In trying to decide on his indie web approach, Dries gives an excellent breakdown of the concepts of PESOS (Publish Elsewhere, Syndicate to Own Site) and POSSE (Publish to Own Site, Syndicate Elsewhere).
Sunday, February 11th, 2018
Saturday, February 10th, 2018
I had a chat with some people from Name.com while I was in Denver for An Event Apart. Here’s a few minutes of me rambling on about web development and the indie web.
Thursday, February 1st, 2018
Remy outlines the process he uses for POSSEing to Medium now that they’ve removed their IFTTT integration.
At some point during 2017, Medium decided to pull their IFTTT applets that allows content to be posted into Medium. Which I think is a pretty shitty move since there was no notification that the applet was pulled (I only noticed after Medium just didn’t contain a few of my posts), and it smacks of “Medium should be the original source”…which may be fine for some people, but I’m expecting my own content to outlast the Medium web site.
Wednesday, January 24th, 2018
A nice description of syndication via POSSEing.
(I never thought I’d find myself linking to quality content on Go Daddy.)
Saturday, January 20th, 2018
Most of my online friends and acquaintances will never understand or participate in the IndieWeb, and so I require a bridge between these worlds. On one side I choose what content to post and how it is stored, and it exists mainly on an island that few visit regularly. On the other side is nearly everyone I know, blissfully ignorant of my real home on the web and unable to see any content shared there without manual intervention or working plugins.
This does not all seem bad, though. Maintaining control will require more attention be placed on managing my content, and this time must come from somewhere. I imagine that I’ll slowly begin using social media less, writing more, and learning more about how to develop solutions to problems that arise within my setup.
Friday, December 1st, 2017
Medium, Twitter, Facebook and others are edge services for your content … Your platform is the origin.
Monday, September 25th, 2017
Excellent presentation slides on all things Indie Web.
Tuesday, July 18th, 2017
Alex Kearney looks back on two years of owning her own data.
With a fully functional site up and running, I focused on my own needs and developed features to support how I wanted to use my site. In hind-sight, that’s probably the most indie thing I could’ve done, and how I should’ve started my indieweb adventure.
This really resonates with me.
One of the motivating features for joining the indieweb was the ability to keep and curate the content I create over time.
Here’s to two more years.
Wednesday, June 14th, 2017
A pretty good summary of some key indie web ideas.
Tuesday, May 30th, 2017
Checking in at Indie Web Camp Nuremberg
Just as with Indie Web Camp Düsseldorf the weekend before, it was a fun two days—one day of discussions, followed by one day of making.
I spent most of the second day playing around with a new service that Aaron created called OwnYourSwarm. It’s very similar to his other service, OwnYourGram. Whereas OwnYourGram is all about posting pictures from Instagram to your own site, OwnYourSwarm is all about posting Swarm check-ins to your own site.
Usually I prefer to publish on my own site and then push copies out to other services like Twitter, Flickr, etc. (POSSE—Publish on Own Site, Syndicate Elsewhere). In the case of Instagram, that’s impossible because of their ludicrously restrictive API, so I have go the other way around (PESOS—Publish Elsewhere, Syndicate to Own Site). When it comes to check-ins, I could do it from my own site, but I’d have to create my own databases of places to check into. I don’t fancy that much (yet) so I’m using OwnYourSwarm to PESOS check-ins.
The great thing about OwnYourSwarm is that I didn’t have to do anything. I already had the building blocks in place.
First of all, I needed some way to authenticate as my website. IndieAuth takes care of all that. All I needed was
rel="me" attributes pointing from my website to my profiles on Twitter, Flickr, Github, or any other services that provide OAuth. Then I can piggyback on their authentication flow (this is also how you sign in to the Indie Web wiki).
The other step is more involved. My site needs to provide an API endpoint so that services like OwnYourGram and OwnYourSwarm can post to it. That’s where micropub comes in. You can see the code for my minimal micropub endpoint if you like. If you want to test your own micropub endpoint, check out micropub.rocks—the companion to webmention.rocks.
