Tags: typeface

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sparkline

Wednesday, July 8th, 2020

A tale of three skeuomorphs

A trashcan, a tyepface, and a tactile keyboard. Marcin gets obsessive (as usual).

Monday, May 11th, 2020

Scunthorpe Sans đź—Żđźš« profanity-blocking font

Using ligatures to create a s*** font that f***ing censors bad language automatically.

Friday, May 8th, 2020

The Fonts in Popular Things Identified Vol. 1 · Typewolf

I’d watch this game show:

Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.

Tuesday, May 5th, 2020

Times New Arial

Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!

Monday, May 4th, 2020

FEMME TYPE – Celebrating Women in the Type Industry

A treasure trove of case studies and interviews.

Tuesday, March 10th, 2020

FontGoggles — Interactive Previewing and Comparing

A really nice open-source font-previewing tool for the Mac.

Thursday, January 2nd, 2020

B612 – The font family

B612 is an highly legible open source font family designed and tested to be used on aircraft cockpit screens.

Available as a web font.

Sunday, June 9th, 2019

VOCAL

Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.

Tuesday, April 9th, 2019

Public Sans

A free and open source neutral sans-serif typeface, released as part of version two of the design system for the US federal government.

Wednesday, January 30th, 2019

Programming Fonts - Test Drive

Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.

Bodoni*

An open source version of Bodoni:

Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.

Tuesday, September 11th, 2018

Brand New Roman

A font made of corporate logos.

Tuesday, August 21st, 2018

Monotype restored the font Walbaum, a 200-year-old serif typeface — Quartzy

The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:

Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”

Tuesday, July 17th, 2018

Font Playground — Play with variable fonts!

A fun way to play around with the options in variable fonts.

Friday, July 6th, 2018

Fonty: the new way for testing web fonts

This is very neat! Test out how Google Fonts will look on your website: type in your URL and away you go. Works well on mobile too.

Monday, June 11th, 2018

Fontjoy - Generate font pairings in one click

This looks like fun: it’s like a clever slot machine for pairing typefaces.

I thought the “machine learning” angle sounded like marketing bullshit, but it’s genuinely fascinating.

Thursday, May 3rd, 2018

The Next Big Thing in Type

Over the course of a semester, students at UMPRUM Academy in Prague made variable fonts. I think Krabat might be my favourite.

Tuesday, May 1st, 2018

Wakamai Fondue

A drag-and-drop tool for examining variable fonts (kind of like FontDrop but with more sliders to play with).

I didn’t get the name until I said it out loud.

Wednesday, April 25th, 2018

Variable Fonts | DSType Foundry

Here’s an interesting twist on variable fonts: one of variable axes is serificity …serificousness …serifness. The serifs. The serifs, is what I’m trying to say.

One small point: it seems a bit of a shame that there are separate files for regular and italic—it would’ve been nice to have a variable axis for italicity …italicousness …ah, screw it.

Wednesday, April 4th, 2018

A typeface is not a tool · Klim Type Foundry

Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.