No matter what time zone you’re in, you can tune in to some excellent-sounding talks tomorrow.
No sign-up. No registration. All sessions are streamed live and publicly on the Inclusive Design 24 YouTube channel.
No matter what time zone you’re in, you can tune in to some excellent-sounding talks tomorrow.
No sign-up. No registration. All sessions are streamed live and publicly on the Inclusive Design 24 YouTube channel.
I had a double-whammy of a stress dream during the week.
I dreamt I was at a conference where I was supposed to be speaking, but I wasn’t prepared, and I wasn’t where I was supposed to be when I was supposed to be there. Worse, my band were supposed to be playing a gig on the other side of town at the same time. Not only was I panicking about getting myself and my musical equipment to the venue on time, I was also freaking out because I couldn’t remember any of the songs.
You don’t have to be Sigmund freaking Freud to figure out the meanings behind these kinds of dreams. But usually these kind of stress dreams are triggered by some upcoming event like, say, oh, I don’t know, speaking at a conference or playing a gig.
I felt really resentful when I woke up from this dream in a panic in the middle of the night. Instead of being a topical nightmare, I basically had the equivalent of one of those dreams where you’re back at school and it’s the day of the exam and you haven’t prepared. But! When, as an adult, you awake from that dream, you have that glorious moment of remembering “Wait! I’m not in school anymore! Hallelujah!” Whereas with my double-booked stress dream, I got all the stress of the nightmare, plus the waking realisation that “Ah, shit. There are no more conferences. Or gigs.”
I miss them.
Mind you, there is talk of re-entering the practice room at some point in the near future. Playing gigs is still a long way off, but at least I could play music with other people.
Actually, I got to play music with other people this weekend. The music wasn’t Salter Cane, it was traditional Irish music. We gathered in a park, and played together while still keeping our distance. Jessica has written about it in her latest journal entry:
It wasn’t quite a session, but it was the next best thing, and it was certainly the best we’re going to get for some time. And next week, weather permitting, we’ll go back and do it again. The cautious return of something vaguely resembling “normality”, buoying us through the hot days of a very strange summer.
No chance of travelling to speak at a conference though. On the plus side, my carbon footprint has never been lighter.
Online conferences continue. They’re not the same, but they can still be really worthwhile in their own way.
Designing and developing on the web can feel like a never-ending crusade against the unknown. Design principles are one way of unifying your team to better fight this battle. But as well as the design principles specific to your product or service, there are core principles underpinning the very fabric of the World Wide Web itself. Together, we’ll dive into applying these design principles to build websites that are resilient, performant, accessible, and beautiful.
Tickets are $350 but I can get you a discount. Use the code AEAJER to get $50 off.
I wonder if I’ll have online-appropriate stress dreams in the next week? “My internet is down!”, “I got the date and time wrong!”, “I’m not wearing any trousers!”
Actually, that’s pretty much just my waking life these days.
If you’re subscribed to the Clearleft podcast there’s a new episode winging its way across the airwaves to alight in your podcast software of choice.
This episode is all about service design. More precisely, it’s about me trying to understand what service design is. I don’t think I’m alone in being unsure of its meaning.
So in some ways, this is similar to the first episode, which involved a lot me asking “What exactly is a design system anyway?” But for the service design episode, rather than using interviews as my source material, I’ve dug into the archives of UX London. There are past talks on Clearleft’s Vimeo channel. I made plenty of use of presentations by Kerry Bodine, Jamin Hegeman, and Lou Downe.
That worked out well, but I felt there was still something missing from the episode. It needed a good story to wrap things up. So I cornered Rich for a chat about a project Clearleft worked on for Brighton council. That did the trick!
Again, there’s not much of me in this one. I’m there to thread the narrative together but my voice is not the one doing the explaining or the story-telling.
The episode ended up being almost half an hour long. Like I said before, rather than trying to squeeze each episode into a predefined timeslot, each episode will be as long as needs to be. And this one needed the time for Rich to tell his story.
Ooh, and I even tried adding in some sound effects during that part! It probably just sounds cheesy, but I’m still trying to figure out what works and what doesn’t.
Anyway, have a listen to this episode and see what you think. It’s got dead badgers, Downton Abbey, icebergs, and airplanes. Service design really does encompass a lot!
Clearleft is a remote-working company right now. I mean, that’s hardly surprising—just about everyone I know is working from home.
