Yes, I’m a sucker for pace layers, but I think Rich is onto something here, mapping a profession onto a pace layer diagram.
Thursday, March 3rd, 2022
Thursday, November 18th, 2021
I like this mashup of two diagrams: Stewart Brand’s pace layers and Stephanie DiRusso’s typology of design thinking.
Monday, March 22nd, 2021
And, no, you don’t need to
npm install any of these. Try “vendoring” them instead (that’s copying and pasting to you and me).
Saturday, December 12th, 2020
Chindogu gone wild.
Tuesday, May 5th, 2020
Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!
Tuesday, January 7th, 2020
This is quite remarkable. On the surface, it’s a short article about the Y2K bug, but the hypertextual footnotes go deeper and deeper into memory, loss, grief …I’m very moved by the rawness and honesty nested within.
Monday, December 2nd, 2019
The design history of the New York subway map.
Friday, September 20th, 2019
Frank yearns for just-in-time computing:
With each year that goes by, it feels like less and less is happening on the device itself. And the longer our work maintains its current form (writing documents, updating spreadsheets, using web apps, responding to emails, monitoring chat, drawing rectangles), the more unnecessary high-end computing seems. Who needs multiple computers when I only need half of one?
Friday, August 23rd, 2019
If, in the final 7,000 years of their reign, dinosaurs became hyperintelligent, built a civilization, started asteroid mining, and did so for centuries before forgetting to carry the one on an orbital calculation, thereby sending that famous valedictory six-mile space rock hurtling senselessly toward the Earth themselves—it would be virtually impossible to tell.
A nice steaming cup of perspective.
If there were a nuclear holocaust in the Triassic, among warring prosauropods, we wouldn’t know about it.
Tuesday, July 16th, 2019
Fifteen years ago, I went to the Willie Clancy Summer School in Miltown Malbay:
I’m back from the west of Ireland. I was sorry to leave. I had a wonderful, music-filled time.
I’m not sure why it took me a decade and a half to go back, but that’s what I did last week. Myself and Jessica once again immersed ourselves in Irish tradtional music. I’ve written up a trip report over on The Session.
On the face of it, fifteen years is a long time. Last time I made the trip to county Clare, I was taking pictures on a point-and-shoot camera. I had a phone with me, but it had a T9 keyboard that I could use for texting and not much else. Also, my hair wasn’t grey.
But in some ways, fifteen years feels like the blink of an eye.
I spent my mornings at the Willie Clancy Summer School immersed in the history of Irish traditional music, with Paddy Glackin as a guide. We were discussing tradition and change in generational timescales. There was plenty of talk about technology, but we were as likely to discuss the influence of the phonograph as the influence of the internet.
Outside of the classes, there was a real feeling of lengthy timescales too. On any given day, I would find myself listening to pre-teen musicians at one point, and septegenarian masters at another.
Now that I’m back in the Clearleft studio, I’m finding it weird to adjust back in to the shorter timescales of working on the web. Progress is measured in weeks and months. Technologies are deemed outdated after just a year or two.
The one bridging point I have between these two worlds is The Session. It’s been going in one form or another for over twenty years. And while it’s very much on and of the web, it also taps into a longer tradition. Over time it has become an enormous repository of tunes, for which I feel a great sense of responsibility …but in a good way. It’s not something I take lightly. It’s also something that gives me great satisfaction, in a way that’s hard to achieve in the rapidly moving world of the web. It’s somewhat comparable to the feelings I have for my own website, where I’ve been writing for eighteen years. But whereas adactio.com is very much focused on me, thesession.org is much more of a community endeavour.
I question sometimes whether The Session is helping or hindering the Irish music tradition. “It all helps”, Paddy Glackin told me. And I have to admit, it was very gratifying to meet other musicians during Willie Clancy week who told me how much the site benefits them.
I think I benefit from The Session more than anyone though. It keeps me grounded. It gives me a perspective that I don’t think I’d otherwise get. And in a time when it feels entirely to right to question whether the internet is even providing a net gain to our world, I take comfort in being part of a project that I think uses the very best attributes of the World Wide Web.
Tuesday, May 28th, 2019
The New York Times is publishing science-fictional op-eds. The first one is from Ted Chiang on the Gene Equality Project forty years in our future:
White supremacist groups have claimed that its failure shows that certain races are incapable of being improved, given that many — although by no means all — of the beneficiaries of the project were people of color. Conspiracy theorists have accused the participating geneticists of malfeasance, claiming that they pursued a secret agenda to withhold genetic enhancements from the lower classes. But these explanations are unnecessary when one realizes the fundamental mistake underlying the Gene Equality Project: Cognitive enhancements are useful only when you live in a society that rewards ability, and the United States isn’t one.
Sunday, January 27th, 2019
Wednesday, December 12th, 2018
Of all the buzzwords in tech, perhaps none has been deployed with as much philosophical conviction as “frictionless.” Over the past decade or so, eliminating “friction” — the name given to any quality that makes a product more difficult or time-consuming to use — has become an obsession of the tech industry, accepted as gospel by many of the world’s largest companies.
Tuesday, July 31st, 2018
Focusing on the median or average is the equivalent of walking around with a pair of blinders on. We’re limiting our perspective and, in the process, missing out on so much crucial detail. By definition, when we make improving the median or average our goal, we are focusing on optimizing for only about half of our sessions.
Tim does the numbers…
By honing in on the 90th—or 95th or similar—we ensure those weaknesses don’t get ignored. Our goal is to optimize the performance of our site for the majority of our users—not just a small subset of them.
Monday, June 18th, 2018
Ultimately you can’t control when and how things go wrong but you do have some control over what happens. This is why progressive enhancement exists.
Thursday, May 31st, 2018
A wonderful—and humorous—deep dive into all things time-related.
Building a calendar sucks. Like there’s really cool shit you can do, since every calendar out there today is basically straight outta 2005, but at the end of the day you’re stuck dealing with all of the edge cases that all your dork friends have warned you about since the dawn of time. (Like literally, the dawn of time is a separate edge case you have to account for as well.)
This also contains a well-deserved shout-out to ISO 8601:
ISO 8601 is one of my favorite standards and/or RFC out there. And yes, you should definitely have a favorite.
I do have a favourite RFC—ask me about it sometime over a beer.
Thursday, May 17th, 2018
New Privacy Rules Could Make This Woman One of Tech’s Most Important Regulators - The New York Times
It’s kind of surreal to see a profile in the New York Times of my sister-in-law. Then again, she is Ireland’s data protection commissioner, and what with Facebook, Twitter, and Google all being based in Ireland, and with GDPR looming, her work is more important than ever.
By the way, this article has 26 tracking scripts. I don’t recall providing consent for any of them.
Thursday, December 7th, 2017
Relive the final trip to the moon with Geno and the crew of Apollo 17 …(real)timeshifted by 45 years.
Wednesday, December 6th, 2017
Data visualisations created for The Times, complete with code.
Thursday, September 7th, 2017
Time-shifted photographs of my hometown in Ireland.