Don’t forget—it’s IndieWebCamp London next weekend!
Friday, March 6th, 2020
Thursday, January 16th, 2020
Indie Web Camp London 2020
Do you have plans for the weekend of March 14th and 15th?
If you’re wondering whether this is for you, ask yourself if any of this situations apply:
- You don’t have your own website yet, but you want one.
- You have your own website, but you need some help with it.
- You have some ideas about the independent web.
- You have your own website but you never seem to find the time to update it.
- You’d like to help other people with their websites.
If you recognise yourself in any one of those scenarios, then you should definitely come along to Indie Web Camp London 2020!
Thursday, October 3rd, 2019
It’s been a busy two weeks of travelling and speaking. Last week I spoke at Finch Conf in Edinburgh, Code Motion in Madrid, and Generate CSS in London. This week I was at Indie Web Camp, View Source, and Fronteers, all in Amsterdam.
The Edinburgh-Madrid-London whirlwind wasn’t ideal. I gave the opening talk at Finch Conf, then immediately jumped in a taxi to get to the airport to fly to Madrid, so I missed all the excellent talks. I had FOMO for a conference I actually spoke at.
I did get to spend some time at Code Motion in Madrid, but that was a waste of time. It was one of those multi-track events where the trade show floor is prioritised over the talks (and the speakers don’t get paid). I gave my talk to a mostly empty room—the classic multi-track experience. On the plus side, I had a wonderful time with Jessica exploring Madrid’s many tapas delights. The food and drink made up for the sub-par conference.
I flew back from Madrid to the UK, and immediately went straight to London to deliver the closing talk of Generate CSS. So once again, I didn’t get to see any of the other talks. That’s a real shame—it sounds like they were all excellent.
The day after Generate though, I took the Eurostar to Amsterdam. That’s where I’ve been ever since. There were just as many events as in the previous week, but because they were all in Amsterdam, I could savour them properly, instead of spending half my time travelling.
Indie Web Camp Amsterdam was excellent, although I missed out on the afternoon discussions on the first day because I popped over to the Mozilla Tech Speakers event happening at the same time. I was there to offer feedback on lightning talks. I really, really enjoyed it.
I’d really like to do more of this kind of thing. There aren’t many activities I feel qualified to give advice on, but public speaking is an exception. I’ve got plenty of experience that I’m eager to share with up-and-coming speakers. Also, I got to see some really great lightning talks!
Then it was time for View Source. There was a mix of talks, panels, and breakout conversation corners. I saw some fantastic talks by people I hadn’t seen speak before: Melanie Richards, Ali Spittal, Sharell Bryant, and Tejas Kumar. I gave the closing keynote, which was warmly received—that’s always very gratifying.
Neither of us is under any illusions about the nature of a joint talk. It’s not half as much work; it’s more like twice the work. We’ve both seen enough uneven joint presentations to know what we want to avoid.
I’m happy to say that it went off without a hitch. Remy definitely had the tougher task—he did a live demo. Needless to say, he did it flawlessly. It’s been a real treat working with Remy on this. Don’t tell him I said this, but he’s kind of a web hero of mine, so this was a real honour and a privilege for me.
I’ve got some more speaking engagements ahead of me. Most of them are in Europe so I’m going to do my utmost to travel to them by train. Flying is usually more convenient but it’s terrible for my carbon footprint. I’m feeling pretty guilty about that Madrid trip; I need to make ammends.
I’ll be travelling to France next week for Paris Web. Taking the Eurostar is a no-brainer for that one. Straight after that Jessica and I will be going to Frankfurt for the book fair. Taking the train from Paris to Frankfurt will be nice and straightforward.
I’ll be back in Brighton for Indie Web Camp on the weekend of October 19th and 20th—you should come!—and then I’ll be heading off to Antwerp for Full Stack Fest. Anywhere in Belgium is easily reachable by train so that’ll be another Eurostar journey.
After that, it gets a little trickier. I’ll be going to Berlin for Beyond Tellerrand but I’m not sure I can make it work by train. Same goes for Web Clerks in Vienna. Cities that far east are tough to get to by train in a reasonable amount of time (although I realise that, compared to many others, I have the luxury of spending time travelling by train).
Then there are the places that I can only get to by plane. There’s the United States. I’ll be speaking at An Event Apart in San Francisco in December. A flight is unavoidable. Last time we went to the States, Jessica and I travelled by ocean liner. But that isn’t any better for the environment, given the low-grade fuel burned by ships.
And then there’s Ireland. I make trips back there to see my mother, but there’s no alternative to flying or taking a ferry—neither are ideal for the environment. At least I can offset the carbon from my flights; the travel equivalent to putting coins in the swear jar.
