Tags: technology

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Monday, September 14th, 2020

Why Do We Interface?

A short web book on the past, present and future of interfaces, written in a snappy, chatty style.

From oral communication and storytelling 500,000 years ago to virtual reality today, the purpose of information interfaces has always been to communicate more quickly, more deeply, to foster relationships, to explore, to measure, to learn, to build knowledge, to entertain, and to create.

We interface precisely because we are human. Because we are intelligent, because we are social, because we are inquisitive and creative.

We design our interfaces and they in turn redefine what it means to be human.

Sunday, August 30th, 2020

The land before modern APIs – Increment: APIs

This is a wonderful tale of spelunking into standards from Darius Kazemi—I had no idea that HTTP status codes have their origin in a hastily made decision in the days of ARPANET.

20 people got together at MIT in 1972 for a weekend workshop. On the second day, a handful of people in a breakout session decided it would be a good idea to standardize error messages between two services for transferring data, even though those two services had not necessarily planned to speak to one another. One thing led to another, and now 404 is synonymous with “I can’t find the thing.”

This story is exactly the kind of layering of technologies that I was getting at in the first chapter of Resilient Web Design.

HTTP status codes are largely an accident of history. The people who came up with them didn’t plan on defining a numerical namespace that would last half a century or work its way into popular culture. You see this pattern over and over in the history of technology.

Sunday, August 9th, 2020

Beyond Smart Rocks

Claire L. Evans on computational slime molds and other forms of unconvential computing that look beyond silicon:

In moments of technological frustration, it helps to remember that a computer is basically a rock. That is its fundamental witchcraft, or ours: for all its processing power, the device that runs your life is just a complex arrangement of minerals animated by electricity and language. Smart rocks.

Chapter 1: Birth | CSS-Tricks

This is wonderful! A whole series on the history of the web from Jay Hoffman, the creator of the similarly-themed newsletter and timeline.

This first chapter is right up my alley, looking at the origins of hypertext, the internet, and the World Wide Web.

Friday, July 31st, 2020

Recreating Wildlife Photographer of the Year online – part 1 – Introduction and technical approach – Blogs from the Natural History Museum

You’ve seen the Wildlife Photographer Of The Year project from Clearleft’s viewpoint …and you’ve listened to the podcast episode, right?

Now here’s the story from the team that made the website. It’s a great walkthrough of thoughtfully evaluating technologies to figure out the best approach.

Thursday, July 30th, 2020

Lateral Thinking With Withered Technology · Matthias Ott – User Experience Designer

What web development can learn from the Nintendo Game and Watch.

The Web now consists of an ever-growing number of different frameworks, methodologies, screen sizes, devices, browsers, and connection speeds. “Lateral thinking with withered technology” – progressively enhanced – might actually be an ideal philosophy for building accessible, performant, resilient, and original experiences for a wide audience of users on the Web.

Monday, July 27th, 2020

the Web at a crossroads - Web Directions

John weighs in on the clashing priorities of browser vendors.

Imagine if the web never got CSS. Never got a way to style content in sophisticated ways. It’s hard to imagine its rise to prominence in the early 2000s. I’d not be alone in arguing a similar lack of access to the sort of features inherent to the mobile experience that WebKit and the folks at Mozilla have expressed concern about would (not might) largely consign the Web to an increasingly marginal role.

Friday, July 24th, 2020

Make me think! – Ralph Ammer

This is about seamful design.

We need to know things better if we want to be better.

It’s also about progressive enhancement.

Highly sophisticated systems work flawlessly, as long as things go as expected.

When a problem occurs which hasn’t been anticipated by the designers, those systems are prone to fail. The more complex the systems are, the higher are the chances that things go wrong. They are less resilient.

Saturday, July 18th, 2020

Your blog doesn’t need a JavaScript framework /// Iain Bean

If the browser needs to parse 296kb of JavaScript to show a list of blog posts, that’s not Progressive Enhancement, it’s using the wrong tool for the job.

A good explanation of the hydration problem in tools like Gatsby.

JavaScript is a powerful language that can do some incredible things, but it’s incredibly easy to jump to using it too early in development, when you could be using HTML and CSS instead.

Wednesday, July 1st, 2020

The design systems between us. — Ethan Marcotte

Smart thoughts from Ethan on how design systems can cement your existing ways of working, but can’t magically change how collaboration works at your organisation.

