Tags: open

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Thursday, May 5th, 2022

Notes from a gopher:// site - daverupert.com

The result of adding more constraints means that the products have a broader appeal due to their simple interface. It reminds me of a Jeremy Keith talk I heard last month about programming languages like CSS which have a simple interface pattern: selector { property: value }. Simple enough anyone can learn. But simple doesn’t mean it’s simplistic, which gives me a lot to think about.

Thursday, April 14th, 2022

A Web Renaissance

Thanks to the mistrust of big tech, the creation of better tools for developers, and the weird and wonderful creativity of ordinary people, we’re seeing an incredibly unlikely comeback: the web is thriving again.

Smart analysis from Anil, though I’m not sure I’d agree with his emphasis on tools and frameworks—it’s the technology built into browsers that has really come along in leaps and bounds, allowing people to do more with less code.

But then there’s this:

So if we have the tech, then why hasn’t it happened already? The biggest thing that may be missing is just awareness of the modern web’s potential. Unlike the Facebooks and Googles of the world, the open, creative web doesn’t have a billion-dollar budget for promoting itself. Years of control from the tech titans has resulted in the conventional wisdom that somehow the web isn’t “enough”, that you have to tie yourself to proprietary platforms if you want to build a big brand or a big business.

True! Anil also points to an act of rebellion and resistance:

Get your own site going, though, and you’ll have a sustainable way of being in control of your own destiny online.

Wednesday, March 23rd, 2022

What is the Web? - Jim Nielsen’s Blog

“Be linkable and accessible to any client” is a provocative test for whether something is “of the web”.

Monday, February 28th, 2022

Open Web Advocacy

A grassroots coalistion of web developers lobbying to get Apple to allow fair competition on iOS.

We have identified the #AppleBrowserBan as the number one threat to the future of the open web.

Tuesday, February 15th, 2022

Canned web development — Jeremy Wagner

Our mental model for how we build for the web is too reliant on canned solutions to unique problems.

This is very perceptive indeed.

Compounding this problem is that too few boot camps are preparing new web developers to think critically about what problems are best solved by JavaScript and which aren’t — and that those problems that are best solved by JavaScript can be solved without engaging in frivolous framework whataboutism. The question developers should ask more often when grappling with framework shortcomings shouldn’t be “what about that other framework?”, but rather “what’s best for the user experience?”.

Wednesday, February 9th, 2022

The web is a miracle

I wonder what kinds of conditions would need to be true for another platform to be built in a similar way? Lots of people have tried, but none of them have the purity of participation for the love of it that the web has.

Thursday, December 30th, 2021

Manrope – free sans-serif variable font

This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.

Tuesday, August 10th, 2021

Resigning from the AMP advisory committee

Inspired by Terence Eden’s example, I applied for membership of the AMP advisory committee last year. To my surprise, my application was successful.

I’ve spent the time since then participating in good faith, but I can’t do that any longer. Here’s what I wrote in my resignation email:

Hi all,

As mentioned at the end of the last call, I’m stepping down from the AMP advisory committee.

I can’t in good faith continue to advise on the AMP project for the OpenJS Foundation when it has become clear to me that AMP remains a Google product, with only a subset of pieces that could even be considered open source.

If I were to remain on the advisory committee, my feelings of resentment about this situation would inevitably affect my behaviour. So it’s best for everyone if I step away now instead of descending into outright sabotage. It’s not you, it’s me.

I’d like to thank the OpenJS Foundation for allowing me to participate. It’s been an honour to watch Tobie and Jory in action.

I wish everyone well and I hope that the advisory committee can successfully guide the AMP project towards a happy place where it can live out its final days in peace.

I don’t have a replacement candidate to nominate but I’ll ask around amongst other independent sceptical folks to see if there’s any interest.

All the best,

Jeremy

I wrote about the fundamental problem with Google AMP when I joined the advisory committee:

This is an interesting time for AMP …whatever AMP is.

See, that’s been a problem with Google AMP from the start. There are multiple defintions of what AMP is.

There’s the collection of web components. If that were all AMP is, it would be a very straightforward project, similar to other collections of web components (like Polymer). But then there’s the concept of validation. The validation comes from a set of rules, defined by Google. And there’s the AMP cache, or more accurately, Google hosting.

Only one piece of that trinity—the collection of web components—is eligible for the label of being open source, and even that’s a stretch considering that most of the contributions come from full-time Google employees. The other two parts are firmly under Google’s control.

I was hoping it was a marketing problem. We spent a lot of time on the advisory committee trying to figure out ways of making it clearer what AMP actually is. But it was a losing battle. The phrase “the AMP project” is used to cover up the deeply interwingled nature of its constituent parts. Bits of it are open source, but most of it is proprietary. The OpenJS Foundation doesn’t seem like a good home for a mostly-proprietary project.

