The best climate fiction can do more than spur us to action to save the world we have — it can help us conceptualize the worlds, both beautiful and dire, that may lie ahead. These stories can be maps to the future, tools for understanding the complex systems that intertwine with the changing climates to come.
Thursday, April 28th, 2022
Monday, April 25th, 2022
I went to TEDxBrighton on Friday. I didn’t actually realise it was happening until just a couple of days beforehand, but I once I knew, I figured I should take advantage of it being right here in my own town.
All in all, it was a terrific day. The MCing by Adam Pearson was great—just the right mix of enthusiasm and tongue-in-cheek humour. The curation of the line-up worked well too. The day was broken up into four loosely-themed sections. As I’m currently in the process of curating an event myself, I can appreciate how challenging it is.
Each section opened with a musical act. Again, having been involved behind the scenes with many events myself, I was impressed by the audaciousness, just from a logistical perspective. It all went relatively smoothly.
The talks at a TED or TEDx event can be a mixed bag. You can have a scientist on stage distilling years of research into a succint message followed by someone talking nonsense about some pseudo-psychological self-help scheme. But at TEDxBrighton, we lucked out.
A highlight for me was Dr James Mannion talking about implementation science—something that felt directly applicable to design work. Victoria Jenkins was also terrific, and again, her points about inclusive design felt very relevant. And of course I really enjoyed the space-based talks by Melissa Thorpe and Bianca Cefalo. Now that I think about it, just about everyone was great: Katie Vincent, Lewis Wedlock, Dina Nayeri—they all wowed me.
With one exception. There was a talk that was supposed to be about the future of democracy. In reality it quickly veered into DAOs before descending into a pitch for crypto and NFTs. The call to action was literally for everyone in the audience to go out and get a crypto wallet and buy an NFT …using ethereum no less! We were exhorted to use an unbelievably wasteful and energy-intensive proof-of-work technology to get our hands on a receipt for a JPG …from the same stage that would later highlight the work of climate activists like Tommie Eaton. It was really quite disgusting. The fear-based message of the talk was literally about getting in on the scheme before it’s too late. At one point we were told to “do the research.” I’m surprised we weren’t all told that we’re “not going to make it.”
A disgraceful shill for a ponzi scheme would’ve ruined any other event. Fortunately the line-up at TEDxBrighton was so strong that one scam artist couldn’t torpedo the day. Just like crypto itself—and associated bollocks like NFTs and web3—it was infuriating to have to sit through it in the short term, but then it just faded away into insignificance. One desperate peddler of snake oil couldn’t make a dent in an otherwise great day.
Tuesday, February 22nd, 2022
I found this to be thoroughly engrossing. An articulate composition, you might say.
I couldn’t help thinking of J.G. Ballard’s short story, The Drowned Giant.
Saturday, February 19th, 2022
Not only was fire always dangerous as well as beneficial, so was the wheel. A spear could injure or kill your friends, not only your dinner. With clothes came not only protection but also body lice. With farming came not only a more reliable food supply but also hard, repetitive work – and plunder by hungry bandits.
Every solution creates new problems. But they can be better problems. Lesser evils. More and greater delights.
That’s what progress is. That is what is most visible today. And that is what cynicism must therefore besmirch, obfuscate and argue away if it is to make itself, and pessimism, superficially plausible.
Monday, January 31st, 2022
Chip Delaney and Octavia Butler on a panel together in 1998 when hypertext and “cyberspace” are in the air. Here’s Octavia Butler on her process (which reminds me of when I’m preparing a conference talk):
I generally have four or five books open around the house—I live alone; I can do this—and they are not books on the same subject. They don’t relate to each other in any particular way, and the ideas they present bounce off one another. And I like this effect. I also listen to audio-books, and I’ll go out for my morning walk with tapes from two very different audio-books, and let those ideas bounce off each other, simmer, reproduce in some odd way, so that I come up with ideas that I might not have come up with if I had simply stuck to one book until I was done with it and then gone and picked up another.
So, I guess, in that way, I’m using a kind of primitive hypertext.
I’ve only read three of these five books, but after reading this rollicking interview with Eric Schwitzgebel, I’ve added the other two recommendations to my wishlist.
Sunday, November 7th, 2021
Ben is writing a chapter a day of this cli-fi story. You can subscribe to the book by email or RSS.
Sunday, October 24th, 2021
“Dune,” “Foundation,” and the Allure of Science Fiction that Thinks Long-Term — Blog of the Long Now
Comparing and contrasting two different takes on long-term thinking in sci-fi: Dune and Foundation.
In a moment of broader cultural gloominess, Dune’s perspective may resonate more with the current movie-going public. Its themes of long-term ecological destruction, terraforming, and the specter of religious extremism seem in many ways ripped out of the headlines, while Asimov’s technocratic belief in scholarly wisdom as a shining light may be less in vogue. Ultimately, though, the core appeal of these works is not in how each matches with the fashion of today, but in how they look forward through thousands of years of human futures, keeping our imagination of long-term thinking alive.
