The lunar landing was not a scientific announcement or a political press conference; it was a performance, a literal space opera, a Wagnerian Gesamtkunstwerk that brought together the efforts of more than 400,000 people, performed before an audience of some 650 million. It was a victory, as Armstrong immediately recognized, not of Western democratic capitalism over Soviet tyranny, or of America over the rest of the world, but for humanity. It belongs to the United States no more than Michelangelo does to Italy or Machu Picchu to Peru.
Sunday, August 4th, 2019
Thursday, July 25th, 2019
The story of Jack Garman and the 1202 alarm—as covered in episode two of the 13 Minutes To The Moon podcast.
Next time you’re faced with a decision, ask yourself: how can this decision be made on the lowest level? Have you given your team the authority to decide? If you haven’t, why not? If they’re not able to make good decisions, you’ve missed an opportunity to be a leader. Empower, enable, and entrust them. Take it from NASA: the ability to delegate quickly and decisively was the key to landing men on the moon.
Sunday, July 21st, 2019
A look at all the factors that went into choosing the Apollo landing sites, including this gem:
Famous amateur astronomer, Sir Patrick Moore, also produced a hand drawn map of the moon from his own observations using his homemade telescope at his home in Selsey, Sussex. These detailed pen and ink maps of the Moon’s surface were used by NASA as part of their preparations for the moon landing.
Thursday, July 18th, 2019
A delightful dialogue …on the moon!
Tuesday, July 16th, 2019
Fifteen years ago, I went to the Willie Clancy Summer School in Miltown Malbay:
I’m back from the west of Ireland. I was sorry to leave. I had a wonderful, music-filled time.
I’m not sure why it took me a decade and a half to go back, but that’s what I did last week. Myself and Jessica once again immersed ourselves in Irish tradtional music. I’ve written up a trip report over on The Session.
On the face of it, fifteen years is a long time. Last time I made the trip to county Clare, I was taking pictures on a point-and-shoot camera. I had a phone with me, but it had a T9 keyboard that I could use for texting and not much else. Also, my hair wasn’t grey.
But in some ways, fifteen years feels like the blink of an eye.
I spent my mornings at the Willie Clancy Summer School immersed in the history of Irish traditional music, with Paddy Glackin as a guide. We were discussing tradition and change in generational timescales. There was plenty of talk about technology, but we were as likely to discuss the influence of the phonograph as the influence of the internet.
Outside of the classes, there was a real feeling of lengthy timescales too. On any given day, I would find myself listening to pre-teen musicians at one point, and septegenarian masters at another.
Now that I’m back in the Clearleft studio, I’m finding it weird to adjust back in to the shorter timescales of working on the web. Progress is measured in weeks and months. Technologies are deemed outdated after just a year or two.
The one bridging point I have between these two worlds is The Session. It’s been going in one form or another for over twenty years. And while it’s very much on and of the web, it also taps into a longer tradition. Over time it has become an enormous repository of tunes, for which I feel a great sense of responsibility …but in a good way. It’s not something I take lightly. It’s also something that gives me great satisfaction, in a way that’s hard to achieve in the rapidly moving world of the web. It’s somewhat comparable to the feelings I have for my own website, where I’ve been writing for eighteen years. But whereas adactio.com is very much focused on me, thesession.org is much more of a community endeavour.
I question sometimes whether The Session is helping or hindering the Irish music tradition. “It all helps”, Paddy Glackin told me. And I have to admit, it was very gratifying to meet other musicians during Willie Clancy week who told me how much the site benefits them.
I think I benefit from The Session more than anyone though. It keeps me grounded. It gives me a perspective that I don’t think I’d otherwise get. And in a time when it feels entirely to right to question whether the internet is even providing a net gain to our world, I take comfort in being part of a project that I think uses the very best attributes of the World Wide Web.
Saturday, July 6th, 2019
The Hiding Place: Inside the World’s First Long-Term Storage Facility for Highly Radioactive Nuclear Waste - Pacific Standard
Robert McFarlane’s new book is an exploration of deep time. In this extract, he visits the Onkalo nuclear waste storage facility in Finland.
Sometimes we bury materials in order that they may be preserved for the future. Sometimes we bury materials in order to preserve the future from them.
Thursday, July 4th, 2019
Summer of Apollo
It’s July, 2019. You know what that means? The 50th anniversary of the Apollo 11 mission is this month.
