Tags: styling

102

sparkline

Friday, October 23rd, 2020

This page is a truly naked, brutalist html quine.

I think this is quite beautiful—no need to view source; the style sheet is already in the document.

Tuesday, October 6th, 2020

Nils Binder’s Website

The “Adjust CSS” slider on this delightful homepage is an effective (and cute) illustration of progressive enhancement in action.

Tuesday, August 18th, 2020

The Just in Case Mindset in CSS

Examples of defensive coding for CSS. This is an excellent mindset to cultivate!

Monday, August 10th, 2020

Influence

Hidde gave a great talk recently called On the origin of cascades (by means of natural selectors):

It’s been 25 years since the first people proposed a language to style the web. Since the late nineties, CSS lived through years of platform evolution.

It’s a lovely history lesson that reminded me of that great post by Zach Bloom a while back called The Languages Which Almost Became CSS.

The TL;DR timeline of CSS goes something like this:

Håkon and Bert joined forces and that’s what led to the Cascading Style Sheet language we use today.

Hidde looks at how the concept of the cascade evolved from those early days. But there’s another idea in Håkon’s proposal that fascinates me:

While the author (or publisher) often wants to give the documents a distinct look and feel, the user will set preferences to make all documents appear more similar. Designing a style sheet notation that fill both groups’ needs is a challenge.

The proposed solution is referred to as “influence”.

The user supplies the initial sheet which may request total control of the presentation, but — more likely — hands most of the influence over to the style sheets referenced in the incoming document.

So an author could try demanding that their lovely styles are to be implemented without question by specifying an influence of 100%. The proposed syntax looked like this:

h1.font.size = 24pt 100%

More reasonably, the author could specify, say, 40% influence:

h2.font.size = 20pt 40%

Here, the requested influence is reduced to 40%. If a style sheet later in the cascade also requests influence over h2.font.size, up to 60% can be granted. When the document is rendered, a weighted average of the two requests is calculated, and the final font size is determined.

Okay, that sounds pretty convoluted but then again, so is specificity.

This idea of influence in CSS reminds me of Cap’s post about The Sliding Scale of Giving a Fuck:

Hold on a second. I’m like a two-out-of-ten on this. How strongly do you feel?

I’m probably a six-out-of-ten, I replied after a couple moments of consideration.

Cool, then let’s do it your way.

In the end, the concept of influence in CSS died out, but user style sheets survived …for a while. Now they too are as dead as a dodo. Most people today aren’t aware that browsers used to provide a mechanism for applying your own visual preferences for browsing the web (kind of like Neopets or MySpace but for literally every single web page …just think of how empowering that was!).

Even if you don’t mourn the death of user style sheets—you can dismiss them as a power-user feature—I think it’s such a shame that the concept of shared influence has fallen by the wayside. Web design today is dictatorial. Designers and developers issue their ultimata in the form of CSS, even though technically every line of CSS you write is a suggestion to a web browser—not a demand.

I wish that web design were more of a two-way street, more of a conversation between designer and end user.

There are occassional glimpses of this mindset. Like I said when I added a dark mode to my website:

Y’know, when I first heard about Apple adding dark mode to their OS—and also to CSS—I thought, “Oh, great, Apple are making shit up again!” But then I realised that, like user style sheets, this is one more reminder to designers and developers that they don’t get the last word—users do.

Friday, July 24th, 2020

MSEdgeExplainers/explainer.md at main · MicrosoftEdge/MSEdgeExplainers

This is great! Ideas for allowing more styling of form controls. I agree with the goals 100% and I like the look of the proposed solutions too.

The team behind this are looking for feedback so be sure to share your thoughts (I’ll probably formulate mine into a blog post).

Saturday, July 18th, 2020

CSS photo effects - a Collection by Lynn Fisher on CodePen

These wonderfully realistic photo effects from Lynn are quite lovely!

Friday, July 3rd, 2020

Dark mode revisited

I added a dark mode to my website a while back. It was a fun thing to do during Indie Web Camp Amsterdam last year.

I tied the colour scheme to the operating system level. If you choose a dark mode in your OS, my website will adjust automatically thanks to the prefers-color-scheme: dark media query.

But I’ve seen notes from a few friends, not about my site specifically, but about how they like having an explicit toggle for dark mode (as well as the media query). Whenever I read those remarks, I’d think “I’m really not sure I’ve got time to deal with adding that kind of toggle to my site.”