We made this decision on Friday. It was clear that the spread of COVID-19 was going exponential (even with the very incomplete data available in the UK). Despite the wishy-washy advice from the government—which has since pivoted drastically—we made the decision to literally get ahead of the curve. We had one final get-together in the studio yesterday to plan logistics and pick up equipment. Then it was time to start this chapter.
Cassie kindly provided the use of her van to get that stuff home. The Aeron chair proved to be extremely tricky to get through my narrow front door. For a while there, it looked like I’d need to take the door off the hinges but with a whole lotta pushin’ and a-pullin’ Jessica and I managed to somehow get it in.
Now I’ve got a reasonable home studio set up, I can get back to working on that conference talk I’m prepar… Oh.
Yeah, I guess I’ve got a stay of execution on that. For the past few months I’ve had my head down preparing a new hour-long talk for An Event Apart. Yes, it takes me that long to put a talk together—it feels kinda like writing a book. I’d like to think it’s because I’m so meticulous, but the truth is that I’m just very slow at most things. Also, I’m a bad one for procrastinating.
For the past week or so, while I’ve been making pretty darn good progress on the talk, a voice in the back of my head has been whispering “Hey, maybe the conference won’t even happen!” In answer to which, the voice in the front of my head has been saying “Would you shut the fuck up? I’m trying to work here!”
I was due to debut the talk at An Event Apart Seattle in May. Sure enough, that event has quite rightly been cancelled. So have a lot of other excellent events. It’s a real shame, and my heart goes out to event organisers who pour so much of themselves into their events; their love, their care, and not least, their financial risk.
I speak at quite a few events every year. I really, really enjoy it. For one, public speaking is one of the few things I think I’m actually any good at. Also, I just love the chance to meet my peers and collectively nerd out together for a short while.
Then there’s the travel. This year I was planning on drastically reducing my plane travel. I had bagged myself speaking slots in European cities that I could reach by train: Cologne, Strasbourg, even Lisbon, along with domestic destinations like Nottingham, Manchester, and Plymouth. I was quite looking forward to some train adventures. But those will have to wait.
Right now I’m going to settle into this new home routine. It’s not entirely new to me. Back in the early 2000s, I worked from home as a freelancer. Back then, Jessica and I worked not just in the same room, but on opposite ends of the same table!
We’ve got more room now. Jessica has her own office space. I’m getting used to mine. But as Jessica pointed out:
I’ve worked from home for 20(!) years, I love it, I’m made for it, I can’t imagine not doing it—and I’ve gotten absolutely nothing done for the past week.
Newly WFH folks, the situation now is totally unconducive to concentration and productivity. Be gentle with yourselves.
Dave shares some of his personal horror stories from public speaking, but also some of his practical tips for avoiding those kinds of situations.
I managed to do a bit of liveblogging during the event. Combined with the liveblogging I did during the other two Events Apart that I attended this year—Seattle and Chicago—that makes a grand total of seventeen liveblogged presentations!
For my part, I gave my talk on Going Offline. Time to retire that talk now.
Here’s what I wrote when I first gave the talk back in March at An Event Apart Seattle:
I was quite nervous about this talk. It’s very different from my usual fare. Usually I have some big sweeping arc of history, and lots of pretentious ideas joined together into some kind of narrative arc. But this talk needed to be more straightforward and practical. I wasn’t sure how well I would manage that brief.
The dates for next year’s Events Apart have been announced, and I’ll be speaking at three of them:
The question is, do I attempt to deliver another practical code-based talk or do I go back to giving a high-level talk about ideas and principles? Or, if I really want to challenge myself, can I combine the two into one talk without making a Frankenstein’s monster?
Come and see me at An Event Apart in 2020 to find out.
Friday was FF Conf day here in Brighton. This was the eleventh(!) time that Remy and Julie have put on the event. It was, as ever, excellent.
It’s a conference that ticks all the boxes for me. For starters, it’s a single-track event. The more I attend conferences, the more convinced I am that multi-track events are a terrible waste of time for attendees (and a financially bad model for organisers). I know that sounds like a sweeping broad generalisation, but ask me about it next time we meet and I’ll go into more detail. For now, I just want to talk about this mercifully single-track conference.
FF Conf has built up a rock-solid reputation over the years. I think that’s down to how Remy curates it. He thinks about what he wants to know and learn more about, and then thinks about who to invite to speak on those topics. So every year is like a snapshot of Remy’s brain. By happy coincidence, a snapshot of Remy’s brain right now looks a lot like my own.
You could tell that Remy had grouped the talks together in themes. There was a performance-themed chunk right after lunch. There was a people-themed chunk in the morning. There was a creative-coding chunk at the end of the day. Nice work, DJ.