Modern digital teams rarely discuss decisions in terms of the collaborative costs they incur. It’s tempting—and natural!—to see design- or engineering-related decisions in isolation: that selecting Vue as a front-end framework only impacts the engineering team, or that migrating to Figma only impacts designers. But each of these changes the way that team works, which impacts how other teams will work and collaborate with them.

Friday, June 26th, 2020

We Are As Gods

A forthcoming documentary about Stewart Brand (with music by Brian Eno).

Thursday, June 25th, 2020

On dependency | RobWeychert.com V7

I’m very selective about how I depend on other people’s work in my personal projects. Here are the factors I consider when evaluating dependencies.

  • Complexity How complex is it, who absorbs the cost of that complexity, and is that acceptable?
  • Comprehensibility Do I understand how it works, and if not, does that matter?
  • Reliability How consistently and for how long can I expect it to work?

I really like Rob’s approach to choosing a particular kind of dependency when working on the web:

When I’m making things, that’s how I prefer to depend on others and have them depend on me: by sharing strong, simple ideas as a collective, and recombining them in novel ways with rigorous specificity as individuals.

Wednesday, May 13th, 2020

Why we at $FAMOUS_COMPANY Switched to $HYPED_TECHNOLOGY

Ultimately, however, our decision to switch was driven by our difficulty in hiring new talent for $UNREMARKABLE_LANGUAGE, despite it being taught in dozens of universities across the United States. Our blog posts on $PRACTICAL_OPEN_SOURCE_FRAMEWORK seemed to get fewer upvotes when posted on Reddit as well, cementing our conviction that our technology stack was now legacy code.

This is all just mwah—chef’s kiss!—perfect:

Every metric that matters to us has increased substantially from the rewrite, and we even identified some that were no longer relevant to us, such as number of bugs, user frustration, and maintenance cost.

Tuesday, May 12th, 2020

The History of the Future

It me:

Although some communities have listed journalists as “essential workers,” no one claims that status for the keynote speaker. The “work” of being a keynote speaker feels even more ridiculous than usual these days.

Friday, April 17th, 2020

What’s in a name? | Sarah Higley

This is a terrific explanation of the concept of accessible names in HTML, written with verve and style!

Contrary to what you may think, naming an element involves neither a birth certificate nor the HTML name attribute. The name attribute is never directly exposed to the user, and is used only when submitting forms. Birth certificates have thus far been ignored by spec authors as a potential method for naming controls, but perhaps when web UI becomes sentient and self-propagating, we’ll need to revisit that.

Thursday, April 16th, 2020

It was 20 years ago today… - Web Directions

John’s article, A Dao Of Web Design, is twenty years old. If anything, it’s more relevant today than when it was written.

Here, John looks back on those twenty years, and forward to the next twenty…

Monday, March 30th, 2020

Living Through The Future

You can listen to audio version of Living Through The Future.

Usually when we talk about “living in the future”, it’s something to do with technology: smartphones, satellites, jet packs… But I’ve never felt more like I’m living in the future than during The Situation.

On the one hand, there’s nothing particularly futuristic about living through a pandemic. They’ve occurred throughout history and this one could’ve happened at any time. We just happen to have drawn the short straw in 2020. Really, this should feel like living in the past: an outbreak of a disease that disrupts everyone’s daily life? Nothing new about that.

But there’s something dizzyingly disconcerting about the dominance of technology. This is the internet’s time to shine. Think you’re going crazy now? Imagine what it would’ve been like before we had our network-connected devices to keep us company. We can use our screens to get instant updates about technologies of world-shaping importance …like beds and face masks. At the same time as we’re starting to worry about getting hold of fresh vegetables, we can still make sure that whatever meals we end up making, we can share them instantaneously with the entire planet. I think that, despite William Gibson’s famous invocation, I always figured that the future would feel pretty futuristic all ‘round—not lumpy with old school matters rubbing shoulders with technology so advanced that it’s indistinguishable from magic.

When I talk about feeling like I’m living in the future, I guess what I mean is that I feel like I’m living at a time that will become History with a capital H. I start to wonder what we’ll settle on calling this time period. The Covid Point? The Corona Pause? 2020-P?

At some point we settled on “9/11” for the attacks of September 11th, 2001 (being a fan of ISO-8601, I would’ve preferred 2001-09-11, but I’ll concede that it’s a bit of a mouthful). That was another event that, even at the time, clearly felt like part of History with a capital H. People immediately gravitated to using historical comparisons. In the USA, the comparison was Pearl Harbour. Outside of the USA, the comparison was the Cuban missile crisis.

