When we imagine future tech, we usually focus on the ways it could turn humans into robotic workers, easily manipulated by surveillance capitalism. And that’s not untrue. But in this story, I wanted to suggest that there is a more subversive possibility. Modifying our bodies with technology could bring us closer to the natural world.
The film explores how image banks including Getty gain control over, and then restrict access to, archive images – even when these images are legally in the public domain. It also forms a small act of resistance against this practice: the film includes six legally licensed clips, and is downloadable as an HD ProRes file. In this way, it aims to liberate these few short clips from corporate control, and make them freely available for viewing and artistic use.
Licensed under aCreative Commons 0: “No rights reserved” license.
Twelve short stories of solarpunk cli-fi “envisioning the next 180 years of equitable climate progress.”
Whether built on abundance or adaptation, reform or a new understanding of survival, these stories provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Heydon is back on his bullshit, making extremely entertaining and occassionally inappropriate short videos about web stuff.
WEBBED BRIEFS are brief videos about the web, its technologies, and how to make the most of them. They’re packed with information, fun times™, and actual goats. Yes, it’s a vlog, but it isn’t on Youtube. Unthinkable!
The pilot episode is entitled “What Is ARIA Even For?”
I’m an agent of the 28th Amendment, the abolition of the 2nd. If it sounds sanctimonious to trace my authority to a decade-old government document that I have never read rather than my employee handbook, it’s only because I value my life.
Here are 8 original visions of Africanfuturism: science fiction stories by both emerging and seasoned African writers staking a claim to Africa’s place in the future. These are powerful visions focused on the African experience and hopes and fears, exploring African sciences, philosophies, adaptations to technology and visions of the future both centred on and spiralling out of Africa. You will find stories of the near and almost-present future, tales set on strange and wonderful new planets, stories of a changed Earth, stories that dazzle the imagination and stimulate the mind. Stories that capture the essence of what we talk about when we talk about Africanfuturism.
What a brilliant homage! And what a spot-on pop-cultural reference for The Situation.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.
It’s just about an old monkey who speaks human language, who scrubs guests’ backs in the hot springs in a tiny town in Gunma Prefecture, who enjoys cold beer, falls in love with human women, and steals their names.
Staying at home triggered a memory for me. I remembered reading a short story many years ago. It was by J.G. Ballard, and it described a man who makes the decision not to leave the house.
Being a J.G. Ballard story, it doesn’t end there. Over the course of the story, the house grows and grows in size, forcing the protaganist into ever-smaller refuges within his own home. It really stuck with me.
I tried tracking it down with some Duck Duck Going. Searching for “j.g. ballard weird short story” doesn’t exactly narrow things down, but eventually I spotted the book that I had read the story in. It was called War Fever. I think I read it back when I was living in Germany, so that would’ve been in the ’90s. I certainly don’t have a copy of the book any more.
But I was able to look up a table of contents and find a title for the story that was stuck in my head. It’s called The Enormous Space.
Alas, I couldn’t find any downloadable versions—War Fever doesn’t seem to be available for the Kindle.