I’ve already got serious moon fever, and if you’d like to join me, I have some recommendations…
Watch the Apollo 11 documentary in a cinema. The 70mm footage is stunning, the sound design is immersive, the music is superb, and there’s some neat data visualisation too. Watching a preview screening in the Duke of York’s last week was pure joy from start to finish.
Listen to 13 Minutes To The Moon, the terrific ongoing BBC podcast by Kevin Fong. It’s got all my favourite titans of NASA: Michael Collins, Margaret Hamilton, and Charlie Duke, amongst others. And it’s got music by Hans Zimmer.
Experience the website Apollo 11 In Real Time on the biggest monitor you can. It’s absolutely wonderful! From July 16th, you can experience the mission timeshifted by exactly 50 years, but if you don’t want to wait, you can dive in right now. It genuinely feels like being in Mission Control!
Sunday, June 23rd, 2019
Saturday, June 22nd, 2019
I wish I were here for this (I’m going to be over in Ireland that week)—an evening with James Burke, Britain’s voice of Apollo 11.
Here is your chance to find out what went on behind the scenes as James revisits the final moments of the Apollo mission. He’ll recreate the drama, struggling to make sense of flickering images from NASA and working with the limitations of 1960s technology. We’ll hear what went wrong as well as what went right on the night! Illustrated with amazing archive material from both the BBC and NASA, this will be the story of the moon landings brought to you by the man who became a broadcasting legend.
What a magnificent website! You can watch, read, and listen to the entire Apollo 11 mission! Do it now, or wait until until July 16th when you can follow along in real time …time-shifted by half a century.
Thursday, June 20th, 2019
Monday, June 17th, 2019
Take a tour of the Lunar Module.
The LM (or “LEM”, as it’s pronounced) has the appearance of an aeronautical joke, with not a trace of streamlining. Instead, it’s an insect-like asymmetrical collection of legs, angles, bulges, and surfaces that’s very hard to visualize. Frankly, it looks like it was thrown together on a Friday afternoon by someone in a hurry to go fishing.
Tuesday, May 28th, 2019
The coming GDPR storm:
Ireland’s Data Protection Commissioner, Helen Dixon, is expected to circulate her decisions on some cases by July or August, with final rulings made by the end of the year.
(That’s my sister-in-law, that is.)
Sunday, November 25th, 2018
Food and music
Going from Iceland to Greece in a day gave me a mild bit of currency exchange culture shock. Iceland is crazy expensive, especially given the self-immolation of the pound right now. Greece is remarkably cheap. You can eat like a king for unreasonably reasonable prices.
For me, food is one of the great pleasures in life. Trying new kinds of food is one of my primary motivators for travelling. It’s fascinating to me to see the differences—and similarities—across cultures. In many ways, food is like a universal language, but a language that we all speak in different dialects.
It’s a similar story with music. There’s a fundamental universality in music across cultures, but there’s also a vast gulf of differences.
On my first night in Reykjavik, I wound up at an Irish music session. I know, I know—I sound like such a cliché, going to a foreign country and immediately seeking out something familiar. But I had been invited along by a kind soul who got in touch through The Session after I posted my travel plans there. Luckily for me, there was a brand new session starting that very evening. I didn’t have an instrument, but someone very kindly lent me their banjo and I had a thoroughly enjoyable time playing along with the jigs and reels.
A few nights later I was in a quiet, somewhat smokey tavern in Thessaloniki. There was no Irish music to be found, but the rembetika music played on gorgeous bouzoukis and baglamas was in full flow.
Saturday, November 24th, 2018
I just wrapped up my last speaking gig of the year. It came at the end of a streak of attending European conferences without speaking at any of them—quite a nice feeling!
I have to say, I was initially apprehensive when I saw the sheer amount of speakers on the schedule. I was worried that my attention couldn’t handle it all. But the talks were a mixture of shorter 20 minute presentations, and a few longer 40 minute presentations. That worked really well—the day fairly zipped by. And just in case you think it would hard to have an entire day devoted to accessibility, the breadth of talks was remarkably diverse. Hats off to a well-organised and well-executed event!
The next day was Beyond Tellerrand. This has my favourite conference format: two days; one track; curated; a mix of design and development (see also An Event Apart and Smashing Conference). Marc’s love and care shines through every pore of the event. I thoroughly enjoyed the talks, and the hanging out with lovely people.
