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Tuesday, September 1st, 2020

100words — 🐙 woohooctopus

Well, this is impressive (and brave)—competing a 100 words for 100 days during lockdown …with a baby.

And remember, this isn’t writing and publishing at least 100 words every day; it’s writing and publishing exactly 100 words (that’s the hard part).

Thursday, August 20th, 2020

Web on the beach

It was very hot here in England last week. By late afternoon, the stuffiness indoors was too much to take.

If you can’t stand the heat, get out of the kitchen. That’s exactly what Jessica and I did. The time had come for us to avail of someone else’s kitchen. For the first time in many months, we ventured out for an evening meal. We could take advantage of the government discount scheme with the very unfortunate slogan, “eat out to help out.” (I can’t believe that no one in that meeting said something.)

Just to be clear, we wanted to dine outdoors. The numbers are looking good in Brighton right now, but we’re both still very cautious about venturing into indoor spaces, given everything we know now about COVID-19 transmission.

Fortunately for us, there’s a new spot on the seafront called Shelter Hall Raw. It’s a collective of multiple local food outlets and it has ample outdoor seating.

We found a nice table for two outside. Then we didn’t flag down a waiter.

Instead, we followed the instructions on the table. I say instructions, but it was a bit simpler than that. It was a URL: shelterhall.co.uk (there was also a QR code next to the URL that I could’ve just pointed my camera at, but I’ve developed such a case of QR code blindness that I blanked that out initially).

Just to be clear, under the current circumstances, this is the only way to place an order at this establishment. The only (brief) interaction you’ll have with another persn is when someone brings your order.

It worked a treat.

We had frosty beverages chosen from the excellent selection of local beers. We also had fried chicken sandwiches from Lost Boys chicken, purveyors of the best wings in town.

The whole experience was a testament to what the web can do. You browse the website. You make your choice on the website. You pay on the website (you can create an account but you don’t have to).

Thinking about it, I can see why they chose the web over a native app. Online ordering is the only way to place your order at this place. Telling people “You have to go to this website” …that seems reasonable. But telling people “You have to download this app” …that’s too much friction.

It hasn’t been a great week for the web. Layoffs at Mozilla. Google taking aim at URLs. It felt good to see experience an instance of the web really shining.

And it felt really good to have that cold beer.

Checked in at Shelter Hall Raw. Having a beer on the beach — with Jessica

Sunday, August 9th, 2020

If I got made king of web browsers, here’s what I’d do (Interconnected)

I guess, because browser-makers tend to be engineers so they do engineering-type things like making the browser an app-delivery platform able to run compiled code. Or fight meaningless user experience battles like hiding the URL, or hiding View Source – both acts that don’t really help early users that much, but definitely impede the user path from being a consumer to being a fully-fledged participant/maker.

Thursday, July 23rd, 2020

4 Design Patterns That Violate “Back” Button Expectations – 59% of Sites Get It Wrong - Articles - Baymard Institute

Some interesting research in here around user expecations with the back button:

Generally, we’ve observed that if a new view is sufficiently different visually, or if a new view conceptually feels like a new page, it will be perceived as one — regardless of whether it technically is a new page or not. This has consequences for how a site should handle common product-finding and -exploration elements like overlays, filtering, and sorting. For example, if users click a link and 70% of the view changes to something new, most will perceive this to be a new page, even if it’s technically still the same page, just with a new view loaded in.

Saturday, July 4th, 2020

The Machines Stop

The Situation feels like it’s changing. It’s not over, not by a long shot. But it feels like it’s entering a different, looser phase.

Throughout the lockdown, there’s been a strange symmetry between the outside world and the inside of our home. As the outside world slowed to a halt, so too did half the machinery in our flat. Our dishwasher broke shortly before the official lockdown began. So did our washing machine.

We had made plans for repairs and replacements, but as events in the world outside escalated, those plans had to be put on hold. Plumbers and engineers weren’t making any house calls, and rightly so.

We even had the gas to our stovetop cut off for a while—you can read Jessica’s account of that whole affair. All the breakdowns just added to the entropic Ballardian mood.

But the gas stovetop was fixed. And so too was the dishwasher, eventually. Just last week, we got our new washing machine installed. Piece by piece, the machinery of our interier world revived in lockstep with the resucitation of the world outside.

As of today, pubs will be open. I won’t be crossing their thresholds just yet. We know so much more about the spread of the virus now, and gatherings of people in indoor spaces are pretty much the worst environments for transmission.

