Tags: styling

107

sparkline

Tuesday, January 5th, 2021

new.css

A minimal style sheet that applies some simple rules to HTML elements so you can take a regular web page and drop in this CSS to spruce it up a bit.

Tuesday, December 22nd, 2020

SVGs in dark mode

I added a dark mode to my site last year. Since then I’ve been idly toying with the addition of a dark mode to The Session too.

As with this site, the key to adding a dark mode was switching to custom properties for color and background-color declarations. But my plans kept getting derailed by the sheet music on the site. The sheet music is delivered as SVG generated by ABCJS which hard-codes the colour in stroke and fill attributes:

fill="#000000" stroke="#000000"

When I was describing CSS recently I mentioned the high specifity of inline styles:

Whereas external CSS and embedded CSS don’t have any effect on specificity, inline styles are positively radioactive with specificity.

Given that harsh fact of life, I figured it would be nigh-on impossible to over-ride the colour of the sheetmusic. But then I realised I was an idiot.

The stroke and fill attributes in SVG are presentational but they aren’t inline styles. They’re attributes. They have no affect on specifity. I can easily over-ride them in an external style sheet.

In fact, if I had actually remembered what I wrote when I was adding a dark mode to adactio.com, I could’ve saved myself some time:

I have SVGs of sparklines on my homepage. The SVG has a hard-coded colour value in the stroke attribute of the path element that draws the sparkline. Fortunately, this can be over-ridden in the style sheet:

svg.activity-sparkline path {
  stroke: var(--text-color);
}

I was able to do something similar on The Session. I used the handy currentColor keyword in CSS so that the sheet music matched the colour of the text:

svg path {
  fill: currentColor;
}
svg path:not(stroke="none") {
  stroke: currentColor;
}

Et voila! I now had light-on-dark sheet music for The Session’s dark mode all wrapped up in a prefers-color-scheme: dark media query.

I pushed out out the new feature and started getting feedback. It could be best summarised as “Thanks. I hate it.”

It turns out that while people were perfectly fine with a dark mode that inverts the colours of text, it felt really weird and icky to do the same with sheet music.

On the one hand, this seems odd. After all, sheet music is a writing system like any other. If you’re fine with light text on a dark background, why doesn’t that hold for light sheet music on a dark background?

But on the other hand, sheet music is also like an image. And we don’t invert the colours of our images when we add a dark mode to our CSS.

With that in mind, I went back to the drawing board and this time treated the sheet music SVGs as being intrinsicly dark-on-light, rather than a stylistic choice. It meant a few more CSS rules, but I’m happy with the final result. You can see it in action by visiting a tune page and toggling your device’s “appearance” settings between light and dark.

If you’re a member of The Session, I also added a toggle switch to your member profile so you can choose dark or light mode regardless of your device settings.

Monday, December 14th, 2020

Lists

We often have brown bag lunchtime presentations at Clearleft. In the Before Times, this would involve a trip to Pret or Itsu to get a lunch order in, which we would then proceed to eat in front of whoever was giving the presentation. Often it’s someone from Clearleft demoing something or playing back a project, but whenever possible we’d rope in other people to swing by and share what they’re up to.

We’ve continued this tradition since making the switch to working remotely. Now the brown bag presentations happen over Zoom. This has two advantages. Firstly, if you don’t want the presenter watching you eat your lunch, you can switch your camera off. Secondly, because the presenter doesn’t have to be in Brighton, there’s no geographical limit on who could present.

Our most recent brown bag was truly excellent. I asked Léonie if she’d be up for it, and she very kindly agreed. As well as giving us a whirlwind tour of how assistive technology works on the web, she then invited us to observe her interacting with websites using a screen reader.

I’ve seen Léonie do this before and it’s always struck me as a very open and vulnerable thing to do. Think about it: the audience has more information than the presenter. We can see the website at the same time as we’re listening to Léonie and her screen reader.

We got to nominate which websites to visit. One of them—a client’s current site that we haven’t yet redesigned—was a textbook example of how important form controls are. There was a form where almost everything was hunky-dory: form fields, labels, it was all fine. But one of the inputs was a combo box. Instead of using a native select with a datalist, this was made with JavaScript. Because it was lacking the requisite ARIA additions to make it accessible, it was pretty much unusable to Léonie.

