Reading Binti Home by Nnedi Okorafor.
Wednesday, June 12th, 2019
Sunday, June 9th, 2019
fopenwhen you can write
throwVE. Call that name
fct. That’s German naming convention. Do this and your readers will appreciate it.
Saturday, June 1st, 2019
Reading The Future Home Of The Living God by Louise Erdrich.
Tuesday, May 28th, 2019
Reading Resilient Management by Lara Hogan.
Tuesday, May 21st, 2019
This is an utterly fascinating interactive description of network effects, complete with Nicky Case style games. Play around with the parameters and suddenly you can see things “going viral”:
We can see similar things taking place in the landscape for ideas and inventions. Often the world isn’t ready for an idea, in which case it may be invented again and again without catching on. At the other extreme, the world may be fully primed for an invention (lots of latent demand), and so as soon as it’s born, it’s adopted by everyone. In-between are ideas that are invented in multiple places and spread locally, but not enough so that any individual version of the idea takes over the whole network all at once. In this latter category we find e.g. agriculture and writing, which were independently invented ~10 and ~3 times respectively.
Play around somewhere and you start to see why cities are where ideas have sex:
What I learned from the simulation above is that there are ideas and cultural practices that can take root and spread in a city that simply can’t spread out in the countryside. (Mathematically can’t.) These are the very same ideas and the very same kinds of people. It’s not that rural folks are e.g. “small-minded”; when exposed to one of these ideas, they’re exactly as likely to adopt it as someone in the city. Rather, it’s that the idea itself can’t go viral in the countryside because there aren’t as many connections along which it can spread.
This really is a wonderful web page! (and it’s licensed under a Creative Commons Zero licence)
We tend to think that if something’s a good idea, it will eventually reach everyone, and if something’s a bad idea, it will fizzle out. And while that’s certainly true at the extremes, in between are a bunch of ideas and practices that can only go viral in certain networks. I find this fascinating.
Friday, May 10th, 2019
Reading Inferior: The True Power Of Women and the Science that Shows It by Angela Saini.
Thursday, May 2nd, 2019
Erin’s classic book is now available to read online for free!
Saturday, April 27th, 2019
Reading Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan.
Friday, March 22nd, 2019
Reading A Mind At Play: How Claude Shannon Invented The Information Age by Jimmy Soni and Rob Goodman.
Friday, March 15th, 2019
Reading Lincoln in the Bardo by George Saunders.
Saturday, March 2nd, 2019
Reading The Order Of Time by Carlo Rovelli.
Thursday, February 28th, 2019
Tuesday, February 26th, 2019
Reading Binti by Nnedi Okorafor.
Tuesday, February 5th, 2019
Reading The Soul Of A New Machine by Tracy Kidder.
Sunday, January 20th, 2019
Reading Kindred by Octavia Butler.
Friday, January 18th, 2019
It’s our job as designers to bring clarity back to the digital canvas by crafting reading experiences that put readers first.
Tuesday, January 15th, 2019
I have to admit, I’m kind of nervous about this talk. It’s been quite a while since the last New Adventures, but it’s always had quite the cachet. I think I went to most of them. It’s quite strange—and quite an honour—to shift gears from attendee to speaker.
The talk I’ll be giving is called Building. That might be a noun. That might be a verb. You decide:
Every new medium looks to what has come before for guidance. Web design has taken cues from centuries of typography and graphic design. Web development has borrowed metaphors and ideas from the world of architecture. Let’s take a tour of some of the most influential ideas from architecture that have crossed over into the web, from pattern languages to responsive design. Together we’ll uncover how to build resilient, performant, accessible and beautiful structures that work with the grain of the materials of the web.
This talk builds upon the talk I gave at last year’s An Event Apart called The Way Of The Web. It also reflects many of the ideas in Resilient Web Design. When I gave a run-through of the talk at Clearleft last week, Andy called it a “greatest hits.” For a while there, I was feeling guilty about retreading some ground I’ve covered in previous talks and writings. Then I realised it was pretty arrogant of me to think that anyone in the audience would be familiar with any of it.
Besides, I’ve got a whole new avenue of exploration in this talk. It’s about language and metaphor—how we talk about what we do on the web. I’ve just finished giving another run-through at the Clearleft studio and I’m feeling pretty good about it. That’s good, because I find that giving a talk in a small room to a handful of colleagues is way more stressful than giving a talk to hundreds of people at a conference.
