Openly Licensed Images, Audio and More | Openverse
A search engine for images and audio that’s either under a Creative Commons license or is in the public domain.
Tags: open
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Friday, February 17th, 2023
Tuesday, December 13th, 2022
Mona Sans & Hubot Sans
Two new lovely open source variable fonts from Github.
Tuesday, October 4th, 2022
The Thorny Problem of Keeping the Internet’s Time | The New Yorker
This story of the Network Time Protocol hammers home the importance of infrastructure and its maintenance:
Technology companies worth billions rely on open-source code, including N.T.P., and the maintenance of that code is often handled by a small group of individuals toiling away without pay.
Wednesday, September 21st, 2022
Remix Icon - Open source icon library
I love how easy it is to use these icons: you can copy and paste the SVG or even get it encoded as a data URL.
Wednesday, September 7th, 2022
“Writing an app is like coding for LaserDisc” – Terence Eden’s Blog
I love this: Terence takes eleven years to reflect on a comment I made on stage at an event here in Brighton. It’s all about the longevity of the web compared to native apps:
If you wrote an app for an early version of iOS or Android, it simply won’t run on modern hardware or software. APIs have changed, SDKs weren’t designed with forward compatibility, and app store requirements have evolved.
The web has none of that. The earliest websites are viewable on modern browsers.
As wrote at the time, I may have been juicing things up for entertainment:
Now here’s the thing when it comes to any discussion about mobile or the web or anything else of any complexity: an honest discussion would result in every single question being answered with “it depends”. A more entertaining discussion, on the other hand, would consist of deliberately polarised opinions. We went for the more entertaining discussion.
But I think this still holds true for me today:
The truth is that the whole “web vs. native” thing doesn’t interest me that much. I’m as interested in native iOS development as I am in native Windows development or native CD-ROM development. On a timescale measured in years, they are all fleeting, transient things. The web abides.
Sunday, July 17th, 2022
The week the open web won – Hi, I’m Heather Burns
So to me, this blog represents the original promise of the open web.
The one that’s here, and still is here, and always has been here, and is available to you.
Right now.
The one where you can speak the truths that you believe without the permission, or the editorial control, or the power dynamics, of anyone claiming to hold authority over you; or, perhaps, anyone keen to impose it.
Heather takes a break from her relentless crusading in favour of users against the idiocy of the UK government and reflects on the joy of doing it all from her own personal website.
And perhaps you should too, on your own blog, owned on your own hosting space, using your own words, and speaking your own truth. That sounds like a good little weekend project, don’t you think?
Thursday, May 5th, 2022
Notes from a gopher:// site - daverupert.com
The result of adding more constraints means that the products have a broader appeal due to their simple interface. It reminds me of a Jeremy Keith talk I heard last month about programming languages like CSS which have a simple interface pattern:
selector { property: value }. Simple enough anyone can learn. But simple doesn’t mean it’s simplistic, which gives me a lot to think about.
Thursday, April 14th, 2022
A Web Renaissance
Thanks to the mistrust of big tech, the creation of better tools for developers, and the weird and wonderful creativity of ordinary people, we’re seeing an incredibly unlikely comeback: the web is thriving again.
Smart analysis from Anil, though I’m not sure I’d agree with his emphasis on tools and frameworks—it’s the technology built into browsers that has really come along in leaps and bounds, allowing people to do more with less code.
But then there’s this:
So if we have the tech, then why hasn’t it happened already? The biggest thing that may be missing is just awareness of the modern web’s potential. Unlike the Facebooks and Googles of the world, the open, creative web doesn’t have a billion-dollar budget for promoting itself. Years of control from the tech titans has resulted in the conventional wisdom that somehow the web isn’t “enough”, that you have to tie yourself to proprietary platforms if you want to build a big brand or a big business.
True! Anil also points to an act of rebellion and resistance:
Get your own site going, though, and you’ll have a sustainable way of being in control of your own destiny online.
Wednesday, March 23rd, 2022
What is the Web? - Jim Nielsen’s Blog
“Be linkable and accessible to any client” is a provocative test for whether something is “of the web”.
Monday, February 28th, 2022
Open Web Advocacy
A grassroots coalistion of web developers lobbying to get Apple to allow fair competition on iOS.
We have identified the #AppleBrowserBan as the number one threat to the future of the open web.
Tuesday, February 15th, 2022
Canned web development — Jeremy Wagner
Our mental model for how we build for the web is too reliant on canned solutions to unique problems.
This is very perceptive indeed.
Compounding this problem is that too few boot camps are preparing new web developers to think critically about what problems are best solved by JavaScript and which aren’t — and that those problems that are best solved by JavaScript can be solved without engaging in frivolous framework whataboutism. The question developers should ask more often when grappling with framework shortcomings shouldn’t be “what about that other framework?”, but rather “what’s best for the user experience?”.
