James gets profiled in Vanity Fair …which is, frankly, kind of weird.
It’s also so bizarre to read about his SXSW New Aesthetic panel as being such a pivotal moment: there weren’t that many of us in the room.
These three talks are worth your time.
A lovely piece from Joanne on storytelling, identity and the internet.
The not-so-new-but-hella-fun aesthetic.
Aaron should definitely skyblog more often if this is the result.
The Old Aesthetic.
James is giving a talk here in Brighton next month. I’ll be there with robot-actuated bells on.
You can’t have a zeitgeisty internet meme without cats.
Bruce Sterling writes about the New Aesthetic in an article that’s half manifesto and half critique.
Grab a cup of tea or hit your “read it later” bookmarklet of choice for this one—it’s a lengthy but worthwhile read.
Russell was the final panelist to speak at the New Aesthetic South by Southwest tour-de-force, taking a look at how our relationship to text is being changed.
Aaron explains why there was a handcrafted predator drone at the New Aesthetic panel at South by Southwest.
Ben took an insightful and amusing at the New Aesthetic in advertising.
Joanne Mcneil was the first to speak at the New Aesthetic panel, giving a great historical perspective.
James summarises the excellent New Aesthetic panel he put together for South by Southwest.
I had a whole day of good talks yesterday at South By Southwest yesterday …and none of them were in the Austin Convention Center. In a very real sense, the good stuff at this event is getting pushed to the periphery.
The day started off in the Driskill Hotel with the New Aesthetic panel that James assembled. It was great, like a mini-conference packed into one hour with wonderfully dense knowledge bombs lobbed from all concerned. Joanne McNeil gave us the literary background, Ben searched for meaning (and humour) in advertising trends, Russell looked at how machines are changing what we read and write, and Aaron …um, talked about the helium-balloon predator drone in the corner of the room.
With our brains primed for the intersections where humans and machines meet, it wasn’t hard to keep pattern-matching for it. In fact, the panel right afterwards on technology and fashion was filled with wonderful wearable expressions of the New Aesthetic.
Alas, I wasn’t able to attend that panel because I had to get to the green room to prepare for my own appearance on Get Excited and Make Things With Science with Ariel and Matt. It was a lot of fun and it was a real pleasure to be on a panel with such smart people.
I basically used the panel as an opportunity to geek out about some of my favourite science-related hacks and websites:
After that I stayed in the Driskill for a panel on robots and AI. One of the panelists was Bina48.
I heard had heard about Bina48 from a Radiolab episode.
Jon Ronson described the strange experience of interviewing her—how the questions always tended to the profound and meaningful rather than trivial and chatty. Sure enough, once Bina was (literally) unveiled on the panel—a move that was wisely left till halfway through because, as the panelists said, “after that, you’re not going to pay attention to a word we say”—people started asking questions like “Do you dream?” and “What is the meaning of life?”
I asked her “Where were you before you were here?” She calmly answered that she was made in Texas. The New Aesthetic panelists would’ve loved her.
I was surprised by how much discussion of digital preservation there was on the robots/AI panel. Then again, the panel was hosted by a researcher from The Digital Beyond.
Bina48’s personality is based on the mind file of a real person containing exactly the kind of data that we are publishing every day to third-party sites. The question of what happens to that data was the subject of the final panel I attended, Saying Goodbye to Your Digital Self, featuring representatives from The Internet Archive, Archive Team, and Google’s Data Liberation Front.
Digital preservation is an incredibly important topic—one close to my heart—but the panel (in the Omni hotel) was, alas, sparsely attended.
Like I said, at this year’s South by Southwest, a lot of the good stuff was at the edges.