And that’s why you use the right HTML element wherever possible, kids!

The other site Léonie visited was Clearleft’s own. That was all fine. Léonie demonstrated how she’d form a mental model of a page by getting the screen reader to read out the headings. Interestingly, the nesting of headings on the Clearleft site is technically wrong—there’s a jump from an h1 to an h3—probably a result of the component-driven architecture where you don’t quite know where in the page a heading will appear. But this didn’t seem to be an issue. The fact that headings are being used at all was the more important fact. As Léonie said, there’s a lot of incorrect HTML out there so it’s no wonder that screen readers aren’t necessarily sticklers for nesting.

I’ve said it before and I’ll say it again: if you’re using headings, labelling form fields, and providing alternative text for images, you’re already doing a better job than most websites.

Headings weren’t the only way that Léonie got a feel for the page architecture. Landmark roles—like header and nav—really helped too. Inside the nav element, she also heard how many items there were. That’s because the navigation was marked up as a list: “List: six items.”

And that reminded me of the Webkit issue. On Webkit browsers like Safari, the list on the Clearleft site would not be announced as a list. That’s because the lists’s bullets have been removed using CSS.

Now this isn’t the only time that screen readers pay attention to styling. If you use display: none to hide an element from sight, it will also be unavailable to screen reader users. Makes sense. But removing the semantic meaning of lists based on CSS? That seems a bit much.

There are good reasons for it though. Here’s a thread from James Craig on where this decision came from (James, by the way, is an absolute unsung hero of accessibility). It turns out that developers went overboard with lists a while back and that’s why we can’t have nice things. In over-compensating from divitis, developers ended up creating listitis, marking up anything vaguely list-like as an unordered list with styling adjusted. That was very annoying for screen reader users trying to figure out what was actually a list.

And James also asks:

If a sighted user doesn’t need to know it’s a list, why would a screen reader user need to know or want to know? Stated another way, if the visible list markers (bullets, image markers, etc.) are deemed by the designers to be visually burdensome or redundant for sighted users, why burden screen reader users with those semantics?

That’s a fair point, but the thing is …bullets maketh not the list. There are many ways of styling something that is genuinely a list that doesn’t involve bullets or image markers. White space, borders, keylines—these can all indicate visually that something is a list of items.

If you look at, say, the tunes page on The Session, you can see that there are numerous lists—newest tunes, latest comments, etc. In this case, as a sighted visitor, you would be at an advantage over a screen reader user in that you can, at a glance, see that there’s a list of five items here, a list of ten items there.

So I’m not disagreeing with the thinking behind the Webkit decision, but I do think the heuristics probably aren’t going to be quite good enough to make the call on whether something is truly a list or not.

Still, while I used to be kind of upset about the Webkit behaviour, I’ve become more equanimous about it over time. There are two reasons for this.

Firstly, there’s something that Eric said:

We have come so far to agree that websites don’t need to look the same in every browser mostly due to bugs in their rendering engines or preferences of the user.

I think the same is true for screen readers and other assistive technology: Websites don’t need to sound the same in every screen reader.

That’s a really good point. If we agree that “pixel perfection” isn’t attainable—or desirable—in a fluid, user-centred medium like the web, why demand the aural equivalent?

The second reason why I’m not storming the barricades about this is something that James said:

Of course, heuristics are imperfect, so authors have the ability to explicitly override the heuristically determined role by adding role="list”.

That means more work for me as a developer, and that’s …absolutely fine. If I can take something that might be a problem for a user, and turn into something that’s a problem for me, I’ll choose to make it my problem every time.

I don’t have to petition Webkit to change their stance or update their heuristics. If I feel strongly that a list styled without bullets should still be announced as a list, I can specificy that in the markup.

It does feel very redundant to write ul role="list”. The whole point of having HTML elements with built-in semantics is that you don’t need to add any ARIA roles. But we did it for a while when new structural elements were introduced in HTML5—main role="main", nav role="navigation", etc. So I’m okay with a little bit of redundancy. I think the important thing is that you really stop and think about whether something should be announced as a list or not, regardless of styling. There isn’t a one-size-fits-all answer (hence why it’s nigh-on impossible to get the heuristics right). Each list needs to be marked up on a case-by-case basis.

