Accessing more than a hundred years of science fiction thought experiments, TASAT taps into a passionate, global community of writers, scholars, librarians, and fans. We aim to curate a reading list applicable to problems and possibilities of tomorrow.
As a corollary to the idea of mundane sci-fi, Nick Foster proposes some rules for realistically mundane design fiction:
The Future Mundane is filled with background talent.
The Future Mundane is an accretive space.
The Future Mundane is a partly broken space.
When I encounter everyday design in science fiction cinema, I get a chill of excitement. From Korben’s cigarettes in the Fifth Element, the parole officer in Elysium, and countless examples in Blade Runner, these pieces of design help us get a much better hold on our future than any holographic interface ever could. The future we design should understand this. The characters in our future will not necessarily need to save the world at every turn—most of them will simply live in it, quietly enjoying each day.
Here’s a fun premise for a collection of sci-fi short stories:
Flight 008 through a temporary wrinkle in the local region of space-time. What these passengers will soon find out as they descend into SFO is that the wrinkle has transported them 20 years in the future, and the year is now 2037.
Read the stories of the passengers from Flight 008, imagined by the world’s top science fiction storytellers, as they discover a future transformed by exponential technologies.
Authors include Bruce Sterling, Madeline Ashby, Paulo Bacigalupi, and Gregory Benford.
A thoroughly impractical—but fun to imagine—alternative to a space elevator:
Analemma inverts the traditional diagram of an earth-based foundation, instead depending on a space-based supporting foundation from which the tower is suspended. This system is referred to as the Universal Orbital Support System (UOSS). By placing a large asteroid into orbit over earth, a high strength cable can be lowered towards the surface of earth from which a super tall tower can be suspended. Since this new tower typology is suspended in the air, it can be constructed anywhere in the world and transported to its final location.
The construction might sound like Clarke’s The Fountains Of Paradise, but I imagine life in the tower would be more like Ballard’s High Rise.
I was a guest on the Boagworld podcast—neither Andy nor Richard were available so Paul and Marcus were stuck with me. We talked boring business stuff, but only after an extended—and much more interesting—preamble wherein we chatted about sci-fi books.
When prompted for which books I would recommend, I was able to instantly recall some recent reads, but inevitably I forgot to mention some others. I’m not sure if I even mentioned William Gibson’s The Peripheral, an unsurprisingly excellent book.
I’m pretty sure I mentioned The Girl In The Road. It has a magical realism quality to it that reminded me a bit of Lauren’s Zoo City. Its African/Indian setting makes for a refreshing change. Having said that, I still haven’t read Ian McDonald’s Indian-set River Of Gods or Cyberabad Days, both of which are sitting on my bookshelf alongside McDonald’s Out On Blue Six, which I have read and can heartily recommend—its imagining of a society where the algorithm decides the fate of all feels very ahead of its time.
One book I recommended without hesitation was Station Eleven. Maybe it was because I read it right after reading a book I found to be so-so—Paul McAuley’s Something Coming Through—but the writing in Station Eleven sucker-punched me right from the first chapter. Have a listen to the Boagworld podcast episode for some more ramblings on why I liked it.
Somehow I managed not to mention Ann Leckie’s Ancillary Justice and Ancillary Sword. That’s unforgivable. They are easily amongst the best works of sci-fi I’ve read in a read long time. It feels quite exciting to be anticipating the third part in what will clearly be a long-time classic series, right up there with the all-time greats.
I first came across Ancillary Justice through some comparisons that were being made to Iain M. Banks’s Culture novels. I was reading his final work, The Hydrogen Sonata, trying to take it slow, knowing that there would be no further books from that universe. But I ended up tearing through it because it was damned enjoyable (not necessarily brilliantly-written, mind; like most of Banks’s books, it’s a terrific and thought-provoking romp but missing the hand of a sterner editor). Anyway, I heard there were some similarities to the Ship Minds to be found in Leckie’s debut novel so I gave it a whirl. As it turns out, there are very few similarities and that’s all for the best. The universe that Leckie is describing has a very different but equally compelling richness.
I read Jeff Vandermeer’s Southern Reach trilogy—Annihilation, Authority, and Acceptance—and while I can’t say I enjoyed them as such, I can recommend them …though they are insidiously disturbing, dripping with atmosphere. I’m very intrigued by the news that Alex Garland is working on a screenplay.
So if you’re looking for some good recent speculative fiction, try:
Alongside the newer stuff, I’ve been catching up with some golden oldies in the form of tattered second-hand novels like Joe Haldeman’s The Forever War, Stanisław Lem’s The Futurological Congress, and Brian Aldiss’s Hothouse. I’m currently working my way through Neal Stephenson’s Seveneves and loving every minute of it.