage static archives. The organizations should need the service themselves, so they would be likely to advance the art over time. And the cost should be minimized, so that the most people could do it.
It’s what my technology friends call a non-trivial task, for all kinds of technical, social and legal reasons. But it’s about as important for our future as anything I can imagine. We are creating vast amounts of information, and a lot of it is not just worth preserving but downright essential to save.
There’s an even longer-term problem with digital preservation. The very formats that we use to store our most treasured memories can become obsolete over time. This goes to the very heart of why standards such as HTML—the format I’m betting on—are so important.
Their plan involves the storage, not just of data, but of data formats such as JPEG and PDF: the equivalent of a Rosetta stone for our current age. A box containing format-decoding documentation has been buried in a bunker under the Swiss Alps. That’s a good start.
As proved by the destruction of the Alexandria Library and of the literature of Mayans and Minoans, “knowledge is hard won but easily lost.”
I’m worried that we’re spending less and less time thinking about the long-term future of our data, our culture, and ultimately, our civilisation. Currently we are preoccupied with the real-time web: Twitter, Foursquare, Facebook …all services concerned with what’s happening right here, right now. The Long Now Foundation and Tau Zero Foundation offer a much-needed sense of perspective.
As with that other great challenge of our time—the alteration of our biosphere through climate change—the first step to confronting the destruction of our collective digital knowledge must be to think in terms greater than the local and the present.