I think it was quite telling what wasn’t on the line-up. There were no talks about specific libraries or frameworks. For me, that was a blessed relief. The only technology-specific talk was Alice’s excellent talk on Git—a tool that’s useful no matter what you’re coding.
One of the reasons why I enjoyed the framework-free nature of the day is that most talks—and conferences—that revolve around libraries and frameworks are invariably focused on the developer experience. Think about it: next time you’re watching a talk about a framework or library, ask yourself how it impacts user experience.
At FF Conf, the focus was firmly on people. In the case of Laura’s barnstorming presentation, those people are end users (I’m constantly impressed by how calm and measured Laura remains even when talking about blood-boilingly bad behaviour from the tech industry). In the case of Amina’s talk, the people are junior developers. And for Sharon’s presentation, the people are everyone.
One of the most useful talks of the day was from Anna who took us on a guided tour of dev tools to identify performance improvements. I found it inspiring in a very literal sense—if I had my laptop with me, I think I would’ve opened it up there and then and started tinkering with my websites.
Harry also talked about performance, but at Remy’s request, it was more business focused. Specifically, it was focused on Harry’s consultancy business. I think this would’ve been the perfect talk for more of an “industry” event, whereas FF Conf is very much a community event: Harry’s semi-serious jibes about keeping his performance secrets under wraps didn’t quite match the generous tone of the rest of the line-up.
(Oh, and Remy, when you start to put together the line-up for next year’s FF Conf, be sure to check out Charlotte Dann—her talk at Material was the perfect mix of code and creativity.)
I don’t think I can take credit for Charlotte being on the line-up, but I will take credit for saying she’d be the perfect fit.
And then Suz Hinton closed out the conference with this rallying cry that resonated perfectly with Laura’s talk:
Less mass-produced surveillance bullshit and more Harry Potter magic (please)!
I think that rallying cry could apply equally well to conferences, and I think FF Conf is a good example of that ethos in action.
If you missed out on Patterns Day this year, you can still get a pale imitation of the experience of being there by watching videos of the talks.
On Twitter, Chris mentioned that “It would be nice if the talks had their topic listed,” which is a fair point. So here goes:
It’s fascinating to see emergent themes (other than, y’know, the obvious theme of design systems) in different talks. In comparison to the first Patterns Day, it felt like there was a healthy degree of questioning and scepticism—there were plenty of reminders that design systems aren’t a silver bullet. And I very much appreciated Yaili’s point that when you see beautifully polished design systems that have been made public, it’s like seeing the edited Instagram version of someone’s life. That reminded me of Responsive Day Out when Sarah Parmenter, the first speaker at the very first event, opened everything by saying “most of us are winging it.”
I can see the value in coming to a conference to hear stories from people who solved hard problems, but I think there’s equal value in coming to a conference to hear stories from people who are still grappling with hard problems. It’s reassuring. I definitely got the vibe from people at Patterns Day that it was a real relief to hear that nobody’s got this figured out.
There was also a great appreciation for the “big picture” perspective on offer at Patterns Day. For myself, I know that I’ll be cogitating upon Danielle’s talk and Emil’s talk for some time to come—both are packed full of ineresting ideas.
And if you’re itching for another event dedicated to design systems, I highly recommend snagging a ticket for the Clarity conference in San Francisco next month.
I mentioned how much I enjoyed Mike Hill’s talk at Beyond Tellerrand in Düsseldorf:
Mike gave a talk called The Power of Metaphor and it’s absolutely brilliant. It covers the monomyth (the hero’s journey) and Jungian archetypes, illustrated with the examples Star Wars, The Dark Knight, and Jurassic Park.
Ellen and I have been enjoying some great philosophical discussions about exactly what a story is, and how does it differ from a narrative structure, or a plot. I really love Ellen’s working definition: Narrative. In Space. Over Time.
This led me to think that there’s a lot that we can borrow from the world of storytelling—films, novels, fairy tales—not necessarily about the stories themselves, but the kind of narrative structures we could use to tell those stories. After all, the story itself is often the same one that’s been told time and time again—The Hero’s Journey, or some variation thereof.
I realised that Mike’s monomyth talk aligns nicely with my workshop. So I decided to prep my fellow Clearlefties for the workshop with a movie night.
Popcorn was popped, pizza was ordered, and comfy chairs were suitably arranged. Then we watched Mike’s talk. Everyone loved it. Then it was decision time. Which of three films covered in the talk would we watch? We put it to a vote.
