Tags: type

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Friday, August 10th, 2018

Flexibility

Over on A List Apart, you can read the first chapter from Tim’s new book, Flexible Typesetting.

I was lucky enough to get an advance preview copy and this book is ticking all my boxes. I mean, I knew I would love all the type nerdery in the book, but there’s a bigger picture too. In chapter two, Tim makes this provacative statement:

Typography is now optional. That means it’s okay for people to opt out.

That’s an uncomfortable truth for designers and developers, but it gets to the heart of what makes the web so great:

Of course typography is valuable. Typography may now be optional, but that doesn’t mean it’s worthless. Typographic choices contribute to a text’s meaning. But on the web, text itself (including its structural markup) matters most, and presentational instructions like typography take a back seat. Text loads first; typography comes later. Readers are free to ignore typographic suggestions, and often prefer to. Services like Instapaper, Pocket, and Safari’s Reader View are popular partly because readers like their text the way they like it.

What Tim describes there isn’t a cause for frustration or despair—it’s a cause for celebration. When we try to treat the web as a fixed medium where we can dictate the terms that people must abide by, we’re doing them (and the web) a disservice. Instead of treating web design as a pre-made contract drawn up by the designer and presented to the user as a fait accompli, it is more materially honest to treat web design as a conversation between designer and user. Both parties should have a say.

Or as Tim so perfectly puts it in Flexible Typesetting:

Readers are typographers, too.

Understanding why Semantic HTML is important, as told by TypeScript.

Oh, this is such a good analogy from Mandy! Choosing the right HTML element is like choosing the right data type in a strongly typed programming language.

Get to know the HTML elements available to you, and use the appropriate one for your content. Make the most it, like you would any language you choose to code with.

Friday, July 20th, 2018

Transform your type online with variable fonts | Creative Bloq

This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.

I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.

Tuesday, July 17th, 2018

Font Playground — Play with variable fonts!

A fun way to play around with the options in variable fonts.

Thursday, July 12th, 2018

Steve Jobs on Prototypes - Snook.ca

I’ve thought often of how our design and prototyping tools for the web are often not of the web. Tools like Photoshop and Sketch and Invision create approximations but need to walk the line between being a tool to build native apps and to build web apps. They do well in their ability to quickly validate designs but do little to validate technical approach.

Sunday, July 8th, 2018

Stacking the Bricks: How the Blog Broke the Web

The title is quite clickbaity, but this is a rather wonderful retelling of web history on how Content Management Systems may have stifled a lot of the web’s early creativity.

Also, there’s this provocation: we like to rail against algorithmic sorting …but what if the reverse-chronological feed was itself the first algorithm?

Friday, July 6th, 2018

Fonty: the new way for testing web fonts

This is very neat! Test out how Google Fonts will look on your website: type in your URL and away you go. Works well on mobile too.

Monday, July 2nd, 2018

Ampersand 2018 | Rob Weychert

Rob attended the excellent Ampersand event last Friday and he’s made notes for each and every talk.

Tuesday, June 26th, 2018

Pixels vs. Ems: Users DO Change Font Size – Evan Minto – Medium

I have to admit, I didn’t realise that text reszing behaved differently for user preferences compared to page zoom. For that reason alone, I’m going to avoid setting font sizes in pixels.

If 2 to 3% (or more!) of your users are relying on a custom font size, you should know that so you can either support that user preference or make a conscious decision to not support it. Doing anything less is frankly irresponsible, especially considering that users with larger font sizes may be using those sizes to compensate for visual disabilities.

Monday, June 11th, 2018

Tim Brown: Coming soon: Flexible Typesetting

Fellow web type nerds: Tim Brown brings very good tidings indeed!

My new book is called Flexible Typesetting, and it will be published by A Book Apart this summer. I absolutely cannot wait for you to read it, because we have so much to talk about.

Text Effects - a Collection by Mandy Michael on CodePen

Mandy’s experiments with text effects in CSS are kinda mindblowing—I can’t wait to see her at Ampersand at the end of the month!

Fontjoy - Generate font pairings in one click

This looks like fun: it’s like a clever slot machine for pairing typefaces.

I thought the “machine learning” angle sounded like marketing bullshit, but it’s genuinely fascinating.

Friday, June 8th, 2018

Saturday, May 12th, 2018

Segmented type appreciation corner

Marcin built this lovely little in-browser tool to demonstrate how segmented type displays work at different sizes.

Thursday, May 3rd, 2018

The Next Big Thing in Type

Over the course of a semester, students at UMPRUM Academy in Prague made variable fonts. I think Krabat might be my favourite.

Tuesday, May 1st, 2018

Wakamai Fondue

A drag-and-drop tool for examining variable fonts (kind of like FontDrop but with more sliders to play with).

I didn’t get the name until I said it out loud.

Monday, April 30th, 2018

Upcoming changes to the CSS you need for variable fonts | Clagnut

Rich enumerates some changes in how you set up variable fonts. So if you’re pulling in a font that has weight as an axis, you can now add this to your @font-face rule:

font-weight: 1 999;

I’m already very excited about variable fonts—I’m going to be positively giddy by the time Ampersand rolls around (which, by the way, you should totally go to—it’s going to be sooo good!).

Wednesday, April 25th, 2018

Variable Fonts | DSType Foundry

Here’s an interesting twist on variable fonts: one of variable axes is serificity …serificousness …serifness. The serifs. The serifs, is what I’m trying to say.

One small point: it seems a bit of a shame that there are separate files for regular and italic—it would’ve been nice to have a variable axis for italicity …italicousness …ah, screw it.

Wednesday, April 4th, 2018

A typeface is not a tool · Klim Type Foundry

Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.

Braille Neue

I love this idea (and implementation)—instead of treating braille signage as something “separate but equal”, this typeface attempts to unify lettering and braille into one.

Braille Neue is a universal typeface that combines braille with existing characters. This typeface communicates to both the sighted and blind people in the same space.