We’re all LARPing on LinkedIn.
Friday, May 6th, 2022
Tuesday, April 26th, 2022
Speaking at CSS Day 2022
It’s an exciting time for CSS! It feels like new features are being added every day. And yet, through it all, CSS has managed to remain an accessible language for anyone making websites. Is this an inevitable part of the design of CSS? Or has CSS been formed by chance? Let’s take a look at the history—and some alternative histories—of the World Wide Web to better understand where we are today. And then, let’s cast our gaze to the future!
Technically, CSS Day won’t be the first outing for this talk but it will be the in-person debut. I had the chance to give the talk online last week at An Event Apart. Giving a talk online isn’t quite the same as speaking on stage, but I got enough feedback from the attendees that I’m feeling confident about giving the talk in Amsterdam. It went down well with the audience at An Event Apart.
If the description has you intrigued, come along to CSS Day to hear the talk in person. And if you like the subject matter, I’ve put together these links to go with the talk…
- A Mind at Play: The Brilliant Life of Claude Shannon, Inventor of the Information Age by Jimmy Sonni and Rob Goodman
- The Web Is Agreement by Paul Downey
- CERN 2019 WorldWideWeb Rebuild
- What is a good standard? An essay on W3C’s design principles by Bert Bos
- Design Principles
- Tweet by Miriam Suzanne
- Open UI
- The Languages Which Almost Became CSS by Zack Bloom
- A Look Back at the History of CSS by Jay Hoffmann
- Request for Comments: STYLESHEETS by Rob Raisch, June 1993
- Stylesheet Language by Pei Wei, October 1993
- Cascading HTML style sheets — a proposal by Håkon Wium Lie, October 1994
- A Mathematical Theory of Communication by Claude Shannon, 1948
- Cascading Style Sheets by Håkon Wium Lie, 2006
Thursday, February 24th, 2022
Blogging isn’t dead. In fact, the opposite is true. We’re about to enter a golden age of personal blogs.
Make it easy for people to find you. Buy a domain name and use it to create your own website, even if it’s very simple at first. Your website is your resume, your business card, your store, your directory, and your personal magazine. It’s the one place online that you completely own and control – your Online Home.
Good advice. Also:
Don’t write on Medium.
Look, I get it. Writing on Medium is an easy way to pick up readers and increases your chances of going viral. But the costs exceed the benefits. Medium is terrible for SEO. You don’t own your content and the platform makes it difficult to turn one-time readers into loyal ones.
The more you can use platforms you own, the better. Rather than writing on Medium, do the work to build a personal blog. That way, you can have a central place to point people to.
Tuesday, November 2nd, 2021
This looks like an excellent (and very reasonably-priced) online event happening on November 12th with three panels:
- beyond accessibility,
- failure of diversity, and
- design as resistance!
Monday, September 6th, 2021
The annual day-long online accessibility event is back on September 23rd.
No sign-up. No registration. All sessions are streamed live and publicly on the Inclusive Design 24 YouTube channel.
Sunday, September 5th, 2021
September 25th, online:
We’ll discuss and brainstorm ideas related to wikis, commonplace books, digital gardens, zettelkasten, and note taking on personal websites and how they might interoperate or communicate with each other. This can include IndieWeb building blocks, user interfaces, functionalities, and everyones’ ideas surrounding these. Bring your thoughts, ideas, and let’s discuss and build.
Tuesday, June 22nd, 2021
This looks interesting: a free one-day Barcamp-like event online all about design systems for the public sector, organised by the Gov.uk design system team:
If you work on public sector services and work with design systems, you’re welcome to attend. We even have some tickets for people who do not work in the public sector. If you love design systems, we’re happy to have you!
Thursday, April 22nd, 2021
This video is a charming trip down to memory lane to the early days of the public internet:
It wasn’t quite the World Wide Web yet, but everybody started hearing about this thing called “the Internet” in 1993. It was being called the Information Superhighway then.
Wednesday, March 17th, 2021
Brian and Joschi are considering an interesting approach for their Material conference:
Maybe we should think about a “crop rotation” method for our event? One year in Iceland to help benefit the local community, then the following year move to Germany so it is easier for people to attend, then a third year of rest and change the format to a virtual or remote event. Then repeat on that three year cycle.
