Tags: preservation

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Thursday, October 1st, 2020

What is happening to our digital archives?

Employing the principle of least power for better digital preservation:

New frameworks and technologies spring up to try and cope with the speed of change. More and more ways to build and release things faster and cheaper becomes the norm. And, the more this happens, the more we deviate from standards: good ol’ HTML and CSS.

Tuesday, May 26th, 2020

This Website Will Self-destruct

You can send me messages using the form below. If I go 24 hours without receiving a message, I’ll permanently self-destruct, and everything will be wiped from my database.

Sunday, May 17th, 2020

Photograph

Do you have a favourite non-personal photograph?

By non-personal, I mean one that isn’t directly related to your life; photographs of family members, friends, travel (remember travel?).

Even discounting those photographs, there’s still a vast pool of candidates. There are all the amazing pictures taken by photojournalists like Lee Miller. There’s all the awe-inspiring wildlife photography out there. Then there are the kind of posters that end up on bedroom walls, like Robert Doisneau’s The Kiss.

One of my favourite photographs of all time has music as its subject matter. No, not Johnny Cash flipping the bird, although I believe this picture to be just as rock’n’roll.

In the foreground, Séamus Ennis sits with his pipes. In the background, Jean Ritchie is leaning intently over her recording equipment.

This is a photograph of Séamus Ennis and Jean Ritchie. It was probably taken around 1952 or 1953 by Ritchie’s husband, George Pickow, when Jean Ritchie and Alan Lomax were in Ireland to do field recordings.

I love everything about it.

Séamus Ennis looks genuinely larger than life (which, by all accounts, he was). And just look at the length of those fingers! Meanwhile Jean Ritchie is equally indominatable, just as much as part of the story as the musician she’s there to record.

Both of them have expressions that convey how intent they are on their machines—Ennis’s uilleann pipes and Ritchie’s tape recorder. It’s positively steampunk!

What a perfect snapshot of tradition and technology meeting slap bang in the middle of the twentieth century.

Maybe that’s why I love it so much. One single photograph is filled with so much that’s dear to me—traditional Irish music meets long-term archival preservation.

Sunday, April 26th, 2020

The Stacks Reader | A Treasure Trove of Classic Journalism

Digital preservation of dead-tree media:

The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories.

Saturday, April 11th, 2020

Jeremy Keith ‘We’ve ruined the Web. Here’s how we fix it.’ - This is HCD

Did you hear the one about two Irishmen on a podcast?

I really enjoyed this back-and-forth discussion with Gerry on performance, waste, and more. We agreed on much, but we also clashed sometimes.

Wednesday, April 8th, 2020

The Cuneiform Tablets of 2015 [PDF]

A 2015 paper by Long Tien Nguyen and Alan Kay with a proposal for digital preservation.

We discuss the problem of running today’s software decades,centuries, or even millennia into the future.

Monday, April 6th, 2020

Local-first software: You own your data, in spite of the cloud

The cloud gives us collaboration, but old-fashioned apps give us ownership. Can’t we have the best of both worlds?

We would like both the convenient cross-device access and real-time collaboration provided by cloud apps, and also the personal ownership of your own data embodied by “old-fashioned” software.

This is a very in-depth look at the mindset and the challenges involved in building truly local-first software—something that Tantek has also been thinking about.

Friday, February 28th, 2020

The Permanent Legacy Foundation

A non-profit that offers digital preservation services for individuals.

Permanence means no subscriptions; a one-time payment for dedicated storage that preserves your most precious memories and an institution that will be there to protect the digital legacy of all people for all time.

Thursday, January 23rd, 2020

This Page is Designed to Last | CSS-Tricks

I feel there is something beyond the technological that is the real trick to a site that lasts: you need to have some stake in the game. You don’t let your URLs die because you don’t want them to. They matter to you. You’ll tend to them if you have to. They benefit you in some way, so you’re incentivized to keep them around. That’s what makes a page last.

Tuesday, January 7th, 2020

Y2K @ 20 - The New York Times

This is quite remarkable. On the surface, it’s a short article about the Y2K bug, but the hypertextual footnotes go deeper and deeper into memory, loss, grief …I’m very moved by the rawness and honesty nested within.