I’m feeling more sanguine about outdoor spaces. Yesterday, Jessica and I went into town for Street Diner. It was the first time since March that we walked in that direction—our other excursions have been in the direction of the countryside.

It was perfectly fine. We wore masks, and while we were certainly in the minority, we were not alone. People were generally behaving responsibly.

Brighton hasn’t done too badly throughout The Situation. But still, like I said, I have no plans to head to the pub on a Saturday night. The British drinking culture is very much concentrated on weekends. Stay in all week and then on the weekend, lassen die Sau raus!, as the Germans would say.

After months of lockdown, reopening pubs on a Saturday seems like a terrible idea. Over in Ireland, pubs have been open since Monday—a sensible day to soft-launch. With plenty of precautions in place, things are going well there.

I’ve been watching The Situation in Ireland throughout. It’s where my mother lives, so I was understandably concerned. But they’ve handled everything really well. It’s not New Zealand, but it’s also not the disaster that is the UK.

It really has been like watching an A/B test run at the country level. Two very similar populations confronted with exactly the same crisis. Ireland took action early, cancelling the St. Patrick’s Day parade(!) while the UK was still merrily letting Cheltenham go ahead. Ireland had clear guidance. The UK had dilly-dallying and waffling. And when the shit really hit the fan, the Irish taoiseach rolled up his sleeves and returned to medical work. Meanwhile the UK had Dominic Cummings making a complete mockery of the sacrifices that everyone was told to endure.

What’s strange is that people here in the UK don’t seem to realise how the rest of the world, especially other European countries, have watched the response here with shock and horror. The narrative here seems to be that we all faced this thing together, and with our collective effort, we averted the worst. But the numbers tell a very different story. Comparing the numbers here with the numbers in Ireland—or pretty much any other country in Europe—is sobering.

So even though the timelines for reopenings here converge with Ireland’s, The Situation is far from over.

Even without any trips to pubs, restaurants, or other indoor spaces, I’m looking forward to making some more excursions into town. Not that it’s been bad staying at home. I’ve really quite enjoyed staying put, playing music, reading books, and watching television.

I was furloughed from work for a while in June. Normally, my work at this time of year would involve plenty of speaking at conferences. Seeing as that wasn’t happening, it made sense to take advantage of the government scheme to go into work hibernation for a bit.

I was worried I might feel at a bit of a loose end, but I actually really enjoyed it. The weather was good so I spent quite a bit of time just sitting in the back garden, reading (I am very, very grateful to have even a small garden). I listened to music. I watched movies. I surfed the web. Yes, properly surfed the web, going from link to link, get lost down rabbit holes. I tell you, this World Wide Web thing is pretty remarkable. Some days I used it to read up on science or philosophy. I spent a week immersed in Napoleonic history. I have no idea how or why. But it was great.

I’m back at work now, and have been for a couple of weeks. But I wouldn’t mind getting furloughed again. It felt kind of like being retired. I’m quite okay with the propsect of retirement now, as long as we have music and sunshine and the World Wide Web.

That’s the future. For now, The Situation continues, albeit in looser form.

I’ve really enjoyed reading other people’s accounts throughout. My RSS reader is getting a good workout. I always look forward to weeknotes from Alice, Nat, and Phil (this piece from Phil has really stuck with me). Jessica has written fifteen installments—and counting—of A Journal of the Plague Week. I know I’m biased, but I think it’s some mighty fine writing. Start here.

Friday, June 26th, 2020

100 tunes

We got a headstart on the lockdown. A week before the UK government finally stopped dilly-dallying (at the expense of tens of thousands of lives), Clearleft became a remote-only company. At the beginning of this stay-at-home time, I started recording a tune a day. I wasn’t sure how long I’d keep it up, but I’ve managed to keep it going the whole time.

Yesterday I recorded my 100th tune.

It’s funny how small efforts can build up into a satisfying corpus. It’s not like I’m attempting anything ambitious, like Matthias, who is doing 100 days of writing. Recording one tune isn’t too much hassle. There are days when it’s frustrating and I have to do multiple takes, but overall it’s not too taxing. But now, when I look at the cumulative result, I’m very happy that I didn’t skip any days.

One hundred is a nice round number, so this could be a good time to stop. I could quit while I’m ahead. But I think I’ll keep going. Again, despite what the official line might be from the UK government (who have lost all trust), I reckon I’ll be staying at home for a while yet. As long as I’m here, I may as well keep playing. I have plenty more tunes to play.

