I think these are great habit-forming ideas for any web designer or developer: a day without using your mouse; a day with your display set to grayscale; a day spent using a different web browser; a day with your internet connection throttled. I’m going to try these!
Sunday, November 17th, 2019
Thursday, November 7th, 2019
When I was travelling across the Atlantic ocean on the Queen Mary 2 back in August, I had the pleasure of attending a series of on-board lectures by Charles Barclay from the Royal Astronomical Society.
One of those presentations was on the threat of asteroid impacts—always a fun topic! Charles mentioned Spaceguard, the group that tracks near-Earth objects.
Spaceguard is a pretty cool-sounding name for any organisation. The name comes from a work of (science) fiction. In Arthur C. Clarke’s 1973 book Rendezvous with Rama, Spaceguard is the name of a fictional organisation formed after a devastating asteroid impact on northen Italy—an event which is coincidentally depicted as happening on September 11th. That’s not a spoiler, by the way. The impact happens on the first page of the book.
At 0946 GMT on the morning of September 11 in the exceptionally beautiful summer of the year 2077, most of the inhabitants of Europe saw a dazzling fireball appear in the eastern sky. Within seconds it was brighter than the Sun, and as it moved across the heavens—at first in utter silence—it left behind it a churning column of dust and smoke.
Somewhere above Austria it began to disintegrate, producing a series of concussions so violent that more than a million people had their hearing permanently damaged. They were the lucky ones.
Moving at fifty kilometers a second, a thousand tons of rock and metal impacted on the plains of northern Italy, destroying in a few flaming moments the labor of centuries.
Later in the same lecture, Charles talked about the Torino scale, which is used to classify the likelihood and severity of impacts. Number 10 on the Torino scale means an impact is certain and that it will be an extinction level event.
Torino—Turin—is in northern Italy. “Wait a minute!”, I thought to myself. “Is this something that’s also named for that opening chapter of Rendezvous with Rama?”
I spoke to Charles about it afterwards, hoping that he might know. But he said, “Oh, I just assumed that a group of scientists got together in Turin when they came up with the scale.”
Being at sea, there was no way to easily verify or disprove the origin story of the Torino scale. Looking something up on the internet would have been prohibitively slow and expensive. So I had to wait until we docked in New York.
On our first morning in the city, Jessica and I popped into a bookstore. I picked up a copy of Rendezvous with Rama and re-read the details of that opening impact on northern Italy. Padua, Venice and Verona are named, but there’s no mention of Turin.
Sure enough, when I checked Wikipedia, the history and naming of the Torino scale was exactly what Charles Barclay surmised:
A revised version of the “Hazard Index” was presented at a June 1999 international conference on NEOs held in Torino (Turin), Italy. The conference participants voted to adopt the revised version, where the bestowed name “Torino Scale” recognizes the spirit of international cooperation displayed at that conference toward research efforts to understand the hazards posed by NEOs.
Wednesday, September 18th, 2019
The transcript of Andy’s talk from this year’s State Of The Browser conference.
I don’t think using scale as an excuse for over-engineering stuff—especially CSS—is acceptable, even for huge teams that work on huge products.
Friday, August 23rd, 2019
If, in the final 7,000 years of their reign, dinosaurs became hyperintelligent, built a civilization, started asteroid mining, and did so for centuries before forgetting to carry the one on an orbital calculation, thereby sending that famous valedictory six-mile space rock hurtling senselessly toward the Earth themselves—it would be virtually impossible to tell.
A nice steaming cup of perspective.
If there were a nuclear holocaust in the Triassic, among warring prosauropods, we wouldn’t know about it.
Tuesday, July 16th, 2019
Fifteen years ago, I went to the Willie Clancy Summer School in Miltown Malbay:
I’m back from the west of Ireland. I was sorry to leave. I had a wonderful, music-filled time.
I’m not sure why it took me a decade and a half to go back, but that’s what I did last week. Myself and Jessica once again immersed ourselves in Irish tradtional music. I’ve written up a trip report over on The Session.
On the face of it, fifteen years is a long time. Last time I made the trip to county Clare, I was taking pictures on a point-and-shoot camera. I had a phone with me, but it had a T9 keyboard that I could use for texting and not much else. Also, my hair wasn’t grey.
But in some ways, fifteen years feels like the blink of an eye.
I spent my mornings at the Willie Clancy Summer School immersed in the history of Irish traditional music, with Paddy Glackin as a guide. We were discussing tradition and change in generational timescales. There was plenty of talk about technology, but we were as likely to discuss the influence of the phonograph as the influence of the internet.