But then I realised, “Jeremy, you absolute muffin! You’ve had a theme switcher on your website for almost two decades now!”

Doh! I had forgotten about that theme switcher. It dates back to the early days of CSS. I wanted my site to be a demonstration of how you could apply different styles to the same underlying markup (this was before the CSS Zen Garden came along). Those themes are very dated now, but if you like you can view my site with a Zeldman theme or a sci-fi theme.

To offer a dark-mode theme for my site, all I had to do was take the default stylesheet, pull out the custom properties from the prefers-color-scheme: dark media query, and done. It took less than five minutes.

So if you want to view my site in dark mode, it’s one of the options in the “Customise” dropdown on every page of the website.

Uncommon CSS Properties

I count at least three clever CSS techniques I didn’t know about.

Tuesday, June 23rd, 2020

CSS folded poster effect

This is a very nifty use of CSS gradients!

Saturday, June 13th, 2020

Striking a Balance Between Native and Custom Select Elements | CSS-Tricks

I think this a solution worthy of Solomon. In this case, the Gordian knot is the select element and its inevitable recreation in order to style it.

What if we instead deliver a native select by default and replace it with a more aesthetically pleasing one if possible? That’s where the “hybrid” select idea comes into action. It’s “hybrid” because it consists of two selects, showing the appropriate one at the right moment:

  • A native select, visible and accessible by default
  • A custom select, hidden until it’s safe to be interacted with a mouse

The implementation uses a genius combination of a hover media query and an adjacent sibling selector in CSS. It has been tested on a number of device/platform/browser combinations but more tests are welcome!

What I love about this solution is that it satisfies the stakeholders insisting on a custom component but doesn’t abandon all the built-in accessibility that you get from native form controls.

Monday, June 1st, 2020

Global and Component Style Settings with CSS Variables — Sara Soueidan

Sara shares how she programmes with custom properties in CSS. It sounds like her sensible approach aligns quite nicely with Andy’s CUBE CSS methodology.

Oh, and she’s using Fractal to organise her components:

I’ve been using Fractal for a couple of years now. I chose it over other pattern library tools because it fit my needs perfectly — I wanted a tool that was unopinionated and flexible enough to allow me to set up and structure my project the way I wanted to. Fractal fit the description perfectly because it is agnostic as to the way I develop or the tools I use.

Sass Color Functions in CSS | Jim Nielsen’s Weblog

I’m not the only one swapping out Sass with CSS for colour functions:

Because of the declarative nature of CSS, you’re never going to get something as terse as what you could get in Sass. So sure, you’re typing more characters. But you know what you’re not doing? Wrangling build plugins and updating dependencies to get Sass to build. What you write gets shipped directly to the browser and works as-is, now and for eternity. It’s hard to say that about your Sass code.

Saturday, May 30th, 2020

Programming CSS to perform Sass colour functions

I wrote recently about moving away from Sass to using native CSS features. I had this to say on the topic of mixins in Sass:

These can be very useful, but now there’s a lot that you can do just in CSS with calc(). The built-in darken() and lighten() mixins are handy though when it comes to colours.

I know we will be getting these in the future but we’re not there yet with CSS.

Anyway, I had all this in the back of my mind when I was reading Lea’s excellent feature in this month’s Increment: A user’s guide to CSS variables. She’s written about a really clever technique of combining custom properites with hsl() colour values for creating colour palettes. (See also: Una’s post on dynamic colour theming with pure CSS.)

As so often happens when I’m reading something written by Lea—or seeing her give a talk—light bulbs started popping over my head (my usual response to Lea’s knowledge bombs is either “I didn’t know you could do that!” or “I never thought of doing that!”).

I immediately set about implementing this technique over on The Session. The trick here is to use separate custom properties for the hue, saturation, and lightness parts of hsl() colour values. Then, when you want to lighten or darken the colour—say, on hover—you can update the lightness part.

I’ve made a Codepen to show what I’m doing.