Wednesday, October 20th, 2021
A great little sci-fi short film from Superflux—a mockumentary from the near future. It starts dystopian but then gets more solarpunk.
Sunday, October 3rd, 2021
Twelve short stories of solarpunk cli-fi “envisioning the next 180 years of equitable climate progress.”
Whether built on abundance or adaptation, reform or a new understanding of survival, these stories provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Saturday, October 2nd, 2021
These days I tend to think of dystopias as being fashionable, perhaps lazy, maybe even complacent, because one pleasure of reading them is cozying into the feeling that however bad our present moment is, it’s nowhere near as bad as the ones these poor characters are suffering through.
Kim Stanley Robinson on dystopias and utopias.
The energy flows on this planet, and humanity’s current technological expertise, are together such that it’s physically possible for us to construct a worldwide civilization—meaning a political order—that provides adequate food, water, shelter, clothing, education, and health care for all eight billion humans, while also protecting the livelihood of all the remaining mammals, birds, reptiles, insects, plants, and other life-forms that we share and co-create this biosphere with. Obviously there are complications, but these are just complications. They are not physical limitations we can’t overcome. So, granting the complications and difficulties, the task at hand is to imagine ways forward to that better place.
Monday, September 6th, 2021
At its core, and despite its appropriation, Solarpunk imagines a radically different societal and economic structure.
Friday, September 3rd, 2021
On the detail and world-building in 40 years of William Gibson’s work.
Sunday, August 22nd, 2021
From Mary Shelley and Edgar Rice Burroughs to John Brunner, Frank Herbert and J.G. Ballard to Kim Stanley Robinson, Paolo Bacigalupi, and Octavia Butler.
Friday, August 20th, 2021
His first popular book — The First Three Minutes, about cosmology and the Big Bang — became an instant classic and proved profoundly influential for both the general public and professional researchers. Many physicists, including me, started learning cosmology from this book.
The First Three Minutes blew my little mind as a teenager. It has stayed with me.
Wednesday, August 18th, 2021
Tuesday, August 17th, 2021
A new biography of Vera Rubin by Ashley Jean Yeager. One for the wishlist!
Saturday, August 7th, 2021
Surveying the current practical and theoretical factors for and against space elevators (including partial elevators—skyhooks!).
Tuesday, August 3rd, 2021
A Few Notes on A Few Notes on The Culture
When I post a link, I do it for two reasons.
First of all, it’s me pointing at something and saying “Check this out!”
Secondly, it’s a way for me to stash something away that I might want to return to. I tag all my links so when I need to find one again, I just need to think “Now what would past me have tagged it with?” Then I type the appropriate URL:
There are some links that I return to again and again.
Back in 2008, I linked to a document called A Few Notes on The Culture. It’s a copy of a post by Iain M Banks to a newsgroup back in 1994.
Alas, that link is dead. Linkrot, innit?
But in 2013 I linked to the same document on a different domain. That link still works even though I believe it was first published around twenty(!) years ago (view source for some pre-CSS markup nostalgia).
Anyway, A Few Notes On The Culture is a fascinating look at the world-building of Iain M Banks’s Culture novels. He talks about the in-world engineering, education, biology, and belief system of his imagined utopia. The part that sticks in my mind is when he talks about economics:
Let me state here a personal conviction that appears, right now, to be profoundly unfashionable; which is that a planned economy can be more productive - and more morally desirable - than one left to market forces.
The market is a good example of evolution in action; the try-everything-and-see-what-works approach. This might provide a perfectly morally satisfactory resource-management system so long as there was absolutely no question of any sentient creature ever being treated purely as one of those resources. The market, for all its (profoundly inelegant) complexities, remains a crude and essentially blind system, and is — without the sort of drastic amendments liable to cripple the economic efficacy which is its greatest claimed asset — intrinsically incapable of distinguishing between simple non-use of matter resulting from processal superfluity and the acute, prolonged and wide-spread suffering of conscious beings.
It is, arguably, in the elevation of this profoundly mechanistic (and in that sense perversely innocent) system to a position above all other moral, philosophical and political values and considerations that humankind displays most convincingly both its present intellectual immaturity and — through grossly pursued selfishness rather than the applied hatred of others — a kind of synthetic evil.
Like I said, it’s a fascinating document. In fact I realised that I should probably store a copy of it for myself.
I have a section of my site called “extras” where I dump miscellaneous stuff. Most of it is unlinked. It’s mostly for my own benefit. That’s where I’ve put my copy of A Few Notes On The Culture.
Here’s a funny thing …for all the times that I’ve revisited the link, I never knew anything about the site is was hosted on—
vavatch.co.uk—so this most recent time, I did a bit of clicking around. Clearly it’s the personal website of a sci-fi-loving college student from the early 2000s. But what came as a revelation to me was that the site belonged to …Adrian Hon!
I’m impressed that he kept his old website up even after moving over to the domain
mssv.net, founding Six To Start, and writing A History Of The Future In 100 Objects. That’s a great snackable book, by the way. Well worth a read.