It came out as an equal tie between Jurassic Park and The Dark Knight. How would we resolve this? A coin toss!
The toss went to The Dark Knight. In retrospect, a coin toss was a supremely fitting way to decide to watch that film.
It was fun to watch it again, particularly through the lens of Mike’s analyis of its Jungian archetypes.
But I still think the film is about game theory.
All of the talks from ten years of FF Conf …including this pretentious one from five years ago.
I’ve been to a lot of events and I’ve seen a lot of talks. I find that, even after all this time, I always get something out of every presentation I see. Kudos to anyone who’s got the guts to get up on stage and share their thoughts.
But there are some talks that are genuinely special. When they come along, it’s a real privilege to be in the room. Wilson’s talk, When We Build was one of those moments. There are some others that weren’t recorded, but will always stay with me.
Earlier this year, I had the great honour of opening the New Adventures conference in Nottingham. I definitely felt a lot of pressure, and I did my utmost to set the scene for the day. The final talk of the day was delivered by my good friend Ethan. He took it to another level.
Look, I could gush over how good Ethan’s talk was, or try to summarise it, but there’s really no point. I’ll just say that I felt the same sense of being present at something genuinely important that I felt when I was in the room for his original responsive web design talk at An Event Apart back in 2010. When the video is released, you really must watch it.
Well, the video has been released and you really must watch it. Don’t multitask. Don’t fast forward. Set aside some time and space, and then take it all in.
The subject matter, the narrative structure, the delivery, and the message come together in a unique way.
If, having watched the presentation, you want to dive deeper into any of Ethan’s references, check out the reading list that accompanies the talk.
I mentioned that I felt under pressure to deliver a good opener for New Adventures. I know that Ethan was really feeling the pressure too. He needn’t have worried. He delivered one of the best conference talks I’ve ever seen.
Thank you, Ethan.
After a fun and productive Indie Web Camp, I stuck around Düsseldorf for Beyond Tellerand. I love this event. I’ve spoken at it quite a few times, but this year it was nice to be there as an attendee. It’s simultaneously a chance to reconnect with old friends I haven’t seen in a while, and an opportunity to meet lovely new people. There was plenty of both this year.
I think this might have been the best Beyond Tellerrand yet, and that’s saying something. It’s not just that the talks were really good—there was also a wonderful atmosphere.
Marc somehow manages to curate a line-up that’s equal parts creativity and code; design and development. It shouldn’t work, but it does. I love the fact that he had a legend of the industry like David Carson on the same stage as first-time speaker like Dorobot …and the crowd loved ‘em equally!
During the event, I found out that I had a small part to play in the creation of the line-up…
Three years ago, I linked to a video of a talk by Mike Hill:
A terrific analysis of industrial design in film and games …featuring a scene-setting opening that delineates the difference between pleasure and happiness.
It’s a talk about chairs in Jodie Foster films. Seriously. It’s fantastic!
Marc saw my link, watched the video, and decided he wanted to get Mike Hill to speak at Beyond Tellerrand. After failing to get a response by email, Marc managed to corner Mike at an event in Amsterdam and get him on this year’s line-up.
Mike gave a talk called The Power of Metaphor and it’s absolutely brilliant. It covers the monomyth (the hero’s journey) and Jungian archetypes, illustrated with the examples Star Wars, The Dark Knight, and Jurassic Park:
Under the surface of their most celebrated films lies a hidden architecture that operates on an unconscious level; This talk is designed to illuminate the techniques that great storytellers use to engage a global audience on a deep and meaningful level through psychological metaphor.
The videos from Beyond Tellerrand are already online so you can watch the talk now.
In this talk, we’ll discuss how the language we use affects our users and the first steps towards writing accessible, approachable and use case-driven documentation.
While the talk was ostensibly about documentation, I found that it was packed full of good advice for writing well in general.
I had a thought. What if you mashed up these two talks? What if you wrote documentation through the lens of the hero’s journey?
Think about it. When somone arrives at your documentation, they’ve crossed the threshold to the underworld. They are in the cave, facing a dragon. You are their guide, their mentor, their Obi-Wan Kenobi. You can help them conquer their demons and return to the familiar world, changed by their journey.
An Event Apart Seattle was most excellent. This year, the AEA team are trying something different and making each event three days long. That’s a lot of mindblowing content!
What always fascinates me at events like these is the way that some themes seem to emerge, without any prior collusion between the speakers. This time, I felt that there was a strong thread of giving control directly to users:
Margot described this in terms of vulnerability for the brand, but the kind of vulnerability that leads to trust.
