Two new lovely open source variable fonts from Github.
Tuesday, December 13th, 2022
Thursday, October 13th, 2022
Tuesday, October 11th, 2022
A drop-in replacement for Google Fonts without the tracking …but really, you should be self-hosting your font files.
Tuesday, June 21st, 2022
A typeface co-designed with a tree over the course of five years.
Yes, a tree.
Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree. As the tree grows, it deforms the letters and outputs new design variations, that are captured annually.
Tuesday, May 24th, 2022
Mark Simonson goes into the details of his lovely new typeface Proxima Sera.
Saturday, May 7th, 2022
This version of Roboto from Font Bureau is a very variable font indeed.
Sunday, February 6th, 2022
A lovely font based on the Bulmer typeface.
Thursday, December 30th, 2021
This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.
Tuesday, October 19th, 2021
Seb picks his top ten typefaces inspired by calligraphy.
Wednesday, August 18th, 2021
Wednesday, June 23rd, 2021
As part of my content buddying process, I am henceforth going to typeset all drafts in this font. I just tested it with this sentence:
We can leverage the synergy of a rich immersive user paradigm shift.
Sunday, June 6th, 2021
The typography of horology.
Wednesday, April 21st, 2021
An experimental image font made using the University of Plymouth’s unique letterpress workshop.
The font is intended for display purposes only, and not is suitable for body text.
Monday, March 8th, 2021
You don’t have to use web fonts—there are some pretty nice options if you stick to system fonts (like Georgia, Charter, and Palatino).
Monday, March 1st, 2021
Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.
Wednesday, July 8th, 2020
A trashcan, a tyepface, and a tactile keyboard. Marcin gets obsessive (as usual).
Monday, May 11th, 2020
Using ligatures to create a s*** font that f***ing censors bad language automatically.
Friday, May 8th, 2020
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.
Tuesday, May 5th, 2020
Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!
Monday, May 4th, 2020
A treasure trove of case studies and interviews.