Don’t get me wrong—I’m not moaning about the amount of travel involved in going to conferences and workshops. It’s fantastic that I get to go to new and interesting places. That’s something I hope I never take for granted. But I can’t ignore the environmental damage I’m doing. I’ll be making more of an effort to travel by train to Europe’s many excellent web events. While I’m at it, I can ask Paul for his trainspotter expertise.
Saturday, June 22nd, 2019
I wish I were here for this (I’m going to be over in Ireland that week)—an evening with James Burke, Britain’s voice of Apollo 11.
Here is your chance to find out what went on behind the scenes as James revisits the final moments of the Apollo mission. He’ll recreate the drama, struggling to make sense of flickering images from NASA and working with the limitations of 1960s technology. We’ll hear what went wrong as well as what went right on the night! Illustrated with amazing archive material from both the BBC and NASA, this will be the story of the moon landings brought to you by the man who became a broadcasting legend.
Tuesday, June 11th, 2019
A (possibly) Turing complete language:
As the validity and the semantics of a program depend on the structure of the London underground system, which is administered by London Underground Ltd, a subsidiary of Transport for London, who are likely unaware of the existence of this programming language, its future compatibility is uncertain. Programs may become invalid or subtly wrong as the transport company expands or retires some of the network, reroutes lines or renames stations. Features may be removed with no prior consultation with the programming community. For all we know, Mornington Crescent itself may at some point be closed, at which point this programming language will cease to exist.
Friday, March 29th, 2019
Not only does the differentiation of terms create a divide within the industry, the term ‘web app’ regularly acts as an excuse for corner cutting and the exclusion of users.
We kid ourselves into thinking we’re building groundbreakingly complex systems that require bleeding-edge tools, but in reality, much of what we build is a way to render two things: a list, and a single item. Here are some users, here is a user. Here are your contacts, here are your messages with that contact. There ain’t much more to it than that.
Wednesday, March 13th, 2019
What a day that was
I woke up in Geneva. The celebrations to mark the 30th anniversary of the World Wide Web were set to begin early in the morning.
It must be said, March 12th 1989 is kind of an arbitrary date. Maybe the date that the first web page went online should mark the birth of the web (though the exact date might be hard to pin down). Or maybe it should be August 6th, 1991—the date that Tim Berners-Lee announced the web to the world (well, to the alt.hypertext mailing list at least). Or you could argue that it should be April 30th, 1993, the date when the technology of the web was officially put into the public domain.
In the end, March 12, 1989 is as good a date as any to mark the birth of the web. The date that Tim Berners-Lee shared his proposal. That’s when the work began.
Exactly thirty years later, myself, Martin, and Remy are registered and ready to attend the anniversay event in the very same room where the existence of the Higgs boson was announced. There’s coffee, and there are croissants, but despite the presence of Lou Montulli, there are no cookies.
The doors to the auditorium open and we find some seats together. The morning’s celebrations includes great panel discussions, and an interview with Tim Berners-Lee himself. In the middle of it all, they show a short film about our hack week recreating the very first web browser.
It was surreal. There we were, at CERN, in the same room as the people who made the web happen, and everyone’s watching a video of us talking about our fun project. It was very weird and very cool.
Afterwards, there was cake. And a NeXT machine—the same one we had in the room during our hack week. I feel a real attachment to that computer.
We chatted with lots of lovely people. I had the great pleasure of meeting Peggie Rimmer. It was her late husband, Mike Sendall, who gave Tim Berners-Lee the time (and budget) to pursue his networked hypertext project. Peggie found Mike’s copy of Tim’s proposal in a cupboard years later. This was the copy that Mike had annotated with his now-famous verdict, “vague but exciting”. Angela has those words tattooed on her arm—Peggie got a kick out of that.
Eventually, Remy and I had to say our goodbyes. We had to get to the airport to catch our flight back to London. Taxi, airport, plane, tube; we arrived at the Science Museum in time for the evening celebrations. We couldn’t have been far behind Tim Berners-Lee. He was making a 30 hour journey from Geneva to London to Lagos. We figured seeing him at two out of those three locations was plenty.
By the end of the day we were knackered but happy. The day wasn’t all sunshine and roses. There was a lot of discussion about the negative sides of the web, and what could be improved. A lot of that was from Sir Tim itself. But mostly it was a time to think about just how transformative the web has been in our lives. And a time to think about the next thirty years …and the web we want.
Monday, April 23rd, 2018
There’s a veritable smörgåsbord of great workshops on the horizon…
Clearleft presents a workshop with Jan Chipchase on field research in London on May 29th, and again on May 30th. The first day is sold out, but there are still tickets available for the second workshop (tickets are £654). If you’ve read Jan’s beautiful Field Study Handbook, then you’ll know what a great opportunity it is to spend a day in his company. But don’t dilly-dally—that second day is likely to sell out too.