Outside of the classes, there was a real feeling of lengthy timescales too. On any given day, I would find myself listening to pre-teen musicians at one point, and septegenarian masters at another.
Now that I’m back in the Clearleft studio, I’m finding it weird to adjust back in to the shorter timescales of working on the web. Progress is measured in weeks and months. Technologies are deemed outdated after just a year or two.
The one bridging point I have between these two worlds is The Session. It’s been going in one form or another for over twenty years. And while it’s very much on and of the web, it also taps into a longer tradition. Over time it has become an enormous repository of tunes, for which I feel a great sense of responsibility …but in a good way. It’s not something I take lightly. It’s also something that gives me great satisfaction, in a way that’s hard to achieve in the rapidly moving world of the web. It’s somewhat comparable to the feelings I have for my own website, where I’ve been writing for eighteen years. But whereas adactio.com is very much focused on me, thesession.org is much more of a community endeavour.
I question sometimes whether The Session is helping or hindering the Irish music tradition. “It all helps”, Paddy Glackin told me. And I have to admit, it was very gratifying to meet other musicians during Willie Clancy week who told me how much the site benefits them.
I think I benefit from The Session more than anyone though. It keeps me grounded. It gives me a perspective that I don’t think I’d otherwise get. And in a time when it feels entirely to right to question whether the internet is even providing a net gain to our world, I take comfort in being part of a project that I think uses the very best attributes of the World Wide Web.
Thursday, March 7th, 2019
Wednesday, January 9th, 2019
Monday, November 26th, 2018
Paul was at the Material conference in Iceland too, and we had some good chats. Here, he speaks his brains with Deep Thoughts prompted by the event.
I really get where he’s coming from when he says that “certain websites feel more ‘webby’ than others”, but it sure is tricky to nail down.
Tuesday, September 25th, 2018
I don’t really understand what this colour tool is doing or what it’s for, but I like it.
Sunday, July 8th, 2018
BBC News has switched to HTTPS—hurrah!
Here, one of the engineers writes on Ev’s blog about the challenges involved. Personally, I think this is far more valuable and inspiring to read than the unempathetic posts claiming that switching to HTTPS is easy.
Tuesday, April 10th, 2018
The transcript of a terrific talk by Paul, calling for a more thoughtful, questioning approach to digital design. It covers the issues I’ve raised about Booking.com’s dark patterns and a post I linked to a while back about the shifting priorities of designers working at scale.
Drawing inspiration from architectural practice, its successes and failures, I question the role of design in a world being eaten by software. When the prevailing technocratic culture permits the creation of products that undermine and exploit users, who will protect citizens within the digital spaces they now inhabit?
Monday, March 5th, 2018
Craig talks about reading, writing, books, publishing, and Amazon:
Kindle and non-Kindle book sales account for less than two percent of Amazon’s market cap. The Kindle could disappear tomorrow, and Amazon would not be materially affected. Even from a branding perspective, I don’t think AMAZON = BOOKS anymore, certainly not to younger consumers. AMAZON = PRIME. PRIME = A 3D PRINTER on a one-day time-delay that deposits anything you can imagine on your doorstep.
There’s also this about the double-edged sword of working at scale:
Does affecting one hundred lives turn you on? A thousand? A million? A billion? Why? What does it mean to have a positive impact on a life? How intimate does that connection need to be? Understanding your scale — the scale that moves you — is critical to understanding with whom and how you should work, how you should live.
Tuesday, November 28th, 2017
Rob walks us through the typographic choices for his recent redesign:
Most of what I design that incorporates type has a typographic scale as its foundation, which informs the typeface choices and layout proportions. The process of creating that scale begins by asking what the type needs to do, and what role contrasting sizes will play in that.
Friday, September 8th, 2017
John makes the point that unless you’re one of the big, big players, your native app is really going to struggle to find an audience. But that’s okay—a progressive web app might be exactly what you need.
In short, using native apps as a path to reaching a large number of potential customers and benefitting from crucial network effects is close to impossible.
But, in the meantime, the Web has responded to the very significant impact that native apps had on user behaviour.
For me, the strength of the web has never been about how it can help big companies—it’s about how it can amplify and connect the niche players.
Monday, April 25th, 2016
Chris’s homage to I, Pencil.
I, Website, am a complex combination of miracles.
Tuesday, April 5th, 2016
Tuesday, March 1st, 2016
Monday, July 27th, 2015
Thursday, March 6th, 2014
A lovely visualisation that combines two of my loves: space, and the correct use of the subjunctive.
Friday, November 2nd, 2012
A really nice piece on scale, ratio and rhythms in web design.