Anyway, I already had IndieAuth and micropub set up on my site, so all I had to do was log in to OwnYourSwarm and I immediately started to get check-ins posted to my own site. They show up the same as any other note, so I decided to spend my time at Indie Web Camp Nuremberg making them look a bit different. I used Mapbox’s static map API to show an image of the location of the check-in. What’s really nice is that if I post a photo on Swarm, that gets posted to my own site too. I had fun playing around with the display of photo+map on my home page stream. I’ve made a page for keeping track of check-ins too.
All in all, a fun way to spend Indie Web Camp Nuremberg. But when it came time to demo, the one that really impressed me was Amber’s. She worked flat out on her site, getting to the second level on IndieWebify.me …including sending a webmention to my site!
Tuesday, January 3rd, 2017
Here’s an interesting Kickstarter project: a book about owning your notes (and syndicating them to Twitter) to complement the forthcoming micro.blog service.
Wednesday, November 2nd, 2016
A decade on Twitter
I wrote my first tweet ten years ago.
I’m off to grab some lunch.— Jeremy Keith (@adactio) November 1, 2006
That’s the tweetiest of tweets, isn’t it? (and just look at the status ID—only five digits!)
Of course, back then we didn’t call them tweets. We didn’t know what to call them. We didn’t know what to make of this thing at all.
I say “we”, but when I signed up, there weren’t that many people on Twitter that I knew. Because of that, I didn’t treat it as a chat or communication tool. It was more like speaking into the void, like blogging is now. The word “microblogging” was one of the terms floating around, grasped by those of trying to get to grips with what this odd little service was all about.
Twenty days after I started posting to Twitter, I wrote about how more and more people that I knew were joining :
The usage of Twitter is, um, let’s call it… emergent. Whenever I tell anyone about it, their first question is “what’s it for?”
Fair question. But their isn’t really an answer. You send messages either from the website, your mobile phone, or chat. What you post and why you’d want to do it is entirely up to you.
I was quite the cheerleader for Twitter:
Overall, Twitter is full of trivial little messages that sometimes merge into a coherent conversation before disintegrating again. I like it. Instant messaging is too intrusive. Email takes too much effort. Twittering feels just right for the little things: where I am, what I’m doing, what I’m thinking.
“Twittering.” Don’t laugh. “Tweeting” sounded really silly at first too.
Now at this point, I could start reminiscing about how much better things were back then. I won’t, but it’s interesting to note just how different it was.
- The user base was small enough that there was a public timeline of all activity.
- The characters in your username counted towards your 140 characters. That’s why Tantek changed his handle to be simply “t”. I tried it for a day. I think I changed my handle to “jk”. But it was too confusing so I changed it back.
- We weren’t always sure how to write our updates either—your username would appear at the start of the message, so lots of us wrote our updates in the third person present (Brian still does). I’m partial to using the present continuous. That was how I wrote my reaction to Chris’s weird idea for tagging updates.
Thinking that hashtags disrupt the reading flow of natural language. Sorry @factoryjoe.— Jeremy Keith (@adactio) November 6, 2007
I think about that whenever I see a hashtag on a billboard or a poster or a TV screen …which is pretty much every day.
At some point, Twitter updated their onboarding process to include suggestions of people to follow, subdivided into different categories. I ended up in the list of designers to follow. Anil Dash wrote about the results of being listed and it reflects my experience too. I got a lot of followers—it’s up to around 160,000 now—but I’m pretty sure most of them are bots.
There have been a lot of changes to Twitter over the years. In the early days, those changes were driven by how people used the service. That’s where the @-reply convention (and hashtags) came from.
Then something changed. The most obvious sign of change was the way that Twitter started treating third-party developers. Where they previously used to encourage and even promote third-party apps, the company began to crack down on anything that didn’t originate from Twitter itself. That change reflected the results of an internal struggle between the people at Twitter who wanted it to become an open protocol (like email), and those who wanted it to become a media company (like Yahoo). The media camp won.
Of course Twitter couldn’t possibly stay the same given its incredible growth (and I really mean incredible—when it started to appear in the mainstream, in films and on TV, it felt so weird: this funny little service that nerds were using was getting popular with everyone). Change isn’t necessarily bad, it’s just different. Your favourite band changed when they got bigger. South by Southwest changed when it got bigger—it’s not worse now, it’s just very different.