And I wouldn’t advise spending too much time thinking about this either. There are other, more important areas to consider. Like I said, headings, forms, and images really matter. I’d prioritise those elements above thinking about lists. And it’s worth pointing out that Webkit doesn’t remove all semantic meaning from styled lists—it updates the role value from list to group. That seems sensible to me.

In the case of that page on The Session, I don’t think I’m guilty of listitis. Yes, there are seven lists on that page (two for navigation, five for content) but I’m reasonably confident that they all look like lists even without bullets or markers. So I’ve added role="list" to some ul elements.

As with so many things related to accessibility—and the web in general—this is a situation where the only answer I can confidentally come up with is …it depends.

Thursday, November 19th, 2020

Standardizing `select` And Beyond: The Past, Present And Future Of Native HTML Form Controls — Smashing Magazine

While a handful of form controls can be easily styled by CSS, like the button element, most form controls fall into a bucket of either requiring hacky CSS or are still unable to be styled at all by CSS.

Despite form controls no longer taking a style or technical dependency on the operating system and using modern rendering technology from the browser, developers are still unable to style some of the most used form control elements such as select. The root of this problem lies in the way the specification was originally written for form controls back in 1995.

Stephanie goes back in time to tell the history of form controls on the web, and how that history has led to our current frustrations:

The current state of working with controls on the modern web is that countless developer hours are being lost to rewriting controls from scratch, as custom elements due to a lack of flexibility in customizability and extensibility of native form controls. This is a massive gap in the web platform and has been for years. Finally, something is being done about it.

Amen!

Monday, November 16th, 2020

CSS Stats

A handy tool for getting an overview of your site’s CSS:

CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.

Friday, October 23rd, 2020

This page is a truly naked, brutalist html quine.

I think this is quite beautiful—no need to view source; the style sheet is already in the document.

Tuesday, October 6th, 2020

Nils Binder’s Website

The “Adjust CSS” slider on this delightful homepage is an effective (and cute) illustration of progressive enhancement in action.

Tuesday, August 18th, 2020

The Just in Case Mindset in CSS

Examples of defensive coding for CSS. This is an excellent mindset to cultivate!

Monday, August 10th, 2020

Influence

Hidde gave a great talk recently called On the origin of cascades (by means of natural selectors):

It’s been 25 years since the first people proposed a language to style the web. Since the late nineties, CSS lived through years of platform evolution.

It’s a lovely history lesson that reminded me of that great post by Zach Bloom a while back called The Languages Which Almost Became CSS.

The TL;DR timeline of CSS goes something like this:

Håkon and Bert joined forces and that’s what led to the Cascading Style Sheet language we use today.

Hidde looks at how the concept of the cascade evolved from those early days. But there’s another idea in Håkon’s proposal that fascinates me:

While the author (or publisher) often wants to give the documents a distinct look and feel, the user will set preferences to make all documents appear more similar. Designing a style sheet notation that fill both groups’ needs is a challenge.

The proposed solution is referred to as “influence”.

The user supplies the initial sheet which may request total control of the presentation, but — more likely — hands most of the influence over to the style sheets referenced in the incoming document.

So an author could try demanding that their lovely styles are to be implemented without question by specifying an influence of 100%. The proposed syntax looked like this:

h1.font.size = 24pt 100%

More reasonably, the author could specify, say, 40% influence:

h2.font.size = 20pt 40%

Here, the requested influence is reduced to 40%. If a style sheet later in the cascade also requests influence over h2.font.size, up to 60% can be granted. When the document is rendered, a weighted average of the two requests is calculated, and the final font size is determined.

Okay, that sounds pretty convoluted but then again, so is specificity.

This idea of influence in CSS reminds me of Cap’s post about The Sliding Scale of Giving a Fuck:

Hold on a second. I’m like a two-out-of-ten on this. How strongly do you feel?

I’m probably a six-out-of-ten, I replied after a couple moments of consideration.

Cool, then let’s do it your way.

In the end, the concept of influence in CSS died out, but user style sheets survived …for a while. Now they too are as dead as a dodo. Most people today aren’t aware that browsers used to provide a mechanism for applying your own visual preferences for browsing the web (kind of like Neopets or MySpace but for literally every single web page …just think of how empowering that was!).