Just as I put together links related to last year’s talk, I figured I’d provide some hyperlinks for anyone interested in the topics raised in this new talk…
- Metaphors We Live By by George Lakoff and Mark Johnson
- Understanding Comics by Scott McCloud
- Creating Killer Websites by David Siegel
- Grid Systems in Graphic Design by Josef Müller-Brockman
- 101 Things I Learned in Architecture School by Matthew Frederick
- Architectural Intelligence by Molly Wright Steenson
- A Pattern Language by Christopher Alexander, Sara Ishikawa, Murray Silverstein with Ingrid King, Shlomo Angel and Max Jacobsen
- How Buildings Learn by Stewart Brand
- Where Good Ideas Come From by Steven Johnson
- The Clock of the Long Now: Time and Responsibility by Stewart Brand
- A Dao Of Web Design by John Allsopp
- Responsive Web Design by Ethan Marcotte
- Device Agnostic by Trent Walton
- The Work I Like by Ethan Marcotte
Friday, December 28th, 2018
Books I read in 2018
I read twenty books in 2018, which is exactly the same amount as I read in 2017. Reflecting on that last year, I said “It’s not as many as I hoped.” It does seem like a meagre amount, but in my defence, some of the books I read this year were fairly hefty tomes.
I decided to continue my experiment from last year of alternating fiction and non-fiction books. That didn’t quite work out, but it makes for a good guiding principle.
In ascending reading order, these are the books I read in 2018…
A Fire Upon The Deep by Vernor Vinge
I started this towards the end of 2017 and finished it at the start of 2018. A good sci-fi romp, but stretched out a little bit long.
Time Travel: A History by James Gleick
I really enjoyed this, but then, that’s hardly a surprise. The subject matter is tailor made for me. I don’t think this quite matches the brilliance of Gleick’s The Information, but I got a real kick out of it. A book dedicated to unearthing the archeology of a science-fiction concept is a truly fascinating idea. And it’s not just about time travel, per se—this is a meditation on the nature of time itself.
Traction by Gino Wickman
Andy was quite taken with this management book and purchased multiple copies for the Clearleft leadership team. I’ll refrain from rating it because it was more like a homework assignment than a book I would choose to read. It crystalises some good organisational advice into practical steps, but it probably could’ve been quite a bit shorter.
Provenance by Ann Leckie
It feels very unfair but inevitable to compare this to Ann Leckie’s amazing debut Imperial Radch series. It’s not in quite the same league, but it’s also not trying to be. This standalone book has a lighter tone. It’s a rollicking good sci-fi procedural. It may not be as mind-blowingly inventive as Ancillary Justice, but it’s still a thoroughly enjoyable read.
Visions, Ventures, Escape Velocities: A Collection of Space Futures edited by Ed Finn and Joey Eschrich, with guest editor Juliet Ulman
This book is free to download so it’s rather excellent value for money. It alternates sci-fi short stories with essays. Personally, I would skip the essays—they’re all a bit too academic for my taste. But some of these stories are truly excellent. There’s a really nice flow to the collection: it begins in low Earth orbit, then expands out to the Mars, the asteroid belt, and beyond. Death on Mars by Madeline Ashby was a real standout for me.
The Best of Richard Matheson by Richard Matheson, edited by Victor LaValle
For some reason, I was sent a copy of this book by an editor at Penguin Classics. I have no idea why, but thank you, Sam! This turned out to be a lot of fun. I had forgotten just how many classics of horror and sci-fi are the work of Richard Matheson. He probably wrote your favourite Twilight Zone episode. There’s a real schlocky enoyment to be had from snacking on these short stories, occassionally interspersed with genuinely disturbing moments and glimpses of beauty.
Close To The Machine: Technophilia And Its Discontents by Ellen Ullman
Lots of ’90s feels in this memoir. A lot of this still resonates today. It’s kind of fascinating to read it now with the knowledge of how this whole internet thing would end up going.
Gnomon by Nick Harkaway
This gripped me from the start, and despite its many twisty strands, it managed to keep me with it all the way through. Maybe it’s a bit longer than it needs to be, and maybe some of the diversions don’t entirely work, but it makes up for that with its audaciousness. I still prefer Goneaway World, but any Nick Harkaway book is a must-read.
Hidden Figures by Margot Lee Shetterly
Terrific stuff. If you’ve seen the movie, you’ve got about one tenth of the story. The book charts a longer arc and provides much deeper social and political context.
