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Sunday, March 19th, 2023

Checked in at The Bugle Inn. Sunday session 🎶🎻 map

Checked in at The Bugle Inn. Sunday session 🎶🎻

Thursday, March 16th, 2023

Dumb Password Rules

A hall of shame for ludicrously convoluted password rules that actually reduce security.

Wednesday, March 15th, 2023

Checked in at Jolly Brewer. Wednesday night session 🎻🎶 — with Jessica map

Checked in at Jolly Brewer. Wednesday night session 🎻🎶 — with Jessica

print-color-adjust - CSS: Cascading Style Sheets | MDN

I love print stylesheets but I was today years old when I found out that print-color-adjust exists.

Tuesday, March 14th, 2023

Craft vs Industry: Separating Concerns by Thomas Michael Semmler: CSS Developer, Designer & Developer from Vienna, Austria

Call me Cassandra:

The way that industry incorporates design systems is basically a misappropriation, or abuse at worst. It is not just me who is seeing the problem with ongoing industrialization in design. Even Brad Frost, the inventor of atomic design, is expressing similar concerns. In the words of Jeremy Keith:

[…] Design systems take their place in a long history of dehumanising approaches to manufacturing like Taylorism. The priorities of “scientific management” are the same as those of design systems—increasing efficiency and enforcing consistency.

So no. It is not just you. We all feel it. This quote is from 2020, by the way. What was then a prediction has since become a reality.

This grim assessment is well worth a read. It rings very true.

What could have become Design Systemics, in which we applied systems theory, cybernetics, and constructivism to the process and practice of design, is now instead being reduced to component libraries. As a designer, I find this utter nonsense. Everyone who has even just witnessed a design process in action knows that the deliverable is merely a documenting artifact of the process and does not constitute it at all. But for companies, the “output” is all that matters, because it can be measured; it appeals to the industrialized process because it scales. Once a component is designed, it can be reused, configured, and composed to produce “free” iterations without having to consult a designer. The cost was reduced while the output was maximized. Goal achieved!

Tech-last

I’ve spent a lot of time thinking, talking and writing about evaluating technology and what Robin describes here is definitely a bad “code smell” that should ring alarm bells:

What’s really concerning is when everyone is consumed with the technology-first and the problem-last.

Unless you’re working in an R’n’D lab, start with user needs.

I’m certain now that if you want to build something great you have to see through the tech. And that’s really hard to do when this cool new thing is all that anyone is talking about. But that’s why this one specific thing is the hallmark of a great organization; they aren’t distracted by short-lived trends and instead focus on the problem-first. Relentlessly, through the noise.

Guessing

The last talk at the last dConstruct was by local clever clogs Anil Seth. It was called Your Brain Hallucinates Your Conscious Reality. It’s well worth a listen.

Anil covers a lot of the same ground in his excellent book, Being You. He describes a model of consciousness that inverts our intuitive understanding.

We tend to think of our day-to-day reality in a fairly mechanical cybernetic manner; we receive inputs through our senses and then make decisions about reality informed by those inputs.

As another former dConstruct speaker, Adam Buxton, puts it in his interview with Anil, it feels like that old Beano cartoon, the Numskulls, with little decision-making homonculi inside our head.

But Anil posits that it works the other way around. We make a best guess of what the current state of reality is, and then we receive inputs from our senses, and then we adjust our model accordingly. There’s still a feedback loop, but cause and effect are flipped. First we predict or guess what’s happening, then we receive information. Rinse and repeat.

The book goes further and applies this to our very sense of self. We make a best guess of our sense of self and then adjust that model constantly based on our experiences.

There’s a natural tendency for us to balk at this proposition because it doesn’t seem rational. The rational model would be to make informed calculations based on available data …like computers do.

Maybe that’s what sets us apart from computers. Computers can make decisions based on data. But we can make guesses.

Enter machine learning and large language models. Now, for the first time, it appears that computers can make guesses.

The guess-making is not at all like what our brains do—large language models require enormous amounts of inputs before they can make a single guess—but still, this should be the breakthrough to be shouted from the rooftops: we’ve taught machines how to guess!

And yet. Almost every breathless press release touting some revitalised service that uses AI talks instead about accuracy. It would be far more honest to tout the really exceptional new feature: imagination.

Using AI, we will guess who should get a mortgage.

Using AI, we will guess who should get hired.

Using AI, we will guess who should get a strict prison sentence.

Reframed like that, it’s easy to see why technologists want to bury the lede.

Alas, this means that large language models are being put to use for exactly the wrong kind of scenarios.

(This, by the way, is also true of immersive “virtual reality” environments. Instead of trying to accurately recreate real-world places like meeting rooms, we should be leaning into the hallucinatory power of a technology that can generate dream-like situations where the pleasure comes from relinquishing control.)

Take search engines. They’re based entirely on trust and accuracy. Introducing a chatbot that confidentally conflates truth and fiction doesn’t bode well for the long-term reputation of that service.

But what if this is an interface problem?

Currently facts and guesses are presented with equal confidence, hence the accurate descriptions of the outputs as bullshit or mansplaining as a service.

What if the more fanciful guesses were marked as such?