This event is for product teams, designers, researchers, insights teams, in agencies, in-house, local and central government. People who are curious about human interaction, and their place in the world.
I’m really excited that Sarah and Val are finally bringing their web animation workshop to Brighton (I’ve been not-so-subtly suggesting that they do this for a while now). It’s a two day workshop on July 9th and 10th. There are still some tickets available, but probably not for much longer (tickets are £639). The workshop is happening at 68 Middle Street, the home of Clearleft.
A bit before that, though, there’s a one-off workshop on responsive web typography from Rich on Thursday, June 29th, also at 68 Middle Street. You can expect the same kind of brilliance that he demonstrated in his insta-classic Web Typography book, but delivered by the man himself.
You will learn how to combine centuries-old craft with cutting edge technology, including variable fonts, to design and develop for screens of all shapes and sizes, and provide the best reading experiences for your modern readers.
Whether you’re a designer or a developer, just starting out or seasoned pro, there will be plenty in this workshop to get your teeth stuck into.
Tickets are just £435, and best of all, that includes a ticket to the Ampersand conference the next day (standalone conference tickets are £235 so the workshop/conference combo is a real bargain). This year’s Ampersand is shaping up to be an unmissable event (isn’t it always?), so the workshop is like an added bonus.
See you there!
Saturday, July 22nd, 2017
The videos from UX London 2017 are available for your viewing pleasure.
Monday, July 3rd, 2017
Sunday, April 30th, 2017
Oodles and oodles of videos of talks from London developer meetups.
Thursday, October 6th, 2016
Benjamin’s retrospective on three years of volunteering at web conferences, some of them run by Clearleft.
Monday, March 14th, 2016
Tuesday, March 1st, 2016
Friday, February 19th, 2016
Two weeks from now there will be an event in London. You should go to it. It’s called EnhanceConf:
EnhanceConf is a one day, single track conference covering the state of the art in progressive enhancement. We will look at the tools and techniques that allow you to extend the reach of your website/application without incurring additional costs.
As you can probably guess, this is right up my alley. Wild horses wouldn’t keep me away from it. I’ve been asked to be Master of Ceremonies for the day, which is a great honour. Luckily I have some experience in that department from three years of hosting Responsive Day Out. In fact, EnhanceConf is going to run very much in the mold of Responsive Day Out, as organiser Simon explained in an interview with Aaron.
But the reason to attend is of course the content. Check out that line-up! Now that is going to be a knowledge-packed day: design, development, accessibility, performance …these are a few of my favourite things. Nat Buckley, Jen Simmons, Phil Hawksworth, Anna Debenham, Aaron Gustafson …these are a few of my favourite people.
Tickets are still available. Use the discount code JEREMYK to get a whopping 15% off the ticket price.
There’s also a scholarship:
The scholarships are available to anyone not normally able to attend a conference.
I’m really looking forward to EnhanceConf. See you at RSA House on March 4th!
Tuesday, January 26th, 2016
Tuesday, January 19th, 2016
I was in London again today. A team from Clearleft have their sprint playbacks every second Tuesday at the client’s offices on The Strand. I tag along for the ride, and to marvel at the quality of the work being produced in each sprint. Then I duck out when it’s time for them to plan the next sprint—I don’t want to be the extra cook that spoils that particular broth.
Usually I would just head straight back to Brighton, nice and early, avoiding the after-work rush. But today was such a beautiful, crisp, clear winter’s day that I tarried a while. Instead of hopping on the tube back to Victoria, I perambulated.
At Trafalgar Square, I marvelled at the fact that the National Gallery is right there, free to the public. I could just walk right in and admire one of the world’s finest collections of art. So I did.
One minute I was on a typical London street, complete with obligatory Pret a Manger and Costa Coffee. The next I was standing in front of a Caravaggio, marvelling once again at his use of light—like Renaissance film noir.
Turner, Van Gogh, Seurat, Cézanne; all there for everybody to enjoy. As I stood in front of the Holbein—stepping between the school children to find just the right spot for the skull’s optical illusion—I remembered a conversation I had with Alla just last week.
We were discussing responsive design. I was making the case that there should be parity between small screens and large when it came to accessing content. “But”, said Alla, “what about the emotional impact?” Is it even possible to get the same “wow” factor on a handheld screen that you can get with a wider canvas? She asked me if I had ever had an emotional response to seeing something in an art gallery. I smiled, because her question made her point perfectly. Then I told her about the first time I ever went to the Louvre.
