Great typography on the web should be designed in layers. The web is an imperfect medium, consumed by countless different devices over untold numbers of network connections—each with their own capabilities, limitations, and peculiarities. To think that you can create one solution that will look and work the same everywhere is a fantasy. To make this more than just one nice book website, the whole project and process needs to embrace this reality.
Tuesday, April 28th, 2020
Thursday, April 23rd, 2020
I never thought of combining the
datalist element with
input type="color"—it’s pretty cool that it just works!
Monday, April 20th, 2020
Here’s one simple, practical way to make apps perform better on mobile devices: always configure HTML input fields with the correct
autocompleteattributes. While these three attributes are often discussed in isolation, they make the most sense in the context of mobile user experience when you think of them as a team.
This is an excellent deep dive with great advice:
You may think that you are familiar with the basic
autocompleteoptions, such as those that help the user fill in credit card numbers or address form fields, but I’d urge you to review them to make sure that you are aware of all of the options. The spec lists over 50 values!
Friday, March 13th, 2020
A history of typesetting from movable type to variable fonts.
Tuesday, March 3rd, 2020
A brief history of the manicule, illustrated with some extreme examples.
Friday, February 28th, 2020
Some solid research here. Turns out that using
input type=”text” inputmode=”numeric” pattern="[0-9]*" is probably a better bet than using
Friday, January 17th, 2020
I’m usually building one of three things: a demo, a prototype, or a minimum viable product (MVP).
I’ve seen some confusion over these terms — some people seem to use them somewhat interchangeable. But they’re not the same thing, and building one when you need another can cause problems.
This is a very useful distinction!
Friday, January 3rd, 2020
A look at the trend towards larger and larger font sizes for body copy on the web, culminating with Resilient Web Design.
There are some good arguments here for the upper limit on the font size there being too high, so I’ve adjusted it slightly. Now on large screens, the body copy on Resilient Web Design is 32px (2 times 1em), down from 40px (2.5 times 1em).
Saturday, August 3rd, 2019
Books in the public domain, lovingly designed and typeset, available in multiple formats for free. Great works of fiction from Austen, Conrad, Stevenson, Wells, Hardy, Doyle, and Dickens, along with classics of non-fiction like Darwin’s The Origin of Species and Shackleton’s South!
Thursday, May 9th, 2019
Marcin explains why line height works differently in print and the web. Along the way, he hits upon this key insight about CSS:
Web also took away some of the control from typesetters. What in the print era were absolute rules, now became suggestions.
Remember that every line of CSS you write is a suggestion to the browser.
Friday, March 22nd, 2019
Everything you need to know about hyphenation on the web today, from Rich’s galaxy brain.
Hyphenation is a perfect example of progressive enhancement, so you can start applying the above now if you think your readers will benefit from it – support among browsers will only increase.
Monday, October 8th, 2018
The only thing I would add is that, in my experience, it’s vital that the prototype does not morph into the final product …no matter how tempting it sometimes seems.
Prototypes are made to be discarded (having validated or invalidated an idea). Making a prototype and making something for production require very different mindsets: with prototyping it’s all about speed of creation; with production work, it’s all about quality of execution.
Thursday, August 30th, 2018
font-feature-settings value demonstrated in one single page.
Friday, August 10th, 2018
Over on A List Apart, you can read the first chapter from Tim’s new book, Flexible Typesetting.
I was lucky enough to get an advance preview copy and this book is ticking all my boxes. I mean, I knew I would love all the type nerdery in the book, but there’s a bigger picture too. In chapter two, Tim makes this provacative statement:
Typography is now optional. That means it’s okay for people to opt out.
That’s an uncomfortable truth for designers and developers, but it gets to the heart of what makes the web so great:
Of course typography is valuable. Typography may now be optional, but that doesn’t mean it’s worthless. Typographic choices contribute to a text’s meaning. But on the web, text itself (including its structural markup) matters most, and presentational instructions like typography take a back seat. Text loads first; typography comes later. Readers are free to ignore typographic suggestions, and often prefer to. Services like Instapaper, Pocket, and Safari’s Reader View are popular partly because readers like their text the way they like it.
What Tim describes there isn’t a cause for frustration or despair—it’s a cause for celebration. When we try to treat the web as a fixed medium where we can dictate the terms that people must abide by, we’re doing them (and the web) a disservice. Instead of treating web design as a pre-made contract drawn up by the designer and presented to the user as a fait accompli, it is more materially honest to treat web design as a conversation between designer and user. Both parties should have a say.
Or as Tim so perfectly puts it in Flexible Typesetting:
Readers are typographers, too.
Oh, this is such a good analogy from Mandy! Choosing the right HTML element is like choosing the right data type in a strongly typed programming language.
Get to know the HTML elements available to you, and use the appropriate one for your content. Make the most it, like you would any language you choose to code with.
Thursday, July 12th, 2018
I’ve thought often of how our design and prototyping tools for the web are often not of the web. Tools like Photoshop and Sketch and Invision create approximations but need to walk the line between being a tool to build native apps and to build web apps. They do well in their ability to quickly validate designs but do little to validate technical approach.
Monday, June 11th, 2018
Wednesday, March 21st, 2018
Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.
FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”
Thursday, February 15th, 2018
I think Khoi might be on to something here …but I also think this change in priorities is no bad thing:
Consider the macro trend of these brands all visually converging alongside the industry’s current mania for design systems. That juxtaposition suggests that we’re far more interested in implementing ideas than we are in ideas themselves.
Friday, January 12th, 2018
A well-written (and beautifully designed) article on the nature of the web, and what that means for those of us who build upon it. Matthias builds on the idea of material honestly and concludes that designing through prototypes—rather than making pictures of websites—results in a truer product.
A prototyping mindset means cultivating transparency and showing your work early to your team, to users – and to clients as well, which can spark excited conversations. A prototyping mindset also means valuing learning over fast results. And it means involving everyone from the beginning and closely working together as a team to dissolve the separation of linear workflows.