Tuesday, March 16th, 2021
Remember how I said I was preparing an online conference talk? Well, I’m happy to say that not only is the talk prepared, but I’ve managed to successfully record it too.
If you want to see the finished results, come along to An Event Apart Spring Summit on April 19th. To sweeten the deal, I’ve got a discount code you can use when you buy any multi-day pass: AEAJEREMY.
Recording the talk took longer than I thought it would. I think it was because I said this:
It feels a bit different to prepare a talk for pre-recording rather than live delivery on stage. In fact, it feels less like preparing a conference talk and more like making a documentary.
Once I got that idea in my head, I think I became a lot fussier about the quality of the recording. “Would David Attenborough allow his documentaries to have the sound of a keyboard audibly being pressed? No! Start again!”
I’m pleased with the final results. And I’m really looking forward to the post-presentation discussion with questions from the audience. The talk gets provocative—and maye a bit ranty—towards the end so it’ll be interesting to see how people react to that.
It feels good to have the presentation finished, but it also feels …weird. It’s like the feeling that conference organisers get once the conference is over. You spend all this time working towards something and then, one day, it’s in the past instead of looming in the future. It can make you feel kind of empty and listless. Maybe it’s the same for big product launches.
The two big projects I’ve been working on for the past few months were this talk and season two of the Clearleft podcast. The talk is in the can and so is the final episode of the podcast season, which drops tomorrow.
On the one hand, it’s nice to have my decks cleared. Nothing work-related to keep me up at night. But I also recognise the growing feeling of doubt and moodiness, just like the post-conference blues.
The obvious solution is to start another big project, something on the scale of making a brand new talk, or organising a conference, or recording another podcast season, or even writing a book.
The other option is to take a break for a while. Seeing as the UK government has extended its furlough scheme, maybe I should take full advantage of it. I went on furlough for a while last year and found it to be a nice change of pace.
Monday, March 8th, 2021
Preparing an online conference talk
I’m terrible at taking my own advice.
Hana wrote a terrific article called You’re on mute: the art of presenting in a Zoom era. In it, she has very kind things to say about my process for preparing conference talks.
As it happens, I’m preparing a conference talk right now for delivery online. Am I taking my advice about how to put a talk together? I am on me arse.
Perhaps the most important part of the process I shared with Hana is that you don’t get too polished too soon. Instead you get everything out of your head as quickly as possible (probably onto disposable bits of paper) and only start refining once you’re happy with the rough structure you’ve figured out by shuffling those bits around.
But the way I’ve been preparing this talk has been more like watching a progress bar. I started at the start and even went straight into slides as the medium for putting the talk together.
It was all going relatively well until I hit a wall somewhere between the 50% and 75% mark. I was blocked and I didn’t have any rough sketches to fall back on. Everything was a jumbled mess in my brain.
It all came to a head at the start of last week when that jumbled mess in my brain resulted in a very restless night spent tossing and turning while I imagined how I might complete the talk.
This is a terrible way of working and I don’t recommend it to anyone.
The problem was I couldn’t even return to the proverbial drawing board because I hadn’t given myself a drawing board to return to (other than this crazy wall of connections on Kinopio).
My sleepless night was a wake-up call (huh?). The next day I forced myself to knuckle down and pump out anything even if it was shit—I could refine it later. Well, it turns out that just pumping out any old shit was exactly what I needed to do. The act of moving those fingers up and down on the keyboard resulted in something that wasn’t completely terrible. In fact, it turned out pretty darn good.
The idea here is to get everything out of my head.
I should’ve listened to that guy.
At this point, I think I’ve got the talk done. The progress bar has reached 100%. I even think that it’s pretty good. A giveaway for whether a talk is any good is when I find myself thinking “Yes, this has good points well made!” and then five minutes later I’m thinking “Wait, is this complete rubbish that’s totally obvious and doesn’t make much sense?” (see, for example, every talk I’ve ever prepared ever).
Now I just to have to record it. The way that An Event Apart are running their online editions is that the talks are pre-recorded but followed with live Q&A. That’s how the Clearleft events team have been running the conference part of the Leading Design Festival too. Last week there were three days of this format and it worked out really, really well. This week there’ll be masterclasses which are delivered in a more synchronous way.
It feels a bit different to prepare a talk for pre-recording rather than live delivery on stage. In fact, it feels less like preparing a conference talk and more like making a documentary. I guess this is what life is like for YouTubers.
