Tags: typo

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Tuesday, October 19th, 2021

Seb Lester’s Favorite Fonts

Seb picks his top ten typefaces inspired by calligraphy.

Wednesday, August 18th, 2021

MD Nichrome by Mass-Driver

Marvin has some competition! Here’s another beautiful sci-fi variable font:

MD Nichrome is a display typeface based on the typography of paperback science fiction from the 70s and early 80s.

Wednesday, June 23rd, 2021

Sans Bullshit Sans — Leveraging the synergy of ligatures

As part of my content buddying process, I am henceforth going to typeset all drafts in this font. I just tested it with this sentence:

We can leverage the synergy of a rich immersive user paradigm shift.

Sunday, June 6th, 2021

Saturday, April 24th, 2021

CSS Font Lorem Ipsum

Professional web designer on a closed course. Do not attempt.

Wednesday, April 21st, 2021

PlymouthPress – A Letterpress Image Font

An experimental image font made using the University of Plymouth’s unique letterpress workshop.

Grungy!

The font is intended for display purposes only, and not is suitable for body text.

Tuesday, April 6th, 2021

Uppestcase and Lowestcase Letters: Advances in Derp Learning

A genuinely interesting (and droll) deep dive into derp learning …for typography!

Thursday, April 1st, 2021

Meet Utopia: Designing And Building With Fluid Type And Space Scales — Smashing Magazine

An excellent explainer from Trys and James of their supersmart Utopia approach:

Utopia encourages the curation of a system small enough to be held in short-term memory, rather than one so sprawling it must be constantly referred to.

Wednesday, March 17th, 2021

Fluid Space Calculator | Utopia

Type and space are linked, so if you’re going to have a fluid type calculator, it makes sense to have a fluid space calculator too. More great work from Trys and James!

Monday, March 8th, 2021

System fonts don’t have to be ugly /// Iain Bean

You don’t have to use web fonts—there are some pretty nice options if you stick to system fonts (like Georgia, Charter, and Palatino).

Monday, March 1st, 2021

Proxima Vara by Mark Simonson

Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.

Thursday, February 4th, 2021

Continuous Typography / MK

Sounds like some convergent thinking with the ideas behind Utopia.

I think that the idea that that any typographic attribute (including variable font parameters) can be a function (linear, exponential, stepped, Bezier, random, or otherwise) of any given input variable (user preference, screen dimensions, connection speed, time of day, display language, or whatever else) is an incredibly powerful one, and worth exploring as an aesthetic as well as a technical proposition.

Here’s a demo you can play with.

Friday, January 29th, 2021

How to avoid layout shifts caused by web fonts – Simon Hearne

A terrific in-depth look at improving the performance of web fonts.

Monday, November 16th, 2020

CSS Stats

A handy tool for getting an overview of your site’s CSS:

CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.

Thursday, October 15th, 2020

Google font to SVG path

Cassie pointed me to this very nifty tool (that she plans to use in your SVG animation workshop): choose font from Google Fonts, type some text, and get the glyphs immediately translated into an SVG!

Thursday, October 1st, 2020

Downloading from Google Fonts

If you’re using web fonts, there are good performance (and privacy) reasons for hosting your own font files. And fortunately, Google Fonts gives you that option. There’s a “Download family” button on every specimen page.

But if you go ahead and download a font family from Google Fonts, you’ll notice something a bit odd. The .zip file only contains .ttf files. You can serve those on the web, but it’s far from the best choice. Woff2 is far leaner in file size.

This means you need to manually convert the downloaded .ttf files into .woff or .woff2 files using something like Font Squirrel’s generator. That’s fine, but I’m curious as to why this step is necessary. Why doesn’t Google Fonts provide .woff or .woff2 files in the downloaded folder? After all, if you choose to use Google Fonts as a third-party hosting service for your fonts, it most definitely serves up the appropriate file formats.

I thought maybe it was something to do with the licensing. Maybe some licenses only allow for unmodified truetype files to be distributed? But I’ve looked at fonts with different licenses—some have Apache 2 licensing, some have Open Font licensing—and they’re all quite permissive and definitely allow for modification.

Maybe the thinking is that, if you’re hosting your own font files, then you know what you’re doing and you should be able to do your own file conversion and subsetting. But I’ve come across more than one website in the wild serving up .ttf files. And who can blame them? They want to host their own font files. They downloaded those files from Google Fonts. Why shouldn’t they assume that they’re good to go?

It’s all a bit strange. If anyone knows why Google Fonts only provides .ttf files for download, please let me know. In a pinch, I will also accept rampant speculation.

Trys also pointed out some weird default behaviour if you do let Google Fonts do the hosting for you. Specifically if it’s a variable font. Let’s say it’s a font with weight as a variable axis. You specify in advance which weights you’ll be using, and then it generates separate font files to serve for each different weight.

Doesn’t that defeat the whole point of using a variable font? I mean, I can see how it could result in smaller file sizes if you’re just using one or two weights, but isn’t half the fun of having a weight axis that you can go crazy with as many weights as you want and it’s all still one font file?

Like I said, it’s all very strange.

Clamp | Utopia

Trys has been investigating how to incorporate CSS clamp() into the brilliant Utopia project. I won’t pretend to understand all the maths here—this is a very deep dive!

He’s also created a CSS generator Mark 2 if you want to use clamp() in your fluid type.

Friday, August 28th, 2020

The Thing With Leading in CSS · Matthias Ott – User Experience Designer

An excellent explanation of the new leading-trim and text-edge properties in CSS, complete with an in-depth history of leading in typography.

(I’m very happy to finally have a permanent link to point to about this, rather than a post on Ev’s blog.)

Thursday, August 20th, 2020

Star Trek: The Motion Picture | Typeset In The Future

The latest edition in this wonderful series of science-fictional typography has some truly twisty turbolift tangents.