Even if you don’t mourn the death of user style sheets—you can dismiss them as a power-user feature—I think it’s such a shame that the concept of shared influence has fallen by the wayside. Web design today is dictatorial. Designers and developers issue their ultimata in the form of CSS, even though technically every line of CSS you write is a suggestion to a web browser—not a demand.

I wish that web design were more of a two-way street, more of a conversation between designer and end user.

There are occassional glimpses of this mindset. Like I said when I added a dark mode to my website:

Y’know, when I first heard about Apple adding dark mode to their OS—and also to CSS—I thought, “Oh, great, Apple are making shit up again!” But then I realised that, like user style sheets, this is one more reminder to designers and developers that they don’t get the last word—users do.

Friday, July 24th, 2020

MSEdgeExplainers/explainer.md at main · MicrosoftEdge/MSEdgeExplainers

This is great! Ideas for allowing more styling of form controls. I agree with the goals 100% and I like the look of the proposed solutions too.

The team behind this are looking for feedback so be sure to share your thoughts (I’ll probably formulate mine into a blog post).

Saturday, July 18th, 2020

CSS photo effects - a Collection by Lynn Fisher on CodePen

These wonderfully realistic photo effects from Lynn are quite lovely!

Friday, July 3rd, 2020

Dark mode revisited

I added a dark mode to my website a while back. It was a fun thing to do during Indie Web Camp Amsterdam last year.

I tied the colour scheme to the operating system level. If you choose a dark mode in your OS, my website will adjust automatically thanks to the prefers-color-scheme: dark media query.

But I’ve seen notes from a few friends, not about my site specifically, but about how they like having an explicit toggle for dark mode (as well as the media query). Whenever I read those remarks, I’d think “I’m really not sure I’ve got time to deal with adding that kind of toggle to my site.”

But then I realised, “Jeremy, you absolute muffin! You’ve had a theme switcher on your website for almost two decades now!”

Doh! I had forgotten about that theme switcher. It dates back to the early days of CSS. I wanted my site to be a demonstration of how you could apply different styles to the same underlying markup (this was before the CSS Zen Garden came along). Those themes are very dated now, but if you like you can view my site with a Zeldman theme or a sci-fi theme.

To offer a dark-mode theme for my site, all I had to do was take the default stylesheet, pull out the custom properties from the prefers-color-scheme: dark media query, and done. It took less than five minutes.

So if you want to view my site in dark mode, it’s one of the options in the “Customise” dropdown on every page of the website.

Uncommon CSS Properties

I count at least three clever CSS techniques I didn’t know about.

Tuesday, June 23rd, 2020

CSS folded poster effect

This is a very nifty use of CSS gradients!

Saturday, June 13th, 2020

Striking a Balance Between Native and Custom Select Elements | CSS-Tricks

I think this a solution worthy of Solomon. In this case, the Gordian knot is the select element and its inevitable recreation in order to style it.

What if we instead deliver a native select by default and replace it with a more aesthetically pleasing one if possible? That’s where the “hybrid” select idea comes into action. It’s “hybrid” because it consists of two selects, showing the appropriate one at the right moment:

  • A native select, visible and accessible by default
  • A custom select, hidden until it’s safe to be interacted with a mouse

The implementation uses a genius combination of a hover media query and an adjacent sibling selector in CSS. It has been tested on a number of device/platform/browser combinations but more tests are welcome!

What I love about this solution is that it satisfies the stakeholders insisting on a custom component but doesn’t abandon all the built-in accessibility that you get from native form controls.

Monday, June 1st, 2020

Global and Component Style Settings with CSS Variables — Sara Soueidan

Sara shares how she programmes with custom properties in CSS. It sounds like her sensible approach aligns quite nicely with Andy’s CUBE CSS methodology.

Oh, and she’s using Fractal to organise her components:

I’ve been using Fractal for a couple of years now. I chose it over other pattern library tools because it fit my needs perfectly — I wanted a tool that was unopinionated and flexible enough to allow me to set up and structure my project the way I wanted to. Fractal fit the description perfectly because it is agnostic as to the way I develop or the tools I use.