I think the last time I was in a cinema before The Situation was at the wonderful Duke of York’s cinema here in Brighton for an afternoon showing of The Proposition followed by a nice informal chat with the screenwriter, one Nick Cave, local to this parish. It was really enjoyable, and that’s kind of what Leading Design Festival felt like last week.
I wonder if maybe we’ve been thinking about online events with the wrong metaphor. Perhaps they’re not like conferences that have moved online. Maybe they’re more like film festivals where everyone has the shared experience of watching a new film for the first time together, followed by questions to the makers about what they’ve just seen.
Wednesday, February 17th, 2021
Hana recounts the preparation she did for an online presentation, including some advice from me. I’m right in the middle of preparing my own online presentation right now, and I should really heed that advice. But I fear what I told Hana was “do as I say, not as I do.”
Wednesday, January 13th, 2021
This looks like it’ll be a good event: a keynote from Vint Cerf and talks from Val Head, Rachel Andrew, Sara Soueidan, and others.
Best of all, it’s free!
Monday, January 4th, 2021
I really, really missed speaking at conferences in 2020. I managed to squeeze in just one meatspace presentation before everything shut down. That was in Nottingham, where myself and Remy reprised our double-bill talk, How We Built The World Wide Web In Five Days.
That was pretty much all the travelling I did in 2020, apart from a joyous jaunt to Galway to celebrate my birthday shortly before the Nottingham trip. It’s kind of hilarious to look at a map of the entirety of my travel in 2020 compared to previous years.
Mind you, one of my goals for 2020 was to reduce my carbon footprint. Mission well and truly accomplished there.
But even when travel was out of the question, conference speaking wasn’t entirely off the table. I gave a brand new talk at An Event Apart Online Together: Front-End Focus in August. It was called Design Principles For The Web and I’ve just published a transcript of the presentation. I’m really pleased with how it turned out and I think it works okay as an article as well as a talk. Have a read and see what you think (or you can listen to the audio if you prefer).
Giving a talk online is …weird. It’s very different from public speaking. The public is theoretically there but you feel like you’re just talking at your computer screen. If anything, it’s more like recording a podcast than giving a talk.
Luckily for me, I like recording podcasts. So I’m going to be doing a new online talk this year. It will be at An Event Apart’s Spring Summit which runs from April 19th to 21st. Tickets are available now.
I have a pretty good idea what I’m going to talk about. Web stuff, obviously, but maybe a big picture overview this time: the past, present, and future of the web.
Time to prepare a conference talk.
Thursday, October 1st, 2020
This is a superb twenty minute presentation by Trys! It’s got everything: a great narrative, technical know-how, and a slick presentation style.
Conference organisers: you should get Trys to speak at your event!
I’ll be moderating this online panel next week with Emma Boulton, Holly Habstritt Gaal, Jean Laleuf, and Lola Oyelayo-Pearson.
I’m looking forward to it! Come along if you’re interested in the future of design teams.
What will the near-future look like for design teams? Join us as we explore how processes, team structures and culture might change as our industry matures and grows.
Wednesday, September 16th, 2020
No matter what time zone you’re in, you can tune in to some excellent-sounding talks tomorrow.
No sign-up. No registration. All sessions are streamed live and publicly on the Inclusive Design 24 YouTube channel.
Thursday, August 20th, 2020
Web on the beach
It was very hot here in England last week. By late afternoon, the stuffiness indoors was too much to take.
If you can’t stand the heat, get out of the kitchen. That’s exactly what Jessica and I did. The time had come for us to avail of someone else’s kitchen. For the first time in many months, we ventured out for an evening meal. We could take advantage of the government discount scheme with the very unfortunate slogan, “eat out to help out.” (I can’t believe that no one in that meeting said something.)
Just to be clear, we wanted to dine outdoors. The numbers are looking good in Brighton right now, but we’re both still very cautious about venturing into indoor spaces, given everything we know now about COVID-19 transmission.
Fortunately for us, there’s a new spot on the seafront called Shelter Hall Raw. It’s a collective of multiple local food outlets and it has ample outdoor seating.
We found a nice table for two outside. Then we didn’t flag down a waiter.
