Tags: sf

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Tuesday, February 19th, 2019

An Interview with Nick Harkaway: Algorithmic Futures, Literary Fractals, and Mimetic Immortality - Los Angeles Review of Books

Nick Harkaway on technology in fiction:

Humans without tools are not magically pure; they’re just unvaccinated, cold, and wet.

SF is how we get to know ourselves, either who we are or who we might be. In terms of what is authentically human, SF has a claim to be vastly more honest and important than a literary fiction that refuses to admit the existence of the modern and goes in search of a kind of essential humanness which exists by itself, rather than in the intersection of people, economics, culture, and science which is where we all inevitably live. It’s like saying you can only really understand a flame if you get rid of the candle. Good luck with that.

And on Borges:

He was a genius, and he left this cryptic, brilliant body of work that’s poetic, incomplete, astonishing. It’s like a tasting menu in a restaurant where they let you smell things that go to other tables and never arrive at yours.

Monday, August 27th, 2018

Smokin’ D’s BBQ.

Smokin’ D’s BBQ.

Tuesday, June 26th, 2018

The Layouts of Tomorrow | Max Böck - Frontend Web Developer

A walkthrough of the process of creating a futuristic interface with CSS (grid and animation).

While this is just one interpretation of what’s possible, I’m sure there are countless other innovative ideas that could be realized using the tools we have today.

Saturday, September 16th, 2017

Singapore snacks.

Singapore snacks.

Wednesday, August 23rd, 2017

Brian Aldiss

After the eclipse I climbed down from the hilltop and reconnected with the world. That’s when I heard the news. Brian Aldiss had passed away.

He had a good innings. A very good innings. He lived to 92 and was writing right up to the end.

I’m trying to remember the first thing I read by Brian Aldiss. I think it might have been The Billion Year Spree, his encyclopaedia of science fiction. The library in my hometown had a copy when I was growing up, and I was devouring everything SF-related.

Decades later I had the great pleasure of meeting the man. It was 2012 and I was in charge of putting together the line-up for that year’s dConstruct. I had the brilliant Lauren Beukes on the line-up all the way from South Africa and I thought it would be fun to organise some kind of sci-fi author event the evening before. Well, one thing led to another: Rifa introduced me to Tim Aldiss, who passed along a request to his father, who kindly agreed to come to Brighton for the event. Then Brighton-based Jeff Noon came on board. The end result was an hour and a half in the company of three fantastic—and fantastically different—authors.

I had the huge honour of moderating the event. Here’s the transcript of that evening and here’s the audio.

That evening and the subsequent dConstruct talks—including the mighty James Burke—combined to create one of the greatest weekends of my life. Seriously. I thought it was just me, but Chris has also written about how special that author event was.

Brian Aldiss, Jeff Noon, and Lauren Beukes on the Brighton SF panel, chaired by Jeremy Keith

Brian Aldiss was simply wonderful that evening. He regaled us with the most marvellous stories, at times hilarious, at other times incredibly touching. He was a true gentleman.

I’m so grateful that I’ll always have the memory of that evening. I’m also very grateful that I have so many Brian Aldiss books still to read.

I’ve barely made a dent into the ludicrously prolific output of the man. I’ve read just some of his books:

  • Non-stop—I’m a sucker for generation starship stories,
  • Hothouse—ludicrously lush and trippy,
  • Greybeard—a grim vision of a childless world before Children Of Men,
  • The Hand-reared Boy—filthy, honest and beautifully written,
  • Heliconia Spring—a deep-time epic …and I haven’t even read the next two books in the series!

Then there are the short stories. Hundreds of ‘em! Most famously Super-Toys Last All Summer Long—inspiration for the Kubrick/Spielberg A.I. film. It’s one of the most incredibly sad stories I’ve ever read. I find it hard to read it without weeping.

Passed by a second-hand book stall on the way into work. My defences were down. Not a bad haul for a fiver.

Whenever a great artist dies, it has become a cliché to say that they will live on through their work. In the case of Brian Aldiss and his astounding output, it’s quite literally true. I’m looking forward to many, many years of reading his words.

My sincerest condolences to his son Tim, his partner Alison, and everyone who knew and loved Brian Aldiss.

Tuesday, July 25th, 2017

Troll’s Fiery Breath and bolognese fries from @trollburger.

Troll’s Fiery Breath and bolognese fries from @trollburger.

Wednesday, May 17th, 2017

Rostbratwürste.

Rostbratwürste.

Saturday, December 31st, 2016

Ribeye.

Ribeye.

Sunday, November 6th, 2016

Create a MarkDown tag - JSFiddle

This is nice example of a web component that degrades gracefully—if custom elements aren’t supported, you still get the markdown content, just not converted to HTML.

<ah-markdown>
## Render some markdown!
</ah-markdown>

Sunday, January 24th, 2016

Pizza: one half Napoli (anchovies, olives, capers, tomato and cheese), the other half mushroom and ricotta.

Pizza: one half Napoli (anchovies, olives, capers, tomato and cheese), the other half mushroom and ricotta.

Monday, December 7th, 2015

Forest of jewels.

Forest of jewels.

Thursday, August 27th, 2015

Lightning Design System

A nice combination of style guide and pattern library, with plenty of documentation.

Thursday, July 9th, 2015

Salad.

Salad.

Friday, May 29th, 2015

Soused mackerel.

Soused mackerel.