Wednesday, February 9th, 2022
The web is a miracle
I wonder what kinds of conditions would need to be true for another platform to be built in a similar way? Lots of people have tried, but none of them have the purity of participation for the love of it that the web has.
Thursday, December 30th, 2021
Manrope – free sans-serif variable font
This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.
Tuesday, August 10th, 2021
Resigning from the AMP advisory committee
Inspired by Terence Eden’s example, I applied for membership of the AMP advisory committee last year. To my surprise, my application was successful.
I’ve spent the time since then participating in good faith, but I can’t do that any longer. Here’s what I wrote in my resignation email:
Hi all,
As mentioned at the end of the last call, I’m stepping down from the AMP advisory committee.
I can’t in good faith continue to advise on the AMP project for the OpenJS Foundation when it has become clear to me that AMP remains a Google product, with only a subset of pieces that could even be considered open source.
If I were to remain on the advisory committee, my feelings of resentment about this situation would inevitably affect my behaviour. So it’s best for everyone if I step away now instead of descending into outright sabotage. It’s not you, it’s me.
I’d like to thank the OpenJS Foundation for allowing me to participate. It’s been an honour to watch Tobie and Jory in action.
I wish everyone well and I hope that the advisory committee can successfully guide the AMP project towards a happy place where it can live out its final days in peace.
I don’t have a replacement candidate to nominate but I’ll ask around amongst other independent sceptical folks to see if there’s any interest.
All the best,
Jeremy
I wrote about the fundamental problem with Google AMP when I joined the advisory committee:
This is an interesting time for AMP …whatever AMP is.
See, that’s been a problem with Google AMP from the start. There are multiple defintions of what AMP is.
There’s the collection of web components. If that were all AMP is, it would be a very straightforward project, similar to other collections of web components (like Polymer). But then there’s the concept of validation. The validation comes from a set of rules, defined by Google. And there’s the AMP cache, or more accurately, Google hosting.
Only one piece of that trinity—the collection of web components—is eligible for the label of being open source, and even that’s a stretch considering that most of the contributions come from full-time Google employees. The other two parts are firmly under Google’s control.
I was hoping it was a marketing problem. We spent a lot of time on the advisory committee trying to figure out ways of making it clearer what AMP actually is. But it was a losing battle. The phrase “the AMP project” is used to cover up the deeply interwingled nature of its constituent parts. Bits of it are open source, but most of it is proprietary. The OpenJS Foundation doesn’t seem like a good home for a mostly-proprietary project.
Whenever a representative from Google showed up at an advisory committee meeting, it was clear that they viewed AMP as a Google product. I never got the impression that they planned to hand over control of the project to the OpenJS Foundation. Instead, they wanted to hear what people thought of their project. I’m not comfortable doing that kind of unpaid labour for a large profitable organisation.
Even worse, Google representatives reminded us that AMP was being used as a foundational technology for other Google products: stories, email, ads, and even some weird payment thing in native Android apps. That’s extremely worrying.
While I was serving on the AMP advisory committee, a coalition of attorneys general filed a suit against Google for anti-competitive conduct:
Google designed AMP so that users loading AMP pages would make direct communication with Google servers, rather than publishers’ servers. This enabled Google’s access to publishers’ inside and non-public user data.
We were immediately told that we could not discuss an ongoing court case in the AMP advisory committee. That’s fair enough. But will it go both ways? Or will lawyers acting on Google’s behalf be allowed to point to the AMP advisory committee and say, “But AMP is an open source project! Look, it even resides under the banner of the OpenJS Foundation.”
If there’s even a chance of the AMP advisory committee being used as a Potempkin village, I want no part of it.
But even as I’m noping out of any involvement with Google AMP, my parting words have to be about how impressed I am with the OpenJS Foundation. Jory and Tobie have been nothing less than magnificent in their diplomacy, cat-herding, schedule-wrangling, timekeeping, and other organisational superpowers that I’m crap at.
I sincerely hope that Google isn’t taking advantage of the OpenJS Foundation’s kind-hearted trust.
Wednesday, April 21st, 2021
PlymouthPress – A Letterpress Image Font
An experimental image font made using the University of Plymouth’s unique letterpress workshop.
Grungy!
The font is intended for display purposes only, and not is suitable for body text.
Saturday, March 6th, 2021
Why Generation X will save the web - Hi, I’m Heather Burns
Today’s young tech policy professionals are are, quite rightfully, responding to the only internet in the only world they have ever known. The awful one. The one where the internet was and is a handful of billion-pound companies. The one where the internet has only ever been petrol on a fire. The one where the internet has been essential infrastructure like water and heat, not a thing you had to request and master. The closed internet made for them. Not the open internet I got to make.