Whenever a representative from Google showed up at an advisory committee meeting, it was clear that they viewed AMP as a Google product. I never got the impression that they planned to hand over control of the project to the OpenJS Foundation. Instead, they wanted to hear what people thought of their project. I’m not comfortable doing that kind of unpaid labour for a large profitable organisation.

Even worse, Google representatives reminded us that AMP was being used as a foundational technology for other Google products: stories, email, ads, and even some weird payment thing in native Android apps. That’s extremely worrying.

While I was serving on the AMP advisory committee, a coalition of attorneys general filed a suit against Google for anti-competitive conduct:

Google designed AMP so that users loading AMP pages would make direct communication with Google servers, rather than publishers’ servers. This enabled Google’s access to publishers’ inside and non-public user data.

We were immediately told that we could not discuss an ongoing court case in the AMP advisory committee. That’s fair enough. But will it go both ways? Or will lawyers acting on Google’s behalf be allowed to point to the AMP advisory committee and say, “But AMP is an open source project! Look, it even resides under the banner of the OpenJS Foundation.”

If there’s even a chance of the AMP advisory committee being used as a Potempkin village, I want no part of it.

But even as I’m noping out of any involvement with Google AMP, my parting words have to be about how impressed I am with the OpenJS Foundation. Jory and Tobie have been nothing less than magnificent in their diplomacy, cat-herding, schedule-wrangling, timekeeping, and other organisational superpowers that I’m crap at.

I sincerely hope that Google isn’t taking advantage of the OpenJS Foundation’s kind-hearted trust.

Wednesday, April 21st, 2021

PlymouthPress – A Letterpress Image Font

An experimental image font made using the University of Plymouth’s unique letterpress workshop.

Grungy!

The font is intended for display purposes only, and not is suitable for body text.

Saturday, March 6th, 2021

Why Generation X will save the web - Hi, I’m Heather Burns

Today’s young tech policy professionals are are, quite rightfully, responding to the only internet in the only world they have ever known. The awful one. The one where the internet was and is a handful of billion-pound companies. The one where the internet has only ever been petrol on a fire. The one where the internet has been essential infrastructure like water and heat, not a thing you had to request and master. The closed internet made for them. Not the open internet I got to make.

So if you think that the biggest threat to encryption is elderly politicians who still need their secretaries to print out emails for them, it’s time you found yourself in a meeting with someone under the age of 30 who is going to war against encryption because he has never needed encryption in his life.

Thursday, November 19th, 2020

Standardizing `select` And Beyond: The Past, Present And Future Of Native HTML Form Controls — Smashing Magazine

While a handful of form controls can be easily styled by CSS, like the button element, most form controls fall into a bucket of either requiring hacky CSS or are still unable to be styled at all by CSS.

Despite form controls no longer taking a style or technical dependency on the operating system and using modern rendering technology from the browser, developers are still unable to style some of the most used form control elements such as select. The root of this problem lies in the way the specification was originally written for form controls back in 1995.

Stephanie goes back in time to tell the history of form controls on the web, and how that history has led to our current frustrations:

The current state of working with controls on the modern web is that countless developer hours are being lost to rewriting controls from scratch, as custom elements due to a lack of flexibility in customizability and extensibility of native form controls. This is a massive gap in the web platform and has been for years. Finally, something is being done about it.

Amen!

Wednesday, November 18th, 2020

The Long Now Foundation: “Nadia Eghbal Talk”

This is a great talk by Nadia Eghbal on software, open source, maintenance, and of course, long-term thinking.

Monday, November 9th, 2020

Bookshop

Back at the start of the (first) lockdown, I wrote about using my website as an outlet:

While you’re stuck inside, your website is not just a place you can go to, it’s a place you can control, a place you can maintain, a place you can tidy up, a place you can expand. Most of all, it’s a place you can lose yourself in, even if it’s just for a little while.

Last week was eventful and stressful. For everyone. I found myself once again taking refuge in my website, tinkering with its inner workings in the way that someone else would potter about in their shed or take to their garage to strip down the engine of some automotive device.

Colly drew my attention to Bookshop.org, newly launched in the UK. It’s an umbrella website for independent bookshops to sell through. It’s also got an affiliate scheme, much like Amazon. I set up a Bookshop page for myself.

I’ve been tracking the books I’m reading for the past three years here on my own website. I set about reproducing that list on Bookshop.

It was exactly the kind of not-exactly-mindless but definitely-not-challenging task that was perfect for the state of my brain last week. Search for a book; find the ISBN number; paste that number into a form. It’s the kind of task that a real programmer would immediately set about automating but one that I embraced as a kind of menial task to keep me occupied.

