Friday, February 19th, 2021
Saturday, February 13th, 2021
Matt wrote recently about how different writers keep notes:
I’m also reminded of how writers I love and respect maintain their own reservoirs of knowledge, complete with migratory paths down from the mountains.
When it comes to retrieving information from this online memex of mine, I use tags. I’ve got search forms on my site, but usually I’ll go to the address bar in my browser instead and think “now, what would past me have tagged that with…” as I type
adactio.com/tags/... (or, if I want to be more specific,
It’s very satisfying to use my website as a back-up brain like this. I can get stuff out of my head and squirreled away, but still have it available for quick recall when I want it. It’s especially satisfying when I’m talking to someone else and something they say reminds me of something relevant, and I can go “Oh, let me send you this link…” as I retrieve the tagged item in question.
But I don’t think about other people when I’m adding something to my website. My audience is myself.
I know there’s lots of advice out there about considering your audience when you write, but when it comes to my personal site, I’d find that crippling. It would be one more admonishment from the inner critic whispering “no one’s interested in that”, “you have nothing new to add to this topic”, and “you’re not quailified to write about this.” If I’m writing for myself, then it’s easier to have fewer inhibitions. By treating everything as a scrappy note-to-self, I can avoid agonising about quality control …although I still spend far too long trying to come up with titles for posts.
I’ve noticed—and other bloggers have corroborated this—there’s no correlation whatsover between the amount of time you put into something and how much it’s going to resonate with people. You might spend days putting together a thoroughly-researched article only to have it met with tumbleweeds when you finally publish it. Or you might bash something out late at night after a few beers only to find it on the front page of various aggregators the next morning.
If someone else gets some value from a quick blog post that I dash off here, that’s always a pleasant surprise. It’s a bonus. But it’s not my reason for writing. My website is primarily a tool and a library for myself. It just happens to also be public.
I’m pretty sure that nobody but me uses the tags I add to my links and blog posts, and that’s fine with me. It’s very much a folksonomy.
Likewise, there’s a feature I added to my blog posts recently that is probably only of interest to me. Under each blog post, there’s a heading saying “Previously on this day” followed by links to any blog posts published on the same date in previous years. I find it absolutely fascinating to spelunk down those hyperlink potholes, but I’m sure for anyone else it’s about as interesting as a slideshow of holiday photos.
Matt took this further by adding an “on this day” URL to his site. What a great idea! I’ve now done the same here:
That URL is almost certainly only of interest to me. And that’s fine.
Thursday, January 28th, 2021
Tuesday, January 19th, 2021
Our footpaths converged around the same 5-10 platforms, each with its own particular manner of communication. I have learned, unintentionally, to code switch every time I craft a new post. It’s exhausting, trying to keep track of all those unspoken rules shaped by years of use.
But I don’t have rules like that on my blog. I turned off stats. There are no comments. No likes.
Saturday, January 16th, 2021
A Creative Commons licensed web book that you can read online.
Carbon dioxide removal at a climate-significant scale is one of the most complex endeavors we can imagine, interlocking technologies, social systems, economies, transportation systems, agricultural systems, and, of course, the political economy required to fund it. This primer aims to lower the learning curve for action by putting as many facts as possible in the hands of the people who will take on this challenge. This book can eliminate much uncertainty and fear, and, we hope, speed the process of getting real solutions into the field.
Monday, January 4th, 2021
A rant from Robin. I share his frustration and agree with his observations.
I wonder how we can get the best of both worlds here: the ease of publishing newsletters, with all the beauty and archivability of websites.
Thursday, December 31st, 2020
2020 in numbers
I posted to adactio.com 1442 times in 2020.
March was the busiest month with 184 posts.
This month, December, was the quietest with 68 posts.
Overall I published:
Elsewhere in 2020:
- I huffduffed 187 pieces of audio,
- made 1,139 contributions on Github, and
- published 6 episodes of the Clearleft podcast.
Words I wrote in 2020
Once again I wrote over a hundred blog posts this year. While lots of other activities dropped off significantly while my main focus was to just keep on keepin’ on, I still found solace and reward in writing and publishing. Like I said early on in The Situation, my website is an outlet for me:
While you’re stuck inside, your website is not just a place you can go to, it’s a place you can control, a place you can maintain, a place you can tidy up, a place you can expand. Most of all, it’s a place you can lose yourself in, even if it’s just for a little while.
Here are some blog posts that turned out alright:
- Architects, gardeners, and design systems. Citing Frank Chimero, Debbie Chachra, and Lisa O’Neill.
- Hydration. Progressive enhancement. I do not think it means what you think it means.
- Living Through The Future. William Gibson, Arthur C.Clarke, Daniel Dafoe, Stephen King, Emily St. John Mandel, John Wyndham, Martin Cruz-Smith, Marina Koren and H.G. Wells.
- Principles and priorities. Using design principles to embody your priorities.
- Hard to break. Brittleness is the opposite of resilience. But they both share something in common.
- Intent. Black lives matter.
- Accessibility. Making the moral argument.
- T E N Ǝ T. A spoiler-filled look at the new Christopher Nolan film.
- Portals and giant carousels. Trying to understand why people think they need to make single page apps.
- Clean advertising. The greatest trick the devil ever pulled was convincing the world that behavioural advertising is more effective than contextual advertising.
I find it strangely comforting that even in a year as shitty as 2020, I can look back and see that there were some decent blog posts in there. Whatever 2021 may bring, I hope to keep writing and publishing through it all. I hope you will too.