Sarah talked about it in terms of respect—respecting the privacy of users, and respecting the way that they want to use your services. Call it compassion, call it empathy, or call it just good business sense, but providing these kind of controls in an interface is an excellent long-term strategy.
In Val’s animation talk, she did a deep dive into
prefers-reduced-motion, a media query that deliberately hands control back to the user.
Even in a CSS-heavy talk like Jen’s, she took the time to explain why starting with meaningful markup is so important—it’s because you can’t control how the user will access your content. They may use tools like reader modes, or Pocket, or have web pages read aloud to them. The user has the final say, and rightly so.
In his CSS talk, Eric reminded us that a style sheet is a list of strong suggestions, not instructions.
Beth’s talk was probably the most explicit on the theme of returning control to users. She drew on examples from beyond the world of the web—from architecture, urban planning, and more—to show that the most successful systems are not imposed from the top down, but involve everyone, especially those most marginalised.
And even in my own talk on service workers, I raved about the design pattern of allowing users to save pages offline to read later. Instead of trying to guess what the user wants, give them the means to take control.
I was really encouraged to see this theme emerge. Mind you, when I look at the reality of most web products, it’s easy to get discouraged. Far from providing their users with controls over their own content, Instagram won’t even let their customers have a chronological feed. And Matt recently wrote about how both Twitter and Quora are heading further and further away from giving control to their users in his piece called Optimizing for outrage.
Still, I came away from An Event Apart Seattle with a renewed determination to do my part in giving people more control over the products and services we design and develop.
I spent the first two days of the conference trying to liveblog as much as I could. I find it really focuses my attention, although it’s also quite knackering. I didn’t do too badly; I managed to write cover eleven of the talks (out of the conference’s total of seventeen):
Right before heading to Geneva to spend the week hacking at CERN, I was in Seattle with a sizable Clearleft contingent to attend Interaction 19, the annual conference put on by the Interaction Design Association.
Ben has rounded up the highlights from my fellow Clearlefties. There are some good talks listed there: John Maeda, Nelly Ben Hayoun, and Jon Bell were thoroughly enjoyable. Some other talks were just okay, and there was one talk, by IXDA president Alok Nandi, that was almost impressive in how rambling and incoherent it was. It was like being in a scene from Silicon Valley. I remember clapping at the end; not out of appreciation, but out of relief.
If truth be told, Interaction 19 had about a day’s worth of really great content …spread out over three days. To be fair, that’s par for the course. When we went to Interaction 17 in New York, the hit/miss ratio was about the same:
There were some really good talks at the event, but alas, the muti-track format made it difficult to see all of them. Continuous partial FOMO was the order of the day.
And as I said at the time:
To be honest, the conference was only part of the motivation for the trip. Spending a week in New York with a gaggle of Clearlefties was its own reward.
So I’m willing to cut Interaction 19 a lot of slack. Even if quite a few of the talks were just so-so, getting to hang with Clearlefties in Seattle during snowmageddon was a lot of fun (and you’ll be pleased to hear that we didn’t even resort to cannibalism to survive).
But while the content of the conference was fair to middling, the organisation of it was a shambles:
Imagine the Fyre Festival but in downtown Seattle in winter. Welcome to @ixdconf. #ixd19
They sold more tickets than there were seats. I ended up watching the first morning’s keynotes being streamed to a screen in a conference room in a different building.
Now, I’ve been at events with keynotes that have overflow rooms—South by Southwest does this. But that’s at a different scale. This is a conference with a known number of attendees, each one of them spending over a thousand dollars to attend. I’m pretty sure that a first-come, first-served policy isn’t the best way of treating those attendees.
Anyway, here’s what I submitted for that round-up of the best talks, but which, for reasons of prudence, was omitted from the final post:
I really enjoyed the keynote by Liz Jackson on inclusive design. I would’ve enjoyed it even more if I could’ve seen it in person. Instead I watched it live-streamed to a meeting room two buildings over because the conference sold more tickets than they had seats for. This was after queueing in the cold for registration. So I feel like I learned a lot from Interaction 19 …about how not to organise a conference.
Still, as Ben notes:
We all enjoyed ourselves thoroughly, despite best efforts by the West Coast snow to disrupt the entire city.
I’m going to be back in Seattle in just under two weeks for An Event Apart. Now that’s a conference! It runs like a well-oiled machine, and every talk in its single track has been curated for excellence …with one exception.
