Reading Superior: The Return of Race Science by Angela Saini.
Saturday, July 4th, 2020
Thursday, June 25th, 2020
Here then are 10 stories of remaking the future that contain hope — or at least stability.
- The City and the Stars by Arthur C Clarke
- The First Fifteen Lives of Harry August by Claire North
- Revenger by Alastair Reynolds
- Children of Time by Adrian Tchaikovsky
- Do You Dream of Terra-Two? by Temi Oh
- Consider Phlebas by Iain M Banks
- Natural History by Justina Robson
- Ancillary Justice by Ann Leckie
- Way Station by Clifford D Simak
- News from Gardenia by Robert Llewellyn
Saturday, June 20th, 2020
Reading The Farthest Shore by Ursula K. Le Guin.
Wednesday, June 17th, 2020
Well, this is timely! Cassie mentioned recently that she was reading—and enjoying—the Earthsea books, which I had never got around to reading. So I’m reading them now. Then Craig mentioned in one of his newsletters that he’s also reading them. Now there’s this article…
To white protestors and accomplices, who say that they want to listen but are fearful of giving up some power so that we can all heal, I suggest you read the Earthsea cycle. You will need to learn to step away from the center to build a new world, and the Black majority in this fantasy series offers a better model than any white history.
Tuesday, June 16th, 2020
Reading The Tombs Of Atuan by Ursula K. Le Guin.
Monday, June 15th, 2020
A service that—amongst other things—allows you to read newsletters in your RSS reader.
Tuesday, June 9th, 2020
Reading A Wizard Of Earthsea by Ursula K. Le Guin.
Tuesday, May 26th, 2020
Reading Uncanny Valley by Anna Wiener.
Saturday, May 23rd, 2020
Sunday, April 26th, 2020
Reading Helliconia Winter by Brian Aldiss.
Saturday, April 25th, 2020
At the beginning of the year, Remy wrote about extracting Goodreads metadata so he could create his end-of-year reading list. More recently, Mark Llobrera wrote about how he created a visualisation of his reading history. In his case, he’s using JSON to store the information.
This kind of JSON storage is exactly what Tom Critchlow proposes in his post, Library JSON - A Proposal for a Decentralized Goodreads:
Thinking through building some kind of “web of books” I realized that we could use something similar to RSS to build a kind of decentralized GoodReads powered by indie sites and an underlying easy to parse format.
His proposal looks kind of similar to what Mark came up with. There’s a title, an author, an image, and some kind of date for when you started and/or finished reading the book.
Matt then points out that RSS gets close to the data format being suggested and asks how about using RSS?:
Rather than inventing a new format, my suggestion is that this is RSS plus an extension to deal with books. This is analogous to how the podcast feeds are specified: they are RSS plus custom tags.
Like Matt, I’m in favour of re-using existing wheels rather than inventing new ones, mostly to avoid a 927 situation.
But all of these proposals—whether JSON or RSS—involve the creation of a separate file, and yet the information is originally published in HTML. Along the lines of Matt’s idea, I could imagine extending the
h-entry collection of class names to allow for books (or films, or other media). It already handles images (with
u-photo). I think the missing fields are the date-related ones: when you start and finish reading. Those fields are present in a different microformat,
h-event in the form of
dt-end. Maybe they could be combined:
<article class="h-entry h-event h-review"> <h1 class="p-name p-item">Book title</h1> <img class="u-photo" src="image.jpg" alt="Book cover."> <p class="p-summary h-card">Book author</p> <time class="dt-start" datetime="YYYY-MM-DD">Start date</time> <time class="dt-end" datetime="YYYY-MM-DD">End date</time> <div class="e-content">Remarks</div> <data class="p-rating" value="5">★★★★★</data> <time class="dt-published" datetime="YYYY-MM-DDThh:mm">Date of this post</time> </article>
That markup is simultaneously a post (
h-entry) and an event (
h-event) and you can even throw in
h-card for the book author (as well as
h-review if you like to rate the books you read). It can be converted to RSS and also converted to
.ics for calendars—those parsers are already out there. It’s ready for aggregation and it’s ready for visualisation.
I publish very minimal reading posts here on adactio.com. What little data is there isn’t very structured—I don’t even separate the book title from the author. But maybe I’ll have a little play around with turning these h-entries into combined h-entry/event posts.
Wednesday, April 1st, 2020
A reading of The Enormous Space by J.G. Ballard
Staying at home triggered a memory for me. I remembered reading a short story many years ago. It was by J.G. Ballard, and it described a man who makes the decision not to leave the house.
Being a J.G. Ballard story, it doesn’t end there. Over the course of the story, the house grows and grows in size, forcing the protaganist into ever-smaller refuges within his own home. It really stuck with me.
I tried tracking it down with some Duck Duck Going. Searching for “j.g. ballard weird short story” doesn’t exactly narrow things down, but eventually I spotted the book that I had read the story in. It was called War Fever. I think I read it back when I was living in Germany, so that would’ve been in the ’90s. I certainly don’t have a copy of the book any more.