Thursday, December 17th, 2020
Tending this website keeps me sane. I think of it as a digital garden, a kind of sanctuary. … And if my site is a kind of garden, then I see myself as both gardener and architect, in so much as I make plans and prepare the ground, then sow things that grow in all directions. Some things die, but others thrive, and that’s how my garden grows. And I tend it for me; visitors are a bonus.
A thoughtful and impassioned plea from Colly for more personal publishing:
I know that social media deprived the personal site of oxygen, but you are not your Twitter profile, nor are you your LinkedIn profile. You are not your Medium page. You are not your tiny presence on the company’s About page. If you are, then you look just like everyone else, and that’s not you at all. Right?
Saturday, December 12th, 2020
On your personal website, you own your work. You decide what and when to publish. You decide when to delete things. You are in control. Your work, your rules, your freedom.
Thursday, December 10th, 2020
Amber describes how she implemented webmentions on her (static) site. More important, she describes why!
Thursday, December 3rd, 2020
My favorite aspect of websites is their duality: they’re both subject and object at once. In other words, a website creator becomes both author and architect simultaneously. There are endless possibilities as to what a website could be. What kind of room is a website? Or is a website more like a house? A boat? A cloud? A garden? A puddle? Whatever it is, there’s potential for a self-reflexive feedback loop: when you put energy into a website, in turn the website helps form your own identity.
Sunday, November 22nd, 2020
Growing—that’s a word I want to employ when talking about my personal sites online. Like a garden, I’m constantly puttering around in them. Sometimes I plow and sow a whole new feature for a site. Sometimes I just pick weeds.
Most of my favorite websites out there are grown—homegrown in fact. They are corners of the web where some unique human has been nurturing, curating, and growing stuff for years. Their blog posts, their links, their thoughts, their aesthetic, their markup, their style, everything about their site—and themselves—shows growth and evolution and change through the years. It’s a beautiful thing, a kind of artifact that could never be replicated or manufactured on a deadline.
This part of the web, this organic part, stands in start contrast to the industrial web where websites are made and resources extracted.
Tuesday, November 17th, 2020
Zonelets is a simple HTML blogging engine with scrappy, DIY spirit! I made it because I really want everyone to blog, but I felt that the existing options were generally overcomplicated and commercially-focused in a way that made web creativity feel intimidating and arcane.
I love the philosophy behind this blogging tool, which actively encourages you to learn a little bit of HTML:
Plenty of services can help you to “create a professional-looking website without writing a single line of code.” Now, thanks to Zonelets, you can create an UNPROFESSIONAL-looking website by writing NUMEROUS lines of code!
Friday, November 13th, 2020
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
Saturday, November 7th, 2020
Some suggested that the digital garden was a backlash to the internet we’ve become grudgingly accustomed to, where things go viral, change is looked down upon, and sites are one-dimensional. Facebook and Twitter profiles have neat slots for photos and posts, but enthusiasts of digital gardens reject those fixed design elements. The sense of time and space to explore is key.
Sunday, October 25th, 2020
Free Download of Africanfuturism: An Anthology | Stories by Nnedi Okorafor, TL Huchu, Dilman Dila, Rafeeat Aliyu, Tlotlo Tsamaase, Mame Bougouma Diene, Mazi Nwonwu, and Derek Lubangakene
Here are 8 original visions of Africanfuturism: science fiction stories by both emerging and seasoned African writers staking a claim to Africa’s place in the future. These are powerful visions focused on the African experience and hopes and fears, exploring African sciences, philosophies, adaptations to technology and visions of the future both centred on and spiralling out of Africa. You will find stories of the near and almost-present future, tales set on strange and wonderful new planets, stories of a changed Earth, stories that dazzle the imagination and stimulate the mind. Stories that capture the essence of what we talk about when we talk about Africanfuturism.
Saturday, October 3rd, 2020
Every day I’ve been recording myself playing a tune and then posting the videos here on my site.
I’m pretty pleased that I’ve managed to keep up a 200 day streak. I could keep going, but I think I’m going to take a break. I’ll keep recording and posting tunes, but I’m no longer going to give myself the deadline of doing it every single day. I’ll record and post a tune when I feel like it.
It’ll be interesting to see how the frequency changes now. Maybe I’ll still feel like recording a tune most days. Or maybe it’ll become a rare occurrence.
If you want to peruse the 200 tunes recorded so far, you can find them here on my website and in a playlist on YouTube. I also posted some videos to Instagram, but I haven’t been doing that from the start.
I’m quite chuffed with the overall output (even if some of the individual recordings are distinctly sub-par). Recording 200 tunes sounds like a big task by itself, but if you break it down to recording just one tune a day, it becomes so much more manageable. You can stand anything for ten seconds. As I said when I reached the 100 tune mark:
Recording one tune isn’t too much hassle. There are days when it’s frustrating and I have to do multiple takes, but overall it’s not too taxing. But now, when I look at the cumulative result, I’m very happy that I didn’t skip any days.
There was a side effect to recording a short video every day. I created a timeline for my hair. I’ve documented the day-by-day growth of my hair from 200 days ago to today. A self has been inadvertently quantified.
Tuesday, September 22nd, 2020
You might not think this is a big deal, and maybe it’s not, but I love the idea behind the indie web: a people-focused alternative to the corporate web. Seeing everything you’ve ever linked to in one place really drives home how much of the web’s content, made by individuals, is under corporate control and identity.
Thursday, September 17th, 2020
They came for the writers of car brochures, but I wasn’t a writer of car brochures, so I said nothing.