Another comparison between 2001-09-11 and what we’re currently experiencing now is how our points of reference come from fiction. Multiple eyewitnesses in New York described the September 11th attacks as being “like something out of a movie.” For years afterwards, the climactic showdowns in superhero movies that demolished skyscrapers no longer felt like pure escapism.

For The Situation, there’s no shortage of prior art to draw upon for comparison. If anthing, our points of reference should be tales of isolation like Robinson Crusoe. The mundane everyday tedium of The Situation can’t really stand up to comparison with the epic scale of science-fictional scenarios, but that’s our natural inclination. You can go straight to plague novels like Stephen King’s The Stand or Emily St. John Mandel’s Station Eleven. Or you can get really grim and cite Cormac McCarthy’s The Road. But you can go the other direction too and compare The Situation with the cozy catastrophes of John Wyndham like Day Of The Triffids (or just be lazy and compare it to any of the multitude of zombie apocalypses—an entirely separate kind of viral dystopia).

In years to come there will be novels set during The Situation. Technically they will be literary fiction—or even historical fiction—but they’ll feel like science fiction.

I remember the Chernobyl disaster having the same feeling. It was really happening, it was on the news, but it felt like scene-setting for a near-future dystopian apocalypse. Years later, I was struck when reading Wolves Eat Dogs by Martin Cruz-Smith. In 2006, I wrote:

Halfway through reading the book, I figured out what it was: Wolves Eat Dogs is a Cyberpunk novel. It happens to be set in present-day reality but the plot reads like a science-fiction story. For the most part, the book is set in the post-apocolyptic landscape of Prypiat, near Chernobyl. This post-apocolyptic scenario just happens to be real.

The protagonist, Arkady Renko, is sent to this frightening hellish place following a somewhat far-fetched murder in Moscow. Killing someone with a minute dose of a highly radioactive material just didn’t seem like a very realistic assassination to me.

Then I saw the news about Alexander Litvinenko, the former Russian spy who died this week, quite probably murdered with a dose of polonium-210.

I’ve got the same tingling feeling about The Situation. Fact and fiction are blurring together. Past, present, and future aren’t so easy to differentiate.

I really felt it last week standing in the back garden, looking up at the International Space Station passing overhead on a beautifully clear and crisp evening. I try to go out and see the ISS whenever its flight path intersects with southern England. Usually I’d look up and try to imagine what life must be like for the astronauts and cosmonauts on board, confined to that habitat with nowhere to go. Now I look up and feel a certain kinship. We’re all experiencing a little dose of what that kind of isolation must feel like. Though, as the always-excellent Marina Koren points out:

The more experts I spoke with for this story, the clearer it became that, actually, we have it worse than the astronauts. Spending months cooped up on the ISS is a childhood dream come true. Self-isolating for an indefinite period of time because of a fast-spreading disease is a nightmare.

Whenever I look up at the ISS passing overhead I feel a great sense of perspective. “Look what we can do!”, I think to myself. “There are people living in space!”

Last week that feeling was still there but it was tempered with humility. Yes, we can put people in space, but here we are with our entire way of life put on pause by something so small and simple that it’s technically not even a form of life. It’s like we’re the martians in H.G. Wells’s War Of The Worlds; all-conquering and formidable, but brought low by a dose of dramatic irony, a Virus Ex Machina.

Prioritising Requirements | Trys Mudford

Over the past few years, I’ve given quite a few workshops and talks on evaluating technology. This methodical approach to evaluation and prioritisation from Trys is right up my alley!

In any development project, there is a point at which one must decide on the tech stack. For some, that may feel like a foregone conclusion, dictated by team appetite and experience.

Even if the decision seems obvious, it’s always worth sense-checking your thought process. Along with experience and gut-feelings, we also have blind-spots and biases.

I feel like there’s a connection here to having good design principles—the kind that explicitly value one facet over another.

Friday, March 20th, 2020

Is Me Cavechild Getting Too Much Pictogram-Time? - McSweeney’s Internet Tendency

Sometimes me think me should just tear bull pictogram down. Can bull pictogram really be worth it? Sure, pictogram help advance caveculture and foster writing system. But what good that stuff if whole cave society is just bunch of brainwashed bull-pictogram-watchers? You know what Aiden say yesterday? When he grow up, he want be bull-pictogram-painter! That not real job! Real job hunter! Or at least gatherer! How many bull-pictogram-painters world need?

Friday, March 13th, 2020

Rise of the Digital Fonts

A history of typesetting from movable type to variable fonts.