Frank described the changing the nature of Twitter perfectly in his post From the Porch to the Street:
Christopher Alexander made a great diagram, a spectrum of privacy: street to sidewalk to porch to living room to bedroom. I think for many of us Twitter started as the porch—our space, our friends, with the occasional neighborhood passer-by. As the service grew and we gained followers, we slid across the spectrum of privacy into the street.
I stopped posting directly to Twitter in May, 2014. Instead I now write posts on my site and then send a copy to Twitter. And thanks to the brilliant Brid.gy, I get replies, favourites and retweets sent back to my own site—all thanks to Webmention, which just become a W3C proposed recommendation.
It’s hard to put into words how good this feels. There’s a psychological comfort blanket that comes with owning your own data. I see my friends getting frustrated and angry as they put up with an increasingly alienating experience on Twitter, and I wish I could explain how much better it feels to treat Twitter as nothing more than a syndication service.
When Twitter rolls out changes these days, they certainly don’t feel like they’re driven by user behaviour. Quite the opposite. I’m currently in the bucket of users being treated to new @-reply behaviour. Tressie McMillan Cottom has written about just how terrible the new changes are. You don’t get to see any usernames when you’re writing a reply, so you don’t know exactly how many people are going to be included. And if you mention a URL, the username associated with that website may get added to the tweet. The end result is that you write something, you publish it, and then you think “that’s not what I wrote.” It feels wrong. It robs you of agency. Twitter have made lots of changes over the years, but this feels like the first time that they’re going to actively edit what you write, without your permission.
Maybe this is the final straw. Maybe this is the change that will result in long-time Twitter users abandoning the service. Maybe.
Me? Well, Twitter could disappear tomorrow and I wouldn’t mind that much. I’d miss seeing updates from friends who don’t have their own websites, but I’d carry on posting my short notes here on adactio.com. When I started posting to Twitter ten years ago, I was speaking (or microblogging) into the void. I’m still doing that ten years on, but under my terms. It feels good.
I’m not sure if my Twitter account will still exist ten years from now. But I’m pretty certain that my website will still be around.
And now, if you don’t mind…
I’m off to grab some lunch.
Tuesday, September 27th, 2016
Chris runs through the process and pitfalls of POSSEing a site (like CSS Tricks) to Apple’s News app, Facebook’s Instant Articles, and Google’s AMP.
Hey, whatever you want. As long as…
- It’s not very much work
- The content’s canonical home is my website.
I just want people to read and like CSS-Tricks.
Sunday, May 29th, 2016
A little progress
It works fine although sometimes the experience of uploading a file isn’t great, especially if I’m on a slow connection out and about. I’ve been meaning to add some kind of Ajax-y progress type thingy for the file upload, but never quite got around to it. To be honest, I thought it would be a pain.
But then, in his excellent State Of The Gap hit parade of web technologies, Remy included a simple file upload demo. Turns out that all the goodies that have been added to
XMLHttpRequest have made this kind of thing pretty easy (and I’m guessing it’ll be easier still once we have
I’ve made a little script that adds a progress bar to any forms that are POSTing data.
Feel free to use it, adapt it, and improve it. It isn’t using any ES6iness so there are some obvious candidates for improvement there.
It’s working a treat on my little posting interface. Now I can stare at a slowly-growing progress bar when I’m out and about on a slow connection.
Friday, May 20th, 2016
By publishing to my own web site first…
- I feel like I’m curating a library rather than throwing loose papers into a raging torrent.
- I have the ability to quickly move to another platform if I so wish
- I can choose how things look and feel
- I can track, or not track, any metric I’d like to
- I can publish several different types of media: photos, audio
- I can turn discussion on or off
Thursday, May 19th, 2016
A good introduction to the Indie Web approach:
This post was primarily directed at friends and colleagues that already blog in other spaces, and wonder why/how they would re-post content to Medium or elsewhere.