As it is, there’s a “temperature” control that can be adjusted when generating these outputs; the more the dial is cranked, the further the outputs will stray from the safest predictions. What if that could be reflected in the output?

I don’t know what that would look like. It could be typographic—some markers to indicate which bits should be taken with pinches of salt. Or it could be through content design—phrases like “Perhaps…”, “Maybe…” or “It’s possible but unlikely that…”

I’m sure you’ve seen the outputs when people request that ChatGPT write their biography. Perfectly accurate statements are generated side-by-side with complete fabrications. This reinforces our scepticism of these tools. But imagine how differently the fabrications would read if they were preceded by some simple caveats.

A little bit of programmed humility could go a long way.

Right now, these chatbots are attempting to appear seamless. If 80% or 90% of their output is accurate, then blustering through the other 10% or 20% should be fine, right? But I think the experience for the end user would be immensely more empowering if these chatbots were designed seamfully. Expose the wires. Show the workings-out.

Mind you, that only works if there is some way to distinguish between fact and fabrication. If there’s no way to tell how much guessing is happening, then that’s a major problem. If you can’t tell me whether something is 50% true or 75% true or 25% true, then the only rational response is to treat the entire output as suspect.

I think there’s a fundamental misunderstanding behind the design of these chatbots that goes all the way back to the Turing test. There’s this idea that the way to make a chatbot believable and trustworthy is to make it appear human, attempting to hide the gears of the machine. But the real way to gain trust is through honesty.

I want a machine to tell me when it’s guessing. That won’t make me trust it less. Quite the opposite.

After all, to guess is human.

Sunday, March 12th, 2023

Checked in at The Bugle Inn. Sunday session 🎻🎻 map

Checked in at The Bugle Inn. Sunday session 🎻🎻

Saturday, March 11th, 2023

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Checked in at Pulpeira de Melide. Clams, mackerel, tomatoes and tortilla — with Jessica

Checked in at Mercado Muncipal de San Agustín. Exploring the market — with Jessica map

Checked in at Mercado Muncipal de San Agustín. Exploring the market — with Jessica

Friday, March 10th, 2023

Checked in at Vermutería Martinez. Vermut — with Jessica map

Checked in at Vermutería Martinez. Vermut — with Jessica

Checked in at O Viñedo de Tito. Scallops and razor clams — with Jessica map

Checked in at O Viñedo de Tito. Scallops and razor clams — with Jessica

Checked in at O Merendeiro. Pulpo! 🐙 — with Jessica map

Checked in at O Merendeiro. Pulpo! 🐙 — with Jessica

Checked in at Jamón Jamón. Jamón! — with Jessica map

Checked in at Jamón Jamón. Jamón! — with Jessica

Checked in at La Bombilla. Croqueta y cerveza 🍺 — with Jessica map

Checked in at La Bombilla. Croqueta y cerveza 🍺 — with Jessica

Checked in at Vita K Galera 13. Pimentos de padron y Albariño — with Jessica map

Checked in at Vita K Galera 13. Pimentos de padron y Albariño — with Jessica

Wednesday, March 8th, 2023

Checked in at Jolly Brewer. Wednesday night session 🎻🎻🎶 map

Checked in at Jolly Brewer. Wednesday night session 🎻🎻🎶

Monday, March 6th, 2023

The past is a foreign country

I tried watching a classic Western this weekend, How The West Was Won. I did not make it far. Let’s just say that in the first few minutes, the Spencer Tracy voiceover that accompanies the sweeping vistas sets out an attitude toward the indigenous population that would not fly today.

It’s one thing to be repulsed by a film from another era, but it’s even more uncomfortable to revisit the films from your own teenage years.

Tim Carmody has written about the real hero of Top Gun:

Iceman’s concern for Maverick and the safety of his fighter unit is totally understandable. He tries, however awkwardly, to discuss Goose’s death with Maverick. There’s no discussion of blame. And when they’re assigned to fly into combat together, Iceman briefly and discreetly raises the issue of Maverick’s fitness to fly with his superior officer and withdraws his concern once a decision is made.

I know someone who didn’t watch Ferris Bueller’s Day Off until they were well into adulthood. Their sympathies lay squarely with Dean Rooney.

And I think we can all agree in hindsight that Walter Peck was completely correct in his assessment of the dangers in Ghostbusters.

Oh, and The Karate Kid was the real bully.

This week, George wrote I’ve fallen out of love with Indiana Jones. Indy’s attitude of “it belongs in a museum” is the same worldview that got the Parthenon Marbles into the British Museum (instead of, y’know, the Parthenon where they belong).

Adrian Hon invites us to imagine what it would be like if the tables were turned. He wrote a short piece of speculative fiction called The Taking of Stonehenge:

We selected these archaeological sites based on their importance to our collective understanding of human and galactic history, and their immediate risk of irreparable harm from pollution, climate change, neglect, and looting. We are sympathetic to claims that preserving these sites in their “original” context is important, but our duty of care outweighs such emotional considerations.

Sunday, March 5th, 2023

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Checked in at The Bugle Inn. Fiddletastic Sunday session 🎻🎻🎶

Thursday, March 2nd, 2023

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Checked in at Jolly Brewer. Wednesday night session — with Jessica