Alas, I had to miss the final afternoon of Beyond Tellerrand to head home to Brighton. I needed to get back for FF Conf. It was excellent, as always. Remy and Julie really give it their all. Remy even stepped in to give a (great) talk himself this year, when a speaker couldn’t make it.
A week later, I went to Iceland for Material. I really enjoyed last year’s inaugural event, and if anything, this year’s topped it. I just love how eclectic and different the talks are, and yet it all weirdly hangs together in a thoughtfully curated way. (Oh, and Remy, when you start to put together the line-up for next year’s FF Conf, be sure to check out Charlotte Dann—her talk at Material was the perfect mix of code and creativity.)
As well as sharing an organiser with Accessibility Club, Material had a similar format—keynote talks from invited presenters, interspersed with shorter talks by locals. The mix was great. I won’t even try to describe the range of topics. I’m not sure I could explain how a conference podium morphed into a bar at the end of one of the talks. I think the best description of Material would be to say it’s like the inside of Brian’s head. In a good way.
I was supposed to be back in Brighton for one night after Material, but the stormy weather kept myself and Jessica in Reykjavik for an extra night. Thanks to Brian’s hospitality, we had a bed for the night.
There followed a long travel day as we made our way from Reykjavik to Gatwick, and then straight on to Thessaloniki, where we spent five days even though we only had the clothes we packed for the brief trip to Iceland. (Yes, we went shopping.)
After experiencing so many lovingly crafted events—Accessibility Club, Beyond Tellerrand, FF Conf, and Material—I’m afraid that Voxxed Days Thessaloniki was quite a comedown. It’s not that it was corporate per se—I believe it’s organised by developers for developers—but it felt like it was for people who worked in corporate environments. There were multiple tracks (I’m really not a fan of that), and some great speakers on the line-up like Stephanie and Simona, but the atmosphere felt kind of grim in a David Brentian sort of way. It probably wasn’t helped by the cheeky chappie of an MC who referred to one of the speakers as “darling.”
Anyway, I spoke first thing on the first day and I didn’t end up sticking around long. Normally I don’t speak and run, but I didn’t fancy the vibe of the exhibitor hall with its booth-babesque sales teams. Voxxed Days doesn’t pay its speakers so I didn’t feel any great obligation to hang around. The magnificent food and rembetika music of Thessaloniki was calling.
I just got back from Greece, and that wraps up my conference attending (and speaking) for 2018. I’ve already got a couple of events lined up for 2019. I’m delighted to be speaking at the return of Colly’s New Adventures conference. I’m less delighted about preparing a brand new talk I promised—I’m really feeling the pressure to deliver the goods at such an auspicious event with an intimidatingly superb line-up of speakers.
I’m also going to be preparing a different all-new talk for An Event Apart Seattle in March. For once, I’m going to try to make it somewhat practical and talk about service workers. If you know of any other events that might want a presentation like that in 2019, drop me a line.
Perhaps I will see you in Nottingham or in Seattle. If you’re planning on going to New Adventures, use the discount code ADACTIO10 to get 10% of the price of the conference or workshop ticket. If you’re planning on going to An Event Apart, use the discount code AEAKEITH for $100 off.
Tuesday, July 31st, 2018
Another great video from Jen as part of her Layout Land series. This time she addresses the question of the overwhelming technology landscape for developers and where they should invest their time.
Sunday, July 1st, 2018
A fascinating treasure trove of objects recovered from the canals of Amsterdam.
Friday, May 18th, 2018
A lovely bit of audio work from Matthew Sherrett—six short spoken word pieces about the island of Rockall.
Thursday, May 17th, 2018
New Privacy Rules Could Make This Woman One of Tech’s Most Important Regulators - The New York Times
It’s kind of surreal to see a profile in the New York Times of my sister-in-law. Then again, she is Ireland’s data protection commissioner, and what with Facebook, Twitter, and Google all being based in Ireland, and with GDPR looming, her work is more important than ever.
By the way, this article has 26 tracking scripts. I don’t recall providing consent for any of them.
Sunday, April 15th, 2018
In what is quite likely the greatest, most poetic showdown since the Thrilla in Manila, Brighton and Hove of the United Kingdom beat Portland of the USA by one-thousandth of a point. Portland scored 8.1631, Brighton scored 8.1632. No really. Brighton is scientifically the most hipster city in the world. Just.