Sass Color Functions in CSS | Jim Nielsen’s Weblog

I’m not the only one swapping out Sass with CSS for colour functions:

Because of the declarative nature of CSS, you’re never going to get something as terse as what you could get in Sass. So sure, you’re typing more characters. But you know what you’re not doing? Wrangling build plugins and updating dependencies to get Sass to build. What you write gets shipped directly to the browser and works as-is, now and for eternity. It’s hard to say that about your Sass code.

Saturday, May 30th, 2020

Programming CSS to perform Sass colour functions

I wrote recently about moving away from Sass to using native CSS features. I had this to say on the topic of mixins in Sass:

These can be very useful, but now there’s a lot that you can do just in CSS with calc(). The built-in darken() and lighten() mixins are handy though when it comes to colours.

I know we will be getting these in the future but we’re not there yet with CSS.

Anyway, I had all this in the back of my mind when I was reading Lea’s excellent feature in this month’s Increment: A user’s guide to CSS variables. She’s written about a really clever technique of combining custom properites with hsl() colour values for creating colour palettes. (See also: Una’s post on dynamic colour theming with pure CSS.)

As so often happens when I’m reading something written by Lea—or seeing her give a talk—light bulbs started popping over my head (my usual response to Lea’s knowledge bombs is either “I didn’t know you could do that!” or “I never thought of doing that!”).

I immediately set about implementing this technique over on The Session. The trick here is to use separate custom properties for the hue, saturation, and lightness parts of hsl() colour values. Then, when you want to lighten or darken the colour—say, on hover—you can update the lightness part.

I’ve made a Codepen to show what I’m doing.

Let’s say I’m styling a button element. I make custom propertes for hsl() values:

button {
  --button-colour-hue: 19;
  --button-colour-saturation: 82%;
  --button-colour-lightness: 38%;
  background-color: hsl(
    var(--button-colour-hue),
    var(--button-colour-saturation),
    var(--button-colour-lightness)
  );
}

For my buttons, I want the borders to be slightly darker than the background colour. When I was using Sass, I used the darken() function to this. Now I use calc(). Here’s how I make the borders 10% darker:

border-color: hsl(
  var(--button-colour-hue),
  var(--button-colour-saturation),
  calc(var(--button-colour-lightness) - 10%)
);

That calc() function is substracting a percentage from a percentage: 38% minus 10% in this case. The borders will have a lightness of 28%.

I make the bottom border even darker and the top border lighter to give a feeling of depth.

On The Session there’s a “cancel” button style that’s deep red.

Here’s how I set its colour:

.cancel {
  --button-colour-hue: 0;
  --button-colour-saturation: 100%;
  --button-colour-lightness: 40%;
}

That’s it. The existing button declarations take care of assigning the right shades for the border colours.

Here’s another example. Site admins see buttons for some actions only available to them. I want those buttons to have their own colour:

.admin {
  --button-colour-hue: 45;
  --button-colour-saturation: 100%;
  --button-colour-lightness: 40%;
}

You get the idea. It doesn’t matter how many differently-coloured buttons I create, the effect of darkening or lightening their borders is all taken care of.

So it turns out that the lighten() and darken() functions from Sass are available to us in CSS by using a combination of custom properties, hsl(), and calc().

I’m also using this combination to lighten or darken background and border colours on :hover. You can poke around the Codepen if you want to see that in action.

I love seeing the combinatorial power of these different bits of CSS coming together. It really is a remarkably powerful programming language.

Friday, May 29th, 2020

CUBE CSS - Piccalilli

I really, really like Andy’s approach here:

The focus of the methodology is utilising the power of CSS and the web platform as a whole, with some added controls and structures that help to keep things a bit more maintainable and predictable. The end-goal is shipping as little CSS as possible—leaning heavily into progressive enhancement and modern techniques.

If you use the cascade for everything, you’re going to run into trouble. But equally, micro-managing styles on every element will also get you into trouble. I think Andy’s found a really great sweet spot here that gets the balance just right.

CUBE CSS in essence, is a progressive enhancement approach, vs a fight against the grain of CSS or a pixel-pushing your project to within an inch of its life approach.

Yes! It feels very “webby” to me.

Wednesday, May 13th, 2020

Modern CSS Solutions

…for old CSS problems.

Very handy!