Tuesday, January 2nd, 2018
Saturday, December 30th, 2017
Audio I listened to in 2017
I huffduffed 290 pieces of audio in 2017. I’ve still got a bit of a backlog of items I haven’t listened to yet, but I thought I’d share some of my favourite items from the past year. Here are twelve pieces of audio, one for each month of 2017…
Donald Hoffman’s TED talk, Do we see reality as it really is?. TED talks are supposed to blow your mind, right? (22:15)
How to Become Batman on Invisibilia. Alix Spiegel and Lulu Miller challenge you to think of blindness as social construct. Hear ‘em out. (58:02)
Where to find what’s disappeared online, and a whole lot more: the Internet Archive on Public Radio International. I just love hearing Brewster Kahle’s enthusiasm and excitement. (42:43)
Every Tuesday At Nine on Irish Music Stories. I’ve been really enjoying Shannon Heaton’s podcast this year. This one digs into that certain something that happens at an Irish music session. (40:50)
Nick Cave and Warren Ellis on Kreative Kontrol. This was far more revealing than I expected: genuine and unpretentious. (57:07)
Paul Lloyd at Patterns Day. All the talks at Patterns Day were brilliant. Paul’s really stuck with me. (28:21)
Long Distance on Reply All. It all starts with a simple phone call. (47:27)
The King of Tears on Revisionist History. Malcolm Gladwell’s style suits podcasting very well. I liked this episode about country songwriter Bobby Braddock. Related: Jon’s Troika episode on tearjerkers. (42:14)
Feet on the Ground, Eyes on the Stars: The True Story of a Real Rocket Man with G.A. “Jim” Ogle. This was easily my favourite podcast episode of 2017. It’s on the User Defenders podcast but it’s not about UX. Instead, host Jason Ogle interviews his father, a rocket scientist who worked on everything from Apollo to every space shuttle mission. His story is fascinating. (2:38:21)
R.E.M. on Song Exploder. Breaking down the song Try Not To Breathe from Automatic For The People. (16:15)
I’ve gone back and added the tag “2017roundup” to each of these items. So if you’d like to subscribe to a podcast of just these episodes, here are the links:
Wednesday, December 20th, 2017
This looks like a rather good documentary about the best band in the world.
Tuesday, October 3rd, 2017
A massively in-depth study of boundary-breaking music, recreated through the web audio API.
- Steve Reich - It’s Gonna Rain (1965)
- Brian Eno - Ambient 1: Music for Airports, 2/1 (1978)
- Brian Eno - Discreet Music (1975)
You don’t have to be a musician or an expert in music theory to follow this guide. I’m neither of those things. I’m figuring things out as I go and it’s perfectly fine if you do too. I believe that this kind of stuff is well within reach for anyone who knows a bit of programming, and you can have a lot of fun with it even if you aren’t a musician.
One thing that definitely won’t hurt though is an interest in experimental music! This will get weird at times.
Tuesday, August 29th, 2017
It turns out that Brighton has a mandolin orchestra. This aligns with my interests.
Friday, August 18th, 2017
Tuesday, July 18th, 2017
Luke just demoed this at Codebar. It’s a lovely audio/visualisation of the solar system—a sonic orrery that you can tweak and adjust.
Sunday, July 2nd, 2017
If you were at Patterns Day and you liked the music that was playing during the breaks, here’s the playlist. All the artists are based in Brighton.
Tuesday, May 2nd, 2017
Absolute genius! I’ll never hear Sgt. Pepper’s quite the same way again.
Tuesday, April 4th, 2017
I somehow missed this when it published last year—a profile of my band Salter Cane.
Salter Cane can be labeled ”gothic country”, ”melancountria”, “country noir”, ”folk noir” and ”alt-country darkmeisters”.
Sunday, March 5th, 2017
This is really good fun! And thanks to service workers, it works offline too.
The rounds are:
- Dead or Not Dead,
- Number 1 or Not Number 1, and
- Oscar or Not Oscar.
Sunday, October 16th, 2016
Listen to the sound of Wikipedia’s recent changes feed. Bells indicate additions and string plucks indicate subtractions. Pitch changes according to the size of the edit; the larger the edit, the deeper the note.
Wednesday, August 24th, 2016
I giggled at quite of few of these mashups.
Saturday, April 30th, 2016
Thursday, March 24th, 2016
Salter Cane play a dark, melancholic folk-rock, full of doom and darkness, murder and mayhem.
If that sounds like your idea of a fun time, come along to the Latest Music Bar in Brighton next Thursday.
Friday, March 11th, 2016
The thesis: any film is improved by playing Walk Of Life by Dire Straits over the ending.
The proof: this website.
(this is absorbing and brilliant)
Thursday, February 11th, 2016
An examination of how sites like The Session are meshing with older ideas of traditional Irish music:
There is a very interesting tension at play here – one that speaks directly to the design of new technologies. On the one hand, Irish musicians appear to be enthusiastically adopting digital media to establish a common repertoire of tunes, while on the other the actual performance of these tunes in a live session is governed by a strong etiquette that emphasizes the importance of playing by ear.
There’s an accompanying paper called Supporting Traditional Music-Making: Designing for Situated Discretion (PDF).
Saturday, December 19th, 2015
This geography lesson makes a nice companion piece to Johnny Cash has been everywhere, man.
Thursday, November 5th, 2015
This sounds genuinely good—Alvin and the Chipmunks slowed down to reveal their true ’90s post-punk goth-grunge nature.
Sunday, October 4th, 2015
I absolutely love the way that my archive is presented here. Matt and Hannah have set the bar in how to shut down a service in an honest, dignified way.