I wasn’t able to get a one-to-one match between the list on my site and my reading list on Bookshop. Some titles aren’t available in the online catalogue. For example, the book I’m reading right now—A Paradise Built in Hell by Rebecca Solnit—is nowhere to be found, which seems like an odd omission.

But most of the books I’ve read are there on Bookshop.org, complete with pretty book covers. Then I decided to reverse the process of my menial task. I took all of the ISBN numbers from Bookshop and add them as machine tags to my reading notes here on my own website. Book cover images on Bookshop have predictable URLs that use the ISBN number (well, technically the EAN number, or ISBN-13, but let’s not go down a 927 rabbit hole here). So now I’m using that metadata to pull in images from Bookshop.org to illustrate my reading notes here on adactio.com.

I’m linking to the corresponding book on Bookshop.org using this URL structure:

https://uk.bookshop.org/a/{{ affiliate code }}/{{ ISBN number }}

I realised that I could also link to the corresponding entry on Open Library using this URL structure:

https://openlibrary.org/isbn/{{ ISBN number }}

Here, for example, is my note for The Raven Tower by Ann Leckie. That entry has a tag:

book:ean=9780356506999

With that information I can illustrate my note with this image:

https://images-eu.bookshop.org/product-images/images/9780356506999.jpg

I’m linking off to this URL on Bookshop.org:

https://uk.bookshop.org/a/980/9780356506999

And this URL on Open Library:

https://openlibrary.org/isbn/9780356506999

The end result is that my reading list now has more links and pretty pictures.

Oh, I also set up a couple of shorter lists on Bookshop.org:

The books listed in those are drawn from my end of the year round-ups when I try to pick one favourite non-fiction book and one favourite work of fiction (almost always speculative fiction). The books in those two lists are the ones that get two hearty thumbs up from me. If you click through to buy one of them, the price might not be as cheap as on Amazon, but you’ll be supporting an independent bookshop.

Sunday, November 1st, 2020

Copying is the way design works || Matthew Ström: designer & developer

A people’s history of copying, from art to software.

Designers copy. We steal like great artists. But when we see a copy of our work, we’re livid.

Monday, September 7th, 2020

Kokorobot — leanerweb

The problem is that most websites will adapt to the ever faster connections, which makes them gradually inaccessible for people with slower connections. Today, most websites are impossible to download with a dial-up connection, because they have become too corpulent.

This speaks to me:

Everything we do to make it harder to create a website or edit a web page, and harder to learn to code by viewing source, promotes that consumerist vision of the web.

Pretending that one needs a team of professionals to put simple articles online will become a self-fulfilling prophecy. Overcomplicating the web means lifting up the ladder that used to make it possible for people to teach themselves and surprise everyone with unexpected new ideas.

There’s a list of links at the end of this piece to help you reach this goal:

It is vital that the web stay participatory. That means not just making sites small enough so the whole world can visit them, but small enough so that people can learn to build their own, by example. Bloat makes the web inaccessible.

Friday, August 28th, 2020

Revisiting Adaptive Design, a lost design movement (Interconnected)

This sounds like seamful design:

How to enable not users but adaptors? How can people move from using a product, to understanding how it hangs together and making their own changes? How do you design products with, metaphorically, screws not nails?

Friday, June 26th, 2020

Why BaseCamp & Hey.com are Wrong About the Apple App Store

I feel for BaseCamp, I do. But give up on the native app path. Make sure your existing web interface is a good progressive web app and you can end-run around Apple.

Tuesday, March 10th, 2020

FontGoggles — Interactive Previewing and Comparing

A really nice open-source font-previewing tool for the Mac.

Monday, February 10th, 2020

Open source beyond the market - Signal v. Noise

The transcript of David Heinemeier Hansson keynote from last year’s RailsConf is well worth reading. It’s ostensibily about open source software but it delves into much larger questions.

Monday, December 23rd, 2019

Building a More Honest Internet - Columbia Journalism Review

The dominant narrative for the growth of the World Wide Web, the graphical, user-friendly version of the internet created by Tim Berners-Lee in 1989, is that its success has been propelled by Silicon Valley venture capitalism at its most rapacious. The idea that currently prevails is that the internet is best built by venture-backed startups competing to offer services globally through category monopolies: Amazon for shopping, Google for search, Facebook for social media. These companies have generated enormous profits for their creators and early investors, but their “surveillance capitalism” business model has brought unanticipated harms.

It doesn’t have to be this way, says Ethan Zuckerman:

A public service Web invites us to imagine services that don’t exist now, because they are not commercially viable, but perhaps should exist for our benefit, for the benefit of citizens in a democracy. We’ve seen a wave of innovation around tools that entertain us and capture our attention for resale to advertisers, but much less innovation around tools that educate us and challenge us to broaden our sphere of exposure, or that amplify marginalized voices. Digital public service media would fill a black hole of misinformation with educational material and legitimate news.