Congratulations on a decade of publishing on your own site—you’re a blogging wizard, Harry!
Having this website changed and shaped my career. If you don’t have a blog, I urge you, start working on one this weekend. Your own blog, with your own content, at your own domain. It might just change your life.
The foreword to the self-published short book about design for non-designers.
Whenever I dipped my toe in the waters of the semantic web, I noticed there were two fundamentally different approaches. One approach was driven by the philosophy that absolutely everything in the universe should be theoretically describable. The other approach was far more lax, concentrating only on the popular use-cases: people, places, events, and that was pretty much it. These few common items, so the theory went, accounted for about 80% of actual usage in the real world. Trying to codify the remaining 20% would result in a disproportionate amount of effort.
I always liked that approach. I think it applies to a lot of endeavours. Coding, sketching, cooking—you can get up to speed on the bare essentials pretty quickly, and then spend a lifetime attaining mastery. But we don’t need to achieve mastery at every single thing we do. I’m quite happy to be just good enough at plenty of skills so that I can prioritise the things I really want to spend my time doing.
Perhaps web design isn’t a priority for you. Perhaps you’ve decided to double-down on programming. That doesn’t mean foregoing design completely. You can still design something pretty good …thanks to this book.
Tracy understands the fundamentals of web design so you don’t have to. She spent years learning, absorbing, and designing, and now she has very kindly distilled down the 80% of that knowledge that’s going to be the most useful to you.
Think of Hello Web Design as a book of cheat codes. It’s short, to the point, and tells you everything you need to know to be a perfectly competent web designer.
Rachel describes her process of putting technical talks together:
This method of creating a talk is the one that I find gets me from blank page to finished slide deck most effectively.
She also acknowledges that many other processes are available.
If you are stuck, and your usual method isn’t working, don’t be afraid to try a different approach even if just to get the ideas moving and take you away from staring at the blank page! You might discover that some types of talk benefit from an alternate starting point. There really are no rules here, other than that you do end up with a talk before you need to walk out on that stage.
George Lucas, Ted Chiang, Greg Egan, Stanley Kubrick, Tom Stoppard, William Shakespeare, and Ridley Scott are all part of Matt’s magnificent theory that the play is the thing.
Rosencrantz and Guildenstern are replicants.
Characters look like people, except they exist for only the duration of a movie — only while they are necessary. They come with backstory and memories fully established but never experienced, partly fabricated for the job and partly drawn from real people known by the screenwriter. At the end, they vanish, like tears in rain.
He had a good innings. A very good innings. He lived to 92 and was writing right up to the end.
I’m trying to remember the first thing I read by Brian Aldiss. I think it might have been The Billion Year Spree, his encyclopaedia of science fiction. The library in my hometown had a copy when I was growing up, and I was devouring everything SF-related.
Decades later I had the great pleasure of meeting the man. It was 2012 and I was in charge of putting together the line-up for that year’s dConstruct. I had the brilliant Lauren Beukes on the line-up all the way from South Africa and I thought it would be fun to organise some kind of sci-fi author event the evening before. Well, one thing led to another: Rifa introduced me to Tim Aldiss, who passed along a request to his father, who kindly agreed to come to Brighton for the event. Then Brighton-based Jeff Noon came on board. The end result was an hour and a half in the company of three fantastic—and fantastically different—authors.
Brian Aldiss was simply wonderful that evening. He regaled us with the most marvellous stories, at times hilarious, at other times incredibly touching. He was a true gentleman.
I’m so grateful that I’ll always have the memory of that evening. I’m also very grateful that I have so many Brian Aldiss books still to read.
I’ve barely made a dent into the ludicrously prolific output of the man. I’ve read just some of his books:
Non-stop—I’m a sucker for generation starship stories,
Hothouse—ludicrously lush and trippy,
Greybeard—a grim vision of a childless world before Children Of Men,
The Hand-reared Boy—filthy, honest and beautifully written,
Heliconia Spring—a deep-time epic …and I haven’t even read the next two books in the series!
Then there are the short stories. Hundreds of ‘em! Most famously Super-Toys Last All Summer Long—inspiration for the Kubrick/Spielberg A.I. film. It’s one of the most incredibly sad stories I’ve ever read. I find it hard to read it without weeping.
Whenever a great artist dies, it has become a cliché to say that they will live on through their work. In the case of Brian Aldiss and his astounding output, it’s quite literally true. I’m looking forward to many, many years of reading his words.
My sincerest condolences to his son Tim, his partner Alison, and everyone who knew and loved Brian Aldiss.
The ability of the physical world — a floor, a wall — to act as a screen of near infinite resolution becomes more powerful the more time we spend heads-down in our handheld computers, screens the size of palms. In fact, it’s almost impossible to see the visual patterns — the inherent adjacencies — of a physical book unless you deconstruct it and splay it out on the floor.
Craig gives us a walkthrough—literally—of the process behind the beautiful Koya Bound book.
Deciding to make any book is an act of creative faith (and ego and hubris, but these aren’t all exclusionary). But before Dan and I sold any copies of Koya Bound, we walked atop the pages that would become the book, not really knowing if there existed an audience for the book.
Given my experience publishing Resilient Web Design as a web book, I think I should take a good look at this nascent spec.
What we envision for Packaged Web Publications is similar to the goals and techniques of Progressive Web Apps: breaking the boundaries between web sites and mobile apps, an emphasis on “offline” paradigms, and so on. The time is right to broaden the scope and power of the web to include publications.