At some point, the daily streak will end. But even then, I think I’ll continue to record tunes like this, even if it becomes more sporadic.

If you like these tunes, as well as being here on my own site, they’re all in a YouTube set. So …like’n’subscribe, or something?

Wednesday, June 17th, 2020

Pandemic Time: A Distributed Doomsday Clock - NOEMA

A meditative essay on the nature of time.

The simultaneous dimming of Betelgeuse and the global emergence of COVID-19 were curiously rhyming phenomena: disruptions of familiar, reassuring rhythms, both with latent apocalyptic potential.

Time and distance are out of place here.

We will have left a world governed by Chronos, the Greek god of linear, global, objective time measured by clocks, and arrived into a world governed by Kairos, the Greek god of nonlinear, local, subjective time, measured by the ebb and flow of local patterns of risk and opportunity. The Virus Quadrille is not just the concluding act of pandemic time but the opening act of an entire extended future.

Saturday, May 23rd, 2020

Why I hate the log graph, and you should too - Geek in Sydney

I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.

Sunday, May 17th, 2020

Why is this interesting? - The Transmission Edition

Looking at COVID-19 through the lens of pace layers.

…a citizen could actually play a part that was as important as a vaccine, but instead of preventing transmission of the virus into another cell at the ACE receptor level, it’s preventing transmission of the virus at the social network level. So we’re actually adopting a kind of behavioral vaccine policy, by voluntarily or otherwise self-isolating.

Monday, May 4th, 2020

window.location Cheatsheet - DEV Community 👩‍💻👨‍💻

Everything you ever wanted to know about window.location in JavaScript, clearly explained.

It’s OK.

This is for everyone at Clearleft, but I’m sharing it here for you too.

ongoing by Tim Bray · Bye, Amazon

May 1st was my last day as a VP and Distinguished Engineer at Amazon Web Services, after five years and five months of rewarding fun. I quit in dismay at Amazon firing whistleblowers who were making noise about warehouse employees frightened of Covid-19.

Fair play, Tim Bray!

The victims weren’t abstract entities but real people; here are some of their names: Courtney Bowden, Gerald Bryson, Maren Costa, Emily Cunningham, Bashir Mohammed, and Chris Smalls.

I’m sure it’s a coincidence that every one of them is a person of color, a woman, or both. Right?

Thursday, April 30th, 2020

‘The stakes feel higher but, with good practice, it need not be scary’ – NHS.UK design lead on responding to coronavirus | PublicTechnology.net

This isn’t the time to get precious about your favourite design and development tools. Use progressive enhancement as your philosophy. Your service might have to be accessed on old devices in hospitals with outdated tech or unsupported operating systems. HTML+CSS is your best bet to ensure that the service can be accessed in unlikely scenarios you’ve never even considered. Do you want to take that risk at a time like this? Nope, me neither.

Save the React squabbles for another time. Make it accessible and robust from day one.

Prioritizing users in a crisis: Building the California COVID-19 response site

This is a great case study of the excellent California COVID-19 response site. Accessibility and performance are the watchwords here.

Want to know their secret weapon?

A $20 device running Android 9, with no contract commitment has been one of the most useful and effective tools in our effort to be accessible.

Leaner, faster sites benefit everybody, but making sure your applications run smoothly on low-end hardware makes a massive difference for those users.

Monday, April 27th, 2020

Looking at coronavirus.data.gov.uk - Matthew Somerville

I worry that more and more nowadays, people jump to JavaScript frameworks because that is what they know or have been taught, even though they are entirely inappropriate for a wide array of things and can often produce poor results.

Last week I wrote about the great work that Matthew did and now he’s written up his process:

The important thing is to have a resilient base layer of HTML and CSS, and then to enhance that with JavaScript.

Thursday, April 23rd, 2020

Lightweight

It’s been fascinating to see how television programmes have adapted to The Situation. It’s like there’s been a weird inversion with the YouTube asthetic. Instead of YouTubers doing their utmost to emulate the look of professional television, now everyone on professional television looks like a YouTuber.

No more lighting or audio technicians. No more studio audiences. Heck, no more studios.

There are some kinds of TV programmes that are showing the strain. A lot of comedy formats just fall flat without the usual production values. But a lot of programmes work just fine. In fact, some of them might be better. Watching Mary Beard present Front Row Late from her house is an absolute delight. It feels more direct and honest without the artiface of a television studio. It kind of makes you wonder whether expensive production costs are really necessary when what you really care about is the content.

All of this is one big belaboured metaphor for websites.

