Space Elevator
Scroll up to the Kármán line.
Scroll up to the Kármán line.
A lovely bit of real-time data visualisation from Robin:
It’s a personal project created at home in Wales with an aim to explore and visualise renewable energy systems. Specifically, it aims to visualise live generation from renewable energy systems around Great Britain and to show where that generation is physically coming from.
The design process in action in Victorian England:
Recognizing that few people actually read statistical tables, Nightingale and her team designed graphics to attract attention and engage readers in ways that other media could not. Their diagram designs evolved over two batches of publications, giving them opportunities to react to the efforts of other parties also jockeying for influence. These competitors buried stuffy graphic analysis inside thick books. In contrast, Nightingale packaged her charts in attractive slim folios, integrating diagrams with witty prose. Her charts were accessible and punchy. Instead of building complex arguments that required heavy work from the audience, she focused her narrative lens on specific claims. It was more than data visualization—it was data storytelling.
This is a story about pizza and geometry.
The interactive widget here really demonstrates the difference between showing and telling.
A fascinating four-part series by Lisa Charlotte Muth on colour in data visualisations:
This is a great combination of rigorous research and great data visualisation.
Download this PDF to see 100 beautiful literary visualisations.
The next best thing to having Kurt Vonnegut at the blackboard.
Visualising the growth of the internet.
A beautiful interactive visualisation of every paper published in Nature.
Draw an iceberg and see how it will float.
There are some beautiful illustrations in this online exhibition of data visualisation in the past few hundred years.
A lovely visualisation of asteroids in our solar system.
A handy tool for getting an overview of your site’s CSS:
CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
A timeline showing the history of non-digital dataviz.
A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.
You can dive in and explore or read more about the project and how it was made.
It reminds me of Paul’s project, Bradshaw’s Guide: the both take a beloved artifact of the past and bring it online with care, love, and respect.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
At the beginning of the year, Remy wrote about extracting Goodreads metadata so he could create his end-of-year reading list. More recently, Mark Llobrera wrote about how he created a visualisation of his reading history. In his case, he’s using JSON to store the information.
This kind of JSON storage is exactly what Tom Critchlow proposes in his post, Library JSON - A Proposal for a Decentralized Goodreads:
Thinking through building some kind of “web of books” I realized that we could use something similar to RSS to build a kind of decentralized GoodReads powered by indie sites and an underlying easy to parse format.
His proposal looks kind of similar to what Mark came up with. There’s a title, an author, an image, and some kind of date for when you started and/or finished reading the book.
Matt then points out that RSS gets close to the data format being suggested and asks how about using RSS?:
Rather than inventing a new format, my suggestion is that this is RSS plus an extension to deal with books. This is analogous to how the podcast feeds are specified: they are RSS plus custom tags.
Like Matt, I’m in favour of re-using existing wheels rather than inventing new ones, mostly to avoid a 927 situation.
But all of these proposals—whether JSON or RSS—involve the creation of a separate file, and yet the information is originally published in HTML. Along the lines of Matt’s idea, I could imagine extending the h-entry
collection of class names to allow for books (or films, or other media). It already handles images (with u-photo
). I think the missing fields are the date-related ones: when you start and finish reading. Those fields are present in a different microformat, h-event
in the form of dt-start
and dt-end
. Maybe they could be combined:
<article class="h-entry h-event h-review">
<h1 class="p-name p-item">Book title</h1>
<img class="u-photo" src="image.jpg" alt="Book cover.">
<p class="p-summary h-card">Book author</p>
<time class="dt-start" datetime="YYYY-MM-DD">Start date</time>
<time class="dt-end" datetime="YYYY-MM-DD">End date</time>
<div class="e-content">Remarks</div>
<data class="p-rating" value="5">★★★★★</data>
<time class="dt-published" datetime="YYYY-MM-DDThh:mm">Date of this post</time>
</article>
That markup is simultaneously a post (h-entry
) and an event (h-event
) and you can even throw in h-card
for the book author (as well as h-review
if you like to rate the books you read). It can be converted to RSS and also converted to .ics
for calendars—those parsers are already out there. It’s ready for aggregation and it’s ready for visualisation.
I publish very minimal reading posts here on adactio.com. What little data is there isn’t very structured—I don’t even separate the book title from the author. But maybe I’ll have a little play around with turning these h-entries into combined h-entry/event posts.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.