Thursday, March 19th, 2015

In Pieces - 30 Endangered Species, 30 Pieces.

Beautiful use of CSS transitions and transforms.

Also: CSS is officially the new Flash—”skip intro” is back.

Wednesday, March 4th, 2015

Sea bream.

Sea bream.

Saturday, February 28th, 2015

Chicken.

Chicken.

Sunday, October 12th, 2014

Habitasteroids

Science Hack Day San Francisco was held in the Github offices last weekend. It was brilliant!

Hacking begins Hacking Science hacker & grumpy cat enthusiast, Keri Bean Launch pad

This was the fifth Science Hack Day in San Francisco and the 40th worldwide. That’s truly incredible. I mean, I literally can’t believe it. When I organised the very first Science Hack Day back in 2010, I had no idea how far it would go. But Ariel has been indefatigable in making it a truly global event. She is amazing. And at this year’s San Francisco event, she outdid herself in putting together a fantastic cross-section of scientists, designers, and developers: paleontology, marine biology, geology, astronomy, particle physics, and many, many more disciplines were represented in the truly diverse attendees.

Saturday breakfast with the Science Hack Day community! The Science Hack Day girls! Stargazing on GitHub's roof Demos begin!

After an inspiring set of lightning talks on the first day, ideas started getting bounced around and the hacking began to take shape. I had a vague idea for—yet another—space-related hack. What clinched it was picking the brains of NASA’s Keri Bean. She’d help me get hold of the dataset I needed for my silly little hack.

So here’s the background…

There are many possibilities for human habitats in space: Stanford tori, O’Neill cylinders, Bernal spheres. Another idea, explored in science fiction, is hollowing out asteroids (Larry Niven’s bubbleworlds). Kim Stanley Robinson explores this idea in depth in his book 2312, where he describes the process of building an asteroid terrarium. The website of the book has a delightful walkthrough of the engineering processes involved. It’s not entirely implausible.

I wanted to make that idea approachable, so I thought about the kinds of people we might want to have living with us on the interior shell of a rotating hollowed-out asteroid. How about the people you follow on Twitter?

The only question that remains then is: which asteroid is the right one for you and your Twitter friends? Keri tracked down the motherlode of asteroid data and I started hacking the simplest of mashups—Twitter meets space rocks.

Here’s the result…

Habitasteroids!

Habitasteroids

Give it your Twitter username and it will tell you exactly which one of the asteroids in the main belt is right for you (I considered adding an enterprise option that would tell you where you could store your social network in the cloud …the Oort cloud, that is).

Be default, your asteroid will have the population density of Earth, which is quite generously. But if you want a more sparsely-populated habitat—say, the population density of Australia—or a more densely-populated world—with something like the population density of Japan—then you will be assigned a larger or smaller asteroid accordingly.

You’ll also be told by how much you should increase or decrease the rotation of the asteroid to get one gee of centrifugal force on the interior. Figuring out the equations for calculating centrifugal force almost broke me, but luckily I had help from a rocket scientist and a particle physicist …I’m not even kidding. And I should point out that the calculations take some liberties—I’m assuming a spherical body, which is quite a stretch, given the lumpy nature of most asteroids.

At 13:37 on the second day, the demos began. Keri and I were first up.

Jeremy wants to colonize an asteroid Habitasteroids

Give Habitasteroids a whirl for yourself. It’s a silly little thing, but I quite like how it turned out.

Speaking of silly things …at some point in the proceedings, Keri put the call out for asteroid data to her fellow space enthusiasts on Twitter. They responded with asteroid-related puns.

They have nice asteroids though: @brianwolven, @lukedones, @paix120, @LGalache, @motorbikematt, @brx0.

Oh, and while Habitasteroids might be a silly little hack, WRANGLER just might work.

WRANGLER: Capture and De-Spin of Asteroids and Space Debris

Thursday, May 8th, 2014

Singularity&Co. — Save the Scifi!

The campaign to restore out-of-print pulp sci-fi books in electronic formats.

Tuesday, September 24th, 2013

The literary operator

One of the great pleasures of putting on Brighton SF right before last year’s dConstruct was how it allowed me to mash up two of my favourite worlds: the web and science fiction (although I don’t believe they’re that far removed from one another). One day I’m interviewing Jeff Noon about his latest book; the next, I’m introducing Tom Armitage on stage at the Brighton Dome.

Those two have since been collaborating on a new project.

You may have seen Jeff’s microspores—a collection of tweet-sized texts, each one an individual seed for a sci-fi story. Here’s Spore #50:

After the Babel Towers attack, lo-fi operators worked the edges of the language, forging new phrases from the fragments of literature. They filled boxes with word shards in the hope of recreating lost stories.

Tom has taken that as the starting point for creating a machine called the literary operator

It’s quite beautiful. It fits inside a suitcase. It has an LED interface. It has a puck that nestles into the palm of your hand. It comes with a collection of books. You take the puck in your hand, pass it over the spine of one of the books, and wait for the LEDs to change. Then you will receive a snippet of reconstructed text, generated Markov-style from the book.

As Tom says:

It is an object that is both entirely fictional, and entirely real. Not “design fiction”; just fiction.

Literary Operator Fahrenheit 451

You can use/play with the literary operator—and hear from Tom and Jeff—this Thursday evening, September 26th at the Brighton Museum as part of Digital Late. Sarah and Chris are also on the bill so don’t miss it: tickets are a fiver if you book ahead of time.