Let’s say I’m styling a button element. I make custom propertes for hsl() values:

button {
  --button-colour-hue: 19;
  --button-colour-saturation: 82%;
  --button-colour-lightness: 38%;
  background-color: hsl(
    var(--button-colour-hue),
    var(--button-colour-saturation),
    var(--button-colour-lightness)
  );
}

For my buttons, I want the borders to be slightly darker than the background colour. When I was using Sass, I used the darken() function to this. Now I use calc(). Here’s how I make the borders 10% darker:

border-color: hsl(
  var(--button-colour-hue),
  var(--button-colour-saturation),
  calc(var(--button-colour-lightness) - 10%)
);

That calc() function is substracting a percentage from a percentage: 38% minus 10% in this case. The borders will have a lightness of 28%.

I make the bottom border even darker and the top border lighter to give a feeling of depth.

On The Session there’s a “cancel” button style that’s deep red.

Here’s how I set its colour:

.cancel {
  --button-colour-hue: 0;
  --button-colour-saturation: 100%;
  --button-colour-lightness: 40%;
}

That’s it. The existing button declarations take care of assigning the right shades for the border colours.

Here’s another example. Site admins see buttons for some actions only available to them. I want those buttons to have their own colour:

.admin {
  --button-colour-hue: 45;
  --button-colour-saturation: 100%;
  --button-colour-lightness: 40%;
}

You get the idea. It doesn’t matter how many differently-coloured buttons I create, the effect of darkening or lightening their borders is all taken care of.

So it turns out that the lighten() and darken() functions from Sass are available to us in CSS by using a combination of custom properties, hsl(), and calc().

I’m also using this combination to lighten or darken background and border colours on :hover. You can poke around the Codepen if you want to see that in action.

I love seeing the combinatorial power of these different bits of CSS coming together. It really is a remarkably powerful programming language.

Friday, May 29th, 2020

CUBE CSS - Piccalilli

I really, really like Andy’s approach here:

The focus of the methodology is utilising the power of CSS and the web platform as a whole, with some added controls and structures that help to keep things a bit more maintainable and predictable. The end-goal is shipping as little CSS as possible—leaning heavily into progressive enhancement and modern techniques.

If you use the cascade for everything, you’re going to run into trouble. But equally, micro-managing styles on every element will also get you into trouble. I think Andy’s found a really great sweet spot here that gets the balance just right.

CUBE CSS in essence, is a progressive enhancement approach, vs a fight against the grain of CSS or a pixel-pushing your project to within an inch of its life approach.

Yes! It feels very “webby” to me.

Wednesday, May 13th, 2020

Modern CSS Solutions

…for old CSS problems.

Very handy!

Monday, May 11th, 2020

Creating an Accessible Range Slider with CSS | a11y with Lindsey

If you want an accessible slider component, the trick isn’t to use a whole load of JavaScript. The trick is to use the native input type="range" and then figure out the CSS you need (which, alas, involves lots of vendor prefixes).

Tuesday, April 28th, 2020

Web Typography News #43: Typesetting Moby-Dick, part 2

Great typography on the web should be designed in layers. The web is an imperfect medium, consumed by countless different devices over untold numbers of network connections—each with their own capabilities, limitations, and peculiarities. To think that you can create one solution that will look and work the same everywhere is a fantasy. To make this more than just one nice book website, the whole project and process needs to embrace this reality.

Thursday, April 23rd, 2020

98.css - A design system for building faithful recreations of old UIs

Well, this is a fun bit of CSS. Instantly transform a web page into a blast from the past (1998, to be precise).

Monday, April 6th, 2020

Chromium Blog: Updates to form controls and focus

Chromium browsers—Chrome, Edge, et al.—are getting a much-needed update to some interface elements like the progess element, the meter element, and the range, date, and color input types.

This might encourage more people to use native form controls …but until we can more accurately tweak the styling of these elements, people are still going to reach for more bloated, less accessible JavaScript-driven options. Over-engineering is under-engineering

Thursday, April 2nd, 2020

CSS Architecture for Modern JavaScript Applications - MadeByMike

Mike sees the church of JS-first ignoring the lessons to be learned from the years of experience accumulated by CSS practitioners.

As the responsibilities of front-end developers have become more broad, some might consider the conventions outlined here to be not worth following. I’ve seen teams spend weeks planning the right combination of framework, build tools, workflows and patterns only to give zero consideration to the way they architect UI components. It’s often considered the last step in the process and not worthy of the same level of consideration.

It’s important! I’ve seen well-planned project fail or go well over budget because the UI architecture was poorly planned and became un-maintainable as the project grew.