Tuesday, December 31st, 2019

Running Code Over Time – Eric’s Archived Thoughts

We should think of our code, even our designs, as running for decades, and alter our work to match.

Sunday, December 22nd, 2019

This Page is Designed to Last: A Manifesto for Preserving Content on the Web

Geocities, LiveJournal, what.cd, now Yahoo Groups. One day, Medium, Twitter, and even hosting services like GitHub Pages will be plundered then discarded when they can no longer grow or cannot find a working business model.

Considering the needs of someone who wants to make and maintain a website, without the ridiculous complexity of “modern” web tooling:

How do we make web content that can last and be maintained for at least 10 years? As someone studying human-computer interaction, I naturally think of the stakeholders we aren’t supporting. Right now putting up web content is optimized for either the professional web developer (who use the latest frameworks and workflows) or the non-tech savvy user (who use a platform).

Thursday, December 12th, 2019

The Server Souvenir: Taking Home Remnants of Virtual Worlds | Platypus

When the game developer Blizzard Entertainment decommissioned some of their server blades to be auctioned off, they turned them into commemorative commodities, adding an etching onto the metal frame with the server’s name (e.g., “Proudmoore” or “Darkspear”), its dates of operation, and an inscription: “within the circuits and hard drive, a world of magic, adventure, and friendship thrived… this server was home to thousands of immersive experiences.” While stripped of their ability to store virtual memory or connect people to an online game world, these servers were valuable and meaningful as worlds and homes. They became repositories of social and spatial memory, souvenirs from WoW.

Tuesday, November 19th, 2019

The GitHub Archive Program will safely store every public GitHub repo for 1,000 years in the Arctic World Archive in Svalbard, Norway.

This is a fascinating project from Github, the Long Now Foundation, the Internet Archive, the Bodleian Library and others. All of the public code on Github on February 2nd, 2020 will be archived for 1000 years in a vault in Svalbard.

Mind you, given the amount of dependencies that most “modern” code projects rely on, I can’t foresee the code working after 1000 days.

Sunday, October 20th, 2019

Own Your Content on Social Media Using the IndieWeb—zachleat.com

A terrific—and fun!—talk from Zach about site deaths, owning your own content, and the indie web.

Oh, and he really did create MySpaceBook for the talk.

Monday, October 14th, 2019

Ne vous laissez plus déPOSSEder de vos contenus !

I saw Nicholas give this great talk at Paris Web on site deaths, the indie web, and publishing on your own site. That talk was in French, but these slides are (mostly) in English—I was able to follow along surprisingy easily!

Monday, September 16th, 2019

I’m Taking Ownership of My Tweets—zachleat.com

I fully expect my personal website to outlive Twitter and as such have decided to take full ownership of the content I’ve posted there. In true IndieWeb fashion, I’m taking ownership of my data.

Sunday, September 1st, 2019

Why These Social Networks Failed So Badly

Ignore the clickbaity headline and have a read of Whitney Kimball’s obituaries of Friendster, MySpace, Bebo, OpenSocial, ConnectU, Tribe.net, Path, Yik Yak, Ello, Orkut, Google+, and Vine.

I’m sure your content on Facebook, Twitter, and Instagram is perfectly safe.

Saturday, August 24th, 2019

[this is aaronland] #mw19 – the presentation

The web embodies principles of openness and portability and access that best align with the needs, and frankly the purpose, of the cultural heritage sector.

Aaron’s talk from the 2019 Museums and the Web conference.

In 2019 the web is not “sexy” anymore and compared to native platforms it can sometimes seems lacking, but I think that speaks as much to people’s desire for something “new” as it does to any apples to apples comparison. On measure – and that’s the important part: on measure – the web affords a better and more sustainable framework for the cultural heritage to work in than any of the shifting agendas of the various platform vendors.

Tuesday, May 28th, 2019

Obama’s Presidential Library Should Be Digital-First - The Atlantic

Given its origins and composition, the Obama library is already largely digital. The vast majority of the record his presidency left behind consists not of evocative handwritten notes, printed cable transmissions, and black-and-white photographs, but email, Word documents, and JPEGs. The question now is how to leverage its digital nature to make it maximally useful and used.