But I was able to look up a table of contents and find a title for the story that was stuck in my head. It’s called The Enormous Space.
Alas, I couldn’t find any downloadable versions—War Fever doesn’t seem to be available for the Kindle.
Then I remembered the recent announcement from the Internet Archive that it was opening up the National Emergency Library. The usual limits on “checking out” books online are being waived while physical libraries remain closed.
I found The Complete Stories of J.G. Ballard and borrowed it just long enough to re-read The Enormous Space.
If anything, it’s creepier and weirder than I remembered. But it’s laced with more black comedy than I remembered.
I thought you might like to hear this story, so I made a recording of myself reading The Enormous Space.
Sunday, March 29th, 2020
Reading The Fabric Of Reality by David Deutsch.
Tuesday, March 24th, 2020
RSS: now more than ever!
You get to choose what you subscribe to in your feed reader, and the order in which the posts show up. You might prefer to read the oldest posts first, or the newest. You might group your feeds by topic or another priority. You are not subjected to the “algorithmic feed” of Facebook, Twitter, Instagram, YouTube, where they choose the order for you.
Thursday, March 19th, 2020
COVID-19 has really made me realize that we need to be grateful for the people and activities we take for granted. Things like going out for food, seeing friends, going to the gym, etc., are fun, but are not essential for (physical) survival.
It reminds of Brian Eno’s definition of art: art is anything we don’t have to do. It’s the same with social activities. We don’t have to go to concerts—we can listen to music at home. We don’t have to go the cinema—we can watch films at home. We don’t have to go to conferences—we can read books and blog posts at home. We don’t have to go out to restaurants—all our nutritional needs can be met at home.
But it’s not the same though, is it?
I think about the book Station Eleven a lot. The obvious reason why I’d be thinking about it is that it describes a deadly global pandemic. But that’s not it. Even before The Situation, Station Eleven was on my mind for helping provide clarity on the big questions of life; y’know, the “what’s it all about?” questions like “what’s the meaning of life?”
Part of the reason I think about Station Eleven is its refreshingly humanist take on a post-apocalyptic society. As I discussed on this podcast episode a few years back:
It’s interesting to see a push-back against the idea that if society is removed we are going to revert to life being nasty, brutish and short. Things aren’t good after this pandemic wipes out civilisation, but people are trying to put things back together and get along and rebuild.
Related to that, Station Eleven describes a group of people in a post-pandemic world travelling around performing Shakespeare plays. At first I thought this was a ridiculous conceit. Then I realised that this was the whole point. We don’t have to watch Shakespeare to survive. But there’s a difference between surviving and living.
I’m quite certain that one positive outcome of The Situation will be a new-found appreciation for activities we don’t have to do. I’m looking forward to sitting in a pub with a friend or two, or going to see a band, or a play or a film, and just thinking “this is nice.”
Reading Machines Like Me by Ian McEwan.
Thursday, March 5th, 2020
Reading A Short History Of Irish Traditional Music by Gearóid Ó hAllmhuráin.
Tuesday, March 3rd, 2020
Abolish Silicon Valley by Wendy Liu
I got an email a little while back from Michael at Repeater Books asking me if I wanted an advance copy of Abolish Silicon Valley: How to Liberate Technology From Capitalism by Wendy Liu. Never one to look a gift horse in the mouth, I said “Sure!”
I’m happy to say that the book is most excellent …or at least mostly excellent.
Contrary to what the book title—or its blurb—might tell you, this is a memoir first and foremost. It’s a terrific memoir. It’s utterly absorbing.
Just as the most personal songs can have the most universal appeal, this story feels deeply personal while being entirely accessible. You don’t have to be a computer nerd to sympathise with the struggles of a twenty-something in a start-up trying to make sense of the world. This well-crafted narrative will resonate with any human. It calls to mind Ellen Ullman’s excellent memoir, Close to the Machine—not a comparison I make lightly.
But as you might have gathered from the book’s title, Abolish Silicon Valley isn’t being marketed as a memoir:
Abolish Silicon Valley is both a heartfelt personal story about the wasteful inequality of Silicon Valley, and a rallying call to engage in the radical politics needed to upend the status quo.
It’s true that the book finishes with a political manifesto but that’s only in the final chapter or two. The majority of the book is the personal story, and just as well. Those last few chapters really don’t work in this setting. They feel tonally out of place.
Don’t get me wrong, the contents of those final chapters are right up my alley—they’re preaching to the converted here. But I think they would be better placed in their own publication. The heavily-researched academic style jars with the preceeding personal narrative.
Abolish Silicon Valley is 80% memoir and 20% manifesto. I worry that the marketing isn’t making that clear. It would be a shame if this great book didn’t find its audience.
The book will be released on April 14th. It’s available to pre-order now. I highly recommend doing just that. I think you’ll really enjoy it. But if you get mired down in the final few chapters, know that you can safely skip them.
Tuesday, February 25th, 2020
Reading Abolish Silicon Valley by Wendy Liu.