It was my first time ever being in Paris. I wasn’t even supposed to be there. It was the early nineties and I was hitch-hiking around Europe, trying my best to avoid big cities—they’re less than ideal when you have no place to sleep. But through a series of circumstances that probably involved too much wine, I found myself taking a ride into the capital and getting dropped in the middle of the city.
It all worked out okay though. Through an astronomical coincidence, I met someone I knew who put me up for a few nights.
I was standing in Châtelet metro station in the middle of rush hour. Whatever effect that wine had on me was wearing off, and I was beginning to realise what a terrible mistake I had made in coming to Paris. I was studying a city map on the wall, looking for areas of green where I might unroll a sleeping bag in peace, when I heard someone shout “Jeremy!” It was a girl from back home in Cork that I knew through a mutual friend in art college. She was working at Euro Disney for the summer and having finished her day’s work, she missed her metro stop and was switching trains. She just happened to be there at just the right time to take me in.
But that’s not the story I told Alla. I told Alla about what happened during that time in Paris when I busked up enough money to go the Louvre.
I walked in and saw Géricault’s The Raft Of The Medusa. I felt like somebody had punched me in the chest. I was genuinely winded. It was one thing to see a reproduction in a book, but the sheer scale of the thing …I had no idea.
I’ve never had quite the same physical reaction to a piece of art since, but I sometimes feel echoes of it. I think that’s probably one of the reasons why I stepped into the National Gallery today. I was trying to recapture a fragment of that feeling.
Well, that and the fact that it’s free …which really is quite amazing in a city as expensive as London.
Friday, January 15th, 2016
One day in London
I don’t get up to London all that often—maybe once every few weeks; just long enough for the city’s skyline to have changed again. Yesterday was one of those days out in the big smoke.
I started with a visit to the Royal College of Art to see the work in progress exhibition that’s running until Sunday. Specifically, I wanted to see the project by Monika, who was one third of the immensely talented internship collaboration at Clearleft that produced notice.city. Her current project is called Watching the Watchers, all about undersea cables, surveillance, and audio—right up my alley. I think Ingrid, James, Dan, and Georgina would like it.
After that, I entered a metal tube to be whisked across the city to the Hospital Club, where a room had been booked for a most enjoyable Clearleft event. Anna had organised a second of her roundtable gatherings. This time the theme was “going responsive.”
The idea is to gather people together for one afternoon to share experiences and challenges. Anna invited people from all sorts of organisations, from newspapers to e-commerce and everything in between. Some of them were people we already knew, but most of them had no connection to Clearleft at all.
Everything happened the Chatham House Rule so I can’t tell you the details of who said what, but I can tell you that it was very productive afternoon. Some of the companies represented were in the process of switching to responsive, some had already done it, and some were planning it, so it was a perfect mix.
We began with a variation on the lean coffee technique. Splitting into groups, everyone jotted down some topics that they wanted to discuss. We shared those, grouped them, and voted on which order we would discuss them. Each topic got 5 to 10 minutes of discussion. In my group, we discussed strategy, workflow, tools, and more. We could’ve easily talked for longer. Some outcomes (very badly summarised):
- The vision and strategy for a responsive redesign needs to be communicated (and sold) up the chain to stakeholders as well as to the designers and developers in the trenches.
- “Mobile-first” For The Win! Solve the harder problems first.
- Multi-disciplinary teams For The Win! Works well with Agile too.
- A pattern libraries is probably the best tool you can have. So pattern libraries For The Win too!
After a break, we switched over in to a sort of open space exercise. Anyone who has a burning question they want answered writes that question down on an oversize post-it and slaps it on the wall. Now we’ve got a room with questions written on different parts of the wall. If you want to take a stab at answering any of those questions, you write it down on a post it note and slap it next to the question. Everyone does this for a while, going from question to question and having lots of good discussion. Then, at the end, we go from question to question, with the person who originally posted the question taking ownership of summarising the answers.
Some of the questions were:
- How to help people to stop thinking “desktop first”?
- Should designers code? Should developers design? Or Both?
- How do you start to deploy a responsive version of an existing site?
- How do you do responsive ads?
- What is the best tool to use to create responsive designs?
- Would every project benefit from a design system? Is it always worth the investment?
You get the idea. The format worked really well; it was the first time any of us had tried it. We slightly over-ran the time we had allotted for the afternoon, but that’s mostly because there was so much meaty stuff to discuss.
With that productive afternoon done, I made my way to the Bricklayer’s Arms, where by lucky coincidence, a Pub Standards meet-up was happening. I went along for a pint and a chat while I waited for rush hour to ease off: I wanted to avoid the crush before I started making my way back to Brighton. See you next time, Londinium.
Friday, December 18th, 2015
Charlotte talks through some of the techniques she used when she was building the site for this year’s UX London, with a particular emphasis on improving perceived performance.