In times of crisis, informational websites sometimes offer a “lite” version. Max has even made an emergency website kit:

The site contains only the bare minimum - no webfonts, no tracking, no unnecessary images. The entire thing should fit in a single HTTP request. It’s basically just a small, ultra-lean blog focused on maximum resilience and accessibility. The Service Worker takes it a step further from there so if you’ve visited the site once, the information is still accessible even if you lose network coverage.

Eric emphasises the importance of performance in his post Get Static:

I’m thinking here of sites for places like health departments (and pretty much all government services), hospitals and clinics, utility services, food delivery and ordering, and I’m sure there are more that haven’t occurred to me.  As much as you possibly can, get it down to static HTML and CSS and maybe a tiny bit of enhancing JS, and pare away every byte you can.

Tom Loosemore offers this advice to teams building new coronavirus services:

  1. Get a 4 year-old Android phone, and use it as your test/demo device.
  2. https://design-system.service.gov.uk is your friend.
  3. Full React isn’t your friend if it makes your service slow & inaccessible

Remember: This is for everyone.

Indeed, Gov.uk are usually a paragon of best practices in just about any situation. But they dropped the ball recently, as Matthew attests:

coronavirus.data.gov.uk is a static site, fetching and displaying remote data. It is also a 100% client-side JavaScript React site.

http://dracos.co.uk/made/coronavirus.data.gov.uk/ is 238K vs 770K (basics) on load. I’ve removed about 550K of JavaScript. It seems to work the same.

As Tom says:

One sign that your website isn’t meeting the needs of all your users is when Matthew Somerville gets sufficiently grumpy about it to do a proper version himself.

It’s true enough that Matthew excels at creating lightweight, accessible versions of services that are too bloated or buggy to use. His accessible Odeon project from back in the day is legendary. And I use his slimline version of the National Rail website all the time: traintimes.org.uk—it’s a terrificly performant progressive web app.

It’s thankless work though. It flies in the face of everything considered “modern” web development. (If you want to know the cost of “modern” framework-driven JavaScript-first web development, Tim has the numbers.) But Matthew is kind of a hero to me. I wish more developers would follow his example.

Maybe now, with this rush to make lightweight versions of valuable services, we might stop and reflect on whether we ever really needed all those added extras in the first place.

Hope springs eternal.

Update: Matthew has written about his process in Looking at coronavirus.data.gov.uk.

Monday, April 20th, 2020

Web Sites as ‘Public Accommodation’ under a Pandemic | Adrian Roselli

If you dodged an accessibility lawsuit because you have physical locations, what does it mean when those physical locations close?

Good question.

As movie theaters, restaurant ordering, college courses, and more move to online-first delivery, the notion of a corresponding brick-and-mortar venue falls away. If the current pandemic physical distancing measures stretch into the next year as many think, then this blip becomes the de facto new normal.

Thursday, April 16th, 2020

Didn’t I Write This Story Already? When Your Fictional Pandemic Becomes Reality | Tor.com

Naomi Kritzer published a short story five years ago called So Much Cooking about a food blogger in lockdown during a pandemic. Prescient.

I left a lot of the details about the disease vague in the story, because what I wanted to talk about was not the science but the individuals struggling to get by as this crisis raged around them. There’s a common assumption that if the shit ever truly hit the fan, people would turn on one another like sharks turning on a wounded shark. In fact, the opposite usually happens: humans in disasters form tight community bonds, help their neighbors, offer what they can to the community.

Monday, April 6th, 2020

6, 95: Barrel aged

Human consciousness is the most astonishing thing, and most of it happened in deep time, beyond the reach of any writing and most legends. Human experience, in general, is prehistoric. And prehistoric experience was just as full as yours and mine: just as deeply felt, just as intelligent, just as real. What we know of it is mostly from durable artifacts and graves. I’m thinking of the woman found near the Snake River, buried at the end of the ice age with a perfectly crafted and unused stone knife tucked under her head. I’m thinking of the huge conical hats, beaten from single pieces of gold and inscribed with calendars, found north of the Alps. I’m thinking of Grave 8 at Vedbæk, where a woman held her premature baby on the spread wing of a swan. These are snapshot that experts can assemble into larger ideas, but what they tell all of us is that we’ve been people, not just humans, for a very long time.

Thursday, April 2nd, 2020

Ted Chiang Explains the Disaster Novel We All Suddenly Live In - Electric Literature

Ted Chiang’s hot takes are like his short stories—punchy, powerful, and thought-provoking.