So if you think that the biggest threat to encryption is elderly politicians who still need their secretaries to print out emails for them, it’s time you found yourself in a meeting with someone under the age of 30 who is going to war against encryption because he has never needed encryption in his life.
Thursday, November 19th, 2020
Standardizing `select` And Beyond: The Past, Present And Future Of Native HTML Form Controls — Smashing Magazine
While a handful of form controls can be easily styled by CSS, like the button element, most form controls fall into a bucket of either requiring hacky CSS or are still unable to be styled at all by CSS.
Despite form controls no longer taking a style or technical dependency on the operating system and using modern rendering technology from the browser, developers are still unable to style some of the most used form control elements such as
select. The root of this problem lies in the way the specification was originally written for form controls back in 1995.
Stephanie goes back in time to tell the history of form controls on the web, and how that history has led to our current frustrations:
The current state of working with controls on the modern web is that countless developer hours are being lost to rewriting controls from scratch, as custom elements due to a lack of flexibility in customizability and extensibility of native form controls. This is a massive gap in the web platform and has been for years. Finally, something is being done about it.
Amen!
Wednesday, November 18th, 2020
The Long Now Foundation: “Nadia Eghbal Talk”
This is a great talk by Nadia Eghbal on software, open source, maintenance, and of course, long-term thinking.
Monday, November 9th, 2020
Bookshop
Back at the start of the (first) lockdown, I wrote about using my website as an outlet:
While you’re stuck inside, your website is not just a place you can go to, it’s a place you can control, a place you can maintain, a place you can tidy up, a place you can expand. Most of all, it’s a place you can lose yourself in, even if it’s just for a little while.
Last week was eventful and stressful. For everyone. I found myself once again taking refuge in my website, tinkering with its inner workings in the way that someone else would potter about in their shed or take to their garage to strip down the engine of some automotive device.
Colly drew my attention to Bookshop.org, newly launched in the UK. It’s an umbrella website for independent bookshops to sell through. It’s also got an affiliate scheme, much like Amazon. I set up a Bookshop page for myself.
I’ve been tracking the books I’m reading for the past three years here on my own website. I set about reproducing that list on Bookshop.
It was exactly the kind of not-exactly-mindless but definitely-not-challenging task that was perfect for the state of my brain last week. Search for a book; find the ISBN number; paste that number into a form. It’s the kind of task that a real programmer would immediately set about automating but one that I embraced as a kind of menial task to keep me occupied.
I wasn’t able to get a one-to-one match between the list on my site and my reading list on Bookshop. Some titles aren’t available in the online catalogue. For example, the book I’m reading right now—A Paradise Built in Hell by Rebecca Solnit—is nowhere to be found, which seems like an odd omission.
But most of the books I’ve read are there on Bookshop.org, complete with pretty book covers. Then I decided to reverse the process of my menial task. I took all of the ISBN numbers from Bookshop and add them as machine tags to my reading notes here on my own website. Book cover images on Bookshop have predictable URLs that use the ISBN number (well, technically the EAN number, or ISBN-13, but let’s not go down a 927 rabbit hole here). So now I’m using that metadata to pull in images from Bookshop.org to illustrate my reading notes here on adactio.com.
I’m linking to the corresponding book on Bookshop.org using this URL structure:
https://uk.bookshop.org/a/{{ affiliate code }}/{{ ISBN number }}
I realised that I could also link to the corresponding entry on Open Library using this URL structure:
https://openlibrary.org/isbn/{{ ISBN number }}
Here, for example, is my note for The Raven Tower by Ann Leckie. That entry has a tag:
book:ean=9780356506999
With that information I can illustrate my note with this image:
https://images-eu.bookshop.org/product-images/images/9780356506999.jpg
I’m linking off to this URL on Bookshop.org:
https://uk.bookshop.org/a/980/9780356506999
And this URL on Open Library:
https://openlibrary.org/isbn/9780356506999
The end result is that my reading list now has more links and pretty pictures.
Oh, I also set up a couple of shorter lists on Bookshop.org:
The books listed in those are drawn from my end of the year round-ups when I try to pick one favourite non-fiction book and one favourite work of fiction (almost always speculative fiction). The books in those two lists are the ones that get two hearty thumbs up from me. If you click through to buy one of them, the price might not be as cheap as on Amazon, but you’ll be supporting an independent bookshop.
Sunday, November 1st, 2020
Copying is the way design works || Matthew Ström: designer & developer
A people’s history of copying, from art to software.
Designers copy. We steal like great artists. But when we see a copy of our work, we’re livid.