Instead, we followed the instructions on the table. I say instructions, but it was a bit simpler than that. It was a URL:
shelterhall.co.uk (there was also a QR code next to the URL that I could’ve just pointed my camera at, but I’ve developed such a case of QR code blindness that I blanked that out initially).
Just to be clear, under the current circumstances, this is the only way to place an order at this establishment. The only (brief) interaction you’ll have with another persn is when someone brings your order.
It worked a treat.
We had frosty beverages chosen from the excellent selection of local beers. We also had fried chicken sandwiches from Lost Boys chicken, purveyors of the best wings in town.
The whole experience was a testament to what the web can do. You browse the website. You make your choice on the website. You pay on the website (you can create an account but you don’t have to).
Thinking about it, I can see why they chose the web over a native app. Online ordering is the only way to place your order at this place. Telling people “You have to go to this website” …that seems reasonable. But telling people “You have to download this app” …that’s too much friction.
It hasn’t been a great week for the web. Layoffs at Mozilla. Google taking aim at URLs. It felt good to see experience an instance of the web really shining.
And it felt really good to have that cold beer.
Sunday, August 9th, 2020
I had a double-whammy of a stress dream during the week.
I dreamt I was at a conference where I was supposed to be speaking, but I wasn’t prepared, and I wasn’t where I was supposed to be when I was supposed to be there. Worse, my band were supposed to be playing a gig on the other side of town at the same time. Not only was I panicking about getting myself and my musical equipment to the venue on time, I was also freaking out because I couldn’t remember any of the songs.
You don’t have to be Sigmund freaking Freud to figure out the meanings behind these kinds of dreams. But usually these kind of stress dreams are triggered by some upcoming event like, say, oh, I don’t know, speaking at a conference or playing a gig.
I felt really resentful when I woke up from this dream in a panic in the middle of the night. Instead of being a topical nightmare, I basically had the equivalent of one of those dreams where you’re back at school and it’s the day of the exam and you haven’t prepared. But! When, as an adult, you awake from that dream, you have that glorious moment of remembering “Wait! I’m not in school anymore! Hallelujah!” Whereas with my double-booked stress dream, I got all the stress of the nightmare, plus the waking realisation that “Ah, shit. There are no more conferences. Or gigs.”
I miss them.
Mind you, there is talk of re-entering the practice room at some point in the near future. Playing gigs is still a long way off, but at least I could play music with other people.
Actually, I got to play music with other people this weekend. The music wasn’t Salter Cane, it was traditional Irish music. We gathered in a park, and played together while still keeping our distance. Jessica has written about it in her latest journal entry:
It wasn’t quite a session, but it was the next best thing, and it was certainly the best we’re going to get for some time. And next week, weather permitting, we’ll go back and do it again. The cautious return of something vaguely resembling “normality”, buoying us through the hot days of a very strange summer.
No chance of travelling to speak at a conference though. On the plus side, my carbon footprint has never been lighter.
Online conferences continue. They’re not the same, but they can still be really worthwhile in their own way.
Designing and developing on the web can feel like a never-ending crusade against the unknown. Design principles are one way of unifying your team to better fight this battle. But as well as the design principles specific to your product or service, there are core principles underpinning the very fabric of the World Wide Web itself. Together, we’ll dive into applying these design principles to build websites that are resilient, performant, accessible, and beautiful.
Tickets are $350 but I can get you a discount. Use the code AEAJER to get $50 off.
I wonder if I’ll have online-appropriate stress dreams in the next week? “My internet is down!”, “I got the date and time wrong!”, “I’m not wearing any trousers!”
Actually, that’s pretty much just my waking life these days.
Friday, June 12th, 2020
Congratulations and kudos to Phil for twenty years of blogging!
Here he describes what it was like online in the year 2000. Yes, it was very different to today, but…
Anyone who thinks blogging died at some point in the past twenty years presumably just lost interest themselves, because there have always been plenty of blogs to read. Some slow down, some die, new ones appear. It’s as easy as it’s ever been to write and read blogs.
Though Phil does note:
Some of the posts I read were very personal in a way that’s less common now, in general. … Even “personal” websites (like mine) often have an awareness about them, about what’s being shared, the impression it gives to strangers, presenting a public face, maybe a feeling of, “I’m just writing personal nonsense but, why, yes, I am available for hire”.
Maybe that’s why I’m enjoying Robin’s writing so much.