Owning my words
When I wrote a few words about progressive enhancement recently, I linked to Karolina’s great article The Web Isn’t Uniform. I was a little reluctant to link to it, not because of the content—which is great—but because of its location on Ev’s blog. I much prefer to link directly to people’s own websites (I have a hunch that those resources tend to last longer too) but I understand that Medium offers a nice low barrier to publishing.
That low barrier comes at a price. It means you have to put up with anyone and everyone weighing in with their own hot takes. The way the site works is that anyone who writes a comment on your article is effectively writing their own article—you don’t get to have any editorial control over what kind of stuff appears together with your words. There is very little in the way of community management once a piece is published.
Karolina’s piece attracted some particularly unsavoury snark—tech bros disagreeing in their brash bullying way. I linked to a few comments, leaving out the worst of the snark, but I couldn’t resist editorialising:
Ah, Medium! Where the opinions of self-entitled dudes flow like rain from the tech heavens.
I knew even when I was writing it that it was unproductive, itself a snarky remark. Two wrongs don’t make a right. But I wanted to acknowledge that not only was bad behaviour happening, but that I was seeing it, and I wasn’t ignoring it. I guess it was mostly intended for Karolina—I wanted to extend some kind of acknowledgment that the cumulative weight of those sneering drive-by reckons is a burden that no one should have to put up with.
Tempted to @-mention orgs who’s employees abuse me in comments under my posts. Then I remember about million more interesting things to do.— fantastic ms. (@fox) April 29, 2016
“Everyday, a dude goes out of their way to tell you you’re wrong. Women’s life on the Internet.” A novel.— fantastic ms. (@fox) April 29, 2016
I’m literally done reading the comments for my article. It saddens me that even high-profile Web folk fails to see what I meant…— fantastic ms. (@fox) April 26, 2016
№1 rule of posting controversial content: NEVER read the comments*— fantastic ms. (@fox) April 25, 2016
*of random dudes who misunderstood the point and are trying to mock you.
I literally wrote JS is great but the point is understanding who you build for and be empathetic. Still people call me a hater.— fantastic ms. (@fox) April 24, 2016
Funny enough it was 98% men trying to tell me I don’t understand how the web works.— fantastic ms. (@fox) April 24, 2016
Guess what? Stop reading in between the lines.
Probably going to have white male dudes tweeting at me how much they disagree for eternity.— fantastic ms. (@fox) April 23, 2016
I knew that when I wrote about Medium being “where the opinions of self-entitled dudes flow like rain from the tech heavens” that I would (rightly) get pushback, and sure enough, I did …on Medium. Not on Twitter or anywhere else, just Medium.
I syndicate my posts to Ev’s blog, so the free-for-all approach to commenting doesn’t bother me that much. The canonical URL for my words remains on my site under my control. But for people posting directly to Medium and then having to put up with other people casually shitting all over their words, it must feel quite disempowering.
I have a similar feeling with Twitter. I syndicate my notes there and if the service disappeared tomorrow, I wouldn’t shed any tears. There’s something very comforting in knowing that any snarky nasty responses to my words are only being thrown at copies. I know a lot of my friends are disheartened about the way that Twitter has changed in recent years. I wish I could articulate how much better it feels to only use Twitter (or Medium or Facebook) as a syndication tool, like RSS.
There is an equal and opposite reaction too. I think it’s easier to fling off some thoughtless remarks when you’re doing it on someone else’s site. I bet you that the discourse on Ev’s blog would be of a much higher quality if you could only respond from your own site. I find I’m more careful with my words when I publish here on adactio.com. I’m taking ownership of what I say.
And when I do lapse and write snarky words like “Ah, Medium! Where the opinions of self-entitled dudes flow like rain from the tech heavens.”, at least I’m owning my own snark. Still, I will endeavour to keep my snark levels down …but that doesn’t mean I’m going to turn a blind eye to bad behaviour.
Thursday, March 3rd, 2016
Friday, January 29th, 2016
The slides from Calum’s presentation at Front-end London.
Tuesday, October 27th, 2015
Aaron has created a nice straightforward way to allow to POSSE posts from your Jekyll website to Medium.