This would be a fascinating experiment to run in Firefox nightly! This is in response to that post I wrote about third-party scripts.
Saturday, November 16th, 2019
Thursday, July 4th, 2019
I mentioned how much I enjoyed Mike Hill’s talk at Beyond Tellerrand in Düsseldorf:
Mike gave a talk called The Power of Metaphor and it’s absolutely brilliant. It covers the monomyth (the hero’s journey) and Jungian archetypes, illustrated with the examples Star Wars, The Dark Knight, and Jurassic Park.
Ellen and I have been enjoying some great philosophical discussions about exactly what a story is, and how does it differ from a narrative structure, or a plot. I really love Ellen’s working definition: Narrative. In Space. Over Time.
This led me to think that there’s a lot that we can borrow from the world of storytelling—films, novels, fairy tales—not necessarily about the stories themselves, but the kind of narrative structures we could use to tell those stories. After all, the story itself is often the same one that’s been told time and time again—The Hero’s Journey, or some variation thereof.
I realised that Mike’s monomyth talk aligns nicely with my workshop. So I decided to prep my fellow Clearlefties for the workshop with a movie night.
Popcorn was popped, pizza was ordered, and comfy chairs were suitably arranged. Then we watched Mike’s talk. Everyone loved it. Then it was decision time. Which of three films covered in the talk would we watch? We put it to a vote.
It came out as an equal tie between Jurassic Park and The Dark Knight. How would we resolve this? A coin toss!
The toss went to The Dark Knight. In retrospect, a coin toss was a supremely fitting way to decide to watch that film.
It was fun to watch it again, particularly through the lens of Mike’s analyis of its Jungian archetypes.
But I still think the film is about game theory.
Wednesday, November 22nd, 2017
It had been a while since we had a movie night at Clearleft so I organised one for last night. We usually manage to get through two movies, and there’s always a unifying theme decided ahead of time.
For last night, I decided that the broad theme would be …transport. But then, through voting on Slack, people could decide what the specific mode of transport would be. The choices were:
- getaway car,
- truck, or
Nobody voted for submarines. That’s a shame, but in retrospect it’s easy to understand—submarine films aren’t about transport at all. Quite the opposite. Submarine films are about being trapped in a metal womb/tomb (and many’s the spaceship film that qualifies as a submarine movie).
There were some votes for taxis and trucks, but the getaway car was the winner. I then revealed which films had been pre-selected for each mode of transport.
- Collateral, Michael Mann, 2004 (86% 🍅)
- Night On Earth, Jim Jarmusch, 1991 (73% 🍅)
- Taxi Driver, Martin Scorsese, 1976 (99% 🍅)
- Baby Driver, Edgar Wright, 2017 (93% 🍅)
- Wheelman, Jeremy Rush, 2017 (88% 🍅)
- Drive, Nicolas Winding Refn, 2011 (93% 🍅)
- The Driver, Walter Hill, 1978 (80% 🍅)
- Below, David Twohy, 2002 (64% 🍅)
- Crimson Tide, Tony Scott, 1995 (87% 🍅)
- The Hunt For Red October, John McTiernan, 1990 (86% 🍅)
I thought Baby Driver would be a shoe-in for the first film, but enough people had already seen it quite recently to put it out of the running. We watched Wheelman instead, which was like Locke meets Drive.
So what would the second film be?
Well, some of those films in the full list could potentially fall into more than one category. The taxi in Collateral is (kinda) being used as a getaway car. And if you expand the criterion to getaway vehicle, then Furiosa’s war rig surely counts, right?
Okay, we were just looking for an excuse to watch Fury Road again. I mean, c’mon, it was the black and chrome edition! I had the great fortune of seeing that on the big screen a while back and I’ve been raving about it ever since. Besides, you really don’t need an excuse to rewatch Fury Road. I loved it the first time I saw it, and it just keeps getting better and better each time. The editing! The sound! The world-building!
With every viewing, it feels more and more like the film for our time. It may have been a bit of stretch to watch it under the thematic umbrella of getaway vehicles, but it’s a getaway for our current political climate: instead of the typical plot involving a gang driving at full tilt from a bank heist, imagine one where the gang turns around, ousts the bankers, and replaces the whole banking system with a matriarchal community.
“Hope is a mistake”, Max mansplains (maxplains?) to Furiosa at one point. He’s wrong. Judicious hope is what drives us forward (or, this case, back …to the citadel). Watching Fury Road again, I drew hope from the character of Nux. An alt-warboy in thrall to a demagogue and raised on a diet of fake news (Valhalla! V8!) can not only be turned by tenderness, he can become an ally to those working for a better world.
Sunday, April 6th, 2014
A nice stroll around Marseilles at night without any of the traditional danger.
Thursday, August 15th, 2013
The story behind the classic arcade game Missile Command and the toll it took on its creator:
Theurer’s constant strides for perfection left him working his body to the point that Missile Command’s premise started to manifest itself in his subconscious, sneaking into his dreams and turning them to nightmares.
There was something about the sound of those explosions, the feeling of the trackball in your hand, and the realisation that no matter how well you played, you could only delay the inevitable.
Friday, July 26th, 2013
An Event Alarm
I’m at An Event Apart. Somewhere. It’s in a room in a hotel. The room is smaller than the usual ballroom-sized venue, but I know it’s An Event Apart because Luke Wroblewski is giving a talk. I think it’s a talk about how he led a group of people who were trapped in the desert to safety. Somehow he saved them with data.
I’m speaking next. But there’s a pressure on my bladder that I need to relieve. I’ve got another ten or fifteen minutes ‘till my talk so I reckon I have enough time. I go out into the corridor in search of a toilet. I find one and do what I need to do.
But when I go back out into the corridor, I can’t immediately find the room that the conference is in. That’s okay, I think. I’ve still got time. But as I wander the corridor more and more, I start to panic. I’m supposed to be on in five minutes! Now the hotel building seems to be cavernous, like one of those Las Vegas hotel-casino hybrids that contain a labyrinthine mini-city. I’m supposed to be on stage now! Up escalators, down stairs …I can’t find the room. I’m really panicking now. I was supposed to be on stage five ago …Jeffrey’s going to kill me. I grab someone who looks like a hotel employee and beg him to help me: I was supposed to be on stage ten minutes ago! But he can’t help me. I’m really freaking out.
Then I woke up. I don’t think if I’ve ever had the classic “final exam” dream, but I think this is the closest equivalent.
An Event Apart DC is ten days away. I’m giving a new talk. I thought I was prepared for it. My subconscious begs to differ.
Sunday, December 9th, 2012
Gorgeous pictures from the Suomi satellite, just released by NASA
Wednesday, February 25th, 2009
Behold the double awesomeness of Jeremy Paxman and Ben Goldacre! Susan Greenfield, alas, is simply embarrassing.
Sunday, June 29th, 2008
Notes and slides from Tom Taylor's talk at Oxford Geek Night 7. It's a great collection of things that talk (or at least Twitter): Tower Bridge, asteroids, plants...
Monday, March 3rd, 2008
Look what Taylor made: a handy schedule of everything going on at South By Southwest. Smart kid.
Thursday, November 22nd, 2007
The ORG turn a Newsnight interview into hypertext, thereby strengthening the message exponentially.