I can relate to Ethan’s 16-step process for writing conference talks.
Step 14 is the most important.
This is something I do in my presentations. I have speaker notes scattered throughout the slide deck with the “beats” of the talk—10 minutes, 20 minutes, etc.
If I hit one of those slides and I’m ahead of schedule, I can go on a few more tangents. If I hit one of those slides and I’m behind schedule, I can cut to the chase. Either way, having those decision points spread throughout the talk really helps to keep things smooth.
One thing that can really help in the delivery is knowing if you’re running fast or slow before you crash into the end of your talk. That way you can make adjustments as you go along by glossing over smaller points to speed up or expanding more on your ideas to slow down.
This looks like a really interesting two-day event here in Brighton in November. Like Indie Web Camp, it features one day of talks followed by one day of making.
After a day of tech talks from project teams using their skills for social good, you’ll have the chance to take part in workshops and hackathons to use your own talents for a worthy cause.
And you get to go up the i360.
I was in Boston last week to give a talk. I ended up giving four.
This was my second time giving this talk at An Event Apart—the first time was in Seattle a few months back. It was also my last time giving this talk at An Event Apart—I shan’t be speaking at any of the other AEAs this year, alas. The talk wasn’t recorded either so I’m afraid you kind of had to be there (unless you know of another conference that might like to have me give that talk, in which case, hit me up).
After giving my talk in the morning, I wasn’t quite done. I was on a panel discussion with Rachel about CSS grid. It turned out to be a pretty good format: have one person who’s a complete authority on a topic (Rachel), and another person who’s barely starting out and knows just enough to be dangerous (me). I really enjoyed it, and the questions from the audience prompted some ideas to form in my head that I should really note down in a blog post before they evaporate.
The next day, I went over to MIT to speak at Design 4 Drupal. So, y’know, technically I’ve lectured at MIT now.
I wasn’t going to do the same talk as I gave at An Event Apart, obviously. Instead, I reprised the talk I gave earlier this at Webstock: Taking Back The Web. I thought it was fitting given how much Drupal’s glorious leader, Dries, has been thinking about, writing about, and building with the indie web.
I really enjoyed giving this talk. The audience were great, and they had lots of good questions afterwards. There’s a video, which is basically my voice dubbed over the slides, followed by a good half of questions afterwards.
Lea had been in touch to ask if I would speak at this meet-up, and I was only too happy to oblige. I tried doing something I’ve never done before: a book reading!
No, not reading from Going Offline, my current book which I should encouraging people to buy. Instead I read from Resilient Web Design, the free online book that people literally couldn’t buy if they wanted to. But I figured reading the philosophical ramblings in Resilient Web Design would go over better than trying to do an oral version of the service worker code in Going Offline.
And with that, my time in Boston was at an end. I was up at the crack of dawn the next morning to get the plane back to England where Ampersand awaited. I wasn’t speaking there though. I thoroughly enjoyed being an attendee and absorbing the knowledge bombs from the brilliant speakers that Rich assembled.
The next place I’m speaking will much closer to home than Boston: I’ll be giving a short talk at Oxford Geek Nights on Wednesday. Come on by if you’re in the neighbourhood.
I tried do some live-blogging at An Event Apart Seattle. I surprised myself by managing to do all six talks on the first day. I even managed one or two after that, but that was the limit of my stamina. Torre, on the other hand, managed to live-blog every single talk—amazing!
Some of the talks don’t necessarily lend themselves to note-taking—ya kinda had to be there. But some of the the live-blogging I did ended up being surprisingly coherent.
Anyway, I figured it would be good to recap all the ones I managed to do here in one handy list.
Of course the one talk I definitely couldn’t live-blog was my own. I’ve documented lists of links relating to the subject matter of my talk, but if you weren’t at An Event Apart Seattle, then the only other chance to see the talk is at An Event Apart Boston in June. That’s the only other time I’m giving it.
I thoroughly enjoyed giving the talk in Seattle, particularly when I treated the audience to a scoop: I announced my new book, Going Offline, during the talk (I had been scheming with Katel at A Book Apart and we co-ordinated the timing to a tee).
I recently received this very instruction about speaking at an upcoming event. I honestly don’t know how I could talk about universality, progressive enhancement, and user experience without it being political. So I interpreted the request to be about partisanship rather than politics:
Sometimes when people hear the term “political,” they understand it as “partisan.” To be political is to acknowledge the lived experiences of people outside of yourself. To be partisan is to advocate for the beliefs or propaganda of a specific party affiliation.