Dawn by Octavia Butler
This is filled with interesting ideas, but the story never quite gelled for me. I’m not sure if I should continue with the rest of the Lilith’s Brood series. But there’s something compelling and unsettling in here.
Sapiens: A Brief History Of Humankind by Yuval Noah Harari
Frustratingly inconsistent. Here’s my full review.
The Fifth Season by N.K. Jemisin
The Obelisk Gate by N.K. Jemisin
The Stone Sky by N.K. Jemisin
I devoured these books back-to-back. The Fifth Season was terrific—packed to the brim with inventiveness. But neither The Obelisk Gate nor The Stone Sky quite did it for me. Maybe my expectations were set too high by that first installment. But The Broken Earth is still a fascinating and enjoyable series.
Programmed Inequality by Marie Hicks
I was really looking forward to this one, but I found its stiff academic style hard to get through. I still haven’t finished it. But I figure if I could read Sapiens through to the end, I can certainly manage this. The subject matter is certainly fascinating, and the research is really thorough, but I’m afraid the book is showing its thesis roots.
The Power by Naomi Alderman
This plays out its conceit well, and it’s a fun read, but it’s not quite a classic. It feels more like a Neil Gamain or Lauren Beukes page-turner than, say, a Margaret Atwood exploration. Definitely worth a read, though.
New York 2140 by Kim Stanley Robinson
The world-building (or maybe it’s world rebuilding) is terrific. But once again, as is often the case with Kim Stanley Robinson, I find the plot to be lacking. This is not in the same league as Aurora. It’s more like 2312-on-sea. It’s frustrating. I’m torn between giving it three stars or four. I’m going to be generous because even though it’s not the best Kim Stanley Robinson book, it contains some of his best writing. There are passages that are breathtakingly good.
A Thread Across The Ocean by John Steele Gordon
After (temporarily) losing my library copy of New York 2140, I picked this up in a bookstore in Charlottesville so I’d have something to read during my stay there. I was very glad I did. I really, really enjoyed this. It’s all about the transatlantic telegraphic cable, so if that’s your thing—as it is mine—you’re going to enjoy this. It makes a great companion piece to Tom Standage’s The Victorian Internet. Come for the engineering, stay for the nautical tales of derring-do.
Borne by Jeff VanderMeer
Not as disturbing as the Southern Reach Trilogy, but equally unsettling in its own way. Shades of Oryx and Crake, but in a more fantastically surreal setting.
The Airs Of Earth by Brian Aldiss
A good collection of short stories from the master of sci-fi. I’ve got a backlog of old pulpy paperback Aldiss collections like this that make for good snackfood for the mind.
Algorithms to Live By: The Computer Science of Human Decisions by Brian Christian and Tom Griffiths
A Christmas present from my brother-in-law. I just cracked this open, so you’ll have to come back next year to find out how it fared.
Alright. Now it’s time to pick the winners.
I think the best fiction book I read this year was Nick Harkaway’s Gnomon.
For non-fiction, it’s a tough call. I really enjoyed Hidden Figures and A Thread Across The Ocean, but I think I’m going to have to give the top spot to James Gleick’s Time Travel: A History.
But there were no five star books this year. Maybe that will change in 2019. And maybe I’ll read more books next year, too. We’ll see.
In 2017, seven of the twenty books I read were by women. In 2018, it was nine out of twenty (not counting anthologies). That’s better, but I want keep that trajectory going in 2019.
Reading Algorithms to Live By: The Computer Science of Human Decisions by Brian Christian and Tom Griffiths.
Saturday, December 22nd, 2018
Craig writes about reading and publishing, from the memex and the dynabook to the Kindle, the iPhone, and the iPad, all the way back around to plain ol’ email and good old-fashioned physical books.
We were looking for the Future Book in the wrong place. It’s not the form, necessarily, that needed to evolve—I think we can agree that, in an age of infinite distraction, one of the strongest assets of a “book” as a book is its singular, sustained, distraction-free, blissfully immutable voice. Instead, technology changed everything that enables a book, fomenting a quiet revolution. Funding, printing, fulfillment, community-building—everything leading up to and supporting a book has shifted meaningfully, even if the containers haven’t. Perhaps the form and interactivity of what we consider a “standard book” will change in the future, as screens become as cheap and durable as paper. But the books made today, held in our hands, digital or print, are Future Books, unfuturistic and inert may they seem.